Events | Information

Total Page:16

File Type:pdf, Size:1020Kb

Events | Information ENGLISH VERSION FONDATION LE CORBUSIER EXHIBITIONS | PUBLICATION | EVENTS | INFORMATION APRIL 2021 We are pleased to announce the reopening of the Villa Curutchet, the Villa Le Lac and the Maison Blanche (Villa Jeanneret Perret) while other sites such as the Chapelle Notre-Dame du Haut or the Péniche Louise-Catherine are the subject of major restoration campaigns. We are grateful to the institutions and donors who, through their support, contribute to the protection and transmission of Le Corbusier's work. Until we meet again, we invite you to join us on social networks to share new discoveries such as "Le Corbusier, dialogue of arts" and "Le Corbusier, planet as a construction site" EVENTS Call for collaborative art projects 2021 UH of Firminy As part of the European Heritage Days 2021, the Association of the inhabitants of the Unité d'habitation de Firminy is launching a call for collaborative art projects on the theme "I love Le Corbusier". More.... Espace Bézard-Le Corbusier Reopening from March 28, 2021 by appointment. The Espace Bézard - Le Corbusier is dedicated to the utopian project of the Radiant Farm and the Cooperative Village imagined in the 1930s by Norbert Bézard and Le Corbusier. Plans, models and archives trace the history of this project. Ceramics, drawings and paintings by Norbert Bézard are also presented. Association Piacé le radieux, More .... Bézard - Le Corbusier PUBLICATION Growing up Modern The architectural philosophy Childhoods in Iconic Homes of Le Corbusierer Julia Jamrozik, Coryn Kempster Mickaël Labbé How does one grow up in a modernist Le Corbusier is an architect who residence? not only builds, but who never ceases to tell us how we should Does this environment shape children's build. Through a patient and future view of architecture? detailed study of the architect's texts, the vision of one of the great The authors conducted interviews with those creators of modernity is presented who spent their childhood in radically in its multiple dimensions. modernist buildings and spaces. Presses universitaires de Rennes, 2021. Birkhäuser | 2021 SUPPORT THE RESTORATION OF THE ARCHITECTURAL WORK Notre-Dame-du-Haut Chapel, Ronchamp Protected as a historical monument since 1967 and registered with 17 works of Le Corbusier on the UNESCO World Heritage List in 2016, the Notre-Dame-du-Haut Chapel is the subject of a vast restoration project until 2024. More ... SUPPORT Visit of the Chapel by the Scientific Committee on February 16, 2021, Ronchamp Web-Série "La Chapelle en Chantier" 2021-2024 Opus #1 Opus #2 What is concrete? The south façade, how is it built? More ... More ... Kembs-Niffer Lock The project to restore the control tower and the administrative building of the Kembs-Niffer lock, classified as a historic monument since 2005, has been selected by the Stéphane Bern 2020 mission. The water tower of Podensac, since 2019, also benefits from this program of calls for participatory donations of the Heritage Foundation. The water tower of Podensac, since 2019, also benefits from this program of calls for participative donations of the Fondation du Patrimoine. SUPPORT En savoir plus ... Asile Flottant Built in 1915 and converted by by Le Corbusier as a floating asylum for the Salvation Army in 1929, the Péniche Louise Catherine, had sank during the flood of the Seine in February 2018. The reinforced concrete barge, classified historical monument, has welcomed homeless people for 65 years with a social restaurant and 160 beds during the winter periods. Support the restoration project of the barge carried out with the DRAC Ile de France and the Le Corbusier Foundation by the Japanese Association of Architectural Design (ADAN), owner of the barge since October 2020. SUPPORT More ... PRESERVATION OF THE WORK The Fondation Le Corbusier is doing restoration work during the closing of the House due to the health crisis. These works concern the painting of the entrance hall and annex rooms according to the color palette discovered during