DOCSLIB.ORG

The Museum of Modern Art

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
The Museum of Modern Art Exh. 1196 The Museum of Modern Art 11 West 53 Street, New York, N.Y. 10019 Tel. 956-6100 Cable: Modernart ~of the Registrar CHECKLIST LE CORBUSIER: ARCHITECTURAL DRAWINGS January 20 - 14arch 26, 1978 Ccodwi.n Gallery 1. 1977.1101 (FLC 30864) Assemblee a Chandigarh: Tapisserie du Hall d'Entree MoMAExh_1196_MasterChecklist Sud-Ouest. Pencil and tempera, 1961. 2. 1977.1102 (FLC 10585) Villa les Terrasses a Garches (Elevation). Pencil and pastel on drafting paper, n.d. 3. 1977.1103 (FLC 10582) Villa les Terrasses a Garches (Elevation). Pencil and pastel on drafting paper, n.d. 4. 1977.1104 (FLC 10581) Villa les Terrasses a Garches (Elevation). Pencil and pastel on drafting paper, n.d. 5. 1977.1105 (FLC 10583) Villa les Terrasses a Garches (Elevation). Pencil and pastel on drafting paper, n.d. 6. 1977.1106 (FLC 15559) Pavillon Suisse a Paris (Elevation). Pencil and pastel on drafting paper, n.d. 7. 1977.1107 (FLC 15579) Pavillon Suisse a Paris (Elevation). Pencil and pastel on drafting paper, n.d. 8. 1977.1108 (FLC 15427) Pavillon Suisse a Paris (Perspective). Pencil and pastel on drafting paper, n.d. 9. 1977.1109 (FLC 16575) Eglise de Firminy: Fa~ade Ouest (Elevation). Pencil and pastel on drafting paper "ith overlay of pencil and pastel on drafting paper, 1961. 10. 1977.1110 (FLC 16583) Eglise de Firminy: Fa~ade Sud (Croquis Divers). Pencil and pastel on drafting paper, 1961. 11. 1977.1111 (FLC 16574) Eglise de Firminy: Niveau 3 (Plan de Niveau). Pencil and pastel on drafting paper, 1961. 12. 1977.1112 (FLC 16593) Eglise de Firminy: Fa~ade Nord (Elevation). Pencil and pastel on drafting paper "ith overlay of pencil and pastel on drafting paper, 1961. 13. 1977.1113 (FLC 16599) Eglise de Fi~iny: Fa~ade de Ouest (Elevation). Pencil and pastel on drafting paper, 1961. 14. 1977.1114 (FLC 10569) Villa les ~errasses a Garches (Elevation). Pencil and pastel on drafting paper, n.d. 15. 1977.1115 (FLC 31514) Villa Meyer a Neuilly (Perspectives). Pencil, p~n and ink on drafting paper, 1926. 16. 1977.1116 (FLC 8594) Maison Guiette a Anvers (Perspectives). Pencil, pen and ink on drafting paper, 1926. 17. 1977.1117a-c (FLC19097) Immeuble-Vil1as (Perspective). Pen and ink on drafting paper, 1922. 18. 1977.1118 (FLC 31525) Villa Meyer a Neuilly (Perspectives). Pencil, pen and ink on drafting paper, 1925. 19. 1977.1119 (FLC 19261) Cite Universitaire a Rio (Perspective). Pencil and pastel on drafting paper, 1936. cant .•. Page 2 ,. 20. 1977.1120 (FLC 30068) Maison de Week-End a Rambouillet (Elevation). Pencil, pen and ink on drafting paper, (c. 1924). 21. 1977.1121 (FLC 30069) Maison de Week-End a Rambouillet (Perspective)Pencil, pen and ink on drafting paper, (c. 1924). 22. 1977.1122 (FLC 1234) Couvent de la Tourette a Eveux (Perspective). Pen and ink on drafting paper, 1954. 23. 1977.1123a-d (FLC 23384) Societe des Nations a Geneve (Perspective). Pencil, pen and ink (few notations in red crayon) on drafting paper, (c. 1926). 24. 1977.1124 (FLC 31480) Villa les Terrasses a Garches (Perspective). Pencil, pen and ink on board, 1926. 25. 