MIT 4.567 Introduction to Computation in Architectural Design Spring
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1. World Heritage Property Data
Periodic Report - Second Cycle Section II-City of Vicenza and the Palladian Villas of the Veneto 1. World Heritage Property Data Villa Forni Cerato, 45.653 / 11.561 2.23 0 2.23 1996 Montecchio Precalcino , 1.1 - Name of World Heritage Property Province of Vicenza , Veneto City of Vicenza and the Palladian Villas of the Veneto Region , Italy Comment Villa Godi 45.746 / 11.529 4.66 0 4.66 1996 Committee Decision 20COM VIIC: The name of the property Malinverni, Lonedo di Lugo was changed to “The City of Vicenza and the Palladian Villas Vicentino , of the Veneto” . (Note: "The") Province of Vicenza , Veneto Region , Italy 1.2 - World Heritage Property Details Villa Pisani Ferri, 45.359 / 11.369 1.6 0 1.6 1996 State(s) Party(ies) Bagnolo di Lonigo , Province Italy of Vicenza , Veneto Region , Type of Property Italy cultural Villa Pojana, 45.282 / 11.501 6.14 0 6.14 1996 Identification Number Poiana Maggiore , 712bis Province of Vicenza , Veneto Year of inscription on the World Heritage List Region , Italy 1994, 1996 Villa Saraceno, 45.311 / 11.587 0.59 0 0.59 1996 Agugliaro , Province of 1.3 - Geographic Information Table Vicenza , Veneto Name Coordinates Property Buffer Total Inscription Region , Italy (latitude/longitude) (ha) zone (ha) year Villa Thiene, 45.573 / 11.63 0.38 0 0.38 1996 (ha) Quinto Vicentino , 0 / 0 ? ? ? Province of Vicenza , Veneto 0 / 0 ? ? ? Region , Italy City of Vicenza 45.549 / 11.549 218 0 218 1994 Villa Trissino, 45.428 / 11.414 3.78 0 3.78 1996 (including 23 Sarego , Province buildings of Vicenza , constructed -
Sant'ambrogio Di Valpolicella Verona - IT Tel +39 045 6832611 Fax +39 045 6860592 [email protected]
SANT’AMBROGIO DI VALPOLICELLA The Gateway to Valpolicella INDEX Sant’Ambrogio di Valpolicella THE GATEWAY TO VALPOLICELLA p. 2 La Valpolicella THE ORIGINS p. 4 Sant’Ambrogio di Valpolicella THE HAMLET OF THE FOUNTAIN I p. 6 San Giorgio di Valpolicella ONE OF “ITALY’S MOST BEAUTIFUL HAMLETS” II p. 12 Gargagnago THE HAMLET OF THE AMARONE III p. 16 Ponton THE HAMLET BY THE RIVER ADIGE IV p. 20 Monte THE HAMLET OF THE FORTRESS V p. 24 Domegliara THE HAMLET OF THE STATION VI p. 28 Sant’Ambrogio di Valpolicella THE GATEWAY TO VALPOLICELLA Thanks to its position on the crossing of some major transport routes, the town of Sant’Ambrogio can be considered “the natural gateway to Valpolicella”, as well as being host to one of Italy’s finest vineyards. The town of Sant’Ambrogio di Valpolicella is located 20 km from Verona and can be reached by car, train, bus and bicycle. Lake Garda is just 12 km away, and the highway and the railway connect it with Northern Italy and Northern Europe, through the beautiful Valdadige. The region of Sant’Ambrogio di Valpolicella, including the main town and its five hamlets, distinguishes itself for its typical historical villages. The area has varied features: smooth hills with vineyards, sharp rocks hanging on the valley, massive quarries from which the world-famous stones are extracted, the 1.112 meters high Mount Pastello, marking the northern border of the area, the river Adige, running slowly but at times fierily. Valpolicella overview A unique region, that offers a wide choice of history, culture and tradition, typical products, villas, ancient churches, Austrian fortresses and walls, trails in the nature, gourmet foods, renown wineries and different hosting solutions: little hotels, bed and breakfasts, charming relais. -
World Heritage 32 COM
World Heritage 32 COM Distribution Limited WHC-08/32.COM/8D Paris, 22 May 2008 Original: English/French UNITED NATIONS EDUCATIONAL, SCIENTIFIC AND CULTURAL ORGANIZATION CONVENTION CONCERNING THE PROTECTION OF THE WORLD CULTURAL AND NATURAL HERITAGE WORLD HERITAGE COMMITTEE Thirty-second Session Quebec City, Canada 2 – 10 July 2008 Item 8D of the Provisional Agenda: Clarifications of property boundaries and sizes by States Parties in response to the Retrospective Inventory Clarifications of property boundaries and sizes by States Parties in response to the Retrospective Inventory SUMMARY This document presents the results of the Retrospective Inventory of Nomination dossiers of European World Heritage properties inscribed in the period 1978- 1998 (conducted in coordination with the European Periodic Reporting Exercise) and Arab World Heritage properties inscribed between 1978 and 2004 (in view of the launching of the second cycle of Periodic Reporting). Forty States Parties have responded to the letters dispatched following the review of the individual dossiers in order to clarify the original intention of their Nominations (or to submit appropriate cartographic documentation) for 124 World Heritage properties. A summary of other follow-up activities to the Periodic Report for the European Region is contained in document WHC-08/32COM/11C. Draft Decision: 32 COM 8D, see Point IV I. The Retrospective Inventory 1. The Retrospective Inventory, an in-depth examination of the Nomination dossiers available at the World Heritage Centre, ICOMOS and IUCN, was initiated in 2004, in parallel with the launching of the Periodic Reporting Exercise in Europe, involving European properties inscribed on the World Heritage List in the period 1978-1998. -
Looking for Usonia: Preserving Frank Lloyd Wright's Post-1935 Residential Designs As Generators of Cultural Landscapes
Iowa State University Capstones, Theses and Retrospective Theses and Dissertations Dissertations 1-1-2006 Looking for Usonia: preserving Frank Lloyd Wright's post-1935 residential designs as generators of cultural landscapes William Randall Brown Iowa State University Follow this and additional works at: https://lib.dr.iastate.edu/rtd Recommended Citation Brown, William Randall, "Looking for Usonia: preserving Frank Lloyd Wright's post-1935 residential designs as generators of cultural landscapes" (2006). Retrospective Theses and Dissertations. 19369. https://lib.dr.iastate.edu/rtd/19369 This Thesis is brought to you for free and open access by the Iowa State University Capstones, Theses and Dissertations at Iowa State University Digital Repository. It has been accepted for inclusion in Retrospective Theses and Dissertations by an authorized administrator of Iowa State University Digital Repository. For more information, please contact [email protected]. Looking for Usonia: Preserving Frank Lloyd Wright's post-1935 residential designs as generators of cultural landscapes by William Randall Brown A thesis submitted to the graduate faculty in partial fulfillment of the requirements for the degree of MASTER OF SCIENCE Major: Architectural Studies Program of Study Committee: Arvid Osterberg, Major Professor Daniel Naegele Karen Quance Jeske Iowa State University Ames, Iowa 2006 Copyright ©William Randall Brown, 2006. All rights reserved. 11 Graduate C of I ege Iowa State University This i s to certify that the master' s thesis of V~illiam Randall Brown has met the thesis requirements of Iowa State University :atures have been redact` 111 LIST OF TABLES iv ABSTRACT v INTRODUCTION 1 LITERATURE REVIEW 5 CONCEPTUAL FRAMEWORK The state of Usonia 8 A brief history of Usonia 9 The evolution of Usonian design 13 Preserving Usonia 19 Toward a cultural landscape 21 METHODOLOGY 26 CASE STUDIES: HOUSE MUSEUMS ON PRIVATE LAND No. -
Looking for Usonia : Preserving Frank Lloyd Wright's Post-1935 Residential Designs As Generators of Cultural Landscapes William Randall Brown Iowa State University
Masthead Logo Iowa State University Capstones, Theses and Retrospective Theses and Dissertations Dissertations 1-1-2006 Looking for Usonia : preserving Frank Lloyd Wright's post-1935 residential designs as generators of cultural landscapes William Randall Brown Iowa State University Follow this and additional works at: https://lib.dr.iastate.edu/rtd Recommended Citation Brown, William Randall, "Looking for Usonia : preserving Frank Lloyd Wright's post-1935 residential designs as generators of cultural landscapes" (2006). Retrospective Theses and Dissertations. 18982. https://lib.dr.iastate.edu/rtd/18982 This Thesis is brought to you for free and open access by the Iowa State University Capstones, Theses and Dissertations at Iowa State University Digital Repository. It has been accepted for inclusion in Retrospective Theses and Dissertations by an authorized administrator of Iowa State University Digital Repository. For more information, please contact [email protected]. Looking for Usonia: Preserving Frank Lloyd Wright's post-1935 residential designs as generators of cultural landscapes by William Randall Brown A thesis submitted to the graduate faculty in partial fulfillment of the requirements for the degree of MASTER OF SCIENCE Major: Architectural Studies Program of Study Committee: Arvid Osterberg, Major Professor Daniel Naegele Karen Quance Jeske Iowa State University Ames, Iowa 2006 Copyright ©William Randall Brown, 2006. All rights reserved. 