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Le Corbusier Charles-Édouard Jeanneret-Gris
Le Corbusier Charles-Édouard Jeanneret-Gris Portrait on Swiss ten francs banknote Personal information Name: Charles-Édouard Jeanneret-Gris Nationality: Swiss / French Birth date: October 6, 1887 Birth place: La Chaux-de-Fonds, Switzerland Date of death: August 27, 1965 (aged 77) Place of death: Roquebrune-Cap-Martin, France 1 Created with novaPDF Printer (www.novaPDF.com). Please register to remove this message. Major buildings and projects The Open Hand Monument is one of numerous projects in Chandigarh, India designed by Le Corbusier 1905 - Villa Fallet, La Chaux-de-Fonds, Switzerland 1912 - Villa Jeanneret-Perret, La Chaux-de-Fonds [1] 1916 - Villa Schwob, La Chaux-de-Fonds 1923 - Villa LaRoche/Villa Jeanneret, Paris 1924 - Pavillon de L'Esprit Nouveau, Paris (destroyed) 1924 - Quartiers Modernes Frugès, Pessac, France 1925 - Villa Jeanneret, Paris 1926 - Villa Cook, Boulogne-sur-Seine, France 1927 - Villas at Weissenhof Estate, Stuttgart, Germany 1928 - Villa Savoye, Poissy-sur-Seine, France 1929 - Armée du Salut, Cité de Refuge, Paris 1930 - Pavillon Suisse, Cité Universitaire, Paris 1930 - Maison Errazuriz, Chile 1931 - Palace of the Soviets, Moscow, USSR (project) 1931 - Immeuble Clarté, Geneva, Switzerland 1933 - Tsentrosoyuz, Moscow, USSR 1936 - Palace of Ministry of National Education and Public Health, Rio de Janeiro 1938 - The "Cartesian" sky-scraper (project) 1945 - Usine Claude et Duval, Saint-Dié-des-Vosges, France 1947-1952 - Unité d'Habitation, Marseille, France 1948 - Curutchet House, La Plata, Argentina 1949-1952 - United Nations headquarters, New York City (project) 1950-1954 - Chapelle Notre Dame du Haut, Ronchamp, France 1951 - Cabanon Le Corbusier, Roquebrune-Cap-Martin 2 Created with novaPDF Printer (www.novaPDF.com). -
Charles-Édouard Jeanneret
L E COR- BUS- CHARLES-ÉDOUARDIER JEANNERET Charles-Édouard Jeanneret, known as Le Corbusier (October 6, 1887 – August 27, 1965), was a Swiss-French architect, designer, painter, urban planner, writer, and one of the pio- neers of what is now called modern architecture. He was born in Switzerland and became a French citizen in 1930. His career spanned five decades; he constructed buildings in Eu- rope, Japan, India, and North and South America. Dedicated to providing better living conditions for the residents of crowded cities, Le Corbusier was influential in urban planning, and was a founding member of the Congrès International d’Architecture Moderne (CIAM). Le Corbusier prepared the master plan for the city of Chandigarh in India, and contributed specific designs for several buildings there. On July 17, 2016, seventeen projects by Le Corbusier in seven countries were inscribed in the list of UNESCO World Heritage sites as “an Outstanding Contribution to the Modern Movement”. Charles-Édouard Jeanneret was born on October 6, 1887 in La Chaux-de-Fonds, a small city in the French-speaking Neuchâtel canton in north-western Switzerland, in the Jura mountains, just 5 kilometres (3.1 mi) across the border from France. It was an industrial town, devoted to the manufacture of watches. (He adopted the pseudonym Le Corbusier in 1933 of Le Corbusier in 1920). His father was an artisan who Charles-Édouard Jeanneret-Gris[1] October 6, 1887 enameled boxes and watches, while his mother gave piano La Chaux-de-Fonds, Switzerland lessons. His elder brother Albert was an amateur violinist. Died :August 27, 1965 (aged 77) Roquebrune :Cap-Martin, France [3] He attended a kindergarten that used Fröbelian Nationality :Swiss, French methods. -
Universidade Federal Do Rio Grande Do Sul Programa De Pesquisa E Pós-Graduação Em Arquitetura – Propar Faculdade De Arquitetura Departamento De Arquitetura
