DOCSLIB.ORG

Subject Guide – David Bowie

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Subject Guide – David Bowie Subject Guide – David Bowie This Subject Guide brings together key content from Bloomsbury Popular Music’s wide-ranging platform. With scholarly eBooks, 33 1/3 books, and encyclopedia articles, this guide is your springboard for David Bowie. EBook Chapters • Austerlitz, S. (2007). Music Video in Fugue. In Money For Nothing: A History of the Music Video from the Beatles to the White Stripes (pp. 11–30). New York: Continuum. https://www.bloomsburypopularmusic.com/encyclopedia-chapter?docid=b- 9781501330636&tocid=b-9781501330636-chapter1&st=David+Bowie • Austerlitz, S. (2007). Television Vaudeville. In Money For Nothing: A History of the Music Video from the Beatles to the White Stripes (pp. 31–64). New York: Continuum. https://www.bloomsburypopularmusic.com/encyclopedia-chapter?docid=b- 9781501330636&tocid=b-9781501330636-chapter2&st=david+bowie • Donnelly, K. (2015). Falling to Earth: Bowie’s Failed Film Soundtrack. In Magical Musical Tour: Rock and Pop in Film Soundtracks (pp. 93–104). New York: Bloomsbury Academic. https://www.bloomsburypopularmusic.com/encyclopedia-chapter?docid=b- 9781501312762&tocid=b-9781501312762-chapter7&st=david+bowie • Frost, B. (2019). Time machines. In R. Edgar , F. Mann & H. Pleasance (Ed.). Music, Memory and Memoir (pp. 151–164). New York,: Bloomsbury Academic. https://www.bloomsburypopularmusic.com/encyclopedia-chapter?docid=b- 9781501340673&tocid=b-9781501340673-chapter10&st=David+Bowie • Holm-Hudson, K. (2019). ‘Walking the Dead’: Memory and self-reflexive intertextuality in late-style David Bowie. In R. Edgar , F. Mann & H. Pleasance (Ed.). Music, Memory and Memoir (pp. 81–98). New York,: Bloomsbury Academic. https://www.bloomsburypopularmusic.com/encyclopedia-chapter?docid=b- 9781501340673&tocid=b-9781501340673-chapter6&st=david+bowie • Jeffrey W., C. (2017). Buddhism and Popular Music. In C. Partridge & M. Moberg (Ed.). The Bloomsbury Handbook of Religion and Popular Music (pp. 144–159). London: Bloomsbury Academic. https://www.bloomsburypopularmusic.com/encyclopedia-chapter?docid=b- 9781474237369&tocid=b-9781474237369-chapter13&st=david+bowie • Manghani, S. (2017). The Pleasures of (Music) Video. In G. Arnold , D. Cookney , K. Fairclough & M. Goddard (Ed.). Music/Video: Histories, Aesthetics, Media (pp. 21–40). New York: Bloomsbury Academic. https://www.bloomsburypopularmusic.com/encyclopedia-chapter?docid=b- 9781501313943&tocid=b-9781501313943-chapter1&st=david+bowie • Mills, R. (2017). ‘Rule Britannia is out of bounds’: David Bowie and English heritage. David Bowie Is … (2013) The Next Day (2013) and Blackstar (2016). In L. Brooks , M. Donnelly & R. Mills (Ed.). Mad Dogs and Englishness: Popular Music and English Identities (pp. 36– 53). New York: Bloomsbury Academic. https://www.bloomsburypopularmusic.com/encyclopedia-chapter?docid=b- 9781501311284&tocid=b-9781501311284-chapter2&st=david+bowie • Naiman, T. (2019). “More Solemn Than a Fading Star”: David Bowie’s Modernist Aesthetics of Ending. In L.A. Burns & S. Hawkins (Ed.). The Bloomsbury Handbook of Popular Music Video Analysis (pp. 297–314). New York,: Bloomsbury Academic. https://www.bloomsburypopularmusic.com/encyclopedia-chapter?docid=b- 9781501342363&tocid=b-9781501342363-chapter16&st=david+bowie • Perrott, L. (2020). The alchemical union of David Bowie and Floria Sigismondi: ‘Transmedia surrealism’ and ‘loose continuity’. In C. Vernallis , H. Rogers & L. Perrott (Ed.). Transmedia Directors: Artistry, Industry and New Audiovisual Aesthetics (pp. 194–220). London: Bloomsbury Academic. https://www.bloomsburypopularmusic.com/encyclopedia-chapter?docid=b- 9781501339295&tocid=b-9781501339295-chapter14&st=david+bowie • Smith, P. (2016). A Personal History of UK Arena Concerts: Reflections