11 Graduate C of I ege Iowa State University This i s to certify that the master' s thesis of V~illiam Randall Brown has met the thesis requirements of Iowa State University :atures have been redact` 111 LIST OF TABLES iv ABSTRACT v INTRODUCTION 1 LITERATURE REVIEW 5 CONCEPTUAL FRAMEWORK The state of Usonia 8 A brief history of Usonia 9 The evolution of Usonian design 13 Preserving Usonia 19 Toward a cultural landscape 21 METHODOLOGY 26 CASE STUDIES: HOUSE MUSEUMS ON PRIVATE LAND No. -
Los Alzados Inmateriales Como Planos Abstractos Y Su Control Geométrico
CAPÍTULO 5: LOS ALZADOS INMATERIALES COMO PLANOS ABSTRACTOS Y SU CONTROL GEOMÉTRICO. Como sostenía Scully, los alzados de Garches están sólo dibujados y no construidos. Son de papel. Se redibujaron posteriormente a la obra, para su publicación en “L´Architecture Vivante” y posteriormente en L´Oeuvre Complète. Son esquemas, y como tal han de ser considerados, Contienen errores, como el único tensor de la marquesina; pero demuestran el control de la Geometría en las composiciones de Le Corbusier mediante los trazados reguladores. El texto que los acompaña recalca el carácter de la geometría como mecanismo de obtención de la emoción en arquitectura. Tras una página doble homogénea en la que la que sólo aparecía un tipo de representación (la planta), Le Corbusier vuelve a una página doble con una composición multifacética. El montaje de esta página doble está compuesto por un texto, dos planos (el alzado delantero y el trasero), y una secuencia de 8 fotografías. Es la única página doble sobre Garches donde se mezclan estos tres métodos de descripción: el escrito del texto, el plano y la fotografía. No es por lo tanto un modo ortodoxo de representación. Al darse esta conjugación de los 3 elementos; es necesario que sean vistos de modos distintos: la lectura atenta del texto, la detención de la mirada ante la objetividad del plano, para pasar después a la continuidad fragmentaria y la superposición visual de la secuencia de imágenes. Lo visual y lo mental están continuamente relacionándose. Es manifiesto que estas dos páginas no pueden sino concebirse como una sola, dado que dos imágenes del recorrido “saltan” de la página 145 a la página 144. -
Frank Lloyd Wright - Wikipedia, the Free Encyclopedia
Frank Lloyd Wright - Wikipedia, the free encyclopedia http://en.wikipedia.org/w/index.php?title=Frank_... Frank Lloyd Wright From Wikipedia, the free encyclopedia Frank Lloyd Wright (born Frank Lincoln Wright, June 8, 1867 – April 9, Frank Lloyd Wright 1959) was an American architect, interior designer, writer and educator, who designed more than 1000 structures and completed 532 works. Wright believed in designing structures which were in harmony with humanity and its environment, a philosophy he called organic architecture. This philosophy was best exemplified by his design for Fallingwater (1935), which has been called "the best all-time work of American architecture".[1] Wright was a leader of the Prairie School movement of architecture and developed the concept of the Usonian home, his unique vision for urban planning in the United States. His work includes original and innovative examples of many different building types, including offices, churches, schools, Born Frank Lincoln Wright skyscrapers, hotels, and museums. Wright June 8, 1867 also designed many of the interior Richland Center, Wisconsin elements of his buildings, such as the furniture and stained glass. Wright Died April 9, 1959 (aged 91) authored 20 books and many articles and Phoenix, Arizona was a popular lecturer in the United Nationality American States and in Europe. His colorful Alma mater University of Wisconsin- personal life often made headlines, most Madison notably for the 1914 fire and murders at his Taliesin studio. Already well known Buildings Fallingwater during his lifetime, Wright was recognized Solomon R. Guggenheim in 1991 by the American Institute of Museum Architects as "the greatest American Johnson Wax Headquarters [1] architect of all time." Taliesin Taliesin West Robie House Contents Imperial Hotel, Tokyo Darwin D. -