UNIVERSIDADE FEDERAL DO RIO GRANDE DO SUL PROGRAMA DE PESQUISA E PÓS-GRADUAÇÃO EM ARQUITETURA – PROPAR FACULDADE DE ARQUITETURA DEPARTAMENTO DE ARQUITETURA Adriana Coradini de Freitas Tumelero AS MAISONS JAOUL DE LE CORBUSIER PORTO ALEGRE 2018 AS MAISONS JAOUL DE LE CORBUSIER Adriana Coradini de Freitas Tumelero Adriana Coradini de Freitas Tumelero AS MAISONS JAOUL DE LE CORBUSIER Dissertação apresentada ao Programa de Pesquisa e Pós-Graduação em Arquitetura da Universidade Federal do Rio Grande do Sul (PROPAR-UFRGS) como requisito parcial para obtenção do título de Mestre em Arquitetura. Área de concentração: Teoria, História e Crítica da Arquitetura. Orientador: Prof. Dra. Andréa Soler Machado PORTO ALEGRE 2018 Adriana Coradini de Freitas Tumelero AS MAISONS JAOUL DE LE CORBUSIER Dissertação apresentada ao Programa de Pesquisa e Pós-Graduação em Arquitetura da Universidade Federal do Rio Grande do Sul (PROPAR-UFRGS) como requisito parcial para obtenção do título de Mestre em Arquitetura. Aprovada em: Porto Alegre, 28 de maio de 2018. Prof. Dra. Andréa Soler Machado, Arq. – Orientadora Prof. Dra. Cláudia Piantá Costa Cabral, Arq. Prof. Dra. Marta Silveira Peixoto, Arq. Prof. Dra. Anna Paula Canez, Arq. RESUMO Em 1951, o arquiteto Le Corbusier foi convidado por seu amigo, o industrialista André Jaoul para projetar duas casas uma para ele e sua esposa e outra para a família de seu filho, no subúrbio de Paris. Devido ao orçamento reduzido, Le Corbusier adotou o uso de paredes portantes de tijolos, coberturas em abóbadas catalãs e vigas de concreto aparente. Estas escolhas definiram a estética brutalista do projeto e fizeram com que as Maisons Jaoul se tornassem conhecidas mundialmente. -
Le Corbusier Y El Salon D' Automne De París. Arquitectura Y
Le Corbusier y el Salon d’ Automne de París. Arquitectura y representación, 1908-1929 José Ramón Alonso Pereira “Arquitectura y representación” es un tema plural que abarca tanto la figuración como la manifestación, Salón d’ Automne imagen y escenografía de la arquitectura. Dentro de él, se analiza aquí cómo Le Corbusier plantea una interdependencia entre la arquitectura y su imagen que conlleva no sólo un nuevo sentido del espacio, sino Le Corbusier también nuevos medios de representarlo, sirviéndose de los más variados vehículos expresivos: de la acuarela Équipement de l’habitation al diorama, del plano a la maqueta, de los croquis a los esquemas científicos y, en general, de todos los medios posibles de expresión y representación para dar a conocer sus inquietudes y sus propuestas en un certamen Escala singular: el Salón de Otoño de París; cuna de las vanguardias. Espacio interior Le Corbusier concurrió al Salón d’ Automne con su arquitectura en múltiples ocasiones. A él llevó sus dibujos de Oriente y a él volvió en los años veinte a exhibir sus obras, recorriendo el camino del arte-paisaje a la arquitectura y, dentro de ella -en un orden inverso, anti-clásico-, de la gran escala o escala urbana a la escala edificatoria y a la pequeña escala de los espacios interiores y el amueblamiento. “Architecture and Representation” is a plural theme that includes both figuration as manifestation, image and Salon d’ Automne scenography of architecture. Within it, here it is analyzed how Le Corbusier proposes an interdependence between architecture and image that entails not only a new sense of space, but also new means of representing it, using Le Corbusier the most varied expressive vehicles: from watercolor to diorama, from plans to models, from sketches to scientific Équipement de l’habitation schemes and, in general, using all possible expression and representation means to make known their concerns and their proposals, all of them within a singular contest: the Paris’s Salon d’ Automne; cradle of art avant-gardes. -
Switzerland Galinsky Travel Pack
people enjoying Switzerland buildings galinsky worldwide galinsky travel pack Summary descriptions of modern buildings to visit in and around Switzerland Fuller descriptions, with more photographs and links to other web sites, are at www.galinsky.com Copyright © galinsky 2004 people enjoying galinsky buildings in Switzerland buildings galinsky worldwide listed in date order in the following pages Vitra Design Museum 1989 Vitra Conference Pavilion 1993 Vitra Fire Station 1994 Fondation Beyeler 1997 Heidi Weber Pavilion 1965 Bohl bus and tram stop 1996 Stadelhofen Station 1990 Emergency services center 1998 PTT Postal Center 1985 Luzern Station Hall 1989 Luzern Culture and Congress Center 1999 Bündner Kuntsmuseum 1990 Home for senior citizens 1993 Caplutta Sogn Benedetg Sumvitg 1988 Vals Thermal Baths 1996 Villa Le Lac 1924 Maison Clarté 1932 Banca del Gotardo 1988 Santa Maria degli Angeli, Monte Tamaro 1996 Villa Le Lac people enjoying 21 route de Lavaux Villa Le Lac, Corseaux, Vevey buildings 1802 Corseaux galinsky worldwide Vevey, Switzerland Le Corbusier and Pierre Jeanneret 1924 Le Corbusier and Pierre Jeanneret 1924 Le Corbusier built the Villa Le Lac for his parents to live in. His mother continued to do so until she died in 1960 at the age of 101, and his brother lived their until 1973. It is the smallest and simplest of the white villas Le Corbusier designed, to fit with his parents limited budget; indeed it no longer appears as a white villa, because structural problems caused by the lake, the cellar and the cheap building materials drove Le Corbusier to face the exterior in aluminum in the 1950s. -