on Gigs over the Past Forty Years. In R. Edgar , K. Fairclough-Isaacs , B. Halligan & N. Spelman (Authors), The Arena Concert: Music, Media and Mass Entertainment (pp. 169–180). London: Bloomsbury Academic. https://www.bloomsburypopularmusic.com/encyclopedia-chapter?docid=b- 9781501316326&tocid=b-9781501316326-chapter11&st=David+Bowie • Wilson, S. (2020). One-missing. In Scott Walker and the Song of the One-All-Alone (pp. 59– 92). London: Bloomsbury Academic. https://www.bloomsburypopularmusic.com/encyclopedia-chapter?docid=b- 9781501332562&tocid=b-9781501332562-missing&st=David+Bowie • Wright, J.L. (2018). Introduction. In Crossover Stardom: Popular Male Music Stars in American Cinema (pp. 1–8). London: Bloomsbury Academic. https://www.bloomsburypopularmusic.com/encyclopedia-chapter?docid=b- 9781501396298&tocid=b-9781501396298-0000107&st=David+Bowie • Wright, J.L. (2017). The Boy Kept Swinging: David Bowie, Music Video, and the Star Image. In G. Arnold , D. Cookney , K. Fairclough & M. Goddard (Ed.). Music/Video: Histories, Aesthetics, Media (pp. 67–78). New York: Bloomsbury Academic. https://www.bloomsburypopularmusic.com/encyclopedia-chapter?docid=b- 9781501313943&tocid=b-9781501313943-chapter4&st=david+bowie • Woodall, K. (2019). Meeting your idols 1: Growing up addicted in York. In R. Edgar , F. Mann & H. Pleasance (Ed.). Music, Memory and Memoir (pp. 165–168). New York,: Bloomsbury Academic. https://www.bloomsburypopularmusic.com/encyclopedia-chapter?docid=b- 9781501340673&tocid=b-9781501340673-chapter11&st=david+bowie Whole eBooks • Bennett, A. (2020). British Progressive Pop 1970–1980. New York,: Bloomsbury Academic. https://www.bloomsburypopularmusic.com/encyclopedia?docid=b-9781501336669 • Cinque, T., Moore, C., & Redmond, S. (Ed.). (2015). Enchanting David Bowie: Space/Time/Body/Memory. New York: Bloomsbury Academic. https://www.bloomsburypopularmusic.com/encyclopedia?docid=b-9781501304781 • Waldrep, S. (2015). Future Nostalgia: Performing David Bowie. New York: Bloomsbury Academic. https://www.bloomsburypopularmusic.com/encyclopedia?docid=b-9781501314186 • Wilcken, H. (2005). David Bowie's Low. London: Bloomsbury Academic. Articles from the Bloomsbury Encyclopedia of Popular Music • Albiez, S. (2017). Avant-pop. In P. Prato & D. Horn (Ed.). Bloomsbury Encyclopedia of Popular Music of the World: Genres: Europe (pp. 36–38). London: Bloomsbury Academic. https://www.bloomsburypopularmusic.com/encyclopedia-chapter?docid=b- 9781501326110&tocid=b-9781501326110-fsm900-ch-31-sec-1 • Albiez, S. (2017). New Romantics. In P. Prato & D. Horn (Ed.). Bloomsbury Encyclopedia of Popular Music of the World: Genres: Europe (pp. 526–528). London: Bloomsbury Academic. https://www.bloomsburypopularmusic.com/encyclopedia-chapter?docid=b- 9781501326110&tocid=b-9781501326110-fsm15123-ch-31-sec-1&st=David+Bowie • Albiez, S. (2017). Synthpop. In P. Prato & D. Horn (Ed.). Bloomsbury Encyclopedia of Popular Music of the World: Genres: Europe (pp. 765–767). London: Bloomsbury Academic. https://www.bloomsburypopularmusic.com/encyclopedia-chapter?docid=b- 9781501326110&tocid=b-9781501326110-fsm21632-ch-31-sec-1&st=David+Bowie • Auslander, P. (2017). Glam Rock. In P. Prato & D. Horn (Ed.). Bloomsbury Encyclopedia of Popular Music of the World: Genres: Europe (pp. 331–334). London: Bloomsbury Academic. https://www.bloomsburypopularmusic.com/encyclopedia-chapter?docid=b- 9781501326110&tocid=b-9781501326110-fsm9201-ch-31-sec-1#b-9781501326110- fsm9211-ch-31-sec-1 • Brackett, D. (2003). Pastiche. In J. Shepherd , D. Horn , D. Laing , P. Oliver & P. Wicke (Ed.). Bloomsbury Encyclopedia of Popular Music of the World: Performance and Production (p. ). London: Continuum. https://www.bloomsburypopularmusic.com/encyclopedia-chapter?docid=b- 9781501329234&tocid=b-9781501329234-08742&st=David+Bowie • Buckley, D. (2003). Iconography. In