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Marcus Vinícius Carvalheiro
1 MARCUS VINÍCIUS CARVALHEIRO HOLOFOTES SOBRE A ESCURIDÃO: O PROCESSO DE APROPRIAÇÃO DO METAL COMO MANIFESTAÇÃO ARTÍSTICA EM JOINVILLE JOINVILLE - SC 2018 2 UNIVERSIDADE DA REGIÃO DE JOINVILLE – UNIVILLE PROGRAMA DE PÓS-GRADUAÇÃO EM PATRIMÔNIO CULTURAL DE SOCIEDADE MARCUS VINÍCIUS CARVALHEIRO HOLOFOTES SOBRE A ESCURIDÃO: O PROCESSO DE APROPRIAÇÃO DO METAL COMO MANIFESTAÇÃO ARTÍSTICA EM JOINVILLE Dissertação apresentada ao Mestrado de Patrimônio Cultural e Sociedade da Universidade da Região de Joinville – Univille – como requisito parcial para a obtenção do título de Mestre em Patrimônio Cultural e Sociedade, sob a orientação da Professora Dra. Taiza Mara Rauen Moraes. JOINVILLE - SC 2018 3 4 5 AGRADECIMENTOS Ao procurar o significado da palavra agradecer notei que, geralmente, o termo é empregado em situações em que manifestamos gratidão ou tentamos recompensar alguma situação em específico. Nunca gostei do termo “gratidão”, soa-me religioso, soa-me como algo que dizemos quando nos acomodamos em um determinado lugar de uma sociedade que nada tem de harmoniosa. Eu substituiria os “agradecimentos” por “reconhecimentos”, pois nem sempre somos o que somos por situações positivas. Reconheço que muitos dos caminhos trilhados pelas pessoas que me rondam contribuíram para o meu aprendizado. Reconheço que este trabalho teve a colaboração de muitos amigos, familiares, companheiros de estudos e professoras dedicadas em partilharem do seu vasto conhecimento comigo. Primeiramente, presto homenagem à minha mãe, Elisa Terezinha Cruz, que de sua forma -
MTO 17.3: Osborn, Understanding Through-Composition
KU ScholarWorks | http://kuscholarworks.ku.edu Please share your stories about how Open Access to this article benefits you. Understanding Through-Composition in Post- Rock, Math-Metal, and other Post-Millennial Rock Genres by Brad Osborn 2011 This is the published version of the article, made available with the permission of the publisher. The original published version can be found at the link below. Osborn, Brad. 2011. “Understanding Through-Composition in Post- Rock, Math-Metal, and other Post-Millennial Rock Genres.” Music Theory Online 17, no. 3 Published version: http://www.mtosmt.org/issues/mto.11.17.3/ mto.11.17.3.osborn.pdf Terms of Use: http://www2.ku.edu/~scholar/docs/license.shtml This work has been made available by the University of Kansas Libraries’ Office of Scholarly Communication and Copyright. Volume 17, Number 3, October 2011 Copyright © 2011 Society for Music Theory Understanding Through-Composition in Post-Rock, Math-Metal, and other Post-Millennial Rock Genres (1) Brad Osborn NOTE: The examples for the (text-only) PDF version of this item are available online at: http://www.mtosmt.org/issues/mto.11.17.3/mto.11.17.3.osborn.php KEYWORDS: form, through-composition, rock, experimental rock, post-millennial rock, art rock, post-rock, math-metal, progressive rock, Radiohead, Animal Collective, The Beatles ABSTRACT: Since the dawn of experimental rock’s second coming in the new millennium, experimental artists have begun distancing themselves from Top-40 artists through formal structures that eschew recapitulatory verse/chorus conventions altogether. In order to understand the correlation between genre and form more thoroughly, this paper provides a taxonomic approach to through-composition in several post-millennial experimental rock genres including post-rock, math-metal, art rock, and neo-prog. -
Merchandise ARTIST: Dillinger Escape Plan