Savoye Space: the Sensation of the Object
Architecture Publications Architecture Fall 2001 Savoye Space: The eS nsation of the Object Daniel J. Naegele Iowa State University, [email protected] Follow this and additional works at: http://lib.dr.iastate.edu/arch_pubs Part of the Architectural History and Criticism Commons The ompc lete bibliographic information for this item can be found at http://lib.dr.iastate.edu/ arch_pubs/28. For information on how to cite this item, please visit http://lib.dr.iastate.edu/ howtocite.html. This Article is brought to you for free and open access by the Architecture at Iowa State University Digital Repository. It has been accepted for inclusion in Architecture Publications by an authorized administrator of Iowa State University Digital Repository. For more information, please contact [email protected]. Savoye Space: The eS nsation of the Object Abstract Le Corbusier's early education encouraged him to think of architecture in idealistic and metaphoric terms: architecture not as building, but as representation. Schooled in the neomedieval beliefs of John Ruskin and Owen Jones, and in the organic similes of art nouveau, he was convinced that art and industry, like art and craft in former times, ought naturally to ally. For Le Corbusier, a building was always like something else. His La Chauxde- Fonds houses were like the nature that surrounded them, with their roofs designed as curves and folded gables to echo the shape of local ftr trees.1 The alvS ation Army building was like a beached ocean liner, the Unites like ftling cabinets or wine racks. Continuous ribbon buildings projected for Rio de Janeiro and Algiers were like bridges or aqueducts or even like the Great Wall of China, and the polychrome Nestle Pavilion was like a collage painting into which the viewer could walk. -
Film and Architecture: Discovering the Self-Reflection of Frank Capra And
UNLV Retrospective Theses & Dissertations 1-1-2000 Film and architecture: Discovering the self-reflection of rF ank Capra and Frank Lloyd Wright through contextual analysis Marie Lynore Kohler University of Nevada, Las Vegas Follow this and additional works at: https://digitalscholarship.unlv.edu/rtds Repository Citation Kohler, Marie Lynore, "Film and architecture: Discovering the self-reflection of rF ank Capra and Frank Lloyd Wright through contextual analysis" (2000). UNLV Retrospective Theses & Dissertations. 1120. http://dx.doi.org/10.25669/c7iq-fh8b This Thesis is protected by copyright and/or related rights. It has been brought to you by Digital Scholarship@UNLV with permission from the rights-holder(s). You are free to use this Thesis in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/ or on the work itself. This Thesis has been accepted for inclusion in UNLV Retrospective Theses & Dissertations by an authorized administrator of Digital Scholarship@UNLV. For more information, please contact [email protected]. INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter fiaice, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor qualify illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. -
La Ligne Claire De Le Corbusier. Time, Space, and Sequential Narratives
DOI: http://dx.doi.org/10.4995/LC2015.2015.814 La Ligne Claire de Le Corbusier. Time, Space, and Sequential Narratives L.M. Lus Arana Profesor Ayudante Doctor. Área de Composición Arquitectónica. Escuela de Ingeniería y Arquitectura, Universidad de Zaragoza Abstract: In 1921, issue 11-12 of L’Esprit Nouveau featured an article entitled “Toepffer, précurseur du cinema” where Le Corbusier, signing as ‘De Fayet’, vindicated the figure of Rodolphe Töpffer (1799-1846), a Swiss a pioneer of comics, as a key element in the development of cinema. Marginal as it may seem, this reference unveils a deeper relationship between Jeanneret and Töpffer’s work which started in his childhood, and would have a key role in the development of some of Le Corbusier’s trademark obsessions: travel, drawing, and cinematic narratives. In this context, “La Ligne Claire de Le Corbusier” proposes a close examination of the presence of graphic narrative and its aesthetics in Le Corbusier's early work in relation to its evolution from a sequential promenade architecturale to multispatial enjambment. The paper explores themes such as narrative and the inclusion of time in le Corbusier's Purist paintings, or his evolution from a painterly approach to drawing to an idealized, linear and synthetic rendering style. Keywords: Sequence; Enjambment; Purism; Avant-Garde; Töpffer ; Bande Dessinée. 