1977.1125 (FLC 30280) Vi.lla Paul Poiret (Perspective). Pencil, pen and ink on draft ing paper, (c. 1918). 26. 1977.1126a-b (FLC 31504) Quartier de la Marine a Alger (Perspective). Pencil, pen and ink on brown tissue, (c. 1942). MoMAExh_1196_MasterChecklist 27. 1977.1127 (FLC 5709) Palais du Gouverneur a Chandigarh (Croouis Divers). Pen and ink on tissue, 1953. 28. 1977.1128 (FLC 7095) Villa Sarabhai a Ahniedabad (Perspective). Pen and ink on buff paper, 1953. 29. 1977.1131 (FLC 15275) Villa la Roche (Elevation). Pencil and pastel on drafting paper, (1923). 30. 1977.1132 (FLC 26738) Unite d'Habitation a Marseille (Croguis Divers). Pencil and pastel on drafting paper, 1947. 31. 1977.1133 (FLC 16818) Maison des Jeunes a Firminy: Hall d'Entree (Perspective). Ink on drafting paper, 1956. 32. 1977.1134 (FLC 16620) Eglise de Firminy: (Persnective). Pen and ink with cut and pasted colored paper, 1963. 33. 1977.1135 (FLC 3979) Palais du Gouverneur a Chandigarh (Plan de Niveau). Pencil and pastel on drafting paper, 1954. 34. 1977 .1136 (FLC 14711) Villa Paul Poiret (Persnective Irrteri.eur-e}.Pen and Lnl; (with traces of pencil) on cardboard, 1918. 35. 1977.1137 (FLC 31014) Villa Baizeau a Carthage (Perspectives). Pencil and pastel on drafting paper, (c. 1929). 36. 1977.1138 (FLC 9353) Villa t4mes.Joseph et Hanau (Perspective). Pen and ink on drafting paper, 1926. 37. 1977.1139 (FLC 24235) Villa Ocampo a Buenos Aires (Perspectives). Pencil, pen and ink on drafting paper, 1928. 38. 1977.1140 (FLC 7644) Weissenhof-Sicollung a Stuttgart (Perspective). Pencil, pen and ink on drafting paper, 1926. 39. 1977.1141 (FLC 15043)Amenagement de la Porte ~Iaillot (Perspective). Pen and ink on drafting paper, (c. 1929). 40. 1977.1142 (FLC 28619) Ferme Radieuse (Perspective). Pencil, pen and ink on (green) drafting paper, (c. 1934). 41. 1977.1143 (FLC 31508) Lotissements Durand a Alger (Perspective). Pencil, pen and ink on green drafting paper over board, (c. 1933). 42. 1977.1144 (FLC 9419) Villa Le Lac a Vevey (Croquis Divers). Pencil and pastel on paper, (c. 1923). 43. 1977.1145(FLC 19879) Quartier Fruges a Pessac (Perspective). Pencil, pen and ink on drafting paper, (c. 1925). 44. 1977.1146 (FLC 31510) Pavillon Suisse a Paris (Persnective). Pencil, pen and ink on green drafting paper over board, (c. 1931). cant ... Page 3 ." 45. 1977.1147 (FLC 22829) Amenagement rlot rnsalubre no. 6 a Paris (Perspective). Pen and ink on drafting paper, (c. 1937). 46. 1977.1148 (FLC 23369) Sociece des Nations a Geneve (Perspective). Pencil and pastel on drafting paper, (1926). 47. 1977.1149 (FLC 19583) Villa Savoye a Poissy (Croquis Divers). Pencil and pastel on drafting paper, (c. 1929). 48. 1977.1150 (FLC 31503) Quartier de la Marine a Alger (Perspective). Pen and ink on drafting paper, (c. 191,2). 1977.1151 (FLC 16112) Centrosoyus a Moscou (Perspective). Pen and ink and pencil on dr af't.Lngpaper, (1928). 50. 1977.1152 (FLC 23319) Societe des Nacions a Geneve (Coupes). Crayon and pencil on drafting paper, (1926). 51. 1977.1153 (FLC 31512) Cite du Refuge a Paris (Perspective). Pen and ink and pencil on cracing paper, 1932. MoMAExh_1196_MasterChecklist 52. 1977.1154 (FLC 8982) Villa Errazuriz au Chili (Perspective). Pen and ink on tracing paper, (c. 1930). 