Last Update: 11/03/10 ARTIST: Dillinger Escape Plan TITLE: Darkness Limited Edition Custom Zip Hoodie Black (L) Label: AON/Atlantic Off-Roster Non-Music Config & Selection #: MH 501011 L Street Date: 11/02/10 Order Due Date: 10/13/10 UPC: 075678900211 ALTERNATE VIEW Box Count: 12 Unit Per Set: 1 SRP: $60 Alphabetize Under: D For the latest up to date info on Merchandise OTHER SIZES: this release visit WEA.com. MH:075678900198 Darkness Limited Edition Custom Zip Hoodie Black (2X)($61) MH:075678900235 Darkness Limited Edition Custom Zip Hoodie Black (S)($60) MH:075678900204 Darkness Limited Edition Custom Zip Hoodie Black (XL)($60) MH:075678900228 Darkness Limited Edition Custom Zip Hoodie Black (M)($60) AVAILABLE MERCH DESIGN Silver Ink Flag T-Shirt Ribbit Slim Fit T-shirt Silver ALBUM FACTS Genre: Rock Description: This custom limited edition hoodie is from Christian Hanson's team at Thunderware. It is made from a medium weight material and includes the imprint of their latest album, Option Paralysis in the hood, as well as a sleek iPod/iPhone pocket on the sleeve. ARTIST & INFO From their early days in the late-'90s as short-haired Rutgers, New Jersey, college students delivering hyper-complex thrash to audiences of boorish long-haired surly metalheads, to performing with Nine Inch Nails on the pioneering electronic band's farewell shows, the Dillinger Escape Plan have merely one prerogative: to go forward in ALL directions simultaneously. Their groundbreaking 1999 debut full-length, Calculating Infinity, is inarguably the essential technical-metal talisman for the 21st century, melding hardcore's blinding rage with a musical vision that made most progressive-rock bands sound positively lazy by comparison. -
Age Rampage Victor Valley College Entertainment May 28, 2013 Page 11 VVC Celebrates Student Transfers
Victor Valley College 17 RAMPAGE May 28, 2013• Volume 35, No. 7 www.vvcrampage.org Most anticipated ofalbums 2013- Listby complied Compean, Daniel Entertainment Page Editor 16- Better to be despised for too anxious apprehensions, than ruined by too confident security. –Edmund Burke Powering forward into the future Degree with By Chelsea Hartshorn RamPage Reporter a guarantee Temporary fencing has blocked Victor Valley College By Nicole Stacey students from parking in lot 11 RamPage Reporter and the northern section of lot 12. These lots are currently The Student Transfer Achieve- closed for construction of two ment Reform Act (SB 1440) will solar covered parking structures guarantee students following an that are anticipated to be fin- Associate of Arts to Transfer or ished just before the fall semes- Associate of Science to Transfer ter, according to Director of admission into the California Facilities, Construction and State University system effective Contracts, Steve Garcia. in the winter/spring 2014 semes- "The work is scheduled to be ter. Prior to SB 1440, transferring completed Aug. 8," said Garcia. Construction materials and Victor Valley College students equipment are being stored in would require 60 semester units front of the Child Development or 90 quarter units in one of two Center on the north side of cam- general education patterns. pus (building 12) and by the The new transfer Associate Administration Annex Building degrees are intended to provide a on the west side (building 10). Materials for the solar covered parking structures have already been delivered and is similar educational background preventing student from parking in lots 11 and 12. -
Lauschangriff Vol.082 11.2020 Lauschangriff Vol.082 11.2020 Gema
CD-BACKCOVER ZUMSELBERBASTELN!EINFACHANDENMARKIERUNGENAUSSCHNEIDENUNDINEINECD-BLANKO-HÜLLELEGEN.FERTIG! GEMA 1. ARMORED SAINT - End Of The Attention Span 5:13 11.2020 (Joey Vera, Phil Sandoval/John Bush) Don´t Funk With My Music And My Own Agenda Publishing administered by BMG Rights Management, P. Sandoval Publishing/BMI* Metal Blade/Sony 2. FATES WARNING - Scars 5:04 (Jim Matheos/Ray Alder) Matheos Music/Horrendous Music/BMG Rights Management* Metal Blade/Sony LAUSCHANGRIFF 3. STÄLKER - Intruder 5:00 VOL.082 (Dave King, Chris Calavrias, Nick Oakes/Dave King) Iron Avantgarde Publishing* Napalm/Universal 4. SÓLSTAFIR - Her Fall From Grace 6:35 (Tryggvason, Sæþórsson, Hallgrímsson, Traustason) Season Of Mist Publishing* Season Of Mist/Soulfood 5. PHIL CAMPBELL AND THE BASTARD SONS - Son Of A Gun 3:01 (Phil Campbell, Todd Campbell, Dane Campbell, Tyla Campbell, Neil Starr) Copyright Control* Nuclear Blast/Warner 6. HJELVIK - Helgrinda 4:21 (Erlend Hjelvik) Copyright Control* Nuclear Blast/Warner 7. HATEBREED - Weight Of The False Self 2:43 (James Shanahan, Chris Beattie, Matthew P. Byrne) Crippling Velocity Music (SESAC)/Devastation Music (SESAC)/ VOL.082 The Mark Of Clover Music (SESAC)* Nuclear Blast/Warner LAUSCHANGRIFF 8. EVILDEAD - Word Of God 3:04 (Phil Flores, Albert Gonzales, Karlos Medina, Rob Alaniz, Juan Garcia/Robert S. Rangel) Terrorama Music (BMI)* Steamhammer/SPV 9. KILLER BE KILLED - Dream Gone Bad 4:15 (Max Cavalera, Greg Puciato, Troy Sanders, Ben Koller) Kill Posers (ASCAP)/Neandertroy Music (BMI)/ 11.2020 Songtrust Music, LLC/Soul Desert (ASCAP)* Nuclear Blast/Warner 10. THEM - Battle Blood 3:56 (Markus Lutz Ullrich/Troy Norr) Copyright Control* Steamhammer/SPV. -