1. Introduction: Le Corbusier, the Arts, and the Media In November 1921, issue 11-12 of L’Esprit Nouveau featured an article entitled “Toepffer, précurseur du cinema”1. Signed by De Fayet, a penname shared by Amédée Ozenfant and Charles-Edouard Jeanneret, it vindicated the figure of Rodolphe Töpffer, and was accompanied by a selection of comic strips from Monsieur Pencil (created in 1831 and published in 1840), and Le Docteur Festus (1831/1846). -
Le Corbusier, Une Synthèse / ISBN 978-2-86364-280-1 Stanislaus Von Moos Von Stanislaus Traduit De L’Anglais Par Isabelle D
StanislausvonMoos Taudière D. Isabelle par l’anglais de Traduit synthèseune Le ISBN 978-2-86364-280-1 / Corbusier synthèse une Corbusier, Le — Moos von Stanislaus / www.editionsparentheses.com www.editionsparentheses.com ISBN 978-2-86364-280-1 / synthèse une Corbusier, Le — Moos von Stanislaus / www.editionsparentheses.com www.editionsparentheses.com () La version originale de ce livre a été écrite il y a dix ans, dans le cadre d’une série de monographies sur des hommes et femmes d’origine suisse s’étant rendus célèbres dans le monde des sciences, des arts et de la liérature — de Paracelse à Paul Klee en passant par Carl Gustav Jung. Il n’existait à l’époque aucune étude critique générale sur l’œuvre de Le Corbusier, et le présent ouvrage se proposait de combler cee lacune. Lorsque je me suis engagé dans cee entreprise, les archives privées de Le Corbusier n’étaient pas accessibles. Ma documentation s’appuyait donc essentiellement sur les écrits de l’architecte et sur les huit volumes de son Œuvre complète. J’ai par ailleurs visité pratiquement tous ses bâtiments construits, vu beaucoup de ses toiles et rencon- tré un grand nombre de ses anciens collaborateurs et amis qui ont bien voulu m’aider dans ma collecte d’informations sur sa vie. Dix ans plus tard, certains passages me paraissent dépassés, autant au regard des ISBN 978-2-86364-280-1 / études publiées depuis lors que de ma propre évolution dans l’approche du sujet. J’ai donc intégré à la présente édition les données nouvelles qui m’ont paru les plus impor- tantes sur la carrière et l’œuvre de Le Corbusier, révisé certaines analyses à la lumière de mon point de vue actuel et ajouté un chapitre sur les fondements typologiques et synthèse idéologiques de l’Unité d’habitation. -
La Villa Serego Di S. Sofia
REnatO CEVESE ANDREA PALLADIO IN VALPOLICELLA: LA VILLA SEREGO DI S. SOFIA I problemi cronologici, compositivi e formali che villa Serego (1) di Santa Sofia di Pedemonte pone all’interno della stessa produzione palladiana sono molteplici e di non facile soluzione. Quasi tutti gli interrogativi che si affacciano allo storico dell’architettura paiono destinati a rimanere senza risposta se non verrà scoperto qualche documento, non parziale e ambiguo, in aggiunta ai pochi conosciuti. Quindi le ipotesi avanzate dalla critica sui tempi di inizio dei lavori e della loro sospensione sono contraddittorie a tal punto da determinare un increscioso e peri- coloso disorientamento. Procediamo per ordine e cominciamo dal poco – che di certo poco non è – a noi noto. Non sussiste dubbio alcuno che l’idea progettuale e il frammento eseguito ap- partengono al Palladio: egli infatti pubblica nel Trattato (2) del 1570 pianta e alzato, accompagnandoli con una descrizione un po’ più estesa di quella normalmente riservata alle altre ville illustrate nel secondo libro. Queste le parole del Maestro: «A Santa Sofia luogo vicino à Verona cinque mi- glia è la seguente fabrica del Signor Conte Marc’Antonio Sarego posta in un bellis- simo sito, cioè sopra un colle di ascesa facilissima, che discuopre parte della Città, & è tra due Vallette: tutti i colli intorno sono amenissimi, e copiosi di buonissime acque; onde questa fabrica è ornata di giardini, & di fontane maravigliose. Fù que- sto luogo per la sua amenità le delicie de i Signori dalla Scala, e per alcuni vestigij, che vi si veggono, si comprende che ancho al tempo de’ Romani fu tenuto da quegli antichi in non picciola stima.