53. 1977.1155 (FLC 31522) Villa Savoye a Poissy (Perspeccive). Pencil, pen and inJ, on drafting paper, (c. 1929). 54. 1977.1156 (FLC 12059) Asile Flottant de l'Armee du Salut (Perspective). Pencil, pen and ink on drafting paper, (c. 1930). 55. 1977.1157 (FLC 3307) Secretariat a Chandigarh (Croguis Divers). Pencil, pen and ink, crayon on drafting paper, 1952. 56. 1977.1158 (FLC 4918) Musee de la Connaissance a Chandigarh - Esguisse de la Fa~ade Ouest (Elevation). Pencil, ink, crayon on drafting paper, 1961. 57. 1977.1159 (FLC 30291) Maisons Domino (Elevation). Pastel (crayon?) on drafting paper, (c. 1914). 58. 1977.1160 (FLC 30290) Maisons Domino (Perspective). Pencil and pastel on drafcing paper, (c. 1914). 59. 1977.1161 (FLC 14345) Immeuble Villas - Plan Obus a ft~ er (Pers ective). Pencil, pen and ink on green drafting paper, c. 1933 . 60. 1977.1162 (FLC 29935) siefe des Nations Unies a New York (Perspective). Pen and ink on drafting paper, 19 7. 61. 1977.1163 (FLC 2962) Assemblee a Chandigarh (Coupe). Pencil on drafting paper, (c. 1956). 62. 1977.1164 (FLC 10407) Villa les Terrasses a Garches (Elevation). Pencil and pascel on drafting paper, n.d. 63. 1977.1165 (FLC 19702) Villa Savoye a Poissy (Perspective). Pencil on drafting paper, n ,d. 64. 1977.1166 (FLC 10587) Villa les Terrasses a Garches (Perspective). Pencil and pastel on drafcing paper, n.d. 65. 1977.1167 (FLC 30277) Villa Favre Jacot (Perspective). Pencil on drafting paper, (c. 1912). 66. 1977.1168 (FLC 29036) Hauce Cour de Justice a Chandigarh (Perspective). Pencil and crayon on buff paper, 1955. 67. 1977.1169 (FLC 4574) Haute de Cour de Justice a Chandigarh (Perspective). Pen and ink (traces of pencil) on drafting paper, 1952. 68. 1977.1170 (FLC 1507) Place de la Mairie a Boulogne (Perspeccive). Pen and ink (traces of pencil) on drafcing paper, (c. 1937). cont ... Page 4 'I \ .. 69. 1977.1171 (FLC 7941) Maison Ternisien a Boulogne (Axonometrie). Pencil on drafting paper, 1926. 70. 1977.1172 (FLC 22360) Abattoir de Challuy vue a vol d'Oiseau (Perspective). Pen and ink on drafting paper, 1917. 71. 1977.1173 (FLC 10586) Villa les Terrasses a Garches (Elevations). Pencil and pastel on drafting paper, (c. 1926). 72. 1977.1174 (FLC 19429) Villa Savoye a Poissy (Plan de Niveau). Pencil, pen and ink on drafting paper, n.d. 73. 1977.1175 (FLC 19430) Villa Savoye a Poissy (Plan). Pencil, pen and ink on drafting paper, n.d. 74. 1977.1176 (FLC 31509) Urbanisation Projet B a Alger (Perspective). Pen and ink on green drafting paper on board, (c. 1934). 75. 1977.1177 (FLC 23195) Societe des Nations a Geneve (Pers ective). Pencil, pen and ink, blue pastel on green drafting paper, c.1926). 76. 1977.1178 (FLC 6425) Villa Shodan a ftJunedabad. Pencil, pen and ink, blue crayon MoMAExh_1196_MasterChecklist on drafting paper, 1954. 77. 1977.1179 (FLC 8058) Villas Lipchitz Miestschaninoff a Boulogne (Elevation). Pencil and pastel on drafting paper, n.d. 78. 1977.1180 (FLC 24520) Mundaneum a Geneve (Perspective). Pen and ink (traces of pencil) on green drafting paper, (c. 1929). 79. 1977.1181 (FLC 27250) Palais des Soviets a Moscou Fo er A (Pers ective). Pen and ink (Traces of pencil) on green drafting paper, (c.
