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A Legacy Regained: Niko and the Russian Avant-Garde
A LEGACY REGAINED: NIKO AND THE RUSSIAN AVANT-GARDE PALACE EDITIONS Contents 8 Foreword Evgeniia Petrova 9 Preface Job de Ruiter 10 Acknowledgements and Notes to the Reader John E. Bowlt and Mark Konecny 13 Introduction John E. Bowlt and Mark Konecny Part I. Nikolai Khardzhiev and the Russian Avant Garde Remembering Nikolai Khardzhiev 21 Nikolai Khardzhiev RudolfDuganov 24 The Future is Now! lra Vrubel-Golubkina 36 Nikolai Khardzhiev and the Suprematists Nina Suetina 43 Nikolai Khardzhiev and the Maiakovsky Museum, Moscow Gennadii Aigi 50 My Memoir of Nikolai Khardzhiev Vyacheslav Ivanov 53 Nikolai Khardzhiev and My Family Zoya Ender-Masetti 57 My Meetings with Nikolai Khardzhiev Galina Demosfenova 59 Nikolai Khardzhiev, Knight of the Avant-garde Jean-C1aude Marcade 63 A Sole Encounter Szymon Bojko 65 The Guardian of the Temple Andrei Nakov 69 A Prophet in the Wilderness John E. Bowlt 71 The Great Commentator, or Notes About the Mole of History Vasilii Rakitin Writings by Nikolai Khardzhiev Essays 75 Autobiography 76 Poetry and Painting:The Early Maiakovsky 81 Cubo-Futurism 83 Maiakovsky as Partisan 92 Painting and Poetry Profiles ofArtists and Writers 99 Elena Guro 101 Boris Ender 103 In Memory of Natalia Goncharova and Mikhail Larionov 109 Vladimir Maiakovsky 122 Velimir Khlebnikov 131 Alexei Kruchenykh 135 VladimirTatlin 137 Alexander Rodchenko 139 EI Lissitzky Contents Texts Edited and Annotated by Nikolai Khardzhiev 147 Nikolai Khardzhiev Introductions to Kazimir Malevich's Autobiography (Parts 1 and 2) 157 Kazimir Malevieh Autobiography 172 Nikolai Khardzhiev Introduction to Mikhail Matiushin's The Russian Cubo-Futurists 173 Mikhail Matiushin The Russian Cubo-Futurists 183 Alexei Morgunov A Memoir 186 Nikolai Khardzhiev Introduction to Khlebnikov Is Everywhere! 187 Khlebnikov is Everywhere! Memoirs by Oavid Burliuk, Nadezhda Udaltsova, Amfian Reshetov, and on Osip Mandelshtam 190 Nikolai Khardzhiev Introduction to Lev Zhegin's Remembering Vasilii Chekrygin 192 Lev Zhegin Remembering Vasilii Chekrygin Part 11. -
March 5, 2019 Press Release WINNERS of the 7TH ANNUAL
March 5, 2019 Press release WINNERS OF THE 7TH ANNUAL THE ART NEWSPAPER RUSSIA AWARD ANNOUNCED On March 1, the 7th Annual Award of The Art Newspaper Russia took place. 2018 winners in categories “Museum of the Year”, “Exhibition of the Year”, “Book of the Year”, “Restoration of the Year” and “Personal Contribution” were announced at the Gostiny Dvor. The annual award of The Art Newspaper Russia is one of the most anticipated events in the art world, an acknowledgment of outstanding achievements in the field. The award highlights the past year's most significant events in Russian art both in Russia and abroad, as well as the work of patrons of the art in developing and preserving cultural heritage. The choice of winners was determined by both public response and the professional community's feedback. The award itself is a sculpture by Russian artist Sergey Shekhovtsov depicting the Big Ben of London and the Spasskaya Tower of the Moscow Kremlin as intersecting clock hands. The Art Newspaper highlights the events that incorporate Russia into the international art scene, promote Russian art abroad and, on the other hand, allow Russians to see and appreciate the art of the world. Inna Bazhenova, publisher and founder of The Art Newspaper Russia Award, the head the Department of Culture of Moscow Alexander Kibovsky and the editor-in-chief of The Art Newspaper Russia Milena Orlova opened the ceremony. This year the jewellery company Mercury became the general partner of The Art Newspaper Russia Award. For Mercury, cooperation with the number one art newspaper was a continuation of the company’s strategy to support the most significant cultural events. -
Art Market in Russia. Report 2016 Year 2016 Proved That People in Russia Are Really Desperate Art Lovers
