Exploring Camosun's Frisky Side Page 6 VIEWS March 19, 2014
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Mastodon's New Album Once More 'Round the Sun Debuts
For Immediate Release: MASTODON’S NEW ALBUM ONCE MORE ’ROUND THE SUN DEBUTS AT NO. 6 ON BILLBOARD CHART - THEIR HIGHEST U.S. CHART DEBUT EVER! THE NEW ALBUM IS ALSO TOP 20 AROUND THE WORLD ABC’S JIMMY KIMMEL LIVE CONFIRMED FOR SEPTEMBER 15TH July 2, 2014 — (Burbank, CA) — Once More ’Round The Sun, the sixth studio album from Mastodon, has debuted at No. 6 on the Billboard Top 200 Albums chart. This marks their highest chart debut ever. In addition, this album released by Reprise Records on June 24th, has gone Top 10 in most European markets and top 20 in most remaining territories. Once More ’Round The Sun has also entered the Top 10 Album Charts in the U.K. as well where it is currently the No. 1 Rock/Metal album across the nation; yet another milestone for Mastodon. Fans and critics agree, this is the best Mastodon album yet: “The mercurial metal heads have improved on the lean hard-rock pummel of 2011’s The Hunter with lattices of ornate riffs and primal vocals… the band sounds best when taking risks.” – Rolling Stone “Album after album, Mastodon set the pace for modern heavy metal. Their brand of aggression is brainy, technically dazzling and slightly hallucinogenic – metal for people who don’t usually listen to metal. At the same time, the band is balls-out creative. ‘Elegant’ isn’t a term usually associated with neck-tatted, acid-eating heshers but check out Bill Kelliher’s guitar riff verses Brent Hinds’ guitar solo versus Brann Dailor’s double-time drums. -
Marcus Vinícius Carvalheiro
1 MARCUS VINÍCIUS CARVALHEIRO HOLOFOTES SOBRE A ESCURIDÃO: O PROCESSO DE APROPRIAÇÃO DO METAL COMO MANIFESTAÇÃO ARTÍSTICA EM JOINVILLE JOINVILLE - SC 2018 2 UNIVERSIDADE DA REGIÃO DE JOINVILLE – UNIVILLE PROGRAMA DE PÓS-GRADUAÇÃO EM PATRIMÔNIO CULTURAL DE SOCIEDADE MARCUS VINÍCIUS CARVALHEIRO HOLOFOTES SOBRE A ESCURIDÃO: O PROCESSO DE APROPRIAÇÃO DO METAL COMO MANIFESTAÇÃO ARTÍSTICA EM JOINVILLE Dissertação apresentada ao Mestrado de Patrimônio Cultural e Sociedade da Universidade da Região de Joinville – Univille – como requisito parcial para a obtenção do título de Mestre em Patrimônio Cultural e Sociedade, sob a orientação da Professora Dra. Taiza Mara Rauen Moraes. JOINVILLE - SC 2018 3 4 5 AGRADECIMENTOS Ao procurar o significado da palavra agradecer notei que, geralmente, o termo é empregado em situações em que manifestamos gratidão ou tentamos recompensar alguma situação em específico. Nunca gostei do termo “gratidão”, soa-me religioso, soa-me como algo que dizemos quando nos acomodamos em um determinado lugar de uma sociedade que nada tem de harmoniosa. Eu substituiria os “agradecimentos” por “reconhecimentos”, pois nem sempre somos o que somos por situações positivas. Reconheço que muitos dos caminhos trilhados pelas pessoas que me rondam contribuíram para o meu aprendizado. Reconheço que este trabalho teve a colaboração de muitos amigos, familiares, companheiros de estudos e professoras dedicadas em partilharem do seu vasto conhecimento comigo. Primeiramente, presto homenagem à minha mãe, Elisa Terezinha Cruz, que de sua forma -
Artists and Yamaha
Artists and Yamaha CONTENTS Turning The Artist’s Imagination INTRO CONTENTS 1 ELECTRIC BASSES OTHERS YAMAHA GUITAR DEVELOPMENT 3 RBX4A2/4A2M/5A2 22 GIGMAKER 39 YASH (YAMAHA ARTIST SERVICES HOLLYWOOD) 3 BB INTRO 23 ACCESSORIES/AMP 40 YMC (YAMAHA MUSIC CRAFT) 4 Into Tomorrow’s Music. BB2024/2024X/2025/2025X 25 YAMAHA ARTISTS 41 ELECTRIC GUITARS BB1024/1024X/1025/1025X 27 For over 60 years, we’ve been committed to improving the quality, sound, playability, durability, and design of our instruments. Feedback SG INTRO 5 BB424/424X/425/425X 29 from our valued customers and the