Load more

Recommended publications
  • MIT 4.567 Introduction to Computation in Architectural Design Spring
    MIT 4.567 Introduction to Computation in Architectural Design Spring 2017 Takehiko Nagakura Legend A modest modeling B some difficult portions in modeling C challenging Ref Do not select (For reference only) Architects Buildings Year Built Reference Notes Andrea Palladio B 1 Palazzo Da Porto 1552 built Palladio Pl.37-40 (Palazzo Iseppo Da Porto) Forssman Scamozzi Vol.1. p49 B 2 Villa Almerico 1569 built Palladio Pl.52-55 (Villa Rotonda) Scamozzi Vol.2. p8 Camillo B 3 Villa Zen 1566 built Palladio Pl.104-107 partiall involvement (Villa Zeno) Scamozzi Vol.3. p37 by Palladio B 4 Villa Foscari 1560 built Palladio Pl.108-110 (La Malcontenta) Scamozzi Vol.3. p8 B 5 Villa Pisani-Placco 1555 built Palladio Pl.114-117 Scamozzi Vol.2. p20 B 6 Villa Saraceno Lombardi 1548 built Palladio Pl.128-130 B 7 Villa Godi 1552 built Palladio Pl.153-155 Hofer Scamozzi Vo.2. p27 B 8 Villa Sarego Boccoli 1569 built Palladio Pl.156-159 (a.k.a. Villa Serego) Scamozzi Vol.3. p48 C 9 Invenzione per una unknown unbuilt Palladio Pl.168-170 irregular site situazione in Venezia Scamozzi Vol.4. p53 B 10 Villa Pietro Caldogno 1570 built Palladio Pl.196-198 painting on wall Scamozzi Vol.2. p67 B 11 Villa Mocenigo(Badoer) 1563 built Scamozzi Vol.3. p51 Puppi B 12 Villa Emo 1567 built Scamozzi Vol.3. p24 Lewis Ref Villa Marcello Ref Villa Fratelli Bissaro Architects Buildings Year Built Reference Notes Le Corbusier B 1 Maison de Errazuris Au Chili 1930 unsure Boesiger Vol.2 p49 RC + wood A 2 Villa de Mandrot 1931 built Boesiger Vol.2 p59 A 3 Durand Alger 1933 unbuilt Boesiger
    [Show full text]
  • Programme Expositions
    CIVA CITÉ DE L’ARCHITECTURE VILLA SAVOYE PIACÉ LE RADIEUX PROGRAMME BRUXELLES ET DU PATRIMOINE POISSY PIACÉ Cuisines. 1950 Cité Radieuse, PARIS Folding Cosmos Joseph Savina/Le 2015 Marseille par Le Corbusier. Un bâtiment, combien de vies ? Le Corbusier et le Japon Corbusier/Norbert Bézard Exposition organisée par Présentation de la Cité de AVRIL – JUIN La Quinzaine radieuse #7 INQUANTENAIRE les Archives d’Architecture Refuge et du Centre Espoir de www.villa-savoye.monuments- 20 JUIN – 30 AOÛT LC Moderne l’Armée du Salut nationaux.fr www.piaceleradieux.com DE LA MORT DE 28 JANVIER – 19 AVRIL MARS – MAI CIAC FONDATION SUISSE LE CORBUSIER www.aam.be www.citechaillot.fr CHÂTEAU DE CARROS PARIS COLLINE NOTRE-DAME COLLINE NOTRE-DAME variations Le Corbusier Suite chromatique EXPOSITIONS DU HAUT DU HAUT MAI – SEPTEMBRE Histoire de résidents www.ciac-carros.fr PAVILLON DE RONCHAMP RONCHAMP Florence Cosnefroy L’ESPRIT NOUVEAU La chapelle Notre-Dame du Une chapelle inspirée : les CENTRE POMPIDOU JUIN – JUILLET www.fondationsuisse.fr BOLOGNE Haut, de l’ombre à la lumière sources de Le Corbusier PARIS er My house is a Le Corbusier 31 JANVIER – 1 MARS pour Ronchamp Le Corbusier : VILLA SAVOYE er Cristian Chironi www.collinenotreda 30 MARS – 1 NOVEMBRE Mesures de l’homme POISSY meduhaut.com www.collinenotreda 7 – 25 JANVIER 29 AVRIL – 3 AOÛT Susanna Fritscher : points de meduhaut.com www.museoman.it VILLA SAVOYE www.centrepompidou.fr vue sur la promenade ÉGLISE SAINT-PIERRE POISSY MAISON LA ROCHE WEISSENHOFWERKSTATT architecturale de Le Corbusier FIRMINY
    [Show full text]
  • Villa Savoye, Poissy 1929-1931 the Ideal Villa
    LE CORBUSIER Villa Savoye, Poissy 1929-1931 the ideal villa History of Contemporary Architecture Prof. Michela Rosso 1976 The villa is added to the French register of historical monuments. After restoration it has been opened to the public Since 2016 is part of the UNESCO World Heritage After the completion of the restoration project, the villa is now visitable See http://www.villa-savoye.fr/en/ Villa Savoye: 1929-1931 the villa in the pages of Le Corbusier & Pierre Jeanneret’s Oeuvre complète Savoye villa in the Oeuvre complète (1929) by Le Corbusier APPROACHING THE VILLA “When entering the property we can see the villa” A progressive discovery, a ceremonial experience culminating into a surprising, unexpected view. A MOCKERY of the ceremonial, quality of the approach to the villa given by the winding path leading to it, is contained in scenes of Jacques Tati’s film Mon Oncle (1958). The whole film is a humorous critique of architectural modernism made three decades after the completion of Le Corbusier’s iconic modernist work. The Villa Savoye in Poissy is situated on a smoothly sloping hilltop, in the midst of a field. The 5 points (pilotis, free plan, free façade, elongated window, roof terrace) are all accomodated within a perfect square. Pilotis (STILTS) raise the main living floor one storey above the ground so that guests can arrive and depart while protected by the building itself. The turning radius of an automobile determines the semi-circular outline of the ground floor that contains the reception hall, garages, and the servant’s quarters.
