26 12 04 02 32 18 ! BY FUMIHIKO MAKI FUMIHIKO BY ! Form Collective On ! BY ANA TOSTÕES ANA BY ! Matter and —Light Space and Time LC′s Poetic LECTURE AND JULIO SANTANA JULIO AND BOZZANO NÉSTOR JORGE BY ! CurutchetMaison MARINO GIULIA AND GRAF FRANZ BY ! the of Restoration Construction Practice as Research as Practice Construction Jeanneret. Pierre and Corbusier Le 1924, , Architectural WorkArchitectural Corbusier′s Le the of Conservation the in ! BY ELISE KOERING ELISE BY ! Rediscovered Color The Corseaux-sous-Vevey.at Jeanneret Pierre and villa The RICHARD MICHEL AND GANDINI BÉNÉDICTE BY ! the of Role The EDITORIAL ESSAYS Le LacLe Endurance by Corbusier by Le Le Fondation , La Plata, Argentina Plata, , La Petite Maison Petite ,

64 40 96 90 86 84 74 56 48 AND CARLO OLMO CARLO AND GHERARDINI CACCIA SUSANNA BY ! La une une Future Discernibility of Past Interventions Past of Discernibility Future day. present the 1960 to from The RAGOT GILLES BY ! Masterpiece the of Identity Architectural and Functional Dual the Preserving Jeanneret. Pierre and Refuge de Cité the Restructuring and Renovation HUBERT MARIE5ODILE BY ! Maritimes Alpes Roquebrune-Cap-Martin, E-1027, Villa the in Corbusier Le of Paintings the of Restoration The ! BY ROBERTA GRIGNOLO ROBERTA BY ! AND KYO FUKUDA KYO AND YAMANA YOSHIYUKI BY ! Value Historical and Evolution its Japan: of Property Cultural Important as Art Western of Museum National APPENDIX RIAEIND NGERDA N I ITAGE ER H BOOK REVIEWS BOOK NEWS NEWS Villa SavoyeVilla Couvent de La Tourette La de Couvent Longue HistoireLongue by Le Corbusier Corbusier by Le after Le Corbusier, Corbusier, Le after

Contents docomomo 53 – 2015/2 Le Corbusier, Capitol mural painting, Chandigarh, India, 1962. © Ana Tostões, 2013. systematic method.Envisaging“ . issues thatLeCorbusier’s work raises intherestoration of interventions andapproaches, showing thecross-section of knowledge andspirit,gathering his work. Besidesbeingresponsible for keeping alive ST’s ideas andpreserving indisseminating STns tance ofthe _ST exceptional range ofexperts. tance ofLeCorbusier, through theanalyzesconducted by a of thisissueandtoshare withusthe“transnational” impor- for accepting thechallenge tobetheguesteditors the _ST, gathered underlight” in fact a“wise,correct andmagnificent playofvolumes time andspace, proportion andmatter, hisarchitecture is endurance passion, discussionandintellectualstimulus,confirming the ST Ie themeofthisLM represented asource for His dualandinseparable theoretical andpractical activities provocative activist,helpedtomake himauniversal author. tect, urbanplanner, researcher, disseminator, thinker, and be avoided” “architecture orrevolution?” heanswered “revolution can could have thepower toimprove theworld. To thequestion technical andspatialproblems, believingthatarchitecture contemporary age,helooked for solutionstosolve social, India. Iinkingdeeplyaboutthehumancondition inthe whole world, tonationssuch asJapan, Russia, Argentinaand the LW After worldwide monitored by the processes undertaken onLeCorbusierbuildingsandsites mo issue of buildingsare underthreat. Iis Nowadays, several of ST’s an “ stood the test of time, proving their resilience an from public authorities to private owners, these bu ST docomomo I wishtothankBénédicteGandini,Michel Richard, and From houses to facilities, from Europe to Asia or A years later, LeCorbusierstillcreates controversy,LW drove hisobsessive constructive impulsearound the Journal espace indicible . As a tribute to Le Corbusier (ST) ontheoccasion of . AsatributetoLeCorbusier(ST) prolific personalityastheorist,painter, sculptor, archi- th anniversary ofhisdeath,thisissue docomomo ofhislonglife energy, spiritandlegacy. Irough isfocused onrehabilitation andconservation i through modernarchitecture. Internationalwishestostress theimpor- ” k . rd Journal M

docomomo crystallizingavisionoftheworld as ST ’s balanced inspirational and presents alargevarietyof Time and Space — Light andMatter —Light andSpace Time Fondation LeCorbusier la plan Journal

precious archives è te comme chantier LC′s Poetic is () —+,Years () docomo- Chair of of Chair d character. ildings have merica, (_ST). ANA TOSTÕES ANA docomomo EDITORIAL ” f , 3 Endurance Lisbon from the } Movement towards theFuture” why as theurgencytostrive towards asustainable future. Iat’s tecture” every moment,[believing]intheuniversal valueofarchi- criticism “wassomebodycapable of renewing himselfat which isunderthreat (see p. {k). of theperfectly balanced CapitolComplexinChandigarh tection ofinvaluable architectural ensembles, asinthecase is urgent,aswe all know thatitwillalsoguarantee thepro- we believe thattheconclusion oftherecognition process a serialnominationintheWorld’s HeritageList”.Ierefore, value ofarchitectural works by LeCorbusierandsupports momo is stillwaitingfor finalpositive results.the fi Asstatedat candidacy legacy,nition ofthevitalnature the wxS of ST’s practice ofarchitecture everywhere. as milestonesoftheModernMovement thatinfluenced the constructed by LeCorbusierworldwide asexceptional and Ie aimistofightfor recognition ofthebuildingsandsites Japan andSwitzerland attheWorld HeritageConvention. together thenationsofArgentina,,, India, tural property,a transnational itis application thatbrings Envisagedascul- World HeritageList(wxS). rstuTv LeCorbusier, i Jean-Louis Cohen, f Notes International outstanding contribution totheModernMovement” inclusion of“Iearchitectural work ofLeCorbusier[as]an iscarrying outamostimportanttask:theproposed _ST consulted onadailybasisby researchers worldwide, the live inanever faster changing world. ect engagedwiththechallenge ofcreating abetterplace to pursuit theModernMovement’s socialandcollective proj- docomomo Le k M L “rstuTv World HeritageList:LeCorbusierProposal Deferred”, “rstuTv L International Quoting Tim Benton, ST with exigent and permanent withexigentandpermanent Quoting TimBenton, ST After many well-founded efforts over fWyears, for recog- Editiones Textuel, iWWL. Editiones Textuel, iWWL. Idem docomomo f~k}. Nov.–Dec., docomomo

Corbusier . Internationalconfirmsuniversal theoutstanding L . Today, we could reformulate thisuniversal value docomomo , “ Council Meeting (Helsinki, iWfi), “ CouncilMeeting(Helsinki,iWfi), Journal Vers uneArchitecture, L’espace indicible th chose “Adaptive Reuse: IeModern Le Corbusier:Laplanètecomme chantier tothe~ , kk,Barcelona, iWff,p.{~–~W. Conference ”, L’ th September iWf}, inorder to SeptemberiWf}, Architecture d’Aujourd , EditionsCrès, f~iM.

