Культура І Мистецтво Великої Британії Culture and Art of Great Britain
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Excesss Karaoke Master by Artist
XS Master by ARTIST Artist Song Title Artist Song Title (hed) Planet Earth Bartender TOOTIMETOOTIMETOOTIM ? & The Mysterians 96 Tears E 10 Years Beautiful UGH! Wasteland 1999 Man United Squad Lift It High (All About 10,000 Maniacs Candy Everybody Wants Belief) More Than This 2 Chainz Bigger Than You (feat. Drake & Quavo) [clean] Trouble Me I'm Different 100 Proof Aged In Soul Somebody's Been Sleeping I'm Different (explicit) 10cc Donna 2 Chainz & Chris Brown Countdown Dreadlock Holiday 2 Chainz & Kendrick Fuckin' Problems I'm Mandy Fly Me Lamar I'm Not In Love 2 Chainz & Pharrell Feds Watching (explicit) Rubber Bullets 2 Chainz feat Drake No Lie (explicit) Things We Do For Love, 2 Chainz feat Kanye West Birthday Song (explicit) The 2 Evisa Oh La La La Wall Street Shuffle 2 Live Crew Do Wah Diddy Diddy 112 Dance With Me Me So Horny It's Over Now We Want Some Pussy Peaches & Cream 2 Pac California Love U Already Know Changes 112 feat Mase Puff Daddy Only You & Notorious B.I.G. Dear Mama 12 Gauge Dunkie Butt I Get Around 12 Stones We Are One Thugz Mansion 1910 Fruitgum Co. Simon Says Until The End Of Time 1975, The Chocolate 2 Pistols & Ray J You Know Me City, The 2 Pistols & T-Pain & Tay She Got It Dizm Girls (clean) 2 Unlimited No Limits If You're Too Shy (Let Me Know) 20 Fingers Short Dick Man If You're Too Shy (Let Me 21 Savage & Offset &Metro Ghostface Killers Know) Boomin & Travis Scott It's Not Living (If It's Not 21st Century Girls 21st Century Girls With You 2am Club Too Fucked Up To Call It's Not Living (If It's Not 2AM Club Not -
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized. -
Graham Budd Auctions Sotheby's 34-35 New Bond Street Sporting Memorabilia London W1A 2AA United Kingdom Started 22 May 2014 10:00 BST
Graham Budd Auctions Sotheby's 34-35 New Bond Street Sporting Memorabilia London W1A 2AA United Kingdom Started 22 May 2014 10:00 BST Lot Description An 1896 Athens Olympic Games participation medal, in bronze, designed by N Lytras, struck by Honto-Poulus, the obverse with Nike 1 seated holding a laurel wreath over a phoenix emerging from the flames, the Acropolis beyond, the reverse with a Greek inscription within a wreath A Greek memorial medal to Charilaos Trikoupis dated 1896,in silver with portrait to obverse, with medal ribbonCharilaos Trikoupis was a 2 member of the Greek Government and prominent in a group of politicians who were resoundingly opposed to the revival of the Olympic Games in 1896. Instead of an a ...[more] 3 Spyridis (G.) La Panorama Illustre des Jeux Olympiques 1896,French language, published in Paris & Athens, paper wrappers, rare A rare gilt-bronze version of the 1900 Paris Olympic Games plaquette struck in conjunction with the Paris 1900 Exposition 4 Universelle,the obverse with a triumphant classical athlete, the reverse inscribed EDUCATION PHYSIQUE, OFFERT PAR LE MINISTRE, in original velvet lined red case, with identical ...[more] A 1904 St Louis Olympic Games athlete's participation medal,without any traces of loop at top edge, as presented to the athletes, by 5 Dieges & Clust, New York, the obverse with a naked athlete, the reverse with an eleven line legend, and the shields of St Louis, France & USA on a background of ivy l ...[more] A complete set of four participation medals for the 1908 London Olympic -
Martin Amis Appointed Professor of Creative Writing Features Letter from the President News
