The Architectural Work of Le Corbusier
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Le Corbusier Charles-Édouard Jeanneret-Gris
Le Corbusier Charles-Édouard Jeanneret-Gris Portrait on Swiss ten francs banknote Personal information Name: Charles-Édouard Jeanneret-Gris Nationality: Swiss / French Birth date: October 6, 1887 Birth place: La Chaux-de-Fonds, Switzerland Date of death: August 27, 1965 (aged 77) Place of death: Roquebrune-Cap-Martin, France 1 Created with novaPDF Printer (www.novaPDF.com). Please register to remove this message. Major buildings and projects The Open Hand Monument is one of numerous projects in Chandigarh, India designed by Le Corbusier 1905 - Villa Fallet, La Chaux-de-Fonds, Switzerland 1912 - Villa Jeanneret-Perret, La Chaux-de-Fonds [1] 1916 - Villa Schwob, La Chaux-de-Fonds 1923 - Villa LaRoche/Villa Jeanneret, Paris 1924 - Pavillon de L'Esprit Nouveau, Paris (destroyed) 1924 - Quartiers Modernes Frugès, Pessac, France 1925 - Villa Jeanneret, Paris 1926 - Villa Cook, Boulogne-sur-Seine, France 1927 - Villas at Weissenhof Estate, Stuttgart, Germany 1928 - Villa Savoye, Poissy-sur-Seine, France 1929 - Armée du Salut, Cité de Refuge, Paris 1930 - Pavillon Suisse, Cité Universitaire, Paris 1930 - Maison Errazuriz, Chile 1931 - Palace of the Soviets, Moscow, USSR (project) 1931 - Immeuble Clarté, Geneva, Switzerland 1933 - Tsentrosoyuz, Moscow, USSR 1936 - Palace of Ministry of National Education and Public Health, Rio de Janeiro 1938 - The "Cartesian" sky-scraper (project) 1945 - Usine Claude et Duval, Saint-Dié-des-Vosges, France 1947-1952 - Unité d'Habitation, Marseille, France 1948 - Curutchet House, La Plata, Argentina 1949-1952 - United Nations headquarters, New York City (project) 1950-1954 - Chapelle Notre Dame du Haut, Ronchamp, France 1951 - Cabanon Le Corbusier, Roquebrune-Cap-Martin 2 Created with novaPDF Printer (www.novaPDF.com). -
Finding Faces Inhabiting the Doodle
ENGLISH ABSTRACTS 127 INHABITING THE DOODLE FINDING FACES Juan Coll-Barreu Daniel Naegele A kid, faster than the camera’s shutter, looks at the photographer while waling home Picasso’s 1924 “Mandoline and Guitar” [fig. 1] depicts a wall-papered room with an with his mother, followed by his pet. The photographer was Julius Shulman, the pic- open window. In front of the window is a table. On the table is a bowl of fruit and two ture was always dated in 1950 and the house was Model 301 of L.A.’s Mutual Housing musical instruments. The painting is the last in a series of paintings that Picasso Association built by A. Quincy Jones, Whitney R. Smith and Edgardo Contini between began in 1919 with the gouache “Still-Life in Front of a Window at St. Raphaël”. [fig. 1948 and 1950. 2] Each painting in the series depicts the same room, and each is a modification of the painting done before it. That is to say, in this series, Picasso does not paint from The photograph has been widely published thanks to the popularity of the photogra- ‘real life’; he paints a painting of a painting. He re-presents representation. pher and the beauty of the scene. He filled with permanence an architectural shot as he had done with Richard J. Neutra’s Kaufmann house and would later do with Pierre The painting’s title, “Mandoline and Guitar”, identifies the two instruments as its sub- Koenig’s Case Study House #22. ject. The title tells us what to see. -
Les Agites Un Projet De Vie À Corseaux
LES AGITES UN PROJET DE VIE À CORSEAUX « SI LE SOLEIL ENTRE DANS LA MAISON, IL EST UN PEU DANS VOTRE COEUR. » Le Corbusier Visuel non contractuel www.lesagites-corseaux.ch EN QUELQUES CHIFFRES LES AGITES 16 APPARTEMENTS 450 MÈTRES DE 1.5 KM DU CENTRE 60 MINUTES DE DE DIVERSES L’ÉCOLE ET DES DE VEVEY BERNE, GENÈVE SUPERFICIES TRANSPORTS ET VERBIER PUBLICS À moins de 20 minutes Immeuble avec un à pied et 8 minutes Accessible en transports parking souterrain Situé au coeur en bus publics et proche de de Corseaux l’autoroute 3 SOMMAIRE CORSEAUX & ENVIRONS 4-5 LE PROJET 6-9 LES LOGEMENTS 10-11 LA PHILOSOPHIE 12-13 LES PROMOTEURS 14 Visuel non contractuel non Visuel LES AGITES