Art Market in Russia. Report 2016 Year 2016 proved that people in Russia are really desperate art lovers. How else would you explain that thousands of them spent hours in the freezing cold queueing to visit museum exhibitions? Russians were so motivated to see Valentin Serov exhibition in Tretyakov Gallery last January that the government had to bring military field kitchens in order not to let them freeze to death standing in line. Later another thousands of art-maniacs were freezing in the cold for hours to see the paintings of Ivan Aivazovsky and Raphael. Governmental statistics show that almost 120 000 000 people visited Russian museums and art galleries in 2016. Overwhelming figure. And it would be logical to assume that such a great number of experienced museum visitors was an indication of a big number of art buyers on the local market. But (spoiler alert!) it wasn’t! At least not in 2016. Overall, 2016 was ineffectual year for the Russian art market. The economic crisis affected the country more than in 2015. The business climate deteriorated. The Russian Ministry of Culture cut almost to zero the real export capa- bilities of the auctions and art galleries. Several well-known professionals of the art market suffered unconvincing lawsuits. Some of them got criminal records for «smuggling» (like dealer Sergey Stepanov) or even were put in prison (as Russian avant-garde books gallerist Anatoly Borovkov). All these cases had bad consequences for weak art market and mood of art business elite. At the same time, 2016 brought some good signs to the local art market. -
The Futurist Moment : Avant-Garde, Avant Guerre, and the Language of Rupture
MARJORIE PERLOFF Avant-Garde, Avant Guerre, and the Language of Rupture THE UNIVERSITY OF CHICAGO PRESS CHICAGO AND LONDON FUTURIST Marjorie Perloff is professor of English and comparative literature at Stanford University. She is the author of many articles and books, including The Dance of the Intellect: Studies in the Poetry of the Pound Tradition and The Poetics of Indeterminacy: Rimbaud to Cage. Published with the assistance of the J. Paul Getty Trust Permission to quote from the following sources is gratefully acknowledged: Ezra Pound, Personae. Copyright 1926 by Ezra Pound. Used by permission of New Directions Publishing Corp. Ezra Pound, Collected Early Poems. Copyright 1976 by the Trustees of the Ezra Pound Literary Property Trust. All rights reserved. Used by permission of New Directions Publishing Corp. Ezra Pound, The Cantos of Ezra Pound. Copyright 1934, 1948, 1956 by Ezra Pound. Used by permission of New Directions Publishing Corp. Blaise Cendrars, Selected Writings. Copyright 1962, 1966 by Walter Albert. Used by permission of New Directions Publishing Corp. The University of Chicago Press, Chicago 60637 The University of Chicago Press, Ltd., London © 1986 by The University of Chicago All rights reserved. Published 1986 Printed in the United States of America 95 94 93 92 91 90 89 88 87 86 54321 Library of Congress Cataloging-in-Publication Data Perloff, Marjorie. The futurist moment. Bibliography: p. Includes index. 1. Futurism. 2. Arts, Modern—20th century. I. Title. NX600.F8P46 1986 700'. 94 86-3147 ISBN 0-226-65731-0 For DAVID ANTIN CONTENTS List of Illustrations ix Abbreviations xiii Preface xvii 1. -
Культура І Мистецтво Великої Британії Culture and Art of Great Britain
НАЦІОНАЛЬНА АКАДЕМІЯ ПЕДАГОГІЧНИХ НАУК УКРАЇНИ ІНСТИТУТ ПЕДАГОГІКИ Т.К. Полонська КУЛЬТУРА І МИСТЕЦТВО ВЕЛИКОЇ БРИТАНІЇ CULTURE AND ART OF GREAT BRITAIN Навчальний посібник елективного курсу з англійської мови для учнів старших класів профільної школи Київ Видавничий дім «Сам» 2017 УДК 811.111+930.85(410)](076.6) П 19 Рекомендовано до друку вченою радою Інституту педагогіки НАПН України (протокол №11 від 08.12.2016 року) Схвалено для використання у загальноосвітніх навчальних закладах (лист ДНУ «Інститут модернізації змісту освіти». №21.1/12 -Г-233 від 15.06.2017 року) Рецензенти: Олена Ігорівна Локшина – доктор педагогічних наук, професор, завідувачка відділу порівняльної педагогіки Інституту педагогіки НАПН України; Світлана Володимирівна Соколовська – кандидат педагогічних наук, доцент, заступник декана з науково- методичної та навчальної роботи факультету права і міжнародних відносин Київського університету імені Бориса Грінченка; Галина Василівна Степанчук – учителька англійської мови Навчально-виховного комплексу «Нововолинська спеціалізована школа І–ІІІ ступенів №1 – колегіум» Нововолинської міської ради Волинської області. Культура і мистецтво Великої Британії : навчальний посібник елективного курсу з англійської мови для учнів старших класів профільної школи / Т. К. Полонська. – К. : Видавничий дім «Сам», 2017. – 96 с. ISBN Навчальний посібник є основним засобом оволодіння учнями старшої школи змістом англомовного елективного курсу «Культура і мистецтво Великої Британії». Створення посібника сприятиме подальшому розвиткові у -