    [Show full text]
  • 10 Franc Banknote: Le Corbusier (Charles Edouard Jeanneret),1887-1965 Architect, Town Planner and Theoretician, Painter, Sculptor and Writer
    10 franc banknote: Le Corbusier (Charles Edouard Jeanneret),1887-1965 Architect, town planner and theoretician, painter, sculptor and writer Le Corbusier is regarded as one of the outstanding creative personalities of the twentieth century. He was a universal designer who was active in many fields: as an architect, town planner, painter, sculptor and the author of numerous books on architecture, urban planning and design. Le Corbusier's remarkable ability to communicate his ideas helped to gain recognition for his theories throughout the world. His work is a modern Gesamtkunstwerk that combines individual disciplines into a complex whole. This is particularly apparent in his visionary urban planning projects. Le Corbusier pioneered a quintessentially modern approach to architecture. Urban planning Le Corbusier's concepts of residential building design are based on extensive studies of the social, architectural and urban planning problems of the industrial era. Le Corbusier always placed the human being at the centre of his creative principles. In his book Urbanisme (The City of Tomorrow), published in 1924, and in numerous other studies on this topic, he formulated some of the most important principles of modern urban planning: the city, he wrote, must be planned as an organic whole and designed in spatial terms to support the functions of living, work, recreation, education and transport. One important goal was to separate work and relaxation into spaces that would be experienced separately. Chandigarh (1950 - 1962) Although Le Corbusier was involved in numerous urban planning projects, only two were implemented: Pessac- Bordeaux (1925) and Chandigarh. In this latter project, Le Corbusier received a contract from the government of India in 1950 to build the new capital of the Indian state of Punjab, which was established after the Second World War.
    [Show full text]
  • Los Alzados Inmateriales Como Planos Abstractos Y Su Control Geométrico
    CAPÍTULO 5: LOS ALZADOS INMATERIALES COMO PLANOS ABSTRACTOS Y SU CONTROL GEOMÉTRICO. Como sostenía Scully, los alzados de Garches están sólo dibujados y no construidos. Son de papel. Se redibujaron posteriormente a la obra, para su publicación en “L´Architecture Vivante” y posteriormente en L´Oeuvre Complète. Son esquemas, y como tal han de ser considerados, Contienen errores, como el único tensor de la marquesina; pero demuestran el control de la Geometría en las composiciones de Le Corbusier mediante los trazados reguladores. El texto que los acompaña recalca el carácter de la geometría como mecanismo de obtención de la emoción en arquitectura. Tras una página doble homogénea en la que la que sólo aparecía un tipo de representación (la planta), Le Corbusier vuelve a una página doble con una composición multifacética. El montaje de esta página doble está compuesto por un texto, dos planos (el alzado delantero y el trasero), y una secuencia de 8 fotografías. Es la única página doble sobre Garches donde se mezclan estos tres métodos de descripción: el escrito del texto, el plano y la fotografía. No es por lo tanto un modo ortodoxo de representación. Al darse esta conjugación de los 3 elementos; es necesario que sean vistos de modos distintos: la lectura atenta del texto, la detención de la mirada ante la objetividad del plano, para pasar después a la continuidad fragmentaria y la superposición visual de la secuencia de imágenes. Lo visual y lo mental están continuamente relacionándose. Es manifiesto que estas dos páginas no pueden sino concebirse como una sola, dado que dos imágenes del recorrido “saltan” de la página 145 a la página 144.