professional musicians that use our instruments has always played an instrumental role in our passion SG FEATURES 7 ATTITUDE LTD3 31 for constant improvement. Because we believe that instruments are the tools musicians use to create music, our strive to create the ideal SG1820 9 BB714BS 32 instrument for the player is never ending. SG1820A/1802 11 BBNE2 33 Professional musicians are the most critical when it comes to requests and requirements, and we focus a great deal of time and effort bringing CV820WB 13 TRBJPII 34 their ideas to life. Our purpose is to turn what exists only in their imagination, into something they can hold and use in their hands—fi nding PAC1511MS 14 TRB1006J/1005L/1004J 35 the right type of tone, the perfect attack, or a neck that fi ts better in the hand. PAC212VFM/VQM/112V 15 RBX374/375/270J/170 37 The evolution of Yamaha guitars has always been closely related to our long-standing relationships with the musicians that use them. -
Visit the PAGB on Stand A34
Issue 249extra 01 Mar 2020 Chase Jarvis on the Super Stage at The Photography Show Making up just one part of the extensive programme of talks and demos, the highly-acclaimed Super Stage sessions serve as a platform for some of the world’s best-known photographers and filmmakers to share stories about their work, what inspires them and the journey that took them to the top. The line-up has been carefully curated across a broad range of genres so enthusiasts can gain first-hand insight that they wouldn’t be able to get elsewhere. One of the most influential photographers of the past 20 years, Chase Jarvis’ expansive portfolio ranges from shooting for Apple, Nike, and Red Bull, to working with Serena Williams and Tony Hawk, and collaborating with renowned icons, Lady Gaga and Richard Branson. Alongside a number of fine art gallery shows and award nominations, Chase created Best Camera - the first photo app to share images to social networks - and he is the Founder of CreativeLive, where more than 10 million students can learn photography, video, design, music and business from the world’s top creatives and entrepreneurs. A renowned creator and innovator, Chase believes that life isn’t about ‘finding’ fulfilment and success – it’s about creating it – and this is the focus of his latest book, Creative Calling, which debuted as an instant best-seller. In this rare UK appearance, Chase will show attendees how to harness their creativity, delving into this philosophy and his wealth of experience as a photographer, entrepreneur and creator, unpacking and re-framing the creative process step-by-step. -
Omega Auctions Ltd Catalogue 28 Apr 2020
Omega Auctions Ltd Catalogue 28 Apr 2020 1 REGA PLANAR 3 TURNTABLE. A Rega Planar 3 8 ASSORTED INDIE/PUNK MEMORABILIA. turntable with Pro-Ject Phono box. £200.00 - Approximately 140 items to include: a Morrissey £300.00 Suedehead cassette tape (TCPOP 1618), a ticket 2 TECHNICS. Five items to include a Technics for Joe Strummer & Mescaleros at M.E.N. in Graphic Equalizer SH-8038, a Technics Stereo 2000, The Beta Band The Three E.P.'s set of 3 Cassette Deck RS-BX707, a Technics CD Player symbol window stickers, Lou Reed Fan Club SL-PG500A CD Player, a Columbia phonograph promotional sticker, Rock 'N' Roll Comics: R.E.M., player and a Sharp CP-304 speaker. £50.00 - Freak Brothers comic, a Mercenary Skank 1982 £80.00 A4 poster, a set of Kevin Cummins Archive 1: Liverpool postcards, some promo photographs to 3 ROKSAN XERXES TURNTABLE. A Roksan include: The Wedding Present, Teenage Fanclub, Xerxes turntable with Artemis tonearm. Includes The Grids, Flaming Lips, Lemonheads, all composite parts as issued, in original Therapy?The Wildhearts, The Playn Jayn, Ween, packaging and box. £500.00 - £800.00 72 repro Stone Roses/Inspiral Carpets 4 TECHNICS SU-8099K. A Technics Stereo photographs, a Global Underground promo pack Integrated Amplifier with cables. From the (luggage tag, sweets, soap, keyring bottle opener collection of former 10CC manager and music etc.), a Michael Jackson standee, a Universal industry veteran Ric Dixon - this is possibly a Studios Bates Motel promo shower cap, a prototype or one off model, with no information on Radiohead 'Meeting People Is Easy 10 Min Clip this specific serial number available. -