The free magazine for The University of Manchester 5 March 2007 Uni LifIessue 7 Volume 4 Martin Amis appointed Professor of Creative Writing Features Letter from the President News News Manchester’s students Martin Amis appointed most wanted page 3 Martin Amis, arguably the leading novelist of his generation, has been appointed Professor of Creative Writing at The University of Manchester. He will be in position in time for the launch of the Centre for New Writing, due to open in September. Amis will run postgraduate seminars at at Manchester has long been one of the best in the the Centre and will also participate in country, but the foundation of the Centre and the appointments of Martin Amis and Patricia Duncker Research four public events each year, including mean that we will continue to attract – and provide Village found near a two week summer school where a terrific apprenticeship for – talented new Stonehenge writers will teach MA students from the novelists, poets and critics. Martin and Patricia are UK and abroad. both writers who are interested in the broad swim page 7 of contemporary culture, so the Centre will be a He will be based in the School of Arts Histories and prominent platform for the best new creative and Cultures, also home to the leading literary theorist critical writing being produced in the UK.” When the new University of Manchester was We now face the major, unavoidable challenge of and critic, Professor Terry Eagleton. founded in October 2004, it was on the firm addressing these two deficits – one structural, -
A Resurrection Parade Sketch/Short Program
A Resurrection Parade Sketch/Short Program [Please provide: two narrators, five women to model hats, five Easter bonnets/straw hats, copies of the bonnet item patterns found at the end of the sketch, yellow and orange cardstock paper, gray cardstock paper, dark brown cardstock paper, a small lightweight rock or picture of a rock, a small butterfly clip (either store-bought or made out of yellow cardstock paper), small metal clip, four small plastic Easter eggs, white cardstock paper, hot glue gun and glue sticks, pianist, music score for the song “Easter Parade” by Irving Berlin, copies of this program for each model and for the narrators, copy of the “Resurrection Parade” song for all present located at the end of this program] To prepare: Make copies of the hat (bonnet) item patterns found at the end of the sketch. Use the patterns to make each of the hat items as described below. Attach the items to the hats, one item per hat. Sunrise bonnet: a half sun with rays that looks like a sunrise made out of yellow and orange cardstock paper. Empty tomb bonnet: an open tomb shape made out of gray cardstock paper. Hot glue a small lightweight rock or picture of a rock next to the opening of the tomb. Cut three small crosses from dark brown cardstock paper and hot glue them on the bonnet to the far left side of the empty tomb. Butterfly bonnet: a store-bought or yellow cardstock paper butterfly glued to a metal clip. Clip the butterfly to the center of the bonnet. -
(312) 443-3625 [email protected] [email protected]