CORSEAUX CORSEAUX & ENVIRONS Charmante commune située sur les rives du Lac Léman, Corseaux est un village qui bénéficie d’une situation privilégiée sur la Riviera, réputée pour son microclimat particulièrement doux. Situé entre Lausanne et Montreux, à deux pas de Vevey, le village bénéficie Parcelle des Agites d’un environnement proche pour pratiquer ses loisirs préférés : excursions, sports, activités culturelles, et contemplation. Toute l’année, la région est ponctuée de manifestations interna- tionales comme le Festival de Jazz en juillet, les représentations de théâtre et concerts classiques en hiver ainsi que le Marché de Noël, Tous en Coeur, le Festival du Rire et le fameux Chaplin’s World. Vue sur Corseaux École de Corseaux 4 5 École BERNEBERNE Commerces VEVEY Train / Funiculaire Bus LAUSANNE CORSEAUX MONTREUX GENÈVE VERBIER Corseaux possède un environnement urbain complet avec des services de proximité (école, transports publics et restaurants). -
Charles-Édouard Jeanneret
L E COR- BUS- CHARLES-ÉDOUARDIER JEANNERET Charles-Édouard Jeanneret, known as Le Corbusier (October 6, 1887 – August 27, 1965), was a Swiss-French architect, designer, painter, urban planner, writer, and one of the pio- neers of what is now called modern architecture. He was born in Switzerland and became a French citizen in 1930. His career spanned five decades; he constructed buildings in Eu- rope, Japan, India, and North and South America. Dedicated to providing better living conditions for the residents of crowded cities, Le Corbusier was influential in urban planning, and was a founding member of the Congrès International d’Architecture Moderne (CIAM). Le Corbusier prepared the master plan for the city of Chandigarh in India, and contributed specific designs for several buildings there. On July 17, 2016, seventeen projects by Le Corbusier in seven countries were inscribed in the list of UNESCO World Heritage sites as “an Outstanding Contribution to the Modern Movement”. Charles-Édouard Jeanneret was born on October 6, 1887 in La Chaux-de-Fonds, a small city in the French-speaking Neuchâtel canton in north-western Switzerland, in the Jura mountains, just 5 kilometres (3.1 mi) across the border from France. It was an industrial town, devoted to the manufacture of watches. (He adopted the pseudonym Le Corbusier in 1933 of Le Corbusier in 1920). His father was an artisan who Charles-Édouard Jeanneret-Gris[1] October 6, 1887 enameled boxes and watches, while his mother gave piano La Chaux-de-Fonds, Switzerland lessons. His elder brother Albert was an amateur violinist. Died :August 27, 1965 (aged 77) Roquebrune :Cap-Martin, France [3] He attended a kindergarten that used Fröbelian Nationality :Swiss, French methods. -
Universidade Federal Do Rio Grande Do Sul Programa De Pesquisa E Pós-Graduação Em Arquitetura – Propar Faculdade De Arquitetura Departamento De Arquitetura
UNIVERSIDADE FEDERAL DO RIO GRANDE DO SUL PROGRAMA DE PESQUISA E PÓS-GRADUAÇÃO EM ARQUITETURA – PROPAR FACULDADE DE ARQUITETURA DEPARTAMENTO DE ARQUITETURA Adriana Coradini de Freitas Tumelero AS MAISONS JAOUL DE LE CORBUSIER PORTO ALEGRE 2018 AS MAISONS JAOUL DE LE CORBUSIER Adriana Coradini de Freitas Tumelero Adriana Coradini de Freitas Tumelero AS MAISONS JAOUL DE LE CORBUSIER Dissertação apresentada ao Programa de Pesquisa e Pós-Graduação em Arquitetura da Universidade Federal do Rio Grande do Sul (PROPAR-UFRGS) como requisito parcial para obtenção do título de Mestre em Arquitetura. Área de concentração: Teoria, História e Crítica da Arquitetura. Orientador: Prof. Dra. Andréa Soler Machado PORTO ALEGRE 2018 Adriana Coradini de Freitas Tumelero AS MAISONS JAOUL DE LE CORBUSIER Dissertação apresentada ao Programa de Pesquisa e Pós-Graduação em Arquitetura da Universidade Federal do Rio Grande do Sul (PROPAR-UFRGS) como requisito parcial para obtenção do título de Mestre em Arquitetura. Aprovada em: Porto Alegre, 28 de maio de 2018. Prof. Dra. Andréa Soler Machado, Arq. – Orientadora Prof. Dra. Cláudia Piantá Costa Cabral, Arq. Prof. Dra. Marta Silveira Peixoto, Arq. Prof. Dra. Anna Paula Canez, Arq. RESUMO Em 1951, o arquiteto Le Corbusier foi convidado por seu amigo, o industrialista André Jaoul para projetar duas casas uma para ele e sua esposa e outra para a família de seu filho, no subúrbio de Paris. Devido ao orçamento reduzido, Le Corbusier adotou o uso de paredes portantes de tijolos, coberturas em abóbadas catalãs e vigas de concreto aparente. Estas escolhas definiram a estética brutalista do projeto e fizeram com que as Maisons Jaoul se tornassem conhecidas mundialmente. -