Exploring Camosun's Frisky Side Page 6 VIEWS March 19, 2014
Students show skills: page 5 Aidan Knight's rise: page 8 ZZ Top's beards: page 8 march 19, 2014 march 19, 2014 march 19, 2014 issue 13 | volume 24 issue 13 | volume 24 issue 13 | volume 24 nexusnewspaper.com nexusnewspaper.com nexusnewspaper.com camosun’s student voice since 199c0amosun’s student voice since c1a9m90osun’s student voice since 1990 Sexy school Exploring Camosun's frisky side page 6 VIEWS March 19, 2014 editor’s letter open space Making Camosun kisstory Saviour complex isn’t camosun’s student voice since 1990 Next publication: April 2, 2014 We’ve covered a lot of serious subjects this semester in our feature helping Africa stories. From municipal amalgamation to the power of the written word, Deadline: noon March 26 2014 Matthew helliwell Africa, or anywhere else, needs to it’s been a few months of big topics. So we thought it was time to unwind. Contributing writer Address: 3100 Foul Bay Rd., Victoria, BC, And to get some bare butts on the cover. be “saved” by the West. V8P 5J2 Flip over to page 6 to read contributing writer Piotr Burek’s look at I can’t count the number of blog The trouble with short-term Location: Lansdowne Richmond House 201 the sexy side of Camosun. Oh, there is a sexy side, alright. Burek talked and Facebook posts I’ve seen of the trips and sappy commercials comes Phone: 250-370-3591 to 200 students to find out where on the two campuses they like to go to same ilk: some white, middle-class down to the biggest word in the Email: [email protected] sneak a smooch or two (or three). -
The Blackout Argument Have Heart Touché Amoré Deadlock Beatsteaks Mogwai Trail of Dead Red Tape Parade Oceano Times of Grace
26 FEB/MAR 11 FOR FREE THE BLACKOUT ARGUMENT HAVE HEART TOUCHÉ AMORÉ DEADLOCK BEATSTEAKS MOGWAI TRAIL OF DEAD RED TAPE PARADE OCEANO TIMES OF GRACE Fuze_Titel_No.26.indd 2 07.01.11 15:08 02Fuze26.indd 2 06.01.11 10:40 empD_adv_fuze_0111.indd 2 05.01.11 15:00 index IMPRESSUM 05 MOGWAI Der letzte Tee geht auf Margaret Thatcher. Fuze Magazine Thomas Renz, P.O.Box 11 04 20 07 ZWEITAUSENDZEHN 42664 Solingen, Germany Darf ich vorstellen? 20 HAVE HEART (Pakete an: Fuze Magazine, 08 LONG DISTANCE CALLING Coming of age. Hochstraße 15, 42697 Solingen) My linernotes. Fon 0212 383 18 29, Fax 0212 383 18 30 22 THE BLACKOUT ARGUMENT fuze-magazine.de, myspace.com/fuzemag 09 I HATE OUR FREEDOM Nachsitzen als Fleißaufgabe. Namedropping. Redaktion: 24 TRAIL OF DEAD Thomas Renz, [email protected] 10 ANTAGONIST Abseits des Status quo. Anzeigen, Verlag: My friends @ MySpace. 25 OCEANO Joachim Hiller, [email protected] 11 THE CHARIOT Und täglich grüßt das Murmeltier. Marketing, Vertrieb, Anzeigen: Pants down – Christian edition. Kai Rostock, [email protected] 26 TIMES OF GRACE 11 THE BLACK DAHLIA MURDER Die Hymnen eines beschäftigten Mannes. Verlag & Herausgeber: Ask the merch guy. Joachim Hiller, Hochstraße 15, 27 RED TAPE PARADE 42697 Solingen, Germany 12 EARTHSHIP / ABRAHAM Hardcore ist eine Blase. Labelmates. V.i.S.d.P.: Thomas Renz (Für den Inhalt von 28 DEADLOCK 13 NONE MORE BLACK Weniger denken, mehr Weniger. namentlich gekennzeichneten Artikeln ist der/ Journalistenschule. die VerfasserIn verantwortlich. Sie geben nicht 29 AKELA unbedingt die Meinung der Redaktion wieder.) 14 EARACHE RECORDS Unbekanntes Neuland. -
HANG YOURSELF Reach 50,000 Activemusicconsumers Throughournewin-Store Playdisc