the 2009 restoration. The maintenance and repair of the wooden and woodwork metal are also on the program. These works are conducted under the control of the Regional Conservation of Historic Monuments, DRAC Ile-de-France and Pierre-Antoine Gatier, Chief Architect of Historic Monuments. The Fondation Le Corbusier is pleased to thank Cassina for its support. INFORMATION Open to the public Villa Le Lac April-May-June 2021 Saturday and Sunday from 2 to 5 pm out of schedule by appointment (groups). --------------------------------------- Exhibition From April 3 to May 30, 2021: Camera Anima by Michel Lorand (Belgium). Discover... Video installation. Open to the public Maison Blanche Opening hours: Friday - Saturday - Sunday 10 a.m. to 5 p.m. DIscover. Discover the new web site! Open to the public Casa Curutchet Opening hours: 10 a.m. to 5. p.m. Réservation requested : [email protected] Discover.. +54 221 421-8032 BROADCAST ASLC Annual Meeting About sixty members and partners of the Association des Sites Le Corbusier - coming from Japan, Switzerland, Germany, Belgium and France - met for the Annual Meeting 2020-2021 Association des Sites which was held by videoconference. Le Corbusier You can watch the webcast here. 1st February 2021 LE CORBUSIER FROM HOME #3 Due to government measures, the Fondation Le Corbusier remains closed to the public. With the Le Corbusier From Home program, the Fondation team invites you to discover or rediscover the life and work of Le Corbusier, with two weekly online appointments: Tuesday: "Le Corbusier, dialogue of arts" to discover a selection of his pictorial projects in connection with his favorite themes. Thursday: "Le Corbusier, the planet as a worksite" to discover a selection of his unrealized or unfortunately destroyed architectural projects. Join us ! #LeCorbusierChezVous #CultureChezNous #LeCorbusierFromHome #MuseumFromHome Le Corbusier, dialogue of Arts PAINTING PURISM "Painting is a terrible, intense, merciless battle, without "From 1918 to 1927, my paintings borrowed their form witnesses; a duel between the artist and himself. The battle only from bottles, carafes and glass on bistro or is inside restaurant tables. Severe discipline, austere but fruitful - inside - unknown to the outside." discipline: one must seek and one must find." Le Corbusier, The Workshop of Patient Research, p. 219 Le Corbusier, Unité, 1948 pp. 45 Je rêvais (1ère version), 1953 Nature morte du Pavillon de l'Esprit Nouveau, Huile sur toile 1924 Dimensions : H : 1,30 m x L : 1,62 m Huile sur toile Signé et daté en bas à gauche Le Corbusier 21 octobre 53 Dimensions : H : 0,81 m x L : 1,00 m Au dos : Je rêvais 21 oct. 53 Le Corbusier Signé et daté en bas vers la droite Jeanneret 24 Peinture FLC 141 Tuesday #1 Tuesday#2 Discover Discover Le Corbusier, the planet as a worksite. Projects not realized or demolished. Foreman's house Villa Meyer, Neuilly-sur-Seine, France, 1925 "We took up the study of the Loucheur house of 1929. We applied it to the local Letter from Le Corbusier to Mrs. Meyer conditions of materials and workmanship "We dreamed of making a house for you (stone masonry, concrete roof and floors, house that would be smooth and plain like a glass or other woodwork). The house was chest of beautiful proportions and that would opened to the sun and to the most not be offended by multiple accidents that beautiful landscape, with its back to the create an artificial and illusory violent wind, taking into account the slope, picturesqueness and that sound bad under installing the dwelling on a stilt open to the the light and only add to the tumult around. valley and allowing for outdoor living under We are in opposition to the fashion in this the house." country and abroad of complicated and clashing houses." (...) Excerpt from Le Corbusier, Complete Works, volume 4, 1938-1946 Excerpt from Le Corbusier and Pierre Jeanneret, Complete Works, volume 1, 1910-1929 Thursday #9 Thursday#10 Discover Discover FONDATION LE CORBUSIER 8-10 square du Docteur Blanche 75016, Paris +33 (0)1 42 88 41 53 Click on this link to unsubscrib.