Joint Deliberation Between the Russian Orthodox Church Abroad and the Church of the Genuine Orthodox Christians of Greece
Joint Deliberation Between the Russian Orthodox Church Abroad and the Church of the Genuine Orthodox Christians of Greece Communiqué from the Joint Deliberation of the Holy Synod of the Russian Orthodox Church Abroad with the Delegation from the Holy Synod of the Church of the Genuine Orthodox Christians of Greece On Tuesday, April 15/28, 2015, at the headquarters of the Synod of the Russian Orthodox Church Abroad (ROCA) in Odessa, Ukraine, a joint fraternal deliberation was held between the Holy Synod of the Russian Orthodox Church Abroad, under His Eminence, Metropolitan Agafan- gel, who was present with six other Hierarchs (Andronik, Georgiy, Afanassy, Kirill, Nikon, and Roman), and an official Synodal delegation from the Church of the Genuine Orthodox Christians of Greece (He Ekklesia G.O.Ch. Hellados, or the Church of the G.O.C. of Greece), consisting of three Hierarchs (Photios of Marathon,Ambrose of Methone, and Klemes of Gardikion) and a Pres- byter (Father Michael Konstantinides), who served as their translator. The aim of this joint deliberation was to secure the unity of the two Churches by means of di- alogue on certain issues of mutual interest, seen by both sides as needing clarification. In a spirit of peace, mutual respect, and love, the delegations dealt with eight principal issues, achieving unanimity thereupon. To wit: 1. It was decided that the ROCA would refrain from accepting a certain group of clergy, owing to impediments of a canonical nature, which were pointed out by the Greek side. As well, it was agreed that henceforth there should be joint consultations in handling similar instances of petitions from clergymen located abroad; that is, outside the canonical territories of the two Churches. -
Shapiro Auctions
Shapiro Auctions RUSSIAN ART AUCTION INCLUDING POSTERS & BOOKS Tuesday - June 15, 2010 RUSSIAN ART AUCTION INCLUDING POSTERS & BOOKS 1: GUBAREV ET AL USD 800 - 1,200 GUBAREV, Petr Kirillovich et al. A collection of 66 lithographs of Russian military insignia and arms, from various works, ca. 1840-1860. Of varying sizes, the majority measuring 432 x 317mm (17 x 12 1/2 in.) 2: GUBAREV ET AL USD 1,000 - 1,500 GUBAREV, Petr Kirillovich et al. A collection of 116 lithographs of Russian military standards, banners, and flags from the 18th to the mid-19th centuries, from various works, ca. 1830-1840. Of varying sizes, the majority measuring 434 x 318mm (17 1/8 x 12 1/2 in.) 3: RUSSIAN CHROMOLITHOGRAPHS, C1870 USD 1,500 - 2,000 A collection of 39 color chromolithographs of Russian military uniforms predominantly of Infantry Divisions and related Artillery Brigades, ca. 1870. Of various sizes, the majority measuring 360 x 550mm (14 1/4 x 21 5/8 in.) 4: PIRATSKII, KONSTANTIN USD 3,500 - 4,500 PIRATSKII, Konstantin. A collection of 64 color chromolithographs by Lemercier after Piratskii from Rossiskie Voiska [The Russian Armies], ca. 1870. Overall: 471 x 340mm (18 1/2 x 13 3/8 in.) 5: GUBAREV ET AL USD 1,200 - 1,500 A collection of 30 lithographs of Russian military uniforms [23 in color], including illustrations by Peter Kirillovich Gubarev et al, ca. 1840-1850. Of varying sizes, the majority measuring 400 x 285mm (15 3/4 x 11 1/4 in.), 6: DURAND, ANDRE USD 2,500 - 3,000 DURAND, André. -
Russian Museums Visit More Than 80 Million Visitors, 1/3 of Who Are Visitors Under 18