FOR IMMEDIATE RELEASE January 14, 2013 MEDIA CONTACTS: Erin Hogan Chai Lee (312) 443-3664 (312) 443-3625 [email protected] [email protected] THE ART INSTITUTE HONORS 100-YEAR RELATIONSHIP BETWEEN PICASSO AND CHICAGO WITH LANDMARK MUSEUM–WIDE CELEBRATION First Large-Scale Picasso Exhibition Presented by the Art Institute in 30 Years Commemorates Centennial Anniversary of the Armory Show Picasso and Chicago on View Exclusively at the Art Institute February 20–May 12, 2013 Special Loans, Installations throughout Museum, and Programs Enhance Presentation This winter, the Art Institute of Chicago celebrates the unique relationship between Chicago and one of the preeminent artists of the 20th century—Pablo Picasso—with special presentations, singular paintings on loan from the Philadelphia Museum of Art, and programs throughout the museum befitting the artist’s unparalleled range and influence. The centerpiece of this celebration is the major exhibition Picasso and Chicago, on view from February 20 through May 12, 2013 in the Art Institute’s Regenstein Hall, which features more than 250 works selected from the museum’s own exceptional holdings and from private collections throughout Chicago. Representing Picasso’s innovations in nearly every media—paintings, sculpture, prints, drawings, and ceramics—the works not only tell the story of Picasso’s artistic development but also the city’s great interest in and support for the artist since the Armory Show of 1913, a signal event in the history of modern art. BMO Harris is the Lead Corporate Sponsor of Picasso and Chicago. "As Lead Corporate Sponsor of Picasso and Chicago, and a bank deeply rooted in the Chicago community, we're pleased to support an exhibition highlighting the historic works of such a monumental artist while showcasing the artistic influence of the great city of Chicago," said Judy Rice, SVP Community Affairs & Government Relations, BMO Harris Bank. -
Exhibition of the Arthur Jerome Eddy Collection of Modern Paintings and Sculpture Source: Bulletin of the Art Institute of Chicago (1907-1951), Vol
The Art Institute of Chicago Exhibition of the Arthur Jerome Eddy Collection of Modern Paintings and Sculpture Source: Bulletin of the Art Institute of Chicago (1907-1951), Vol. 25, No. 9, Part II (Dec., 1931), pp. 1-31 Published by: The Art Institute of Chicago Stable URL: https://www.jstor.org/stable/4103685 Accessed: 05-03-2019 18:14 UTC JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at https://about.jstor.org/terms The Art Institute of Chicago is collaborating with JSTOR to digitize, preserve and extend access to Bulletin of the Art Institute of Chicago (1907-1951) This content downloaded from 198.40.29.65 on Tue, 05 Mar 2019 18:14:34 UTC All use subject to https://about.jstor.org/terms EXHIBITION OF THE ARTHUR JEROME EDDY COLLECTION OF MODERN PAINTINGS AND SCULPTURE ARTHUR JEROME EDDY BY RODIN THE ART INSTITUTE OF CHICAGO DECEMBER 22, 1931, TO JANUARY 17, 1932 Part II of The Bulletin of The Art Institute of Chicago, Volume XXV, No. 9, December, 1931 This content downloaded from 198.40.29.65 on Tue, 05 Mar 2019 18:14:34 UTC All use subject to https://about.jstor.org/terms No. 19. -
Black Light Burns Cruel Melody Mp3, Flac, Wma
Black Light Burns Cruel Melody mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic / Rock Album: Cruel Melody Country: US Released: 2007 Style: Electro, Goth Rock MP3 version RAR size: 1390 mb FLAC version RAR size: 1273 mb WMA version RAR size: 1864 mb Rating: 4.4 Votes: 555 Other Formats: VQF WMA AU VOX MOD AC3 MIDI Tracklist Hide Credits Mesopotamia 1 4:29 Mixed By – Ross Robinson, Ryan Boesch 2 Animal 4:08 Lie 3 4:21 Bass – Danny LohnerProgrammed By [Additional] – Charlie Clouser Coward 4 4:36 Bass, Guitar – Danny LohnerVocals [Additional] – Sonny Moore Cruel Melody 5 5:00 Vocals [Additional] – Carina Round 6 The Mark 3:13 I Have A Need 7 4:24 Bass – Sam Rivers Guitar – Danny Lohner 8 4 Walls 3:51 9 Stop A Bullet 3:37 10 One Of Yours 4:51 New Hunger 11 