SECTION BY TEAM RETAIL [email protected] POINTS OF IMPACT KILLERS EIGHTEEN VISIONS BOBBY BARE JR. HANGAR 18 Hot Fuss Obsessions From The End Of Your Leash The Multi-Platinum Island (UMVD) Trustkill-Epic (RED) Bloodshot (ADA) Debut Album Catalog No. 246802 Catalog No. 245828 Catalog No. 110 Definitive Jux (Caroline) Catalog No. 88 Release Date: June 15 Release Date: June 15 Release Date: June 22 ARTIST Release Date: June 15 Shipping 75k. Two pre-sale campaigns have run Shipping over 50k. Limited edition version con- Shipping 6k. Programs: A.I.M.S., CIMS, Homer’s, Shipping 5k out of the box—monstrous for a featuring U.K. import singles and 7-inches (for tains value-add DVD. Giveaway T-shirts available Transworld (San Francisco). Advertising with debut. Expecting buzz to build quickly, hoping to “Mr. Brightside” and “Somebody Told Me”) as for promotions. Listening stations confirmed Norwalk and AEC. Sperry Media promotion. reach 10k within the first few months. Cool value-adds. Programs with Music Monitor Network across the country. In-stores: Uncle Sam’s (Ft. Borders advertising with Paste and Harp. Working value-adds (see notes). In-store performance at (HellCar), A.I.M.S. and CIMS (listening stations), Lauderdale), Vinyl Fever (Tampa and Tallahassee), key indies along tour with counter displays and Fat Beats (New York) on street date, the Cop and CMJ New Music Mobile (voted in by retailers). Daddy Kool.com (St. Petersburg) and Park Avenue Bloodshot samplers for value-add promotions. In- Shop (Long Island) on June 19—in-stores sure to CDs (Winter Park, FL). -
Press // Reviews
PRESS // REVIEWS First Review premastered version “one eyed god prophecy” and rough album listening of upcoming album blackhole mass evolution by NOCLEANSINGING.com (http://www.nocleansinging.com/2014/09/18/an-ncs-premiere-under-the-pledge-of-secrecy-the-one-eyed-god-prophecy/) “ I was made aware of Under The Pledge Of Secrecy quite recently, and at just the right time it seems, as this talented German band have a new album, Black Hole Mass Evolution , coming very soon. I heard their last album, The Convoluted Line , described to me as sounding like Between The Buried And Me stripped down to their early primal aggressive style, and while I hear that, I would say they are also equal parts early Dillinger Escape Plan and early The Red Chord . Their Facebook and Soundcloud describes them as experimental grind metal, and those three intertwined certainly encompass the feel and flow of their music. This is high-octane musical rabies, a convoluted yet precise wrecking ball of grind and death metal — shot through with a strong melodic counterbalance. Their music has always eclectically drawn from a wide swathe of sounds, though this new album embraces a greater death metal focus — a trait inherent in the rampaging track “The One Eyed God Prophecy” that we are premiering today. The first few seconds bring the triumphant evil of Behemoth to mind, until the song ignites into a white- hot fury of thunderous roars, a conveyor-belt approach of frenzied riff after frenzied riff, bustling bouncy bass lines that exhibit a keen presence in the mix, and lightning-fast drumming interlocking with the guitars in pure rhythmic bliss. -
Discordant Systems Thesis.Pdf
!1 Discordant Systems: Uses and Meanings of Rhythmic Difficulty in the Music of Meshuggah and Related Extreme and Progressive Metal Bands A Distinguished Major Thesis presented by Calder Hannan to The Department of Music University of Virginia Charlottesville, Virginia May 2017 !2 Abstract In this thesis, I present a series of close readings of metal texts chosen for their rhythmic difficulty. In the first chapter, I address use of polymeter and hypermeter in the music of the metal bands Meshuggah and Intronaut. I draw conclusions about the many complicating factors involved in conceptualizing Meshuggah’s core rhythmic style, the importance of the consistent use of this style in determining meaning, and compare the meanings expressed in Meshuggah’s music to the very different ones expressed in Intronaut’s music. In the second chapter, I address several instances of tempo ambiguity and tempo change taken from the music of the bands Gojira, Meshuggah, The Contortionist, Animals As Leaders, TesseracT, and Car Bomb. I explore different types of tempo ambiguity and change and their implications for perceptions and conceptions of tempo, pulse, and meter, as well as specific meanings tied more closely to the details of each song. In