Directive Sur La Collecte Et Le Traitement Des Déchets 2021
Directive sur la collecte A conserver ! et le traitement des déchets 2021 Mesdames, Messieurs, La présente directive détaille le fonctionnement de Ramassage ECOPOINT Déchèterie Matières Porte-à-porte ddddddddddd intercommunale récupération écologique des déchets urbains auprès des ménages et entreprises des Communes du Cercle de valorisables En Praz Corsier, ceci dans le but d’obtenir une valorisation Libon respectueuse de l’environnement. Chacun peut ainsi contribuer à ménager les ressources en effectuant un tri Commerces spécialisés Corseaux Corsier Jongny Chardonne Corseaux Corsier Jongny Chardonne de qualité. Aluminium et emballages en alu • • • • • • Les lieux, termes et dates importants pour l’élimination des déchets sont énoncés dans ce document. Canettes en alu • • • • • • Les principes généraux de l’élimination des déchets en Capsules de café en alu Suisse sont aussi disponibles sur Internet et à • • • • • l’administration communale. Ferraille • • Un grand merci de votre collaboration. Huiles usagées • • • • • • Piles et accumulateurs au plomb <5kg & Batteries au plomb >5kg • Electronique de bureau et de • loisirs • Adresses importantes : Petits appareils électriques, gros Chardonne Rue du Village 19 021 921 49 24 appareils électroménagers, jouets, • articles de sport • www.chardonne.ch Corseaux Rue du Village 4 021 925 40 11 Verres Triés ou Mélangés • M T M M • • www.corseaux.ch Corsier-sur-Vevey Rue du Château 4 021 925 92 90 Végétaux de jardins privés • • • • • www.corsier-sur-vevey.ch Déchets alimentaires propres (crus Jongny -
Le Corbusier and His Contemporaries
1 April 2002 Art History W36456 Important announcements: Monday April 8th I cannot prepare class ahead of time, we will instead view a series of films by and about Le Corbusier and his contemporaries. To make up for the missed lecture there will be an extra concluding class of the course on Weds. May 8th at the usual time and in this room. Please mark your calendars. As we are now behind the course will conclude with 1965 and the examination will include all material through topic 25. A new course on Post War Architecture, the third part of the survey then, will be introduced in 2003-4. Le Corbusier: Architecture or Revolution (architecture and urbanism to 1930) Charles-Edouard Jeanneret (takes name Le Corbusier in the 1920s) b. 1887 La Chaux-de-Fonds, Switzerland, died Roquebrunne (Riveria) 1965; architect in Paris from 1917 on. Arts School in La Chaux de Fonds and influence of Charles L’Eplattenier 1905-06 Villa Fallet, La Chaux de Fonds 1908-9 in Paris with Perret and meets Tony Garnier 1910 with Theodore Fischer in Munich and with Behrens in Berlin/Potsdam 1908 Villa Jacquemet, La Chaux de Fonds 1914-16 Villa Schwob (Maison Turque), La Chaux-de-Fonds (first concrete frame) 1914 Domino (Dom-Ino) project with Max Dubois 1918 publishes Après le Cubisme with Amedée Ozenfant 1920 first issue of the magazine L’Esprit Nouveau 1923 Vers une Architecture (translated into English in 1927 as Towards a new Architecture) 1922 Salone d’Automne Paris, he exhibits the Citrohan House and the Ville de 3 Millions d’Habitants 1922 Ozenfant Studio, Paris -
Switzerland Galinsky Travel Pack