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Editorial docomomo 53 – 2015/2 HERITAGE IN DANGER 53 – 2015/2

Capitol Complex at Chandigarh Lake on a land piece owned by the Punjab pitching heritage against development to jus- Faces Development Challenges Government, is being contested by Chandi- tify such constructions. In the case of Chan- garh’s residents and the Forest Department digarh, the location of the proposed Tata Le Corbusier’s vision for the Capitol Complex through the judicial court to save the city’s Camelot Housing will be a visual eyesore as the crown of Chandigarh city nestled in green areas and its modern legacy. Even from the Capitol Complex and also have a the backdrop of the Himalayas responded though the project was given an initial clear- strong environmental impact as it is proposed

Heritage in Danger docomomo well to the aspirations of a modern and ance by the environment department of the to be built on a water catchment area near independent India in =>?@. As recorded by Punjab State government, there was strong the eco-sensitive area of Sukhna Lake. More- several researchers of modern architecture, resistance from Chandigarh residents who over, the Capitol Complex at Chandigarh, the Capitol Complex was strategically de- filed a writ petition in KL=U against the project with its assemblage of the Assembly Building, signed by Le Corbusier to share an intended in the judicial court. In October KL=U, the the High Court and the Secretariat along visual transparency with its natural setting of Supreme Court asked for the status quo with with the Open Hand, is not only an interna- the hills and forests in the backdrop. While a clear directive that “even a brick should tionally recognized masterpiece of modern Chandigarh has expanded to the south-west not be laid in the area”, and referred the case architecture but also a national legend of with the initial designed sectors now giving to the Delhi High Court. Je Delhi High independent India. Jis relic of KLth century way to large scale housing structures on the Court is expected to hear the case on July architecture by Le Corbusier needs to be outskirts, the original sectors and the Capitol =[, KL=[. Je residents and administration safeguarded in its natural setting for posterity Complex have, to a large extent, retained of Chandigarh are absolutely confident that and the will of Chandigarh residents will help their authenticity well in terms of form, these multi-storied towers will never be built, in this realization. colour, location and setting. thus retaining the authenticity and visual However, the physical and administrative integrity of the Capitol Complex which is Shikha Jain juxtaposition of Chandigarh with the two now nominated for World Heritage as part of adjoining states of Punjab and Haryana have a serial transnational nomination in KL=[. recently resulted in a land parcel that seems In a country like India, where cities face to allow controversial development projects great pressures of social demands and urban Sign the petition to stop the such as the contested Tata Camelot Housing expansion becomes a necessity, it is difficult construction of Tata Camelot Housing at near Sukhna Lake just beyond the Capitol to argue for the retention of large open http://petitions.moveon.org/sign/ Complex. Jis multi-storied housing project, rural-urban pockets vis-à-vis needs of the save-le-corbusiers-capitol?source=c.em.cp&r_ that was conceived in KLLM near the Sukhna city. Clearly, there are diverse views that are by=12525062

84 01–03 Le Corbusier, Capitol Complex, Chandigarh, India, 1962. © Ana Tostões, 2013. 53 – 2015/2 Heritage in Danger docomomo

04 Le Corbusier, Plan of New Capital Punjab, Chandigarh, India, 1950-1965. © FLC/SPA, 1953.

85 NEWS

this context provided new, transnational Casablanca Chandigarh: opportunities to exercise their professions, Modern Planning and forums for the exchange of ideas. Jis double transnational and disciplinary Exhibition at the Canadian perspective structures both the book and the exhibition, albeit in different ways, as Centre for Architecture, Montreal the limitations and opportunities of each medium afford. Je core of the publication consists of the in-depth study of these urban projects, alternating between the two, and In the editorial of docomomo Journal K@, names in architecture are given sole credit framed by an international perspective, both published in March KLLU and inaugurat- for their constructions, ignoring the fact that geopolitical and professional. In its pages, the ing her tenure — as editor-in-chief of the architecture is a collaborative endeavor. planning process is examined in detail, along- magazine, Maristella Casciato undertook Here, both Casciato and Avermaete empha- side governance and the design of housing to consider “modernism outside the West” sized the teams Écochard and Le Corbus- and service facilities for each of the cities as and to encourage “new cultures and new ier surrounded themselves with, not only well as their deployment. Je organization of histories”, whilst simultaneously enriching colleagues operating in metropolitan centers, the book’s content into fragmented segments the docomomo International network. She but also local architects, engineers, and urban makes it possible to read discontinuously. brought this intellectual endeavor with her to planners. Moreover, the exhibition’s curators Je exhibition began with a presentation of the position as Associate Director, Research highlighted the appreciation these designers the new world order in the museum’s central at the Canadian Centre for Architecture showed for local and traditional builders. gallery, which is surrounded by five other (ccd) in Montreal. Working alongside Tom Unwilling to leave his Paris atelier for an rooms, a restrictive arrangement of gallery Avermaete, she co-curated the exhibition: extended period, in =>[=, Le Corbusier had space. However, Japanese architects atelier How Architects, Experts, Politicians, International three colleagues jointly appointed “senior Bow-Bow successfully made creative use