the third chapter, I address two more songs in which rhythmic difficulty is created by a lack of pattern and/or pulse. I comment on the ways that rhythm can express randomness, its potential for expressing chaos, and the very different ways in which these techniques are central to the images of the bands Meshuggah and The Dillinger Escape Plan. I conclude by drawing attention to a theorized link between heaviness (as in “heavy” metal) and disorientation caused by rhythmic complexity, as well as examining the implications of my analysis and synthesizing with the work of others to draw conclusions about the social place of the type of metal I discuss in the broader musical world. -
Daughters – You Won’T Get What You Want
Daughters – You Won’t Get What You Want (48:40, CD, LP, Download, Ipecac, 2018) Zugegeben, diese Rezension ist etwas spät dran. Aber was soll man machen, wenn eines der absoluten Top-Alben, der vielleicht größte Geheimtipp des Jahres 2018, in der Prog- Community bisher kaum Beachtung gefunden hat? Da sind ein, zwei Monate hin oder her auch schon Wurscht. Daughters, 2002 in Providence, Rhode Island gegründet, haben sich Anfang der 2000er in der Noise-Rock- und Mathcore-Szene mit ihrem besonders extremen, heiß geschmiedeten Sound einen Namen gemacht. Die ersten beiden Scheiben, „Canada Songs“ und „Hell Songs“, jeweils unglaubliche 11 und 23 Minuten lang, beinhalteten Lieder mit solch kuriosen Titeln wie ‚I Slept with the Daughters and All I Got Was This Lousy Song Written About Me‘ (Laufzeit 1:11 Minuten), ‚Daughters Spelled Wrong‘ (1:41) oder ‚Mike Morowitz, the Fantasy F*ck‘ (0:34). Grob lässt sich das Ganze irgendwo zwischen Grindcore und Dillinger Escape Plans „Calculating Infinity“ verorten (dessen Nachfolge-Album, aufgemerkt, mit Mike Patton am Mikrofon aufgenommen wurde). Mit dem folgenden selbstbetitelten Album aus dem Jahre 2010 verließ die Band dann schließlich den gewohnten Pfad (wenn man von so einem sprechen kann), Sänger Alexis Marshall hatte sich von Screams bereits auf „Hell Songs“ verabschiedet, die hochexplosive Mischung kühlte sich ab, und verwandelte sich zu einer kompakten, groovenden, aber nichtsdestotrotz extrem schweren Dampfwalze. Die Kritiker priesen die Offenheit, mit der Daughters ihre eigene Musik uminterpretierten. Leider kam es zu unüberwindlichen Spannungen innerhalb der Band, die sich noch während der Aufnahmen aufzulösen begann. Die Fans mussten daraufhin einige Jahre um die Zukunft ihrer Lieblings- Krachkombo bangen. -
Metrical Dissonance in the Music of the Dillinger Escape Plan
Metrical Dissonance in the Music of The Dillinger Escape Plan Item Type text; Electronic Thesis Authors Carballeira, Lucas Julian Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction, presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 26/09/2021 12:36:18 Link to Item http://hdl.handle.net/10150/642106 METRICAL DISSONANCE IN THE MUSIC OF THE DILLINGER ESCAPE PLAN by Lucas Julián Carballeira ____________________________ Copyright © Lucas Julián Carballeira 2020 A Thesis Submitted to the Faculty of the FRED FOX SCHOOL OF MUSIC In Partial Fulfillment of the Requirements For the Degree of MASTER OF ARTS In the Graduate College THE UNIVERSITY OF ARIZONA 2020 2 THE UNIVERSITY OF ARIZONA GRADUATE COLLEGE As members of the Master’s Committee, we certify that we have read the thesis prepared by: Lucas Julián Carballeira titled: Metrical Dissonance in the Music of The Dillinger Escape Plan and recommend that it be accepted as fulfilling the thesis requirement for the Master’s Degree. John Muniz _________________________________________________________________ Date: ____________Jul 14, 2020 John Muniz _________________________________________________________________ Date: ____________Jul 14, 2020 Donald G. Traut _________________________________________________________________ Date: ____________Jul 14, 2020 Matthew Mugmon Final approval and acceptance of this thesis is contingent upon the candidate’s submission of the final copies of the thesis to the Graduate College. I hereby certify that I have read this thesis prepared under my direction and recommend that it be accepted as fulfilling the Master’s requirement.