Lauschangriff Vol.082 11.2020 Lauschangriff Vol.082 11.2020 Gema

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Lauschangriff Vol.082 11.2020 Lauschangriff Vol.082 11.2020 Gema

CD-BACKCOVER ZUMSELBERBASTELN!EINFACHANDENMARKIERUNGENAUSSCHNEIDENUNDINEINECD-BLANKO-HÜLLELEGEN.FERTIG! GEMA 1. ARMORED SAINT - End Of The Attention Span 5:13 11.2020 (Joey Vera, Phil Sandoval/John Bush) Don´t Funk With My Music And My Own Agenda Publishing administered by BMG Rights Management, P. Sandoval Publishing/BMI* Metal Blade/Sony 2. FATES WARNING - Scars 5:04 (Jim Matheos/Ray Alder) Matheos Music/Horrendous Music/BMG Rights Management* Metal Blade/Sony LAUSCHANGRIFF 3. STÄLKER - Intruder 5:00 VOL.082 (Dave King, Chris Calavrias, Nick Oakes/Dave King) Iron Avantgarde Publishing* Napalm/Universal 4. SÓLSTAFIR - Her Fall From Grace 6:35 (Tryggvason, Sæþórsson, Hallgrímsson, Traustason) Season Of Mist Publishing* Season Of Mist/Soulfood 5. PHIL CAMPBELL AND THE BASTARD SONS - Son Of A Gun 3:01 (Phil Campbell, Todd Campbell, Dane Campbell, Tyla Campbell, Neil Starr) Copyright Control* Nuclear Blast/Warner 6. HJELVIK - Helgrinda 4:21 (Erlend Hjelvik) Copyright Control* Nuclear Blast/Warner 7. HATEBREED - Weight Of The False Self 2:43 (James Shanahan, Chris Beattie, Matthew P. Byrne) Crippling Velocity Music (SESAC)/Devastation Music (SESAC)/ VOL.082 The Mark Of Clover Music (SESAC)* Nuclear Blast/Warner LAUSCHANGRIFF 8. EVILDEAD - Word Of God 3:04 (Phil Flores, Albert Gonzales, Karlos Medina, Rob Alaniz, Juan Garcia/Robert S. Rangel) Terrorama Music (BMI)* Steamhammer/SPV 9. KILLER BE KILLED - Dream Gone Bad 4:15 (Max Cavalera, Greg Puciato, Troy Sanders, Ben Koller) Kill Posers (ASCAP)/Neandertroy Music (BMI)/ 11.2020 Songtrust Music, LLC/Soul Desert (ASCAP)* Nuclear Blast/Warner 10. THEM - Battle Blood 3:56 (Markus Lutz Ullrich/Troy Norr) Copyright Control* Steamhammer/SPV.

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PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized.
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Mastodon's New Album Once More 'Round the Sun Debuts
For Immediate Release: MASTODON’S NEW ALBUM ONCE MORE ’ROUND THE SUN DEBUTS AT NO. 6 ON BILLBOARD CHART - THEIR HIGHEST U.S. CHART DEBUT EVER! THE NEW ALBUM IS ALSO TOP 20 AROUND THE WORLD ABC’S JIMMY KIMMEL LIVE CONFIRMED FOR SEPTEMBER 15TH July 2, 2014 — (Burbank, CA) — Once More ’Round The Sun, the sixth studio album from Mastodon, has debuted at No. 6 on the Billboard Top 200 Albums chart. This marks their highest chart debut ever. In addition, this album released by Reprise Records on June 24th, has gone Top 10 in most European markets and top 20 in most remaining territories. Once More ’Round The Sun has also entered the Top 10 Album Charts in the U.K. as well where it is currently the No. 1 Rock/Metal album across the nation; yet another milestone for Mastodon. Fans and critics agree, this is the best Mastodon album yet: “The mercurial metal heads have improved on the lean hard-rock pummel of 2011’s The Hunter with lattices of ornate riffs and primal vocals… the band sounds best when taking risks.” – Rolling Stone “Album after album, Mastodon set the pace for modern heavy metal. Their brand of aggression is brainy, technically dazzling and slightly hallucinogenic – metal for people who don’t usually listen to metal. At the same time, the band is balls-out creative. ‘Elegant’ isn’t a term usually associated with neck-tatted, acid-eating heshers but check out Bill Kelliher’s guitar riff verses Brent Hinds’ guitar solo versus Brann Dailor’s double-time drums.