Moscow 4 There are more than 3000 museums (and about 72 000 museum workers) in Russian Moscow region 92 Federation, not including school and company museums. Every year Russian museums visit more than 80 million visitors, 1/3 of who are visitors under 18 There are about 650 individual and institutional members in ICOM Russia. During two last St. Petersburg 117 years ICOM Russia membership was rapidly increasing more than 20% (or about 100 new members) a year Northwestern region 160 You will find the information aboutICOM Russia members in this book. All members (individual and institutional) are divided in two big groups – Museums which are institutional members of ICOM or are represented by individual members and Organizations. All the museums in this book are distributed by regional principle. Organizations are structured in profile groups Central region 192 Volga river region 224 Many thanks to all the museums who offered their help and assistance in the making of this collection South of Russia 258 Special thanks to Urals 270 Museum creation and consulting Culture heritage security in Russia with 3M(tm)Novec(tm)1230 Siberia and Far East 284 © ICOM Russia, 2012 Organizations 322 © K. Novokhatko, A. Gnedovsky, N. Kazantseva, O. Guzewska – compiling, translation, editing, 2012 [email protected] www.icom.org.ru © Leo Tolstoy museum-estate “Yasnaya Polyana”, design, 2012 Moscow MOSCOW A. N. SCRiAbiN MEMORiAl Capital of Russia. Major political, economic, cultural, scientific, religious, financial, educational, and transportation center of Russia and the continent MUSEUM Highlights: First reference to Moscow dates from 1147 when Moscow was already a pretty big town. -
Alexii and Zina Bushunow Joined in the Mystery of Matrimony
Alexii and Zina Bushunow Joined in the Mystery of Matrimony On September 24, 2012 (Old Style), the Feast of St. Thekla, Equal-to-the-Apostles, Alexii Bushunow, the son of Deacon Father Dr. Peter and Diakonissa Milica (Melissa) Bushnow, from our Exarchate parish of the Holy Ascension in Rochester, NY, and Zina Tazine, the daughter of Sergei and Irina Tazin of Moscow, Russia, and New York City, were joined in the Mystery of Holy Matrimony. The service was celebrated by Archbishop Andronik of our Sister Church, the Russian Orthodox Church Abroad, at the St. Sergius parish in Valley Cottage, NY, and was fol- lowed by a gala dinner and celebration at the NewYork Country Club in New Hempstead, NY. His Eminence, Archbishop Chrysostomos and His Grace, Bishop Auxentios were scheduled to concelebrate the wedding with His Eminence, Archbishop Andronik, but Archbishop Chry- sostomos was unable to attend for health reasons and Bishop Auxentios was prevented from attending by time restraints related to his departure for Greece and the annual meeting of the Holy Synod. Both Hierarchs, however, sent their warmest greetings, as well as flowers, to the new couple and their families, wishing them “Many Years” of happy marriage. Pictured below (left to right), are the bride, her parents, Mr. and Mrs. Tazin, Archpriest Gregory Kotlaroff (the brother in the flesh of of Archbishop Andronik and pastor of the St. Ser- gius Church), His Eminence,Archbishop Andronik, Deacon Father Peter Bushunow, the groom, and Diakonissa Melissa Bushunow.. -
Museological Unconscious VICTOR TUPITSYN Introduction by Susan Buck-Morss and Victor Tupitsyn the Museological Unconscious
The Museological Unconscious VICTOR TUPITSYN introduction by Susan Buck-Morss and Victor Tupitsyn The Museological Unconscious VICTOR TUPITSYN The Museological Unconscious VICTOR TUPITSYN Communal (Post)Modernism in Russia THE MIT PRESS CAMBRIDGE, MASSACHUSETTS LONDON, ENGLAND © 2009 Massachusetts Institute of Technology All rights reserved. No part of this book may be reproduced in any form by any electronic or mechanical means (including photocopying, recording, or information storage and retrieval) without permission in writing from the publisher. MIT Press books may be purchased at special quantity discounts for business or sales promotional use. For information, please email special_sales@ mitpress.mit .edu or write to Special Sales Department, The MIT Press, 55 Hayward Street, Cambridge, MA 02142. This book was set in Sabon and Univers by Graphic Composition, Inc., Bogart, Georgia. Printed and bound in Spain. Library of Congress Cataloging-in-Publication Data Tupitsyn, Viktor, 1945– The museological unconscious : communal (post) modernism in Russia / Victor Tupitsyn. p. cm. Includes bibliographical references and index. ISBN 978-0-262-20173-5 (hard cover : alk. paper) 1. Avant-garde (Aesthetics)—Russia (Federation) 2. Dissident art—Russia (Federation) 3. Art and state— Russia (Federation) 4. Art, Russian—20th century. 5. Art, Russian—21st century. I. Title. N6988.5.A83T87 2009 709.47’09045—dc22 2008031026 10 9 8 7 6 5 4 3 2 1 To Margarita CONTENTS PREFACE ix 1 Civitas Solis: Ghetto as Paradise 13 INTRODUCTION 1 2 Communal (Post)Modernism: 33 SUSAN BUCK- MORSS A Short History IN CONVERSATION 3 Moscow Communal Conceptualism 101 WITH VICTOR TUPITSYN 4 Icons of Iconoclasm 123 5 The Sun without a Muzzle 145 6 If I Were a Woman 169 7 Pushmi- pullyu: 187 St. -