Megalodon Guitar Tab
MEGALODON As recorded by Mastodon (from the 2004 Album "Leviathan") Transcribed by Travis Lausch Words by Brann Dailor, Brent Hinds, Troy Sanders and Bill Kelliher Music by Brann Dailor, Brent Hinds, Troy Sanders and Bill Kelliher Tune all gtrs. down one full step (Low to high: D G C F A D) A Intro Fast P = 165 E`add11/A` Gsus4/C G/C E`/A` 4x 1 g g 4 f V V V gV V I 4 gV V V f V gV V V V V V V V V V V gV V V V V V V V gV f V V f V Gtrs I, IV mf (w/dist.) let ring T 0 0 0 0 0 0 A 6 6 10 10 10 8 8 4 4 4 B 6 6 6 10 10 10 10 10 10 6 6 6 4 8 9 5 B Fb11 3x 5 g V V V V V V g gV V V V V V V gV gV V V V V V V gV I V V V V V V V V Gtr I ff let ring let ring 0 2 0 2 T 0 0 4 5 0 0 5 4 0 3 3 4 4 6 0 3 3 4 4 6 A 0 4 0 4 B 2 2 H H H H H H H H H H H P C accel. N.C. c c 9 g V 2 I g V V V V V V V V V V V V V V V V V 4 V V V f V V V V f V V ||||| T 6 4 4 4 4 4 2 0 0 0 0 0 0 0 0 0 0 0 0 A 4 2 B 3 2 3 2 1 0 P P 2004 Relapse Records Printed using TabView by Simone Tellini - http://www.tellini.org/mac/tabview/ MEGALODON - Mastodon Page 2 of 8 D Verse Faster P = 180 E`5 N.C. -
“Quiet Please, It's a Bloody Opera”!
UNIVERSITETET I OSLO “Quiet Please, it’s a bloody opera”! How is Tommy a part of the Opera History? Martin Nordahl Andersen [27.10.11] A theatre/performance/popular musicology master thesis on the rock opera Tommy by The Who ”Quiet please, it’s a bloody opera!” Martin Nordahl Andersen 2011 “Quiet please, it’s a bloody opera!” How is Tommy part of the Opera History? Print: Reprosentralen, University of Oslo All photos by Ross Halfin © All photos used with written permission. 1 ”Quiet please, it’s a bloody opera!” Aknowledgements I would like to thank my supervisors Ståle Wikshåland and Stan Hawkins for superb support and patience during the three years it took me to get my head around to finally finish this thesis. Thank you both for not giving up on me even when things were moving very slow. I am especially thankful for your support in my work in the combination of popular music/performance studies. A big thank you goes to Siren Leirvåg for guidance in the literature of theatre studies. Everybody at the Institute of Music at UiO for helping me when I came back after my student hiatus in 2007. I cannot over-exaggerate my gratitude towards Rob Lee, webmaster at www.thewho.com for helping me with finding important information on that site and his attempts at getting me an interview with one of the boys. The work being done on that site is fantastic. Also, a big thank you to my fellow Who fans. Discussing Who with you makes liking the band more fun. -
Crowbar Symmetry in Black ENG
“Symmetry In Black” CD • LP • Digital Download European Release Date: Ma y 26 th , 2014 Hope ya’ love it slow, hard and heavy, because the rebirth of CROWBAR is upon us. Make no mistake: the massively influential merchants of sludge never went away. But as the band’s 25 th year of existence dawns and their tenth full length album is unleashed upon the world, cofounder, frontman and riff- making warhorse Kirk Windstein is determined to give the band he unapologetically calls his “baby” the total dedication it demands. The unrestrained push and relentless concentration surrounding Symmetry in Black is music to the ears - figuratively and literally – for new adherents and the legion of underground fans and fellow musicians who swore allegiance to Crowbar long