Cello – John Krovoza, Matt Cooker*, Richard Dodd Viola – Leah KatzViolin – Daphne Chen, 5:24 Eric Gorfain I Am Where It Takes Me 12 Cello – John Krovoza, Matt Cooker*, Richard Dodd Drums – Wes BorlandViola – Leah 6:09 KatzViolin – Daphne Chen, Eric GorfainVocals [Additional] – Johnette Napolitano Iodine Sky 13 8:30 Mixed By – Wes Borland Credits Drums, Percussion – Josh Freese Engineer – Critter*, Josh Eustis* Engineer [Additional] – Danny Lohner, Wes Borland Lead Vocals, Guitar, Bass, Programmed By, Percussion, Synthesizer, Piano, Electric Piano [Rhodes], Violin, Cello – Wes Borland Mixed By – Tom Lord-Alge (tracks: 2 to 12) Performer [Live Bass] – Sean Fetterman Performer [Live Drums] – Marshall Kilpatric Performer [Live Guitar] – Nick Annis Performer [Live Vocals, Guitar] -
Heavy Metal and Classical Literature
Lusty, “Rocking the Canon” LATCH, Vol. 6, 2013, pp. 101-138 ROCKING THE CANON: HEAVY METAL AND CLASSICAL LITERATURE By Heather L. Lusty University of Nevada, Las Vegas While metalheads around the world embrace the engaging storylines of their favorite songs, the influence of canonical literature on heavy metal musicians does not appear to have garnered much interest from the academic world. This essay considers a wide swath of canonical literature from the Bible through the Science Fiction/Fantasy trend of the 1960s and 70s and presents examples of ways in which musicians adapt historical events, myths, religious themes, and epics into their own contemporary art. I have constructed artificial categories under which to place various songs and albums, but many fit into (and may appear in) multiple categories. A few bands who heavily indulge in literary sources, like Rush and Styx, don’t quite make my own “heavy metal” category. Some bands that sit 101 Lusty, “Rocking the Canon” LATCH, Vol. 6, 2013, pp. 101-138 on the edge of rock/metal, like Scorpions and Buckcherry, do. Other examples, like Megadeth’s “Of Mice and Men,” Metallica’s “For Whom the Bell Tolls,” and Cradle of Filth’s “Nymphetamine” won’t feature at all, as the thematic inspiration is clear, but the textual connections tenuous.1 The categories constructed here are necessarily wide, but they allow for flexibility with the variety of approaches to literature and form. A segment devoted to the Bible as a source text has many pockets of variation not considered here (country music, Christian rock, Christian metal). -
It's Easter, for Peep's Sake!
It’s Easter, for Peep’s Sake! From Everyon At Roert’s. .Wish ng You Gren Giat Fresh "Peps And Hapines" This Eater! Idaho Ruset 98 Pota s 5 Lb. Bag 1 ea. FRESH MEAT & POULTRY Cook’s • Bron Sugar Hickory Honey Spiral Cut Half m 98 Fresh & Seasoned ith laze Pack Tendr Gen 98 8 Lb. Avg lb. Aspar gus 1 l b. 1 lb.lb. Tri-ip California Style’ Sirloin Lond Broil 98 U.SD.A Choic Bef Trimed To Perfection • Born Fresh Slicing Raise & Harvest In The U.SA. lb. Befsteak 98 5 Tomat s Hoth use 1 l b. Premiu¦ Chairm n’s Rerv Whole B nles Centr Cut Pork L ins 98 Deep Pink • Perfectly Marbled Custom Cut As Deir 4 Lb. Averag Weight lb. Rip & Ready To Eat 1 Swet Troical Extra L ge 98 Pineapls 1 ea. Fresh • rade A Cear Spings Family Pack Bonels Role & Bone-I Split Fresh Seet & Tasty Tie Half L mb egs Chicken Brast Rasperis Or 98 Al Natur l 98 U.S.D.A. Choice • Fresh All 98 Blackbries eaea .. ea. Natural American • Born Raised Hatched Raised & 6 Oz. Container 2 & Harvest In The U.SA. Harvest In The U.SA. 7 lb. 1 lb. THE HEALTHIEST DIETS CON TAIN LOTS OF SEAFOOD! Keep Calm And Bait A Hook! Marine Stwardship Council Of Maine Sustain ble Crtifi & Aprove Alask n ild Caught • Canadian Bonels Sokey Extra Large Co Filets 98 Salmon Filets 98 Lobster Tails 98 ild Caught • Frozen At Sea ild Caught • Frozen At Sea Frozen • 4 Oz. -