    [Show full text]
  • Le Corbusier
    LE CORBUSIER ..................................................................................................................................................................................................................... I milleLes multiples volti di un facettes architetto d’un rivoluzionario architecte révolutionnaire Textes de Giampiero Bosoni, Brigitte Bouvier, Philippe Daverio, Alessandra Dolci, Fulvio Irace, Sergio Pace, Bruno Reichlin, Marida Talamona, Simon Zehnder Les multiples facettes d’un architecte révolutionnaire ..................................................................................................................................................................................................................... Introduction «Le Corbusier a changé l’architecture – et l’architecte», ce vibrant éloge d’André Malraux à Le Corbusier garde toute son actualité. Né Charles-Édouard Jeanneret, Le Corbusier (1887-1965) reste l’architecte le plus inventif et le plus influent du 20e siècle. Architecte, créateur de mobilier, peintre, sculpteur, théoricien, poète, il a construit 75 édifices dans 11 pays, conçu 42 projets d’urbanisme, rédigé 34 livres. Il laisse 8000 dessins, plus de 500 tableaux, sculptures et tapisseries Conçue et réalisée entre le début des années 20, période de la naissance du mouvement moderne et les années 60 où cette architecture d’avant-garde s’est imposée, l’oeuvre bati de Le Corbusier incarne une rupture radicale avec les styles, technologies et pratiques du «passé». Contre tout académisme, Le
    [Show full text]
  • Savoye Space: the Sensation of the Object
    Architecture Publications Architecture Fall 2001 Savoye Space: The eS nsation of the Object Daniel J. Naegele Iowa State University, [email protected] Follow this and additional works at: http://lib.dr.iastate.edu/arch_pubs Part of the Architectural History and Criticism Commons The ompc lete bibliographic information for this item can be found at http://lib.dr.iastate.edu/ arch_pubs/28. For information on how to cite this item, please visit http://lib.dr.iastate.edu/ howtocite.html. This Article is brought to you for free and open access by the Architecture at Iowa State University Digital Repository. It has been accepted for inclusion in Architecture Publications by an authorized administrator of Iowa State University Digital Repository. For more information, please contact [email protected]. Savoye Space: The eS nsation of the Object Abstract Le Corbusier's early education encouraged him to think of architecture in idealistic and metaphoric terms: architecture not as building, but as representation. Schooled in the neomedieval beliefs of John Ruskin and Owen Jones, and in the organic similes of art nouveau, he was convinced that art and industry, like art and craft in former times, ought naturally to ally. For Le Corbusier, a building was always like something else. His La Chauxde- Fonds houses were like the nature that surrounded them, with their roofs designed as curves and folded gables to echo the shape of local ftr trees.1 The alvS ation Army building was like a beached ocean liner, the Unites like ftling cabinets or wine racks. Continuous ribbon buildings projected for Rio de Janeiro and Algiers were like bridges or aqueducts or even like the Great Wall of China, and the polychrome Nestle Pavilion was like a collage painting into which the viewer could walk.