53 – 2015/2 Agencies and Citizens Negotiate Modern Planning: architects” in residence. Jese were E. Max- of the special environment in collaboration Casablanca Chandigarh, presented at ccd well Fry and Jane B. Drew, both British, in with rsst, a graphic design firm based in during the Winter KL=U–KL=? season. Jey addition to his former partner, Pierre Jeanner- Montreal. Janks to the design of ad hoc also co-authored Casablanca Chandigarh: A et, who was to bear sole responsibility after furniture, the color choices and the staging of Report on Modernization , the book published the departure of Fry and Drew in =>[?, until certain exhibits, visitors could easily follow to coincide with the exhibition. A preamble =>M[. Together, the three assembled a group the twin threads of the exhibition, which to these projects lies in the ccd’s acquisition, of twelve or so Indian professionals, each of appeared immediately in the second room of in KL=L, of architect Pierre Jeanneret’s per- whom was entrusted with a specific set of the show. Furthermore, the unusual framing sonal archives, mainly pertaining to projects tasks. Jis strict, although not particularly of the documents showed off even the developed during the period from =>[= to hierarchical, division of labor was to take smallest and most technical objects to best =>M[ when he renewed his association with concrete shape in the plan distribution of the effect, and harmonized the heterogeneous his cousin, Le Corbusier, for the planning and Architects’ Office, the Chandigarh headquar- corpus made up of works in various sizes and construction of a new capital for the Indian ters of the ambitious Punjab Capital Project. media: original drawings, reproductions of News docomomo Punjab following the Partition (=>?h). Another singular feature of the exhibition blueprints, photographs, models, publications Both the exhibition and the book scru- lies in how the curators/authors situated and reports. Jese materials were drawn tinize the history of the two cities that, in the planning of these two cities within the from a number of archival sources, including very different ways, experienced the weight new geopolitical context that emerged from the Fondation Le Corbusier in Paris, the of colonial rule in the KLth century: Casa- World War K. A strategic equilibrium had Agha Khan Trust for Culture in Geneva, the blanca, still under the French Protectorate, been redefined by the rise to power of the gta Archives/sqv in Zurich, the School of and Chandigarh, born from the ashes of the United States and the mnno, a situation from Architecture in Rabat and the Government British Raj, at the end of colonization. Tom which a number of countries, fiercely jealous Museum and Art Gallery of Chandigarh. Avermaete examined French architect Mi- of their independence, sought to escape by On the walls of the central gallery, three chel Écochard’s plan for urban development forming the Non-Aligned Movement. India large world maps illustrated the new transna- of Morocco’s economic nerve center, which was one. Meanwhile, the League of Nations, tional environment. Je first of these summa- faced massive rural migration following that legacy of World War =, which had failed rized the syncopated dynamics of the decol- World War K. In =>?M, the French govern- to ensure peace in the world, was replaced onization that took place from =>?[ to =>hL. ment-appointed architect was appointed in June =>?[ by the United Nations (mp). Je second depicted the scope of activities official in charge of the Services d’Urbanisme Je new international institution was much conducted by international aid organizations (urban planning) for the entire region. more than a platform for diplomacy. Many from the Western and Soviet blocs, while the Maristella Casciato, meanwhile, retraced departments were created under its umbrella, third presented the new amplitude and reach the creation of the Punjab’s new capital, including the Technical Assistance Admin- of certain urban planners and architects such whose urban and architectural planning was istration (qdd), conceived to promote the as Michel Écochard, the American Jacob L. entrusted to Le Corbusier in December =>[L economic development of newly indepen- Crane, the German Otto H. Koenigsberger, by Prime Minister, Jawaharlal Nehru. dent nations by sending teams of experts to Constantinos A. Doxiadis of Greece, and All too often, whether in the eyes of the consult with their governments. Architects the British Mary Jaqueline Tyrwhitt. On general public or in historical studies, big and urban planners from the North found a table in the center of the room, visitors

86 01 View of Gallery 1, “Transnational Urbanism”. © Franco Panzini. 02 Le Corbusier, The Chandigarh family, © FLC/SPA, April 8, 1952. 53 – 2015/2 could leaf through reports and publications an architect, archeologist and urban planner Album Punjab (Punjab Sketch book), visible from the many consulting missions in the rolled into one, attentive to the morpho- for the first time ever and complemented “Jird World”. Jrough the two openings at logical, cultural, and technical dimensions by a digital version. Jis sort of diary in the the back of the room, visitors caught a first of human settlements, be they antique or form of both writing and drawings contains glimpse of two documents invested with tre- contemporary, monumental or haphazard. observations, accounts of exchanges with mendous display and historiographical value: Je photographs he took of both the ground administrative officials, passing thoughts Je cxdy grids elaborated by the India and and sky bear witness to his interest in local and ideas. It allowed the architect to record Morocco workgroups for cxdy’s > th Modern peculiarities, which a team of sociologists and his first impressions and trace the project’s Architecture Congress (cxdy>) held in Aix- ethnologists attached to the project, helped development during the first weeks of work en-Provence during the summer of =>[U. him to recognize. on site. Le Corbusier, like Pierre Jeanneret, Jese grids reveal very different approach- Je cxdy grids, striking for their large size, was struck by the beauty of the landscapes he es. Je cxdy grid for Chandigarh, created by are each installed straddling two of the three encountered. Photographs taken by the latter News docomomo a group of young architects at the Architects’ galleries at the back of the museum space. capture the bucolic quality of the setting and Office known as the Association of Indian Jeir narrative serves as referral into the rusticity of villages, lingering on scenes of Modernists (dxy), was reconstructed for the rooms specifically dedicated to each associat- daily life. Je Album Punjab includes observa- exhibition on the basis of snapshots, as the ed city. Starting with the theme “Exploring”, tions on the urban fabric of Bogota, where the original document no longer exists. Je grid under which umbrella the various means used concept of “sectors” was first implemented. adheres strictly to the format and categories to apprehend unique site conditions were But in Chandigarh, the plan has more green established at the urging of Le Corbusier by exhibited, the exhibition unfolds on to two and is more organic; its conception embraces dnczod{, based on the Athens Charter. Je additional themes, “Planning,” and “Design- the natural landscape, a backbone following grid produced by |dyyd, the Moroccan ing the Civic Fabric”. Je former offered an the verdant valley that cuts across the plains, group, however, deviates from the model. opportunity to get acquainted with the teams and coming to a head at the Capitol Complex, It is more analytical than normative, more and urban development projects, whereas the designed to stand out against the foothills of concrete than prospective. Photographs of latter presented specific plans for housing and the Himalayas. the existing country and people outnumber facilities. Less visually compelling, but by no means sketches and plans. Its aim was to make sense Je exhibition offered a unique oppor- less effective, the Master Plan for Casablanca of an anarchic built environment, the shanty tunity to appreciate, in its full-scale, the also dates from =>[=. A mosaic of blue prints, towns that had sprung up in Casablanca’s Chandigarh master plan, later reproduced in it depicts the old city, surrounded with the suburbs, and to explain the principles under- l’ Oeuvre Complète. Je plan was drawn up in newly planned neighborhoods and their lying organization of the new neighborhoods Paris, shortly after Le Corbusier and Pierre transportation infrastructure, all based on that were to replace them. Jis approach is a Jeanneret’s first stay of about two months in the renowned Écochard @~@ meter grid. Je result of the methods adopted by the urban Chandigarh, during the winter of =>[=. Sever- grid provided both technical and functional planning department, the Services d’Urban- al rough sketches made on-site were exhibited integration, and its standardization deter- isme, under the aegis of Écochard, who was alongside the plan, as well as Le Corbusier’s mines both the shape of the city and that of

87 03 Detail of the GAMMA Grid of Casablanca. © Franco Panzini. 53 – 2015/2 News docomomo

04 Detail of the Chandigarh Grid with the listing of the four key words of the Athens 05 View of the Gallery 4, “Designing the Civic Fabric of the New Casablanca”. In Charter. © Franco Panzini. the centre of the room, the model of the “beehive building” in the cité verticale at Carrières Centrales, signed by Georges Candilis, Shadrach Woods and Vladimir Bodiansky. On the wall, photos by Yto Barrada. © Franco Panzini.