The Urban Canvas: Urbanity and Painting in Maison Curutchet
130 ACSA EUROPEANCONFERENCE LISBON HISTORYTTHEORY/CRITIClSM . 1995 The Urban Canvas: Urbanity and Painting in Maison Curutchet ALEJANDRO LAPUNZINA University of Illinois at Urbana-Champaign USA ABSTRACT A BRIEF HISTORY AND DESCRIPTION OF MAISON CURUTCHET This paper proposes a reading of the faqade of Maison Curutchet, a significant yet largely unstudied building de- In September 1948, Dr. Curutchet, a well-knownprogressive signed by Le Corbusier in 1949, as a metaphor or a condenser surgeon from Argentina, contacted Le Corbusier, however of the architect's ideas on urban-planning and painting. It indirectly, requesting his architectural services for the de- also proposes that in this building Le Corbusier proved to be sign of a combination of single family dwelling and medical (contrary to what is often asserted) one of the most contex- office in a site, facing a beautiful large urban park, that he tually urban oriented architects of the twentieth century. owned in the city of La Plata, one-hundred kilometers south of Buenos Aire~.~He sent to Le Corbusier a very detailed program of his needs that included a three- bedroom house INTRODUCTION with all "modern comforts," and an independent medical Maison Curutchet is undoubtedly one of the least known cabinet consisting of waiting room and consultation office buildings designed by Le Corbusier. The reasons for the little where he could perform minor surgical interventions imple- attention that this work received from critics and historians menting his then revolutionary techniques. to-date are manifold, and should be attributed to the building's In spite of being extremely busy with the design and geographical location, far away from what were then the construction of other major projects (most notably the Unite centers of architectural production (the discourse and the d'Habitation in Marseilles and the Masterplan for St. -
Exposition : Le Corbusier Et La Question Du Brutalisme
Marseille, capitale européenne de la culture 2013 Exposition : Le Corbusier et la question du brutalisme Le Corbusier, né Charles-Edouard Jeanneret Gris le 6 octobre 1887 à La Chaux de Fonds a été naturalisé français en 1930. Il est décédé à l'âge de 77 ans le 27 août 1965. Cette exposition rend hommage à son œuvre protéiforme car il était aussi peintre et sculpteur. Une de ses premières réalisations en tant qu’architecte est la villa Le Lac à Corseaux au bord du lac Léman, commandée par ses parents, construite en 1924. En 1929 à Poissy, il construit la villa Savoye, du nom d’une famille suisse, villa qui aura une très forte influence dans l'histoire de l'architecture car elle représente la mise en application de ce que Le Corbusier a défini comme les 5 principes d’une architecture moderne : l'utilisation des pilotis, le toit-terrasse, le plan libre, la fenêtre-bandeau, et la façade libre. (Photo ci-dessous, on a remarqué la ressemblance avec la Villa Noailles à Hyères, construite en 1923 par Robert Mallet Stevens) Avec la maquette ci-dessous on voit bien les conceptions de Le Corbusier, plan libre et même rejet de la circulation à l’extérieur, modularité, ce qui permettait dans son esprit de reconstruire rapidement après les destructions dues aux guerres…). Ces conceptions étaient peu appréciées d’ailleurs de ses contemporains, elles n’étaient possibles que parce que Le Corbusier maîtrisait la technique du béton acquise auprès de l’architecte Auguste Perret. « Le bol rouge », une peinture de Le Corbusier de 1919. -
Le Corbusier During the 1920S and 1930S