Recommended publications
  • MIT 4.567 Introduction to Computation in Architectural Design Spring
    MIT 4.567 Introduction to Computation in Architectural Design Spring 2017 Takehiko Nagakura Legend A modest modeling B some difficult portions in modeling C challenging Ref Do not select (For reference only) Architects Buildings Year Built Reference Notes Andrea Palladio B 1 Palazzo Da Porto 1552 built Palladio Pl.37-40 (Palazzo Iseppo Da Porto) Forssman Scamozzi Vol.1. p49 B 2 Villa Almerico 1569 built Palladio Pl.52-55 (Villa Rotonda) Scamozzi Vol.2. p8 Camillo B 3 Villa Zen 1566 built Palladio Pl.104-107 partiall involvement (Villa Zeno) Scamozzi Vol.3. p37 by Palladio B 4 Villa Foscari 1560 built Palladio Pl.108-110 (La Malcontenta) Scamozzi Vol.3. p8 B 5 Villa Pisani-Placco 1555 built Palladio Pl.114-117 Scamozzi Vol.2. p20 B 6 Villa Saraceno Lombardi 1548 built Palladio Pl.128-130 B 7 Villa Godi 1552 built Palladio Pl.153-155 Hofer Scamozzi Vo.2. p27 B 8 Villa Sarego Boccoli 1569 built Palladio Pl.156-159 (a.k.a. Villa Serego) Scamozzi Vol.3. p48 C 9 Invenzione per una unknown unbuilt Palladio Pl.168-170 irregular site situazione in Venezia Scamozzi Vol.4. p53 B 10 Villa Pietro Caldogno 1570 built Palladio Pl.196-198 painting on wall Scamozzi Vol.2. p67 B 11 Villa Mocenigo(Badoer) 1563 built Scamozzi Vol.3. p51 Puppi B 12 Villa Emo 1567 built Scamozzi Vol.3. p24 Lewis Ref Villa Marcello Ref Villa Fratelli Bissaro Architects Buildings Year Built Reference Notes Le Corbusier B 1 Maison de Errazuris Au Chili 1930 unsure Boesiger Vol.2 p49 RC + wood A 2 Villa de Mandrot 1931 built Boesiger Vol.2 p59 A 3 Durand Alger 1933 unbuilt Boesiger
    [Show full text]
  • Switzerland Galinsky Travel Pack
    people enjoying Switzerland buildings galinsky worldwide galinsky travel pack Summary descriptions of modern buildings to visit in and around Switzerland Fuller descriptions, with more photographs and links to other web sites, are at www.galinsky.com Copyright © galinsky 2004 people enjoying galinsky buildings in Switzerland buildings galinsky worldwide listed in date order in the following pages Vitra Design Museum 1989 Vitra Conference Pavilion 1993 Vitra Fire Station 1994 Fondation Beyeler 1997 Heidi Weber Pavilion 1965 Bohl bus and tram stop 1996 Stadelhofen Station 1990 Emergency services center 1998 PTT Postal Center 1985 Luzern Station Hall 1989 Luzern Culture and Congress Center 1999 Bündner Kuntsmuseum 1990 Home for senior citizens 1993 Caplutta Sogn Benedetg Sumvitg 1988 Vals Thermal Baths 1996 Villa Le Lac 1924 Maison Clarté 1932 Banca del Gotardo 1988 Santa Maria degli Angeli, Monte Tamaro 1996 Villa Le Lac people enjoying 21 route de Lavaux Villa Le Lac, Corseaux, Vevey buildings 1802 Corseaux galinsky worldwide Vevey, Switzerland Le Corbusier and Pierre Jeanneret 1924 Le Corbusier and Pierre Jeanneret 1924 Le Corbusier built the Villa Le Lac for his parents to live in. His mother continued to do so until she died in 1960 at the age of 101, and his brother lived their until 1973. It is the smallest and simplest of the white villas Le Corbusier designed, to fit with his parents limited budget; indeed it no longer appears as a white villa, because structural problems caused by the lake, the cellar and the cheap building materials drove Le Corbusier to face the exterior in aluminum in the 1950s.