06 Aerial view of a neighborhood center in Casablanca, c. 1950. © Archive École 07 Punjab Capital Project (PCP), Master plan for the new capital at Chandigarh Nationale d’Architecture , Rabat. after the design submitted by Le Corbusier, © FLC/SPA, April 1951

88 08 View of the Gallery 6, “Designing Chandigarh’s Civic Fabric”. In the center of the room, models of housing typologies designed by Pierre Jeanneret, Jane Drew, and Maxwell Fry. On the wall, photos by Takashi Homma. © Franco Panzini. 53 – 2015/2 its buildings. Je public spaces are defined by Je contemporary photographs shot on site Are the differences, large or small, between subtraction, while construction is achieved by the French-Moroccan artist Yto Barrada these cities at completion and their contem- through addition, horizontal in the case of in Casablanca and the Japanese photogra- porary shapes important to their standing as private houses, and vertical for the collec- pher Takashi Homma in Chandigarh are an heritage sites? tive dwellings interspersed throughout the essential complement to both the book and neighborhoods. the exhibition. Large-scale prints occupy one France Vanlaethem Particularly attractive exhibits include entire wall of the exhibition gallery, under the Chair of docomomo Québec the original model for the “beehive building” title “Designing Chandigarh’s Civic Fabric”. in the cité verticale (vertical city) at Car- Jese views bring to light contrasting con- References rières Centrales, signed by Georges Candilis, temporary urban realities accentuated by the cdncxdqz, Maristella, d„soydsqs, Tom, Casablanca Chandigarh. A Report on Modernization, Montreal, Shadrach Woods and Vladimir Bodiansky, unique perspective of each artist. Homma’s ccd, Zurich, Park Books, KL=?. and that for housing types in the cité verticale shots are more conventional, showcasing ccd, Exhibitions: How architects, experts, politicians, News docomomo at Sidi Othman, designed by Swiss architects the architecture, its residential spaces and its international agencies and citizens negotiate modern planning: Casablanca Chandigarh, KM André Studer and Jean Hentsch. details. Barrada, on the other hand, shows November KL=U to KL April KL=?, Main galleries: Casablanca’s suburbs were planned for “ le us an empty city, where human presence is http://www.cca.qc.ca/en/exhibitions/=>@?-how-archi- plus grand nombre” (the greatest number), as hinted at by modifications added to the built tects-experts-politicians-international-agencies largely similar neighborhood clusters. Chan- environment. Her work shows us the ponder- ccd, Public Programs education & events: Casablanca Chandigarh: digarh, on the other hand, carries the social ous public spaces with their planted beds, the http://www.cca.qc.ca/en/education-events/K?KM-casa- hierarchy of an administrative center, and façades of residential buildings in washed-out blanca-chandigarh-public-programs provides public facilities serving the entire colors, rendered identical by the enclosure of ccd, Research: “We’re going to learn much more from Chandigarh”. An interview with Rahul Mehrotra: state such as the university, the research their hanging courtyards and bristling with http://www.cca.qc.ca/en/study-centre/KUK[-we-re-go- hospital, and the bus station. Documentation satellite dishes. She closes on the silhouette of ing-to-learn-much-more-from-chandigarh on this aspect makes it possible to grasp for Carrières Centrales, rising above the city. ccd, Collection: A first look at the Pierre Jeanneret archive: the first time in real detail the scope of Pierre As the last segment of the exhibition, http://www.cca.qc.ca/en/collection/=KM@-a-first-look- Jeanneret’s participation in building the city, these documents invited visitors to question at-the-pierre-jeanneret-archive which is much less famous than Le Corbusi- the current cultural value of these modern er’s monumental contributions. To illustrate neighborhoods, independent of the undeni- his achievement, specifically in designing able historical significance that Casciato and residential premises, six models of various Avermaete successfully demonstrate. Pre- housing projects, from the home of the chief serving architectural integrity in Chandigarh, justice to the modest row houses of ordinary substantially altering the built environment people, were displayed in gallery six. Jese in Casablanca, are these contrasting patterns models were constructed as part of a class of appropriation indicative of the success or taught at the University of Bologna in KL=K. failure of their models?

89 BOOK REVIEWS

influence in the construction of the modern Je Carioca School and the Paulista School. architectonic discourse through the exhibi- Comas, guest curator to the exhibition, writes tions Latin American Architecture since @AWB about the similarities and differences of the (=>[[) and Brazil Builds (=>?U) setting the two groups of architects and planners that current exhibition at the same level of its pre- shaped Brazil into its modern suit. He intel- decessors, announcing the making of ongoing ligently analyzes them through architectural historiography: “An exhibition and publica- elements and purposes that lets the text tion that function as an ongoing laboratory disseminate and weave both schools inside for constructing new histories” (p. =[). the concepts. Foundation, rule, continuity, Barry Bergdoll’s “Learning from Latin divergence, balance and extension are the America: Public Space, Housing and Land- methods to evolution within the time-frame scape” excels by far the other texts in the of the life span of the modern architects and book. His last exhibition inside the institution their buildings. Latin America in Construction: had to amalgamate his academic tpd with Je last individual essay is by Jorge Architecture 1955 - 1980 the precise coordinating skills that require Francisco Liernur, also guest curator, who the heavy machinery of professional research addresses a more contextual piece of writing. Edited by Barry Bergdoll, teams in more than ten countries in Latin He searches for a correlation between Carlos Eduardo Comas, America. It is a grand-finale that sets the bar architecture and new general conditions of Jorge Francisco Liernur, Patricio del Real high in terms of ambition, inventiveness and modernization. He worries and disseminates Publisher: Je Museum of Modern Art an important conjuncture in a period that on the city as the platform where architec- (MoMa) can unite nations under one nostalgic sense ture is planted and embodies deeper and xn†p: >h@-L-@hLhL->MU-L of progress and equality (later depicted as greater problems that shape progress, critical- Language: English faux hopes of developmentalism, struggle ly concluding and thoroughly ambushing the Year: KL=[ and regime). It also gives us the answer we utopian ideas of modernity with the rise of