ago. Symmetry in Black is the perfect album to arrive in the number ten slot of the Crowbar catalog, a penultimate achievement embodying the early sloth of doom touchstone Obedience Thru Suffering (1991), the moody dissonance of modern classic Odd Fellows Rest (1998) and the crisp thunder of the album’s predecessor, Sever the Wicked Hand (2011), with nuggets of Crowbar’s storied history sprinkled throughout. The crushing signature sound of Crowbar is at its peak on Symmetry in Black , the band’s most diverse yet cohesive release. It was coproduced with fellow New Orleans resident Duane Simoneaux, who worked on Sever the Wicked Hand and mixed by Josh Wilbur, whose diverse credits include work with Lamb Of God, Gojira and Killer Be Killed. “We needed to move our sound forward but at the same time, make sure everything stayed 100% true to who and what we are,” Windstein explains. -
Untitled (Forever), 2017
PUBLISHERS DISTRIBUTED BY D.A.P. SP21 CATALOG CAPTIONS PAGE 6: Georgia O’Keeffe, Series I—No. 3, 1918. Oil on Actes Sud | Archive of Modern Conflict | Arquine | Art / Books | Art Gallery of York board, 20 × 16”. Milwaukee Art Museum. Gift of Jane University | Art Insights | Art Issues Press | Artspace Books | Aspen Art Museum | Atelier Bradley Pettit Foundation and the Georgia O’Keeffe Foundation. PAGE 7: Georgia O’Keeffe, Black Mesa Éditions | Atlas Press | August Editions | Badlands Unlimited | Berkeley Art Museum | Landscape, New Mexico / Out Back of Marie’s II, 1930. Oil on canvas. 24.5 x 36”. Georgia O’Keeffe Museum, Gift Blank Forms | Bokförlaget Stolpe | Bywater Bros. Editions | Cabinet | Cahiers d’Art of the Burnett Foundation. PAGE 8: (Upper) Emil Bisttram, | Canada | Candela Books | Carnegie Museum Of Art | Carpenter Center | Center For Creative Forces, 1936. Oil on canvas, 36 x 27”. Private collection, Courtesy Aaron Payne Fine Art, Santa Fe. Art, Design and Visual Culture, UMBC | Chris Boot | Circle Books | Contemporary Art (Lower) Raymond Jonson, Casein Tempera No. 1, 1939. Casein on canvas, 22 x 35”. Albuquerque Museum, gift Museum, Houston | Contemporary Art Museum, St Louis | Cooper-Hewitt | Corraini of Rose Silva and Evelyn Gutierrez. PAGE 9: (Upper) The Editions | DABA Press | Damiani | Dancing Foxes Press | Deitch Projects Archive | Sun, c. 1955. Oil on board, 6.2 × 5.5”. Private collection. © Estate of Leonora Carrington. PAGE 10: (Upper left) DelMonico Books | Design Museum | Deste Foundation for Contemporary Art | Dia Hayao Miyazaki, [Woman] imageboard, Nausicaä of the Valley of the Wind (1984). © Studio Ghibli. (Upper right) Center For The Arts | Dis Voir, Editions | Drawing Center | Dumont | Dung Beetle | Hayao Miyazaki, [Castle in the Sky] imageboard, Castle Dust to Digital | Eakins Press | Ediciones Poligrafa | Edition Patrick Frey | Editions in the Sky (1986). -
Mastodon Emperor of Sand
MASTODON EMPEROR OF SAND Every living creature must face the will and judgment of time. Ancient Greeks personified time in the form of the titan Kronos, father of Zeus, and Egyptians celebrated Heh as an abstraction of endless years. Famously, William Shakespeare lamented humanity’s immutable fate as “time’s subjects” in Henry IV. GRAMMY® Award-nominated hard rock band Mastodon ponders the nature of time on their eighth full-length album, Emperor of Sand, on Reprise Bros. Records. Threading together the myth of a man sentenced to death in a majestically malevolent desert, the Atlanta, GA quartet—Troy Sanders (bass/vocals), Brent Hinds (guitar/vocals), Bill Kelliher (guitars) and Brann Dailor (drums/vocals), and conjure the grains of a musical and lyrical odyssey slipping quickly through a cosmic hourglass. “Emperor of Sand is like the grim reaper,” admits Dailor. “Sand represents time. If you or anyone you know has ever received a terminal diagnosis, the first thought is about