    [Show full text]
  • Le Corbusier's Cité De Refuge
    DOI: http://dx.doi.org/10.4995/LC2015.2015.796 Le Corbusier’s Cité de Refuge: historical & technological performance of the air exacte L.M. Diaz, R. Southall School of Arts, Design and Media, University of Brighton Abstract: Despite a number of attempts by Le Corbusier to implement the combination of ‘respiration exacte’ with the ‘mur neutralisant’ he was never able to test the viability of his environmental concepts in a realised building. The Cité de Refuge, which was built with a more conventional heating system and single glazed facade, is however unique in that unlike the other potential candidates for the implementation of these systems, the building, as built, retained a key design feature, i.e. the hermetically sealed skin, which ultimately contributed to the building’s now infamous failure. It is commonly argued that Le Corbusier, however, abandoned these comprehensive technical solutions in favour of a more passive approach, but it is less well understood to what extent technical failures influenced this shift. If these failures were one of the drivers for this change, how the building may have performed with the ‘respiration exacte’ and ‘mur neutralisant’ systems becomes of interest. Indeed, how their performance may have been improved with Le Corbusier's later modification of a brise-soleil offers an alternative hypothetical narrative for his relationship to technical and passive design methodologies. Keywords: environment, technology, performance, history, Cité de Refuge. 1. Introduction There are two technical building concepts that represent, perhaps more than any others Le Corbusier’s early drive to find comprehensive and exclusively mechanical approaches to the heating and ventilation of modern buildings: a) the mur neutralisant, a double-skin glazed wall with conditioned air circulated within the cavity to moderate heat exchange between the interior and exterior, and b) the respiration exacte, a mechanical ventilation system for providing conditioned air to interior spaces at a constant temperature of 18˚C.
    [Show full text]
  • Exposition : Le Corbusier Et La Question Du Brutalisme
    Marseille, capitale européenne de la culture 2013 Exposition : Le Corbusier et la question du brutalisme Le Corbusier, né Charles-Edouard Jeanneret Gris le 6 octobre 1887 à La Chaux de Fonds a été naturalisé français en 1930. Il est décédé à l'âge de 77 ans le 27 août 1965. Cette exposition rend hommage à son œuvre protéiforme car il était aussi peintre et sculpteur. Une de ses premières réalisations en tant qu’architecte est la villa Le Lac à Corseaux au bord du lac Léman, commandée par ses parents, construite en 1924. En 1929 à Poissy, il construit la villa Savoye, du nom d’une famille suisse, villa qui aura une très forte influence dans l'histoire de l'architecture car elle représente la mise en application de ce que Le Corbusier a défini comme les 5 principes d’une architecture moderne : l'utilisation des pilotis, le toit-terrasse, le plan libre, la fenêtre-bandeau, et la façade libre. (Photo ci-dessous, on a remarqué la ressemblance avec la Villa Noailles à Hyères, construite en 1923 par Robert Mallet Stevens) Avec la maquette ci-dessous on voit bien les conceptions de Le Corbusier, plan libre et même rejet de la circulation à l’extérieur, modularité, ce qui permettait dans son esprit de reconstruire rapidement après les destructions dues aux guerres…). Ces conceptions étaient peu appréciées d’ailleurs de ses contemporains, elles n’étaient possibles que parce que Le Corbusier maîtrisait la technique du béton acquise auprès de l’architecte Auguste Perret. « Le bol rouge », une peinture de Le Corbusier de 1919.
    [Show full text]
  • La Cité De Refuge Le Corbusier Et Pierre Jeanneret L’Usine À Guérir
    Les Éditions du patrimoine présentent La Cité de refuge Le Corbusier et Pierre Jeanneret L’usine à guérir Collection « Monographies d’édifices » > Le premier équipement collectif de Le Corbusier, classé Monument historique depuis 1975. > La restauration exemplaire d’un chef d’œuvre du XXe siècle. > Plus de 80 ans après sa construction, un centre d’accueil social toujours en activité. Contact presse : annesamson communications : Andréa Longrais - 01 40 36 84 32 – [email protected] Camille de La Vaquerie - 01 40 36 84 32 – [email protected] Éditions du patrimoine : [email protected] – 01 44 54 95 22 Clair Morizet : [email protected] - 01 44 54 95 23 1 Su -Lian Neville : [email protected] - 01 44 61 22 70 Communiqué de presse Commandée en 1929 par l’Armée du Salut à Le Corbusier et à son cousin Pierre Jeanneret sur une proposition de la princesse de Polignac, la Cité de refuge a été la première réalisation d’ampleur de l’architecte ; elle vient de faire l’objet d’une profonde restauration, menée sous la maîtrise d'ouvrage de Résidences Sociales de France. Conçu comme un centre d’accueil et d’hébergement de 282 lits pour sans-abris, ce vaste édifice remplit peu ou prou les mêmes fonctions 80 ans plus tard. Restaurer ce monument historique tout en s’adaptant à un environnement social et humain profondément bouleversé était un véritable pari. La Cité de refuge présente nombre d’innovations : il s’agissait ainsi du premier bâtiment d'habitation entièrement hermétique, comportant en particulier mille mètres carrés de vitrages sans ouvrant.