53 – 2015/2 are all curious about: why =>[[? Why =>@L? capitalism’s pragmatism. Idea is dead. A large-format, heavy, hard cover book with Although the latter is not properly answered, Plates is the section of the book that can a well-known photograph by Guillermo starting in =>[[ was a strategy to consider not better translate the physical panorama of Zamora of Enrique del Moral’s Mercado de la only the first results being built, but rather the exhibition to the support the editorial Merced on its cover is the way the exhibition them being debated. Stepping aside from intent. It reincarnates a modern-day-editori- Latin America in Construction: Architecture @ABB the turmoil of conservatism and entering al-World Fair where pages serve as pavilions – @AFG gets shaped into a book. One could the conversation completely aware of the to showcase the power of construction and not expect different from the Museum of critique was a means to critique the critique how architecture shaped progress, cities and Modern Art, which is well known for having too. Bergdoll has a couple of statements that regions. Je authors of the different plates the same format catalogs with tradition- make clear his conclusions i.e. “Latin America are part of the modern research network, al design and pristine images. Next to its as the new sources of not only forms, but docomomo’s usual suspects, great academic contemporaries (Henry Matisse; Ke Cutouts, attitudes” a diplomatic strategy when one eminences from each country depicted in the Design and Violence and Björk), Latin America has to amalgamate a complete history of exhibition that have devoted their lives to the Book Reviews docomomo in Construction’s physicality doesn’t speak loud modern architecture in so many different study of modern architecture. In each one’s enough to stand out. It is a more modest, nations and conditions. His text is an intense own style, but tracing a common structure to academic and introspective publication. and rich journey from economic models, to context the illustrations, the authors set fly Je catalog opens with Portfolio a contem- political processes and even the evolution of to a general state-of-the-art panorama on the porary photo-essay by the multi-published technique making the reading interesting, not characteristics of each nation that make them São Paulo-based architectural photographer only to scholars of the topic, but to a general so special. Ordered alphabetically, Argentina Leonardo Finotti that separates an inch from audience that can relate to a rapid-growth heads the plates also chronologically, one of his commercial work and captures good period that shaped most of the cities we live the few nations that showcases its historicist frames that serve as homage to the great in. Leaving value judgments aside, Bergdoll architecture, fruit of the European heritage modern photographers that are about to manages to speak on a broad spectrum that in the region, a cosmopolitan Buenos Aires come to life in the next pages of the book. provokes new readings when weaving all the that shows glamour and economic progress Jis editorial decision comes across as a pieces and examples together. Although loose in a more traditional and aesthetic way. Je bit strange. Why introduce a retrospective ends remain towards a present day history illustrations, although a very impressive gath- exhibition book with a photo-essay that, and the void between =>@L to KL=[, it seems ering of material, lack “traditional” qualities rather than speaking of the present, somehow like that can be a story for another exhibition, looked for in modern material. Je quality mimics the technique, ambience and compo- and another conceptual discourse. of the opening photograph of Ruth Verde sition that the primary sources are about to After the curator’s introduction, comes a Zein’s Brazil , for example, differs a mile from deliver? One can start to tell, even from here, loud voice that plants itself like a life-lesson. the Argentinian imagery. Brazil is represented a more naive introduction to the publication, “For better or for worse, Brazilian Modern with by-the-book modern history, opens with Brazil will be pictured as one of the modern Architecture has a story of its own, and it’s a Brazil Builds , stating just how important the favorites. long one”, writes Carlos Eduardo Comas pro- nation is in this piece of research. Je chapter Glenn D. Lowry in his brief but concise fessional scholar of the discipline. Brazil was a shows a cohesive notion of modernism with foreword doesn’t miss mentioning MoMA’s modern beast, and it was fed by two schools: its glorified giants like the Pilot Plan for

90 01 Carlos Raúl Villanueva, Universidad Central de Venezuela, Aula Magna, 02 Oscar Niemeyer, Palácio do Itamaraty, Ministry of Foreign Relations, Brasília, Caracas, Venezuela, 1952-53. © Leonardo Finotti, 2014. Brazil, 1962. © Leonardo Finotti, 2007.

03–04 BERGDOLL , Barry, “Learning from Latin America: Public Space, Housing, and Landscape”, in Latin America in Construction: Architecture 1955-1980 , New York, MoMa, 2015. 53 – 2015/2 Book Reviews docomomo

05–06 COMAS , Carlos Eduardo, “The Poetics of Development: Notes on Two Brazilian Schools”, in Latin America in Construction: Architecture 1955-1980 , New York, MoMa, 2015.

91 Brasilia by Lucio Costa (=>[h). Both schools are depicted in the panorama, referencing the previous essay by Carlos Eduardo Comas. Brazil is a brutal architecture of power and diplomacy that can only be compared to the number of spreads given to . Even though these two countries have a parallel emancipating progress in architecture, Mex- ico shows a completely different panorama than Brazil. Louise Noelle managed to show- case a broader spectrum of typologies, styles and experimentations showing how imbri- cate and autochthonous Mexican culture is and how strongly it is engaged with architec- Le Corbusier. Mesures de L’ Homme Le Corbusier Le Grand ture. From State projects, to housing projects, skyscrapers, immigration, poetic Barragan, Coordinated by Olivier Cinqualbre Edited by Jean-Louis Cohen the cover picture by Guillermo Zamora, and Frédéric Migayrou and Tim Benton the =>M@ Olympics and even stretching the Publisher: Centre Pompidou Publisher: Phaidon research to experimental Agustín Hernán- xn†p: sdp: >h@K@??KMM>>M xn†p: >h@-L-h=?-@?MM@-K dez, the illustrations and their text paint an Language: French Language: English effervescent panorama of the country. Je Year: KL=[ Year: KLL@ Caribbean region sadly misses out import- ant research developed by scholars in the Commemorating the fiftieth anniversary of Drawing on an array of archival material, region including Gustavo Luis Moré and Alex Le Corbusier’s death, the exhibition organized including sketches, photographs, and cor- Martínez Suárez. It would’ve been interesting at the Centre Pompidou invites to a reread respondences, Le Corbusier Le Grand depicts to see this tropical smaller, but very valuable of his work through the prism of the humane in roughly chronological order not only the modernity, juxtaposing with the rest of the figure, not only in its physicality, but also in vast and varied output of Le Corbusier, but nations. It is difficult to detail all the research the perceptive and spiritual dimensions. also the major events, people, and forces that