    [Show full text]
  • The Architecture of Le Corbusier and Herzog and De Meuron
    Traveling Studio Proposal - Spring 2018 Taubman College of Architecture and Urban Planning PARALLEL FACADES _ The Architecture of Le Corbusier and Herzog and De Meuron Instructor: Viola Ago Course Brief_ This travel course will take students through a trace of significant Architecture work by Charles-Édouard Jeanneret, known as Le Corbusier, and the duo Jacques Herzog and Pierre de Meuron of Herzog and De Meuron (from now on HDM). This course will travel through three countries where most of the work in concentrated, Germany, Switzerland, and France. The curated list of buildings and sites has been constructed based on the utility of the façade in architecture. Both of these practices have been powerful influencers of architectural style. Le Corbusier was elementary to the emergence of Modernism and the removal of decorative arts in architecture. HDM were equally as fundamental in the evolution of Contemporary style and aesthetics in Architecture. Both contributors have used the Architectural Façade to express their aesthetic convictions and ideologies. This traveling studio will examine the Architectural Façade of Modern and Contemporary Architecture as it relates to three areas of investigation: art, technology, and agency. The visits to the sites, buildings, and collection based museums, will guide the students to collect information and knowledge on this critical part of history. The students will use the reading list as a guide to understand the current conditions of the Architectural Façade, and as a framework to inform the way in which to study the buildings that they will visit during this trip. Activity_ Traveling to sites, visiting buildings, visiting galleries, photography/sketching, taking notes, workshop participation.
    [Show full text]
  • La Ligne Claire De Le Corbusier. Time, Space, and Sequential Narratives
    DOI: http://dx.doi.org/10.4995/LC2015.2015.814 La Ligne Claire de Le Corbusier. Time, Space, and Sequential Narratives L.M. Lus Arana Profesor Ayudante Doctor. Área de Composición Arquitectónica. Escuela de Ingeniería y Arquitectura, Universidad de Zaragoza Abstract: In 1921, issue 11-12 of L’Esprit Nouveau featured an article entitled “Toepffer, précurseur du cinema” where Le Corbusier, signing as ‘De Fayet’, vindicated the figure of Rodolphe Töpffer (1799-1846), a Swiss a pioneer of comics, as a key element in the development of cinema. Marginal as it may seem, this reference unveils a deeper relationship between Jeanneret and Töpffer’s work which started in his childhood, and would have a key role in the development of some of Le Corbusier’s trademark obsessions: travel, drawing, and cinematic narratives. In this context, “La Ligne Claire de Le Corbusier” proposes a close examination of the presence of graphic narrative and its aesthetics in Le Corbusier's early work in relation to its evolution from a sequential promenade architecturale to multispatial enjambment. The paper explores themes such as narrative and the inclusion of time in le Corbusier's Purist paintings, or his evolution from a painterly approach to drawing to an idealized, linear and synthetic rendering style. Keywords: Sequence; Enjambment; Purism; Avant-Garde; Töpffer ; Bande Dessinée. 1. Introduction: Le Corbusier, the Arts, and the Media In November 1921, issue 11-12 of L’Esprit Nouveau featured an article entitled “Toepffer, précurseur du cinema”1. Signed by De Fayet, a penname shared by Amédée Ozenfant and Charles-Edouard Jeanneret, it vindicated the figure of Rodolphe Töpffer, and was accompanied by a selection of comic strips from Monsieur Pencil (created in 1831 and published in 1840), and Le Docteur Festus (1831/1846).
    [Show full text]
  • Le Corbusier, Une Synthèse / ISBN 978-2-86364-280-1 Stanislaus Von Moos Von Stanislaus    Traduit De L’Anglais Par Isabelle D
    StanislausvonMoos Taudière D. Isabelle par l’anglais de Traduit synthèseune Le ISBN 978-2-86364-280-1 / Corbusier synthèse une Corbusier, Le — Moos von Stanislaus / www.editionsparentheses.com www.editionsparentheses.com ISBN 978-2-86364-280-1 / synthèse une Corbusier, Le — Moos von Stanislaus / www.editionsparentheses.com www.editionsparentheses.com () La version originale de ce livre a été écrite il y a dix ans, dans le cadre d’une série de monographies sur des hommes et femmes d’origine suisse s’étant rendus célèbres dans le monde des sciences, des arts et de la liérature — de Paracelse à Paul Klee en passant par Carl Gustav Jung. Il n’existait à l’époque aucune étude critique générale sur l’œuvre de Le Corbusier, et le présent ouvrage se proposait de combler cee lacune. Lorsque je me suis engagé dans cee entreprise, les archives privées de Le Corbusier n’étaient pas accessibles. Ma documentation s’appuyait donc essentiellement sur les écrits de l’architecte et sur les huit volumes de son Œuvre complète. J’ai par ailleurs visité pratiquement tous ses bâtiments construits, vu beaucoup de ses toiles et rencon- tré un grand nombre de ses anciens collaborateurs et amis qui ont bien voulu m’aider dans ma collecte d’informations sur sa vie. Dix ans plus tard, certains passages me paraissent dépassés, autant au regard des ISBN 978-2-86364-280-1 / études publiées depuis lors que de ma propre évolution dans l’approche du sujet. J’ai donc intégré à la présente édition les données nouvelles qui m’ont paru les plus impor- tantes sur la carrière et l’œuvre de Le Corbusier, révisé certaines analyses à la lumière de mon point de vue actuel et ajouté un chapitre sur les fondements typologiques et synthèse idéologiques de l’Unité d’habitation.