people enjoying Switzerland buildings galinsky worldwide galinsky travel pack Summary descriptions of modern buildings to visit in and around Switzerland Fuller descriptions, with more photographs and links to other web sites, are at www.galinsky.com Copyright © galinsky 2004 people enjoying galinsky buildings in Switzerland buildings galinsky worldwide listed in date order in the following pages Vitra Design Museum 1989 Vitra Conference Pavilion 1993 Vitra Fire Station 1994 Fondation Beyeler 1997 Heidi Weber Pavilion 1965 Bohl bus and tram stop 1996 Stadelhofen Station 1990 Emergency services center 1998 PTT Postal Center 1985 Luzern Station Hall 1989 Luzern Culture and Congress Center 1999 Bündner Kuntsmuseum 1990 Home for senior citizens 1993 Caplutta Sogn Benedetg Sumvitg 1988 Vals Thermal Baths 1996 Villa Le Lac 1924 Maison Clarté 1932 Banca del Gotardo 1988 Santa Maria degli Angeli, Monte Tamaro 1996 Villa Le Lac people enjoying 21 route de Lavaux Villa Le Lac, Corseaux, Vevey buildings 1802 Corseaux galinsky worldwide Vevey, Switzerland Le Corbusier and Pierre Jeanneret 1924 Le Corbusier and Pierre Jeanneret 1924 Le Corbusier built the Villa Le Lac for his parents to live in. His mother continued to do so until she died in 1960 at the age of 101, and his brother lived their until 1973. It is the smallest and simplest of the white villas Le Corbusier designed, to fit with his parents limited budget; indeed it no longer appears as a white villa, because structural problems caused by the lake, the cellar and the cheap building materials drove Le Corbusier to face the exterior in aluminum in the 1950s. -
2049 4013.Pdf
o z z i R y l l i W © – s i r a P , e n r e d o m t r a ’ d l a n o i t a n e é s u M EXPOSITION ans le cadre des manifestations organisées à La Chaux-de-Fonds sur le thème des rela - Dtions entre Le Corbusier et la photographie, la Fondation présente, dans la galerie et le hall de Le Corbusier la Maison La Roche, une sélection de tirages originaux, portraits en couleur et en noir et blanc de Le Corbusier réalisés au cours de l’année 1953 by Willy Rizzo par Willy Rizzo. Ces photographies n’ont été que peu ou pas du tout publiées depuis cette date. Fondation Le Corbusier Les images issues de cette rencontre qui réappa - raissent aujourd’hui constituent un témoignage Maison La Roche exceptionnel sur Le Corbusier, sa manière de vivre 10, square du Docteur Blanche, et son activité professionnelle et artistique. Il est 75016 Paris manifeste que celui-ci a tenu à ce que son œuvre plastique soit très présente sur chacune des 19 septembre / prises de vues réalisées dans l’appartement du 15 décembre 2012 24 rue Nungesser et Coli à Boulogne. Il contribue à la composition en y installant – dans un faux-vrai Molitor destiné à camoufler les poussettes et qui désordre apparent – les peintures et dessins qu’il a aujourd’hui malheureusement disparu. Willy a très soigneusement sélectionnés. De la même Rizzo se souvient des longues séances de pose façon, il transporte le photographe au musée nécessaires à la réussite de ce cliché pour lequel national d’art moderne pour bénéficier du très le maître aurait fait preuve d’une grande patience. -
Le Corbusier's Cité De Refuge
DOI: http://dx.doi.org/10.4995/LC2015.2015.796 Le Corbusier’s Cité de Refuge: historical & technological performance of the air exacte L.M. Diaz, R. Southall School of Arts, Design and Media, University of Brighton Abstract: Despite a number of attempts by Le Corbusier to implement the combination of ‘respiration exacte’ with the ‘mur neutralisant’ he was never able to test the viability of his environmental concepts in a realised building. The Cité de Refuge, which was built with a more conventional heating system and single glazed facade, is however unique in that unlike the other potential candidates for the implementation of these systems, the building, as built, retained a key design feature, i.e. the hermetically sealed skin, which ultimately contributed to the building’s now infamous failure. It is commonly argued that Le Corbusier, however, abandoned these comprehensive technical solutions in favour of a more passive approach, but it is less well understood to what extent technical failures influenced this shift. If these failures were one of the drivers for this change, how the building may have performed with the ‘respiration exacte’ and ‘mur neutralisant’ systems becomes of interest. Indeed, how their performance may have been improved with Le Corbusier's later modification of a brise-soleil offers an alternative hypothetical narrative for his relationship to technical and passive design methodologies. Keywords: environment, technology, performance, history, Cité de Refuge. 