53 – 2015/2 in the Plates section, and also unfair to do it Conceived in =>?U, the influences a shaped the life of an artist who continues to isolated from the exhibition. whole generation of architects. Even though, fascinate those in and outside the architec- Authors: Argentina — Silvio Plotquin, such a reflexion about an essential and tural world. Brazil — Ruth Verde Zein, Caribbean — universal measure — “the series Man”, thinker Le Corbusier (=@@h–=>M[) is one of the Barry Bergdoll, Chile — Fernando Pérez and perceiver — is at the hearth of the multi- giants of twentieth-century architecture and Oyarzún, Colombia — Carlos Niño Murcia, faceted work of Le Corbusier, to date, there design. Born Charles Edouard Jeanneret in La Cuba — Eduardo Luis Rodriguez, México - was no publication to apprehend such funda- Chaux-de-Fonds, , the self-named Louise Noelle, Peru — Sharif Kahatt and Jean mental notions about the architect’s work. Le Corbusier was not only the creator of Pierre Crousse, Uruguay — Gustavo Scheps, Expanded by the contributions of young some of the most important and impressive Venezuela — Silvia Hernández de Lasala. researchers, the catalogue presents the buildings of the last century- at Alas the book ends with an authored bibli- Corbusean course in the light of this theme, Poissy, the Chapel of Notre Dame du Haut at ography that has a digital component to keep from the Jurassic origins until the last days Ronchamp, the Parliament Building in Chan- building the repository of research. Along along the Mediterranean. It highlights the digarh, India—he was also an accomplished Book Reviews docomomo with the boldness and value of the statement ubiquity of the human in its production, from painter, sculptor, furniture designer, urbanist, of putting together all these pieces of history, elements of the painted works, achievements and author. His work and social theories the project Latin America in Construction has or architectural projects, furniture and writ- continue to be a dominant force in the world a few, but very, contemporary intentions. ings, which testify/reflect the richness and of architecture and design, while his elegant Je authored bibliography and the digital complexity of his thought. bearing, typified by his round black eyeglass- networked platform #archimoma keeps the es, which are still today a signature look for contemporary discourse of a cutting-edge Translated publisher’s notes. architects around the world, helped cast him institution like the MoMA continuing. as an heroic figure out of Ayn Rand’s novel Je catalogue is, without a doubt, an Ke Fountainhead. important publication in recent architectural historiography and is a titanic effort that From the Publisher. rarely could have been done without the powerful machinery of MoMA. It becomes a key bibliography in a new history of readings and is the stepping-stone towards construct- ing a more integral umbrella when studying Latin American modern architecture.

María García Holley

92 civic center of Firminy Vert was a commis- sion to Le Corbusier in =>[[ with a program consisting of a church, a stadium, a swimming pool and a “house of culture and youth”. Je first civic center is the product of a troubled genesis. A first project combined the cultural center with the stadium stands (=>[M–=>[@). Je complex profile resulting from this dual function a single-slope roof and inclined fa- cade over the playing field that protected the stadium stands. Je second project presented in July =>[@ was based on the separation of the two facilities, whilst keeping some essen- Le Corbusier: Béton Brut La Maison de la Culture de Firminy tial characteristics from the original proposal. and Ineffable Space (1940 – 1965): Even if Le Corbusier designed an open-air Surface Materials Edited by Gilles Ragot, Sophie Omère, theatre and a “miracle box” to help ensure and Psychophysiology of Vision Jean-Marie Refflé, Franck Sénant good theatrical performances, the program of (Essays in Architecture) and Michel Kneubühler the Firminy Cultural Center is that of a large Publisher: Éditions la Passe du Vent youth center. A plan with a relatively narrow Edited by Roberto Gargiani xn†p: >h@-K-@?[MK-KUL-K width (=@ meters) and considerable length and Anna Rosellini Language: French (==K meters) make the building function as Publisher: s“r{ Press Year: KL=U a linear promenade punctuated by dou- xn†p: >h@-L-?=[M-@=h=-= ble-height activity spaces where it is neces- Language: English At the end of =>MM, the journal L’Architec- sary. Je structural system of the roof, which Year: KL== ture d’ Aujourd’hui devoted a special issue to is composed by autoclaved cellular concrete cultural buildings. Je part devoted to French (dcc) boards and tensioned cables as well Béton brut and ineffable space: two concepts cultural centers was introduced by extracts as the articulation of three floor levels with defined by Le Corbusier after World War xx from a report by Emile Biasini =.Je report the topography, makes this building totally that speak about a stronger dialogue between concerned both the result of the first cultural different from other cultural centers based on 53 – 2015/2 materials and artistic vision of his work. In- centers open to the public and a prediction compact solutions. Je =M bays punctuated vented to designate his own particular use of for the next phase of construction. Je text by wavey ceiling boards confirm the direct exposed concrete, béton brut is analysed from clearly emphasized the program’s flexibility as link to the La Tourette convent in which Iannis different perspectives: its fabrication with a a main goal, which implied the awareness of Xenakis had developed these harmonic timber rigorous selection of its constituent materials; the unpredictability of uses and architectural partitions. Le Corbusier visited the site on the its textural imprint obtained by a refined implications: “which activities to expect in a K= st of May =>M[, and died in the same year assembly of formwork; and the treatment of house of culture. Je answer is all of them, before construction was fully completed. An- its surface with special types of paint. even those that are not yet invented. If it is dré Wogenscky finished the construction and In the synthesis of his artistic vision, inef- difficult to imagine the latter, you must hunt Pierre Guariche designed the interiors and a fable space is explained in all its forms and down all the constraints that architecture can large part of the furniture. Je cultural center meanings, from the insertion of the tapestries impose on the course of a cultural activity was inaugurated on the =[th October =>MM. and paint in the qualification of the spaces, (...). Jese technical requirements need to Gilles Ragot essay “Firminy Toute une His- Book Reviews docomomo to the way in which photography is used to be solved taking into account not only the toire” evokes the friendly and intellectual ties study the unexpressed potentialities of archi- present but also the future” K. In this journal that linked Eugène Claudius Petit, Minister of tecture and painting. issue, released only a year after Le Corbusier’s Reconstruction and Town Planning ( yom), to Je genesis of Le Corbusier’s work, the death, the Firminy Cultural Center, recently the architect Le Corbusier. He then describes quality of constructions materials and completed, evidently functioned as a model, the genesis of the Firminy urban project, con- questions of optics, artistic vision and the even if it was not a cultural center according ceived as an illustration of the Athens Charter psychophysiology of perception are analysed to the definition of the leading cultural policy principles, and the role of Firminy Youth in relationship with the contemporary program launched by the Secretary of State House in the context of the Firminy Vert artistic phenomena such as the automatisms of André Malraux in =>[>. ensemble composed of housing, cultural and of Breton, the Art Brut of Dubuffet, the Je book La Maison del la Culture de Fiminy sports venues. In a precise and documented Concrete Music of Varèse, Klein’s research on is the second issue in a collection entitled narrative, the author insists on the programat- monochromes, Pop Art and the concept of Patrimoines pour Demain , which aims to inform ic hesitations that would make the Firminy transfer. the wider public about a restored building. So House something more than a youth center In this essay, a new vision is revealed this is the ambition of this richly illustrated and something less than a house of culture, in- about the last and fundamental works of Le book, with several contributions and essays cluding the attention paid to the topography Corbusier. by Gilles Ragot, Sophie Omère and Michel and landscape, the origin of certain technical Kneubühler. decisions such as the roof or the vicissitudes From the Publisher. Upon his election in =>[U, the Mayor of of construction (=>M=–=>M>) detected in Firminy, Eugène Claudius Petit, began to the archives. Sophie Omère considers the work on a new urban plan by calling former study of Firminy furniture as a significant employees of the reconstruction department, testimony of =>[L’s and =>ML’s design. Je to create the new district of Firminy Vert, on design of specific furniture for working spaces hilly terrain on the south of the old city. Je and for the shows, as well as the provision of