270 Songs, 17.5 Hours, 1.62 GB Page 1 of 8 Name BPM Genre Rating
Page 1 of 8 WCS 270 songs, 17.5 hours, 1.62 GB Name BPM Genre Rating Artist Album Year Freezing 76 Pop Music Mozella Belle Isle (Deluxe… 2010 Thinking Out Loud 79 Pop Ballad Ed Sheeran x 2014 I'm So Miserable 83 Country Billy Ray Cyrus Some Gave All 1992 Too Darn Hot (RAC Mix) 83 R&B Ella Fitzgerald Verve Remixed: T… 2013 Feelin' Love 83 Blues Paula Cole City of Angels OST 1998 I'm Not the Only One 83 Pop Ballad Sam Smith In the Lonely Hou… 2014 Free 84 R&B Haley Reinhart Listen Up! 2012 Stompa 84 Alt Pop Serena Ryder Harmony 2012 Treat You Better 84 Pop Music Shawn Mendes Illuminate 2016 Heartbreak Road 85 Blues Rock Colin James Hearts on Fire 2015 Shape of My Heart 85 Rock Ballad Theory of a Deadman Shape of My Hear… 2017 Gold 86 Pop Music Kiiara low kii savage - EP 2015 I'm the Only One 87 Blues Rock Melissa Etheridge Yes I Am 1993 Rude Boy 87 Pop Music Rihanna Rated R 2009 Then 88 Pop Music Anne-Marie Speak Your Mind 2017 Can't Stay Alone Tonight 88 Pop-Rock Elton John The Diving Board… 2013 Vinyl (Remix) 88 Jazz-Pop Euge Groove feat. x-t.o.p. Sax S Euge Groove 2000 Wake Up Screaming 88 Country Gary Allan Used Heart For Sale 2000 Anything's Possible 88 R&B Jonny Lang Turn Around 2006 Slow Hands 88 Pop Music Niall Horan Slow Hands - Sin… 2017 Touch Of Heaven 88 Pop-Rock Richard Marx Flesh & Bone 1997 Forever Drunk 89 R&B Miss Li Beats & Bruises 2011 Let's Get Back To Bed Boy 89 R&B Sarah Connor Green Eyed Soul 2002 I Can't Stand the Rain 89 Pop-Soul Seal Soul 2008 Happy 90 R&B Ashanti Ashanti 2002 Mood For Luv 90 R&B B.B. -
Song of the Year
General Field Page 1 of 15 Category 3 - Song Of The Year 015. AMAZING 031. AYO TECHNOLOGY Category 3 Seal, songwriter (Seal) N. Hills, Curtis Jackson, Timothy Song Of The Year 016. AMBITIONS Mosley & Justin Timberlake, A Songwriter(s) Award. A song is eligible if it was Rudy Roopchan, songwriter songwriters (50 Cent Featuring Justin first released or if it first achieved prominence (Sunchasers) Timberlake & Timbaland) during the Eligibility Year. (Artist names appear in parentheses.) Singles or Tracks only. 017. AMERICAN ANTHEM 032. BABY Angie Stone & Charles Tatum, 001. THE ACTRESS Gene Scheer, songwriter (Norah Jones) songwriters; Curtis Mayfield & K. Tiffany Petrossi, songwriter (Tiffany 018. AMNESIA Norton, songwriters (Angie Stone Petrossi) Brian Lapin, Mozella & Shelly Peiken, Featuring Betty Wright) 002. AFTER HOURS songwriters (Mozella) Dennis Bell, Julia Garrison, Kim 019. AND THE RAIN 033. BACK IN JUNE José Promis, songwriter (José Promis) Outerbridge & Victor Sanchez, Buck Aaron Thomas & Gary Wayne songwriters (Infinite Embrace Zaiontz, songwriters (Jokers Wild 034. BACK IN YOUR HEAD Featuring Casey Benjamin) Band) Sara Quin & Tegan Quin, songwriters (Tegan And Sara) 003. AFTER YOU 020. ANDUHYAUN Dick Wagner, songwriter (Wensday) Jimmy Lee Young, songwriter (Jimmy 035. BARTENDER Akon Thiam & T-Pain, songwriters 004. AGAIN & AGAIN Lee Young) (T-Pain Featuring Akon) Inara George & Greg Kurstin, 021. ANGEL songwriters (The Bird And The Bee) Chris Cartier, songwriter (Chris 036. BE GOOD OR BE GONE Fionn Regan, songwriter (Fionn 005. AIN'T NO TIME Cartier) Regan) Grace Potter, songwriter (Grace Potter 022. ANGEL & The Nocturnals) Chaka Khan & James Q. Wright, 037. BE GOOD TO ME Kara DioGuardi, Niclas Molinder & 006.