1. Introduction There are two technical building concepts that represent, perhaps more than any others Le Corbusier’s early drive to find comprehensive and exclusively mechanical approaches to the heating and ventilation of modern buildings: a) the mur neutralisant, a double-skin glazed wall with conditioned air circulated within the cavity to moderate heat exchange between the interior and exterior, and b) the respiration exacte, a mechanical ventilation system for providing conditioned air to interior spaces at a constant temperature of 18˚C. -
Impressionist & Modern
IMPRESSIONIST & MODERN ART Thursday 1 March 2018 IMPRESSIONIST & MODERN ART Thursday 1 March 2018 at 5pm New Bond Street, London VIEWING ENQUIRIES Brussels Rome Thursday 22 February, 9am to 5pm London Christine de Schaetzen Emma Dalla Libera Friday 23 February, 9am to 5pm India Phillips +32 2736 5076 +39 06 485 900 Saturday 24 February, 11am to 4pm Head of Department [email protected] [email protected] Sunday 25 February, 11am to 4pm +44 (0) 20 7468 8328 Monday 26 February, 9am to 5pm [email protected] Cologne Tokyo Tuesday 27 February, 9am to 3pm Katharina Schmid Ryo Wakabayashi Wednesday 28 February 9am to 5pm Hannah Foster +49 221 2779 9650 +81 3 5532 8636 Thursday 1 March, 9am to 2pm Department Director [email protected] [email protected] +44 (0) 20 7468 5814 SALE NUMBER [email protected] Geneva Zurich 24743 Victoria Rey-de-Rudder Andrea Bodmer Ruth Woodbridge +41 22 300 3160 +41 (0) 44 281 95 35 CATALOGUE Specialist [email protected] [email protected] £22.00 +44 (0) 20 7468 5816 [email protected] Livie Gallone Moeller PHYSICAL CONDITION OF LOTS ILLUSTRATIONS +41 22 300 3160 IN THIS AUCTION Front cover: Lot 16 Aimée Honig [email protected] Inside front covers: Lots 20, Junior Cataloguer PLEASE NOTE THAT THERE IS NO 21, 15, 70, 68, 9 +44 (0) 20 7468 8276 Hong Kong REFERENCE IN THIS CATALOGUE Back cover: Lot 33 [email protected] Dorothy Lin TO THE PHYSICAL CONDITION OF +1 323 436 5430 ANY LOT. -
Le Corbusier, La Préfecture Des Hauts-De-Seine Reste Aujourd’Hui Un Témoin Historique De La Naissance Des Départements D’Île-De-France
Édito « Extra-ordinaire métropole » Placée sous le thème « Extra-ordinaire métropole », la deuxième édition du Mois de l’Architecture en Île-de-France se déroulera du 1er au 30 juin 2016 et proposera plus d’une centaine d’événements accessibles à tous les publics pour se retrouver dans un désir commun d’architecture. En 2016, la mise en place de la Métropole du Grand Paris, les enjeux soulevés par la COP21, et les besoins accrus de logements posent à l’architecture le grand défi partagé de la qualité de vie et d’un bien-être métropolitain. En rassemblant tous les acteurs de l’architecture – les élus, les aménageurs, les maîtres d’ouvrages publics et privés – autour d’ambitions renouvelées pour la ville, le Mois de l’Architecture a pour objectif de sensibiliser le grand public et notamment les jeunes aux enjeux et apports de l’architecture contemporaine et de mettre en lumière ce savoir-faire, cette culture d’architecture. « Extra » parce qu’à travers le travail sur la forme et l’espace, et les grands projets urbanistiques et immobiliers, la création architecturale a également le pouvoir de refaçonner le réel, de réinventer des façons de vivre et de travailler des Franciliens. « Ordinaire », parce qu’en construisant la ville, en offrant un habitat, un paysage, un cadre de vie quotidien et commun aux citadins, l’architecture contemporaine s’inscrit dans son temps, s’adapte et participe aux évolutions profondes de nos territoires et de nos mentalités. « Métropole » parce qu’une identité et une conscience métropolitaine qui transcendent le territoire ordinaire de l’aire urbaine sont en train d’émerger, parce qu’elle réinvente l’espace et le territoire, de l’ordinaire à l’extra-ordinaire.