93 furniture was ensured by Pierre Guariche in the period between =>MM and =>M>, although it continued without him in the following period =>M>–=>hK. Je analysis of lighting fixtures that would probably require further studies or the furniture restoration are featured as captioned pictures. Jean-François Gange-Chavan, in an interview, reminds us that architects in charge of historical monuments are generalists but nonetheless highlights some peculiarities of the resto- ration and of the preservation of the “build- ing’s identity”. Michel Kneubüleher returns to the programatic hesitations and what they Le Corbusier The Villa Cavrois disclose of French cultural policy: the houses Ideas and Forms of culture after =>[>, the legacy of the Peo- Edited by Richard Klein. ple’s houses and the tensions between culture Edited by William J. R. Curtis Publisher: Éditions du Patrimoine. Centre and popular education. Je reproduction of Publisher: Phaidon Press Limited des Monuments Nationaux. a personal note from Eugene Claudius Petit, xn†p: >h@-L-h=?@-M@>?-U xn†p: >h@-K-h[hh-L?KU-U (French); “Eléments de Réflexionsur la Maison de la Culture Language: English >h@-K-h[hh-LU[?-L (English); de Firminy” clarifies precisely the point of view Year: KL=[ >h@-K-h[hh-L?M=-[ (Dutch) of the main stakeholder, from the project Language: French, English and Dutch management point of view, on hesitations, Jis book celebrates the genius of Le Corbus- Year: KL=[ temptations to organize human activities, and ier and his oeuvre, and exposes the creative attempts to reconcile popular education and process that gave rise to his architecture. Not A masterpiece of KLth century architecture cultural policy. only a visionary architect, urban planner and designed by Robert Mallet-Stevens between Je book does not focus too much on theorist, but also a painter and sculptor, Le =>K> and =>UK, the Villa Cavrois had an th the dark years of the House of Culture Corbusier made a thorough impact on the KL eventful history before its restoration and century by dramatically changing archi- 53 – 2015/2 that became sadly known for neglect and opening to the public in KL=[. property loss in the late =>@Ls. Jus the text tectural design and the way people lived in Je man who commissioned it, Paul quickly jumps from genesis to restoration and it. Today, over a quarter of a century since Le Cavrois, a well-established industrialist from the recent process to make this house a key Corbusier: Ideas and Forms was first published, northern France, wanted a residence large element of a heritage ensemble. Je absence the relevance of the legacy left by Corbusier is enough to house his family and servants. His of some bibliographical sources and notable not called into question. meeting with Robert Mallet-Stevens was references about Houses of Culture as well as Jis second edition preserves the structure to make his project an object manifesto, an the sequence of the project’s contributions — and main core themes, although developed ocean liner rising on the heights of Roubaix, which begin with urbanism and architecture, in the light of new knowledge, bearing in in a striking contrast to the neighboring end with cultural policies and their resulting mind the temporal hiatus between the two traditional bourgeois houses. Mallet-Ste- programs, inserting furniture in the middle — publications. Je previously existing chapters vens mastered all aspects of the design: the may astonish the informed reader who may have been completed or changed in some way silhouette and geometry of the villa: the however take advantage of the organization to accommodate a more profound analysis of simple, yet luxurious furniture, the material News docomomo by jumping from section to section, according buildings. Je author documents individual chosen specifically for each room — marble to his or her needs or curiosities, without projects in detail, contextualizing his ideals and precious woods in the reception areas fear of compromising a scholarly, organized and the cultural predicaments of the time, but and tiles in sober colors in the bathrooms and publication. above all exploring the relationship between kitchen — the lighting fixtures, the heating Je tour guide, the last part of the book, ideas and forms in Le Corbusier’s architecture: and sound systems. is perhaps the one which gives us a better through concepts, drawings and paintings Occupied during the Second World understanding of the building at several lev- that register his train of thought. In fact, the War, sold by the heirs in the mid-=>@Ls, els: those of the site and the urban structure wide range of drawings, present in the book, abandoned and vandalized, the villa was as a whole, in its programatic components, purport to clarify the architectural under- purchased in KLL= by the French state, which and interior design and detail. In a descrip- standing of the architect, while representing decided to undertake its complete resto- tive and educative manner, illustrated with highly condensed abstractions of his vision of ration. Je work carried out — overseen by contemporary images, this part reinforces the the world. Jerefore, great emphasis has been the Centre des Monuments Nationaux (Centre understanding of the turbulent history of the given to the visual and physical qualities of the for National Monuments) since KL=K — had building but also the sequence of spaces and works themselves, only one objective: to re-establish the villa’s th the Corbusean plasticity. Published in the year of the [L anniver- original splendor. Now open to the public, sary of Le Corbusier’s death, the book aims to the Villa Cavrois is one of Mallet-Stevens’ Richard Klein epitomise the genesis of Le Corbusier’s vast most beautiful creations, as well as a mile- docomomo France body of work, focusing on the physical and stone in history of modern architecture. environmental context, by plunging into the Notes architect’s rich universe of forms and concepts. Translated publisher’s notes. = “Les Maisons de la culture en France”, L’Architec- ture d’Aujourd’hui , =K>, Décembre =>MM – Janvier José Pedro Cardoso =>Mh, p. M?–MM. docomomo International Collaborator K Idem.

94 Turismo y Arquitectura Moderna Architecture Cahiers Thématiques No. 12 en Chile du Canton de Vaud 1920–1975 Représentations Guías y Revistas en la Construcción de l’Architecture Contemporaine de Destinos Turísticos (1933–1962) Edited by Bruno Marchand (Director) and Marielle Savoyat (Coordination). Edited by Richard Klein and Éric Monin Edited by Macarena Cortés Publisher: ““mo. Presses polytechniques Publisher: Éditions de la Maison Publisher: Ediciones do” et universitaires romandes. des sciences de l’homme xn†p: >h@->[M->[h=-LK-K xn†p: >h@-K-@@Lh?->K?-@ xn†p: >h@-K->L[@M[-L[-K Language: Spanish Language: French Language: French/English Year: KL=? Year: KL=K Year: KL=U