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Marcus Vinícius Carvalheiro
1 MARCUS VINÍCIUS CARVALHEIRO HOLOFOTES SOBRE A ESCURIDÃO: O PROCESSO DE APROPRIAÇÃO DO METAL COMO MANIFESTAÇÃO ARTÍSTICA EM JOINVILLE JOINVILLE - SC 2018 2 UNIVERSIDADE DA REGIÃO DE JOINVILLE – UNIVILLE PROGRAMA DE PÓS-GRADUAÇÃO EM PATRIMÔNIO CULTURAL DE SOCIEDADE MARCUS VINÍCIUS CARVALHEIRO HOLOFOTES SOBRE A ESCURIDÃO: O PROCESSO DE APROPRIAÇÃO DO METAL COMO MANIFESTAÇÃO ARTÍSTICA EM JOINVILLE Dissertação apresentada ao Mestrado de Patrimônio Cultural e Sociedade da Universidade da Região de Joinville – Univille – como requisito parcial para a obtenção do título de Mestre em Patrimônio Cultural e Sociedade, sob a orientação da Professora Dra. Taiza Mara Rauen Moraes. JOINVILLE - SC 2018 3 4 5 AGRADECIMENTOS Ao procurar o significado da palavra agradecer notei que, geralmente, o termo é empregado em situações em que manifestamos gratidão ou tentamos recompensar alguma situação em específico. Nunca gostei do termo “gratidão”, soa-me religioso, soa-me como algo que dizemos quando nos acomodamos em um determinado lugar de uma sociedade que nada tem de harmoniosa. Eu substituiria os “agradecimentos” por “reconhecimentos”, pois nem sempre somos o que somos por situações positivas. Reconheço que muitos dos caminhos trilhados pelas pessoas que me rondam contribuíram para o meu aprendizado. Reconheço que este trabalho teve a colaboração de muitos amigos, familiares, companheiros de estudos e professoras dedicadas em partilharem do seu vasto conhecimento comigo. Primeiramente, presto homenagem à minha mãe, Elisa Terezinha Cruz, que de sua forma
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Heavy Metal and Classical Literature
Lusty, “Rocking the Canon” LATCH, Vol. 6, 2013, pp. 101-138 ROCKING THE CANON: HEAVY METAL AND CLASSICAL LITERATURE By Heather L. Lusty University of Nevada, Las Vegas While metalheads around the world embrace the engaging storylines of their favorite songs, the influence of canonical literature on heavy metal musicians does not appear to have garnered much interest from the academic world. This essay considers a wide swath of canonical literature from the Bible through the Science Fiction/Fantasy trend of the 1960s and 70s and presents examples of ways in which musicians adapt historical events, myths, religious themes, and epics into their own contemporary art. I have constructed artificial categories under which to place various songs and albums, but many fit into (and may appear in) multiple categories. A few bands who heavily indulge in literary sources, like Rush and Styx, don’t quite make my own “heavy metal” category. Some bands that sit 101 Lusty, “Rocking the Canon” LATCH, Vol. 6, 2013, pp. 101-138 on the edge of rock/metal, like Scorpions and Buckcherry, do. Other examples, like Megadeth’s “Of Mice and Men,” Metallica’s “For Whom the Bell Tolls,” and Cradle of Filth’s “Nymphetamine” won’t feature at all, as the thematic inspiration is clear, but the textual connections tenuous.1 The categories constructed here are necessarily wide, but they allow for flexibility with the variety of approaches to literature and form. A segment devoted to the Bible as a source text has many pockets of variation not considered here (country music, Christian rock, Christian metal).
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Helloween Destruction Morbid Angel Audrey Horne
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Megalodon Guitar Tab
MEGALODON As recorded by Mastodon (from the 2004 Album "Leviathan") Transcribed by Travis Lausch Words by Brann Dailor, Brent Hinds, Troy Sanders and Bill Kelliher Music by Brann Dailor, Brent Hinds, Troy Sanders and Bill Kelliher Tune all gtrs. down one full step (Low to high: D G C F A D) A Intro Fast P = 165 E`add11/A` Gsus4/C G/C E`/A` 4x 1 g g 4 f V V V gV V I 4 gV V V f V gV V V V V V V V V V V gV V V V V V V V gV f V V f V Gtrs I, IV mf (w/dist.) let ring T 0 0 0 0 0 0 A 6 6 10 10 10 8 8 4 4 4 B 6 6 6 10 10 10 10 10 10 6 6 6 4 8 9 5 B Fb11 3x 5 g V V V V V V g gV V V V V V V gV gV V V V V V V gV I V V V V V V V V Gtr I ff let ring let ring 0 2 0 2 T 0 0 4 5 0 0 5 4 0 3 3 4 4 6 0 3 3 4 4 6 A 0 4 0 4 B 2 2 H H H H H H H H H H H P C accel. N.C. c c 9 g V 2 I g V V V V V V V V V V V V V V V V V 4 V V V f V V V V f V V ||||| T 6 4 4 4 4 4 2 0 0 0 0 0 0 0 0 0 0 0 0 A 4 2 B 3 2 3 2 1 0 P P 2004 Relapse Records Printed using TabView by Simone Tellini - http://www.tellini.org/mac/tabview/ MEGALODON - Mastodon Page 2 of 8 D Verse Faster P = 180 E`5 N.C.