Le Corbusier during the 1920s and 1930s Le Corbusier 1920s -original name: Charles Eduard Jeanneret (1887-1965) -born in a French speaking Switzerland, La Chaux-de-Fonds -watch engraving -worked for August Perret for a few months in Paris in 1908 -between 1910 and 1911, stayed in Germany to make a report on German applied art AEG Turbine Factory, exterior (1908-1909) Peter Behrens Berlin, Germany -worked briefly for Peter Behrens -also attended an important Deutscher Werkbund conference Le Corbusier 1920s -he then traveled to the Balkans, Istanbul, and Athens (next slide) -fascinated by the Parthenon and converted to Classicism (partly an influence from Perret and Behrens) -to reconcile architectural tradition with modern technology Parthenon (BC 477-438) -in 1917, permanently moved to Paris -opened a firm and also started to paint in oils under the guidance of Amedee Ozenfant -Jeanneret and Ozenfant called themselves ‘Purists’ -they wrote a book Apres le Cubism and with Paul Dermee, a poet, founded the magazine L’Esprit Nouveau in 1920 -about this time, started to use Le Corbusier The relationship between cubism and purism Juan Gris The Book, 1913 Still Life (1919) Jeanneret/Le Corbusier Apres le Cubism (1918) -praised Cubism for its abolition of narrative, its simplification of forms, its compression of pictorial depth, and its method of selecting certain objects as emblems of modern life -but condemned it for its decorative deformation and fragmentation of the object and demand the object’s reinstatement “Of all the recent school of -
Savoye Space: the Sensation of the Object
Architecture Publications Architecture Fall 2001 Savoye Space: The eS nsation of the Object Daniel J. Naegele Iowa State University, [email protected] Follow this and additional works at: http://lib.dr.iastate.edu/arch_pubs Part of the Architectural History and Criticism Commons The ompc lete bibliographic information for this item can be found at http://lib.dr.iastate.edu/ arch_pubs/28. For information on how to cite this item, please visit http://lib.dr.iastate.edu/ howtocite.html. This Article is brought to you for free and open access by the Architecture at Iowa State University Digital Repository. It has been accepted for inclusion in Architecture Publications by an authorized administrator of Iowa State University Digital Repository. For more information, please contact [email protected]. Savoye Space: The eS nsation of the Object Abstract Le Corbusier's early education encouraged him to think of architecture in idealistic and metaphoric terms: architecture not as building, but as representation. Schooled in the neomedieval beliefs of John Ruskin and Owen Jones, and in the organic similes of art nouveau, he was convinced that art and industry, like art and craft in former times, ought naturally to ally. For Le Corbusier, a building was always like something else. His La Chauxde- Fonds houses were like the nature that surrounded them, with their roofs designed as curves and folded gables to echo the shape of local ftr trees.1 The alvS ation Army building was like a beached ocean liner, the Unites like ftling cabinets or wine racks. Continuous ribbon buildings projected for Rio de Janeiro and Algiers were like bridges or aqueducts or even like the Great Wall of China, and the polychrome Nestle Pavilion was like a collage painting into which the viewer could walk. -
6. Regionalism and Beton Brut Around Late Le Corbusier
REGIONALISM + BRUTALISM AROUND LATE LE CORBUSIER REYNER BANHAM THE NEW BRUTALISM 1966 It was, in the beginning, a term of communist abuse, and it was intended to signify the normal vocabulary of Modern Architecture - at roofs, glass, exposed structure - considered as morally reprehensible deviations from “e New Humanism,” a phrase which means something dierent in Marxist hands... REYNER BANHAM THE NEW BRUTALISM 1966 e term had no sooner got into public circulation than its meaning began to narrow. Among the non-Marxist grouping there was no particular unity of programme or intention, but there was a certain community of interests, a tendency to look toward Le Corbusier, and to be aware of something called Le Beton Brut... REYNER BANHAM THE NEW BRUTALISM 1966 Whatever has been said about honest use of materials, most modern buildings appear to be made of whitewash or patent glazing, even when they are made of concrete or steel. Hunstanton appears to be made of glass, brick, steel and concrete, and is in fact made of glass, brick, steel and concrete. REYNER BANHAM THE NEW BRUTALISM 1966 Le Corbusier’s Late Works LE CORBUSIER PETITE MAISON DE WEEKEND | PARIS, FRANCE 1935 LE CORBUSIER PETITE MAISON DE WEEKEND | PARIS, FRANCE 1935 LE CORBUSIER PETITE MAISON DE WEEKEND | PARIS, FRANCE 1935 LE CORBUSIER HOUSE AT MATHES (VILLA SEXTANT) | LES MATHES, FRANCE 1935 LE CORBUSIER HOUSE AT MATHES (VILLA SEXTANT) | LES MATHES, FRANCE 1935 LE CORBUSIER HOUSE AT MATHES (VILLA SEXTANT) | LES MATHES, FRANCE 1935 LE CORBUSIER MAISONS JAOUL | PARIS, FRANCE -