    [Show full text]
  • Raumplan Versus Plan Libre
    Raumplan versus Plan Libre Bibliotheek TU Delft 1111111111111111111111111111111111 C 3079127 1 Raumplan versus Plan Libre Adolf Loos and Le Corbusier, 1919 -1930 edited by Max Risselada with contributions by Beatriz Colomina Stanislaus von Moos Johan van de Beek Arjan Hebly Delft University Press / 1988 Published and distributed by: Delft University Press Stevinweg 1 2628 CN Delft The Netherlands Telefoon (0)15-783254 CIP-gegevens Koninklijke Bibliotheek, Den Haag Raumplan Raumplan versus Plan Libre / ed .: M. Risselada; [transl. from the Dutch]. - Delft : Delftse Universitaire Pers . - 111. Oorspr. uitg.: Delft: Delftse Universitaire Pers, 1987. Met lit. opg. ISBN 90-6275-481-3 SISO 715.8 UDC 72.01 "19" NUGI 923 Trefw.: bouwkunst; geschiedenis; 20e eeuw / Loos, Adolf / Le Corbusier Copyright© 1988 by the authors Teksten en afbeeldingen Le Corbusier: Copyright © 1988 by Le Corbusier, c/o BEELDRECHT, Amsterdam All rights reserved. Published 1987. Revised edition 1988. No part of the material protected by this copyright notice may be reproduced or utilized in any form or by any means, electronic or mechanical, including photocopying, recording or by any information storage and retrieval system, without written permission from Delft University Press. Printed in The Netherlands I I I Contents Introduction 6 Max Risse/ada Chronology 9 Le Corbusier and Adolf Loos 17 Stanis/aus van Maas Adolf Loos - patterns of town houses 27 Johan van de Beek The 5 Points and form 47 Arjan Heb/y Free Plan versus Free Facade 55 Villa Savoye and Villa Baizeau
    [Show full text]
  • Who Shot Le Corbusier? the Architect of the Century and His Photographers
    Daniel Naegele ISSUE 4 Who shot Le Corbusier? The architect of the century and his photographers Inaugural Speeches and Other Studies in the Built Environment Who shot Le Corbusier? TU Delft Open 2020 Daniel Naegele ISSUE 4 Who shot Le Corbusier? The architect of the century and his photographers TU Delft Open 2020 Inaugural Speeches and Other Studies in the Built Environment With an introduction by Herman van Bergeijk Inaugural Speeches and Other Studies in the Built Environment Series Editors: Herman van Bergeijk and Carola Hein [Chair History of Architecture and Urban Planning, TU Delft] ISSUE 4 Who shot Le Corbusier? The architect of the century and his photographers Author: Daniel Naegele Design: Sirene Ontwerpers Layout: Phoebus Panigyrakis Photography plays an important role in the dissemination of architectural ideas. This small booklet contains a study of the American scholar Daniel Naegele on Le Corbusier and his photographers. It provides a reflection on the importance that was given to photography by this famous architect during his lifetime and the way that he used and instructed professionals to illustrate his work and his ideas. All translations from the French are by the author © 2020 TU Delft Open ISBN 978-94-6366-308-3 PRINT ISSN 2667-0232 E-ISSN 2667-0240 Dedicated to Mogens Krustrup Architecture is the skillful, accurate and magnificent play of masses seen in light. –Le Corbusier Photography is manipulation of light. –Moholy-Nagy Contents Daniel Naegele Acknowledgments 11 Herman van Bergeijk and Carola Hein Preface
    [Show full text]