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System of a Down Molds Metal Like Silly Putty, Bending and Shaping Its Parame- 12 Slayer's First Amendment Ters to Fit the Band's Twisted Vision
NEW: LOUD ROCK CRUCIAL SPINS CHART LOW TORTOISE 1111 NEW MUSIC REPORT Uà NORTEC JACK COSTANZO February 12, 20011 www.cmj.com COLLECTIVE The Twisted Art-Metal Of SYSTEM OF ADOWN 444****************444WALL FOR ADC 90138 24438 2/28/388 KUOR - REDLAHDS FREDERICK SUER S2V3HOD AUE unr G ATASCADER0 CA 88422-3428 IIii II i ti iii it iii titi, III IlitlIlli lilt ti It III ti ER THEIR SELF TITLED DEBUT AT RADIO NOW • FOR COLLEGE CONTACT PHIL KASO: [email protected] 212-274-7544 FOR METAL CONTACT JEN MEULA: [email protected] 212-274-7545 Management: Bryan Coleman for Union Entertainment Produced & Mixed by Bob Marlette Production & Engineering of bass and drum tracks by Bill Kennedy a OADRUNNEll ACME MCCOWN« ROADRUNNER www.downermusic.com www.roadrunnerrecords.com 0 2001 Roadrunner Records. Inc. " " " • Issue 701 • Vol 66 • No 7 FEATURES 8 Bucking The System member, the band is out to prove it still has Citing Jane's Addiction as a primary influ- the juice with its new release, Nation. ence, System Of A Down molds metal like Silly Putty, bending and shaping its parame- 12 Slayer's First Amendment ters to fit the band's twisted vision. Loud Follies Rock Editor Amy Sciarretto taps SOAD for Free speech is fodder for the courts once the scoop on its upcoming summer release. again. This time the principals involved are a headbanger institution and the parents of 10 It Takes A Nation daughter who was brutally murdered by three Some question whether Sepultura will ever of its supposed fans. be same without larger-than-life frontman 15 CM/A: Staincl Max Cavalera.
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Born in America, Jazz Can Be Seen As a Reflection of the Cultural Diversity and Individualism of This Country
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Artist of the Year
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MASTODON EMPEROR OF SAND Every living creature must face the will and judgment of time. Ancient Greeks personified time in the form of the titan Kronos, father of Zeus, and Egyptians celebrated Heh as an abstraction of endless years. Famously, William Shakespeare lamented humanity’s immutable fate as “time’s subjects” in Henry IV. GRAMMY® Award-nominated hard rock band Mastodon ponders the nature of time on their eighth full-length album, Emperor of Sand, on Reprise Bros. Records. Threading together the myth of a man sentenced to death in a majestically malevolent desert, the Atlanta, GA quartet—Troy Sanders (bass/vocals), Brent Hinds (guitar/vocals), Bill Kelliher (guitars) and Brann Dailor (drums/vocals), and conjure the grains of a musical and lyrical odyssey slipping quickly through a cosmic hourglass. “Emperor of Sand is like the grim reaper,” admits Dailor. “Sand represents time. If you or anyone you know has ever received a terminal diagnosis, the first thought is about time. Invariably, you ask, ‘How much time is left?’” Since forming back in 2000, Mastodon have certainly made the most of their time. Most recently, their 2014 seventh offering Once More ‘Round The Sun bowed at #6 on the Billboard Top 200, marking their highest chart entry to date and second consecutive Top 10 debut following 2011’s The Hunter. Casting a shadow over pop culture, they received “Best Hard Rock/Metal Performance” GRAMMY® Award nominations in 2007, 2014 and again in 2015. Their music blasted through the Academy® Award-winning comedy The Big Short, animated blockbuster Monsters University, and sci-fi western Jonah Hex starring Josh Brolin—for which the group composed the score.
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