Turismo y Arquitectura Moderna en Chile. Guías y Je Swiss Canton of Vaud has several well- Devoted to representations of contemporary Revistas en la Construcción de Destinos Turísticos known buildings such as Le Corbusier’s Petite architecture, this twelfth issue of Cahiers (@Ahh–@Aij) by Macarena Cortés offers a Maison in Corseaux, Marc Piccard’s Bellerive Kématiques proposes a polymorphic vision particular look at the heritage of modern baths in Lausanne, and Jean Tschumi’s Nestlé of an art not restricted just to its built form. buildings that allowed Chile to become a headquarters in Vevey. It also has different Dematerialized, architecture journeys at the 53 – 2015/2 tourist destination country from the mid-thir- building complexes and less well-known whim of techniques and media. Seriously ties. Jis examination is based on how these architectural works, which are, neverthe- commentated, scrupulously figured or buildings were shown in publicity produced less, also interesting and representative of released from its weight by impertinent by the Ferrocarriles del Estado de Chile railway a high quality of architecture. Jis book, artists, architecture gives way to new company that, for more than three decades, through commentaries and illustrations, horizons that open up spontaneously in the promoted tourism and knowledge of both presents around 350 works, broken down by public imagination. Je building then passes the Chilean countryside cities. typologies, highlights the architecture of the to its secondary plan in favor of its media Natural landscapes, architecture and cities Vaud Canton from 1920 to 1975. At the same format. From the Corbusian declamations are shown in the light of an aesthetic that as- time, it strives to raise public and professional to the spontaneous impressions that cover pired to a large audience and wanted to make awareness of the qualities of a heritage that advertising plastic bags, the contributions them desirable “destinations”. Je articles is still often unrecognized and, until now, has collected in this volume describe the field of Claudius Galen, Hugo Weibel, Luciano never been the subject of such a comprehen- of architectural representations that ranges Book Reviews docomomo Basauri and Dafne Berc allow a deepening sive publication. from the more structured discourse to more of this perspective from different points-of- banal applications. view, ranging from local urban history to the Translated publisher’s notes. consideration of international cases. Translated publisher’s notes.

Translated publisher’s notes.

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53 – 2015/2 Phone: 35 9 2872 4620 UNA-Jan Noorduynweg 111 Laurence Dronne, secretary ISC Publications [email protected] Curaçao, Antilles Sébastien Cherruet, treasure Ana Tostões, chair Phone: 599 9844 2171 Palais de Chaillot [email protected] docomomo Canada Atlantic [email protected] 1 Place du Trocadéro, 75116 Paris Steven Mannell, coordinator http://docomomo-curacao.blogspot.com Phone: 33 6 22 71 40 05 School of Architecture [email protected] Dalhousie University docomomo Cyprus http://www.docomomo.fr Working Parties PO Box 1000, Halifax NS B3J 2X4 Petros Phokaides, chair Phone: 1 90 2494 6122 Laodikeias 22, 11528 Ilisia, Athens docomomo Georgia docomomo Angola [email protected] Phone: 30 69 7301 0343 Rusudan Mirzikashvili, chair Filomena do Espírito Santo Carvalho, chair [email protected] [email protected] Ângela Mingas, secretary docomomo Canada British docomomogeorgia.blogspot.com Phone: +244 929 652305 Columbia docomomo Czech Republic [email protected] Robert Lemon, chair Jakub Kyncl, coordinator docomomo docomomo-ao.org Marco D’Agostini, coordinator Sumavska 416/15, 602 00 Brno Franz Jaschke, chair City of Vancouver Planning Dep. Phone: 42 06 0319 7470 Andrea Jütten vice–chair and secretary docomomo Argentina 453, West 12th Avenue [email protected] Diana Zitzmann, treasurer

AppendixCarolina Quiroga, docomomo coordinator Vancouver, BC V5Y 1V4 www.docomomo.cz Stiftung Dessau Faculty of Architecture Phone: 1 60 4873 7056 Gropiusallee 38 06846 Dessau University of Buenos Aires docomomo Denmark Phone: 49 340 6508 211 Av. San Martin 1540, 2 “A” docomomo Canada Ontario Ola Wedebrunn, chair docomomo@bauhaus–dessau.de C1416CRQ Buenos Aires James Ashby, coordinator School of Architecture www.docomomo.de [email protected] Chris Warden, acting chair The Royal Danish Academy of Fine Arts www.fadu.uba.ar/sitios/docomomo Suite 214, 300 Powell Avenue Philip de Langes Allé 10 docomomo Greece Ottawa, Ontario K1S 5T3, Canada 1435 København K Panayotis Tournikiotis, chair docomomo Australia Phone: 1 81 9994-0811 Phone: 45 4170 1749 Neohellenic Architecture Archives Scott Robertson, president [email protected] [email protected] Benaki Museum Louise Cox, secretary/treasurer http://docomomo-ontario.ca 138, Pireos & Andronikou street Hannah Lewi, vice president VIC docomomo Dominican Republic 118 54 Athens Sheridan Burke, vice president NSW docomomo Chile Mauricia Domínguez, chair Phone: 30 210 3453674 70A Blues Paint Road, Horacio Torrent, chair Marcelo Alburquerque, vice-chair [email protected] North Sydney NSW 2060 Maximiano Atria, secretary Amando Vicario, secretary Phone: 61 2 9929 6782 Andrés Téllez, treasurer Alejandro Herrera, vice-secretary docomomo Guatemala [email protected] Prog. de Magister en Arquitectura Álex Martínez, treasurer Raúl Monterroso, president www.docomomoaustralia.com.au Pontificia Universidad Católica de Chile Benigno Filomeno 6, Penthouse N Sonia Fuentes, vice president El Comendador 1916 Torre San Francisco, Santo Domingo Marco de León, secretary docomomo Austria Providencia, Santiago Phone: 1 80 9687 8073 Javier Quiñonez, treasurer Axel Hubmann, president Phone: +56 2 2354 5659 [email protected] Estudio+taller de arquitectura y diseño Ute Georgeacopol, secretary [email protected] 6ª Av. 11–43 zona 1, Edificio Pan Am, Heinrich Chr. Meyer, treasure www.docomomo.cl docomomo Ecuador Oficina 801, Centro Histórico, Köstlergasse 1/25, A–1060 Wien Augusta Hermida, President Guatemala City Phone: 43 15 4404 1719 docomomo China Monteros Karina Cuevas, Vicepresident Phone: 502 22 50 07 56 [email protected] LIU, Kecheng, chair Jaime Guerra, Secretary [email protected] www.docomomo.at WANG, Shusheng, secretary general Calle Cañar 2-81 y Remigio Crespo http://mm-guatemala.blogspot.pt LU, Jiameng, secretary Edificio Jacobo. Tercer piso. docomomo Belgium WANG, Xinwen, secretary Cuenca and Ecuador docomomo Hong Kong Marc Dubois, chair College of Architecture Phone: 593 993036490 Cole Roskam, chair Zsuzsanna Böröcz, vice chair Xi’an University of Architecture and www.docomomo.ec University of Hong Kong

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