time. Invariably, you ask, ‘How much time is left?’” Since forming back in 2000, Mastodon have certainly made the most of their time. Most recently, their 2014 seventh offering Once More ‘Round The Sun bowed at #6 on the Billboard Top 200, marking their highest chart entry to date and second consecutive Top 10 debut following 2011’s The Hunter. Casting a shadow over pop culture, they received “Best Hard Rock/Metal Performance” GRAMMY® Award nominations in 2007, 2014 and again in 2015. Their music blasted through the Academy® Award-winning comedy The Big Short, animated blockbuster Monsters University, and sci-fi western Jonah Hex starring Josh Brolin—for which the group composed the score. -
30 BRANN DAILOR Mastodon Hasn’T Risen to the Top 48 JAMISON ROSS of the Rock Heap by Following the by Jeff Potter Heavy Metal Handbook
BECOME A BETTER DRUMMER, FASTER When you’re serious about drumming, you need a kit to match your ambition. The V-Drums TD-17 series lets your technique shine through, backed up with training tools to push you further. Combining a TD-50-class sound engine with newly developed pads results in an affordable electronic drum kit that’s authentically close to playing acoustic drums – accurately mirroring the physical movement, stick coordination and hand/foot control that every drummer needs. Meanwhile, an array of built-in coaching functions will track your technique, measure your progress and increase your motivation. Becoming a better drummer is still hard work, but the TD-17 can help you get there. TD-17 Series V-Drums www.roland.com BASS HEADS ARE ONE-SIZE-FITS-ALL.* * IF WE BELIEVED THIS, WHY WOULD WE MAKE THREE BRAND NEW CUTTING-EDGE BASS HEADS? This series brings you the same UV-coating that made drummers switch to UV1 tom and snare heads, featuring the UV1 for a wide open sound, the UV EQ4 for balance and sustain, and the UV EMAD for a more focused attack. Because we know not all drummers agree on their bass drum sound. Now you can have your bass and kick it too. FIND YOUR FIT AT UV1.EVANSDRUMHEADS.COM HEAR THE ENTIRE TRUE-SONIC™ SNARE COLLECTION PLAYED BY STANLEY RANDOLPH AT DWDRUMS.COM. WHY SO SENSITIVE? Because all-new Collector’s Series® True-Sonic™ wood snare drums employ a pre-tensioned SnareBridge™ system with a complementary snare bed to provide dry, sensitive articulation. -
Plaza Del Sol Stylish Addition to CSUN Athletics Separate from A.S
California State University; Northridge Volume 49 • Number 19 Since 1957 Thursday, October 5, 2006 sundial.csun.edu A financially independent student newspaper 'The LADIES DIG MY eyes' Students to vote on :-------- big A.S. fee increases and there are detailed Yearly cost guidelines for what it can- could be $294 in not be used for. The A.S. fee is currently 2011 at $72 with a $2 set annual increase, but the referendum SAMANTHA WOMACK this year is for a one-time OAu..YSUNDIAL $15 increase to be applied in Spring 2007. In the 2006- the Associated Stu- 2007 A.S. budget overview, dents and Instruction- the total of student A.S. Elly Related Activities fees in the summer and faU fee referendums are passed of 2005 and spring of 2006 this November, then next was $4,716,000. Less than semester wilJ include a $15 half went to university pro- increase in A.S. fees and a grams, clubs and organiza- $1.7 increase in fall 2007 tions, while the rest went to (the extra $2 is the result A.S. government, programs, of a 2002 ..A.S. fees refer- services and support. endum). Meaning a year AccordingtoA.S. finance from now CSUN tuition director Adam Haverstock, will include $119 in A.S. without these fee increases, and LR.A. fees and will A.S. will be hard pressed to continue to increase until at offer the lillie support it has least 2012. been able to in the past. According to the 2006 Crandall said, though, voter pamphlet and A.S.