The Architecture of Le Corbusier and Herzog and De Meuron
Traveling Studio Proposal - Spring 2018 Taubman College of Architecture and Urban Planning PARALLEL FACADES _ The Architecture of Le Corbusier and Herzog and De Meuron Instructor: Viola Ago Course Brief_ This travel course will take students through a trace of significant Architecture work by Charles-Édouard Jeanneret, known as Le Corbusier, and the duo Jacques Herzog and Pierre de Meuron of Herzog and De Meuron (from now on HDM). This course will travel through three countries where most of the work in concentrated, Germany, Switzerland, and France. The curated list of buildings and sites has been constructed based on the utility of the façade in architecture. Both of these practices have been powerful influencers of architectural style. Le Corbusier was elementary to the emergence of Modernism and the removal of decorative arts in architecture. HDM were equally as fundamental in the evolution of Contemporary style and aesthetics in Architecture. Both contributors have used the Architectural Façade to express their aesthetic convictions and ideologies. This traveling studio will examine the Architectural Façade of Modern and Contemporary Architecture as it relates to three areas of investigation: art, technology, and agency. The visits to the sites, buildings, and collection based museums, will guide the students to collect information and knowledge on this critical part of history. The students will use the reading list as a guide to understand the current conditions of the Architectural Façade, and as a framework to inform the way in which to study the buildings that they will visit during this trip. Activity_ Traveling to sites, visiting buildings, visiting galleries, photography/sketching, taking notes, workshop participation. -
Le Corbusier, Une Synthèse / ISBN 978-2-86364-280-1 Stanislaus Von Moos Von Stanislaus Traduit De L’Anglais Par Isabelle D
StanislausvonMoos Taudière D. Isabelle par l’anglais de Traduit synthèseune Le ISBN 978-2-86364-280-1 / Corbusier synthèse une Corbusier, Le — Moos von Stanislaus / www.editionsparentheses.com www.editionsparentheses.com ISBN 978-2-86364-280-1 / synthèse une Corbusier, Le — Moos von Stanislaus / www.editionsparentheses.com www.editionsparentheses.com () La version originale de ce livre a été écrite il y a dix ans, dans le cadre d’une série de monographies sur des hommes et femmes d’origine suisse s’étant rendus célèbres dans le monde des sciences, des arts et de la liérature — de Paracelse à Paul Klee en passant par Carl Gustav Jung. Il n’existait à l’époque aucune étude critique générale sur l’œuvre de Le Corbusier, et le présent ouvrage se proposait de combler cee lacune. Lorsque je me suis engagé dans cee entreprise, les archives privées de Le Corbusier n’étaient pas accessibles. Ma documentation s’appuyait donc essentiellement sur les écrits de l’architecte et sur les huit volumes de son Œuvre complète. J’ai par ailleurs visité pratiquement tous ses bâtiments construits, vu beaucoup de ses toiles et rencon- tré un grand nombre de ses anciens collaborateurs et amis qui ont bien voulu m’aider dans ma collecte d’informations sur sa vie. Dix ans plus tard, certains passages me paraissent dépassés, autant au regard des ISBN 978-2-86364-280-1 / études publiées depuis lors que de ma propre évolution dans l’approche du sujet. J’ai donc intégré à la présente édition les données nouvelles qui m’ont paru les plus impor- tantes sur la carrière et l’œuvre de Le Corbusier, révisé certaines analyses à la lumière de mon point de vue actuel et ajouté un chapitre sur les fondements typologiques et synthèse idéologiques de l’Unité d’habitation.