    [Show full text]
  • Los Alzados Inmateriales Como Planos Abstractos Y Su Control Geométrico
    CAPÍTULO 5: LOS ALZADOS INMATERIALES COMO PLANOS ABSTRACTOS Y SU CONTROL GEOMÉTRICO. Como sostenía Scully, los alzados de Garches están sólo dibujados y no construidos. Son de papel. Se redibujaron posteriormente a la obra, para su publicación en “L´Architecture Vivante” y posteriormente en L´Oeuvre Complète. Son esquemas, y como tal han de ser considerados, Contienen errores, como el único tensor de la marquesina; pero demuestran el control de la Geometría en las composiciones de Le Corbusier mediante los trazados reguladores. El texto que los acompaña recalca el carácter de la geometría como mecanismo de obtención de la emoción en arquitectura. Tras una página doble homogénea en la que la que sólo aparecía un tipo de representación (la planta), Le Corbusier vuelve a una página doble con una composición multifacética. El montaje de esta página doble está compuesto por un texto, dos planos (el alzado delantero y el trasero), y una secuencia de 8 fotografías. Es la única página doble sobre Garches donde se mezclan estos tres métodos de descripción: el escrito del texto, el plano y la fotografía. No es por lo tanto un modo ortodoxo de representación. Al darse esta conjugación de los 3 elementos; es necesario que sean vistos de modos distintos: la lectura atenta del texto, la detención de la mirada ante la objetividad del plano, para pasar después a la continuidad fragmentaria y la superposición visual de la secuencia de imágenes. Lo visual y lo mental están continuamente relacionándose. Es manifiesto que estas dos páginas no pueden sino concebirse como una sola, dado que dos imágenes del recorrido “saltan” de la página 145 a la página 144.
    [Show full text]
  • Le Corbusier and Photography Author(S): Beatriz Colomina Source: Assemblage, No
    Le Corbusier and Photography Author(s): Beatriz Colomina Source: Assemblage, No. 4 (Oct., 1987), pp. 6-23 Published by: The MIT Press Stable URL: http://www.jstor.org/stable/3171032 . Accessed: 22/08/2011 07:13 Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at . http://www.jstor.org/page/info/about/policies/terms.jsp JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. The MIT Press is collaborating with JSTOR to digitize, preserve and extend access to Assemblage. http://www.jstor.org Beatriz Colomina Le Corbusier and Photography Beatriz Colomina is Adjunct Assistant The MechanicalEye Professorat Columbia Universityand a Consulting Editor of Assemblage. There is a still from Dziga Vertov'smovie "The Man with the MovieCamera" in whicha humaneye appearssuper- imposedon the reflectedimage of a cameralens, indicat- ing preciselythe point at which the camera- or rather, the conceptionof the worldthat accompaniesit - disso- ciatesitself from a classicaland humanistepisteme. The traditionaldefinition of photography,"a transparent presentationof a realscene," is implicitin the diagram institutedby the analogicalmodel of the cameraobscura - thatwhich wouldpretend to presentto the subjectthe faithful"reproduction" of a realityoutside itself. In this def- inition, photographyis investedin the systemof classical representation.But Dziga Vertovhas not placedhimself behindthe cameralens to use it as an eye, in the wayof a realisticepistemology. Vertov has employedthe lens as a mirror:approaching the camera,the firstthing the eye sees is its own reflectedimage.