J. Shepherd , D. Horn , D. Laing , P. Oliver & P. Wicke (Ed.). Bloomsbury Encyclopedia of Popular Music of the World: Media, Industry and Society (p. ). London: Continuum. https://www.bloomsburypopularmusic.com/encyclopedia-chapter?docid=b- 9781501329227&tocid=b-9781501329227-0025970&st=David+Bowie • Buckley, D. , & Laing, D. (2003). Stage Act. In J. Shepherd , D. Horn , D. Laing , P. Oliver & P. Wicke (Ed.). Bloomsbury Encyclopedia of Popular Music of the World: Performance and Production (p. ). London: Continuum. https://www.bloomsburypopularmusic.com/encyclopedia-chapter?docid=b- 9781501329234&tocid=b-9781501329234-0014293&st=David+Bowie • Buckley, D. , & Shepherd, J. (2003). Fans. In J. Shepherd , D. Horn , D. Laing , P. Oliver & P. Wicke (Ed.). Bloomsbury Encyclopedia of Popular Music of the World: Media, Industry and Society (p. ). London: Continuum. https://www.bloomsburypopularmusic.com/encyclopedia-chapter?docid=b- 9781501329227&tocid=b-9781501329227-0024627&st=David+Bowie • Buckley, D. , & Shepherd, J. (2003). Stardom. In J. Shepherd , D. Horn , D. Laing , P. Oliver & P. Wicke (Ed.). Bloomsbury Encyclopedia of Popular Music of the World: Media, Industry and Society (p. ). London: Continuum. https://www.bloomsburypopularmusic.com/encyclopedia-chapter?docid=b- 9781501329227&tocid=b-9781501329227-0025657&st=David+Bowie • Horn, D. , & Sanjek, D. (2003). —Victor (US). In J. Shepherd , D. Horn , D. Laing , P. Oliver & P. Wicke (Ed.). Bloomsbury Encyclopedia of Popular Music of the World: Media, Industry and Society (p. ). London: Continuum. https://www.bloomsburypopularmusic.com/encyclopedia-chapter?docid=b- 9781501329227&tocid=b-9781501329227-0029860&st=David+Bowie • Laing, D. (2003). —Rykodisc (US). In J. Shepherd , D. Horn , D. Laing , P. Oliver & P. Wicke (Ed.). Bloomsbury Encyclopedia of Popular Music of the World: Media, Industry and Society (p. ). London: Continuum. https://www.bloomsburypopularmusic.com/encyclopedia-chapter?docid=b-
Load more

Recommended publications
  • Michelle Laine
    MICHELLE LAINE Costume Designer FEATURES ARCHENEMY Adam Egypt Mortimer Company X / SpectreVision Cast: Joe Manganiello, Zolee Griggs, Skylan Brooks PNEUMA Floria Sigismondi PHOENIX “Ti Amo Speciale” Warren Fu DIRECTORS & MUSIC VIDEOS WARREN FU Zedd + Kehlani “Good Thing,” Phoenix “Ti Amo Speciale”, “J-Boy”, Paramore “Rose-Colored Boy” MICHAEL GRACEY Pink “Walk Me Home” FLORIA SIGISMONDI Alice Glass “Without Love”, Nuit Blanche Toronto “Pneuma” Lawrence Rothman ft. Charli XCX “Oz Vs. Eden” Lawrence Rothman ft. Angel Olsen “California Paranoia” Lawrence Rothman ft. Soko “Users” Lawrence Rothman “H”, “#1 All Time Low”, “Fatal Attraction” Living Things “Fake It Baby, Fake it” Yves Tumor “Lifetime” SKINNY Tiesto “Red Lights” MIMI CAVE Lunch Money Lewis ft. Chloe Angelides “Whip It!” DAVE LONGSTRETH Dirty Projectors “Lamp Lit Prose” NICOLAS RANDALL Jorge Blanco “Summer Soul” ATRAK Ft. Jamie Lidell “We All Fall Down” NICOLAS RANDALL + MARC EDOUARD LEON Midnight to Monaco “One In A Million” TOMAS WHITMORE Rae Sremmurd “Perplexing Pegasus” John Mayer “Still Feel Like Your Man” BREWER The Chainsmokers “Sick Boy” OZZIE PULLIN Jax Jones ft. Demi Lovato “Instruction” DIRECTORS & COMMERCIALS EZRA HURWITZ Ryan Murphy Show Opener, Romp LEEOR WILD The Venetian VINCENT PEONE Yahoo Sports CHLOE WALLACE Booking.com NICOLAS RANDALL Zillow, Verizon Fios, State Farm “More Than A Bundle”, State Farm “Mine”, Instagram, Zillow, Euro Jackpot JOHN PINA + BENJAMIN KUTSKO Surf Air “Unlimited Flight – Morning Coffee”, Surf Air “Unlimited Flight – You’ve Arrived” JOHN PINA + CHRIS BERDINE Adult Swim/Dr. Pepper “Ten”, Adult Swim/Sobe “Life Water” DAVID BRASHEAR Splenda “I Use Splenda” JAKE HURWITZ V8 Juice FLORIA SIGISMONDI Facebook JOSH LIPTON Need For Speed “Born to Race” DOMINIC LAHIFF Spotify 800 South Robertson Blvd.