Detki V Kletke: the Childlike Aesthetic in Soviet Children's Literature and Unofficial Poetry
Detki v kletke: The Childlike Aesthetic in Soviet Children's Literature and Unofficial Poetry The Harvard community has made this article openly available. Please share how this access benefits you. Your story matters Citation Morse, Ainsley. 2016. Detki v kletke: The Childlike Aesthetic in Soviet Children's Literature and Unofficial Poetry. Doctoral dissertation, Harvard University, Graduate School of Arts & Sciences. Citable link http://nrs.harvard.edu/urn-3:HUL.InstRepos:33493521 Terms of Use This article was downloaded from Harvard University’s DASH repository, and is made available under the terms and conditions applicable to Other Posted Material, as set forth at http:// nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of- use#LAA Detki v kletke: The Childlike Aesthetic in Soviet Children’s Literature and Unofficial Poetry A dissertation presented by Ainsley Elizabeth Morse to The Department of Slavic Languages and Literatures in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the subject of Slavic Languages and Literatures Harvard University Cambridge, Massachusetts April 2016 © 2016 – Ainsley Elizabeth Morse. All rights reserved. Dissertation Advisor: Professor Stephanie Sandler Ainsley Elizabeth Morse Detki v kletke: The Childlike Aesthetic in Soviet Children’s Literature and Unofficial Poetry Abstract Since its inception in 1918, Soviet children’s literature was acclaimed as innovative and exciting, often in contrast to other official Soviet literary production. Indeed, avant-garde artists worked in this genre for the entire Soviet period, although they had fallen out of official favor by the 1930s. This dissertation explores the relationship between the childlike aesthetic as expressed in Soviet children’s literature, the early Russian avant-garde and later post-war unofficial poetry. -
I Am Falling Behind the Happenings
The Diary of Anatoly S. Chernyaev 1985 Donated by A.S. Chernyaev to The National Security Archive Translated by Anna Melyakova Edited by Svetlana Savranskaya http://www.nsarchive.org Translation © The National Security Archive, 2006 The Diary of Anatoly S. Chernyaev, 1985 http://www.nsarchive.org January 4th, 1985. I am falling behind the events. And they are bustling. Before the New Year’s I was distressed for Ponomarev:1 Kosolapov asked for permission to print in Communist the conclusion we wrote for B.N. [Ponomarev] for the eight-volume International Labor Movement. In response, he received instructions from Zimyanin2 to remove the footnote that it was the conclusion—let it, he says, be just an article... This is how Zimyanin now gives orders to B.N., being lower in rank than him! But something else is the most important—he reflects the “opinion” that it is not necessary to establish the connection (for many decades into the future) between Ponomarev and this fundamental publication in an official Party organ... That is, they are preparing our B.N. for the hearse. I think he will not survive the XXYII Congress; in any case not as CC [Central Committee] Secretary. At work, almost every day brings evidence of his helplessness. His main concern right now is to vindicate at least something of his self-imagined “halo” of the creator of the third (1961) Party Program. In no way can he reconcile himself to the fact that life has torn “his creation” to pieces. He blames everything on the intrigues of either Gorbachev3 or Chernenko4; but mainly on “the curly one” (this is how he calls Chernenko’s assistant Pechenev); and also in part on Aleksandrov5 and Zagladin.6 He complains to me, seeking in me somebody to talk to, a sympathizer.