    [Show full text]
  • La Maison La Roche Construite Entre 1923 Et 1925 Par Le Corbusier Et Pierre Jeanneret, La Maison La Roche Constitue Un Projet Architectural Singulier
    Dossier enseignant Maison La Roche – Le Corbusier et Pierre Jeanneret. Photo Olivier Martin Gambier La Maison La Roche Construite entre 1923 et 1925 par Le Corbusier et Pierre Jeanneret, la Maison La Roche constitue un projet architectural singulier. En effet, l’originalité de cette maison est de réunir une galerie de tableaux et les appartements du propriétaire et collectionneur : Raoul La Roche. La Maison La Roche est située au fond de l’impasse du Docteur Blanche dans le 16ème arrondissement de Paris, dans un quartier qui, à cette époque est en cours d’aménagement. L’utilisation de matériaux de construction nouveaux tels que le béton armé permet à Le Corbusier de mettre en œuvre ce qu’il nommera en 1927, les «Cinq points d’une architecture nouvelle». Il s’agit de la façade libre, du plan libre, des fenêtres en longueur, du toit-jardin, et des pilotis. La Maison La Roche représente un témoignage emblématique du Mouvement Moderne, précédant celui de la Villa Savoye (1928) à Poissy. De 1925 à 1933 de nombreux architectes, écrivains, artistes, et collectionneurs viennent visiter cette maison expérimentale, laissant trace de leur passage en signant le livre d’or disposé dans le hall. La Maison La Roche ainsi que la Maison Jeanneret mitoyenne ont été classées Monuments Historiques en 1996. Elles ont fait l’objet de plusieurs campagnes de restauration à partir de 1970. Maison La Roche 1 Le propriétaire et l’architecte THĖMES Le commanditaire : Le rôle de l’architecte Raoul La Roche (1889-1965) d’origine bâloise, (bâtir, aménager l’espace) s’installe à Paris en 1912 pour travailler au Crédit La commande en Commercial de France.
    [Show full text]
  • PDF Download Le Corbusier Redrawn: the Houses
    LE CORBUSIER REDRAWN: THE HOUSES PDF, EPUB, EBOOK Soojin Park,Steven Park | 192 pages | 07 Nov 2012 | PRINCETON ARCHITECTURAL PRESS | 9781616890681 | English | New York, United States Le Corbusier Redrawn: The Houses PDF Book Ke Hu rated it really liked it Jul 17, Shivam rated it really liked it Oct 05, Villa Le Lac, Corseaux, Switzerland,; 4. Maisons Weissenhof-Siedlung, Stuttgart, Germany, ; Your comment is submitted. Apr 12, Matt Chavez rated it really liked it. Yet, all too frequently, they rely on reproductions of faded drawings of uneven size and quality. This website uses cookies to improve your experience. My Cart. Go to my stream. Artur Kalil rated it liked it Aug 29, For a better shopping experience, please upgrade now. Kha Nguyen is currently reading it Feb 17, Every architecture student examines the Swiss master's work. Apr 12, Matt Chavez rated it really liked it. These remarkable new drawings-which combine the conceptual clarity of the section with the spatial qualities of the perspective-not only provide information about the buildings, they also help students experience specific works spatially as they learn to critically examine Le Corbusier's works. Error rating book. Trivia About Le Corbusier Redr Continue Shopping. Le Corbusier Redrawn presents the only collection of consistently rendered original drawings at scale of all twenty-six of Le Corbusier's residential works. Want to Read saving…. This category only includes cookies that ensures basic functionalities and security features of the website. Welcome back. Rommel Lara rated it it was amazing Jul 12, Maison Planeix, Paris, France, ; These cookies do not store any personal information.
    [Show full text]
  • Cité International Des Arts, Paris Helpful Hints
    1 -------------------------------------------------------------------------------------------------------------------------------------- +27 82 551 4853 ● [email protected] ● po box 14176 hatfield 0028 ● www.sanava.co.za Cité International Des Arts, Paris Helpful hints CONTENTS What you should know about Paris 3 1. Bookshops 3 2. Cité studio apartments 6 ● History 6 ● Inventory 8 ● Laundry 9 ● Neighbourhood 9 ● ● 3. Discount cards 10 ● ● 4. Do and See 11 ● Day trips 11 ● Night life 11 ● Maps 11 ● Museums 11 ● ● 5. Food 15 ● French food 15 ● Shopping for food 17 ● Where to eat 17 2 ● ● ● 6. Medical 18 ● ● 7. Public holidays in France 18 ● ● 8. South African embassy in Paris 19 ● ● 9. Shopping 19 ● Apartment stores 19 ● Markets 21 ● ● 10. Transport 22 ● Buses 22 ● Metro 23 ● Taxis 24 ● Driving 25 ● ● 11. Travel in France 26 ● Getting from Paris to other places 26 ● Airports 26 ● Railway stations 26 ● Tipping 29 12. Weather 29 3 What you should know about Paris (click to follow the links) Here are some travel tips from a local perspective – they’re things you might not think about on your own, and could help make your trip even easier. >> 30 Paris Travel Tips from a Local And beyond the physical layout of the city, it helps to know some basic visitor information, too – such as the country telephone code, the time zone, and the electricity. >> Paris Visitor Information Paris is a big city, so it pays to be looking at a city map when you’re planning your visit. But beyond that, the city is divided into districts called “arrondissements,” the numbers of which don’t always correspond exactly to the boundaries of the various neighbourhoods in Paris.