    [Show full text]
  • Aesthetic Apparatus Midwesterners Dan Ibarra and Michael Byzewski Of
    Aesthetic Apparatus Midwesterners Dan Ibarra and Michael Byzewski of Aesthetic Apparatus have carved a niche as designers of iconic band posters for the likes of the Meat Puppets, Art Chantry, Frank Black the Ames Brothers and about a zillion more. Over the years, their limited edition, screen-printed concert posters and art prints have created a certain aura about their work. Their growing reputation has landed them gigs for Blue Q, Stella Artois, Harper Collins, American Cancer Society and Criterion Collection, and their work has been featured in Print, Step Into Design, Communication Arts, Creative Review, and Rolling Stone (among others), as well as in the recent Chronicle Books rock art Bible, "The Art of Modern Rock." Kinsey Los Angeles-based Kinsey is a powerhouse of the graffiti-turned-fine-art set. His paintings and designs tend to find analogies for human culture and conflict in the natural and animal worlds, and the resulting images are both beautiful and unsettling. Coming of age just before the explosion of computer-based design and being trained as a fine artist in painting and drawing, it's perhaps natural that Kinsey's art has its roots in a painterly, "by hand" aesthetic that shines through even in works where the computer plays an important role. Whether he's painting on canvas or designing sneakers, a leather jacket or motorcycle helmet, everything Kinsey does has a vibrant, kinetic, multi- layered look that is his alone. David Bray Fantasy and imagination have marked Kent- born artist David Bray from the start. As a child he drew images of space travel that depicted himself and his friends exploring distant planets.
    [Show full text]
  • 2011 MTV Video Music Awards”
    Here are the nominees for the “2011 MTV Video Music Awards”: VIDEO OF THE YEAR Adele Tyler, The Creator Title: Rolling In The Deep Title: Yonkers Album: 21 Album: Goblin Director: Sam Brown Director: Wolf Haley Label: XL/Columbia Label: XL Recordings Production Company: Flynn Production Company: Happy Place Producer: Hannah Chandler Producer: Tara Razavi Katy Perry Bruno Mars Title: Firework Title: Grenade Album: Teenage Dream Album: Doo-Wops and Hooligans Director: Dave Meyers Director: Nabil Elderkin Label: Capitol Label: Elektra Production Company: Radical Media Production Company: Little Minx/RSA Producers: Robert Bray, Danny Lockwood Producer: Anne Johnson Beastie Boys Title: Make Some Noise Album: Hot Sauce Committee Part Two Director: Adam Yauch Label: Capitol Records Production Company: Directors Bureau Producer: Samantha Storr BEST FEMALE VIDEO Adele Katy Perry Title: Rolling In The Deep Title: Firework Album: 21 Album: Teenage Dream Director: Sam Brown Director: Dave Meyers Label: XL/Columbia Label: Capitol Production Company: Flynn Production Company: Radical Media Producers: Hannah Chandler Producers: Robert Bray, Danny Lockwood Beyonce Nicki Minaj Title: Run The World (Girls) Title: Super Bass Album: 4 Album: Pink Friday Director: Francis Lawrence Director: Sanaa Hamri Label: Parkwood Entertainment/Columbia Label: Young Money/Cash Money Records Production Company: DNA Production Company: 305 Films Producer: Justin Diener Producers: Kimberly S. Stuckwisch, Michelle Larkin & Keith "KB" Brown Lady GaGa Title: Born This Way Album: Born This Way Director: Nick Knight, Haus of Gaga Label: Streamline/Interscope/Konlive Production Company: Factory Films, Ltd. Producers: Nicole Ehrlich, Steven Johnson BEST MALE VIDEO Cee Lo Green Eminem feat. Rihanna Title: F*** You Title: Love The Way You Lie Album: The Lady Killer Album: Recovery Director: Matt Stawski Director: Joseph Kahn Label: Elektra Label: Aftermath Records Production Company: Refused TV Production Company: H.S.I.