    [Show full text]
  • Savoye Space: the Sensation of the Object
    Architecture Publications Architecture Fall 2001 Savoye Space: The eS nsation of the Object Daniel J. Naegele Iowa State University, [email protected] Follow this and additional works at: http://lib.dr.iastate.edu/arch_pubs Part of the Architectural History and Criticism Commons The ompc lete bibliographic information for this item can be found at http://lib.dr.iastate.edu/ arch_pubs/28. For information on how to cite this item, please visit http://lib.dr.iastate.edu/ howtocite.html. This Article is brought to you for free and open access by the Architecture at Iowa State University Digital Repository. It has been accepted for inclusion in Architecture Publications by an authorized administrator of Iowa State University Digital Repository. For more information, please contact [email protected]. Savoye Space: The eS nsation of the Object Abstract Le Corbusier's early education encouraged him to think of architecture in idealistic and metaphoric terms: architecture not as building, but as representation. Schooled in the neomedieval beliefs of John Ruskin and Owen Jones, and in the organic similes of art nouveau, he was convinced that art and industry, like art and craft in former times, ought naturally to ally. For Le Corbusier, a building was always like something else. His La Chauxde- Fonds houses were like the nature that surrounded them, with their roofs designed as curves and folded gables to echo the shape of local ftr trees.1 The alvS ation Army building was like a beached ocean liner, the Unites like ftling cabinets or wine racks. Continuous ribbon buildings projected for Rio de Janeiro and Algiers were like bridges or aqueducts or even like the Great Wall of China, and the polychrome Nestle Pavilion was like a collage painting into which the viewer could walk.
    [Show full text]
  • Le Corbusier, Negotiating Modernity: Representing Algiers 1930-42
    LE CORBUSIER, NEGOTIATING MODERNITY: REPRESENTING ALGIERS 1930-42 BY F. SHERRY McKAY B.A., University of British Columbia, 1974 M.A., Unversity of British Columbia, 1979 A THESIS SUMITED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY In THE FACULTY OF GRADUATE STUDIES (Department of Fine Arts) We accept this thesis as conforming to the required standard THE UNIVERSITY OF BRITISH COLUMBIA November, 1994 © F. Sherry McKay _______________________ In presenting this thesis in partial fulfilment of the requirements for an advanced shall make it degree at the University of British Columbia, I agree that the Library for extensive freely available for reference and study. I further agree that permission copying of this thesis for scholarly purposes may be granted by the head of my department or by his or her representatives. It is understood that copying or publication of this thesis for financial gain shall not be allowed without my written permission. (Signature) Department of (it2 The University of British Columbia Vancouver, Canada Date /ff/ DE-6 (2188) TABLE OF CONTENTS Abstract ii Listofifiustrations iv Acknowledgement ix Introduction: “Everything is meaningful, nothingis meant” 1 Chapterone: ThePoetics ofPlace, thePragmaticsofPower 37 Chapter two: Defining Publics, Defining Problems: Plans Obus “A” & “B,” 193 1-1933 123 Chapter three: “Strategic Exemplars:” Plan Obus “C,,, 1934-1937 214 Chapter four: A Negotiated Truce: Plans Obus “D”, “E” and the Plan Directeur, 1938-1942 300 ifiustrations 358 Bibliography 398 II ABSTRACT The dissertation investigates the six plans devised by Le Corbusier for Algiers between 1930 and 1942, situating them within the representations given to the French presence in Algiers and their volatile political and cultural milieu.
    [Show full text]