    [Show full text]
  • Sum 41 Alive
    SSUMUM 4411 AALIVELIVE IS SCREAMO B.S.? FLORIA’S FUEL IAN BLURTON~MINISTRY~THE TEA PARTY~WILDHEARTS CLAIRE STANSFIELD~MOONEY SUZUKI~DFA 1979 THE JERRY CAN The summer is the season of rock. Tours roll across the coun- try like mobile homes in a Florida hurricane. The most memo- rable for this magazine/bar owner were the Warped Tour and Wakestock, where such bands as Bad Religion, Billy Talent, Alexisonfire, Closet Monster, The Trews and Crowned King had audiences in mosh-pit frenzies. At Wakestock, in Wasaga Beach, Ont., Gasoline, Fox Racing, and Bluenotes rocked so hard at their two-day private cottage party that local authorities shut down the stage after Magneta Lane and Flashlight Brown. Poor Moneen didn't get to crush the eardrums of the drunken revellers. That was day one! Day two was an even bigger party with the live music again shut down. The Reason, Moneen and Crowned King owned the patio until Alexisonfire and their crew rolled into party. Gasoline would also like to thank Chuck (see cover story) and other UN officials for making sure that the boys in Sum41 made it back to the Bovine for another cocktail, despite the nearby mortar and gunfire during their Warchild excursion. Nice job. Darryl Fine Editor-in-Chief CONTENTS 6 Lowdown News 8 Ian Blurton and C’mon – by Keith Carman 10 Sum41 – by Karen Bliss 14 Floria Sigismondi – by Nick Krewen 16 Alexisonfire and “screamo” – by Karen Bliss 18 Smash it up – photos by Paula Wilson 20 Whiskey and Rock – by Seth Fenn 22 Claire Stansfield – by Karen Bliss 24 Tea Party – by Mitch Joel
    [Show full text]
  • MTO 23.2: Lafrance, Finding Love in Hopeless Places
    Finding Love in Hopeless Places: Complex Relationality and Impossible Heterosexuality in Popular Music Videos by Pink and Rihanna Marc Lafrance and Lori Burns KEYWORDS: Pink, Rihanna, music video, popular music, cross-domain analysis, relationality, heterosexuality, liquid love ABSTRACT: This paper presents an interpretive approach to music video analysis that engages with critical scholarship in the areas of popular music studies, gender studies and cultural studies. Two key examples—Pink’s pop video “Try” and Rihanna’s electropop video “We Found Love”—allow us to examine representations of complex human relationality and the paradoxical challenges of heterosexuality in late modernity. We explore Zygmunt Bauman’s notion of “liquid love” in connection with the selected videos. A model for the analysis of lyrics, music, and images according to cross-domain parameters ( thematic, spatial & temporal, relational, and gestural ) facilitates the interpretation of the expressive content we consider. Our model has the potential to be applied to musical texts from the full range of musical genres and to shed light on a variety of social and cultural contexts at both the micro and macro levels. Received December 2016 Volume 23, Number 2, June 2017 Copyright © 2017 Society for Music Theory [1.1] This paper presents and applies an analytic model for interpreting representations of gender, sexuality, and relationality in the words, music, and images of popular music videos. To illustrate the relevance of our approach, we have selected two songs by mainstream female artists who offer compelling reflections on the nature of heterosexual love and the challenges it poses for both men and women.
    [Show full text]
  • JEFF CRONENWETH, ASC Director of Photography
    JEFF CRONENWETH, ASC Director of Photography o f f i c i a l w e bs i te FEATURES/ TV (partial list) BEING THE RICARDOS Amazon Studios Dir: Aaron Sorkin Prod: Desi Arnaz, Jr., Stuart M. Besser *TALES FROM THE LOOP (Pilot) Amazon Studios Dir: Mark Romanek Trailer Prod: Matt Reeves, Nathaniel Halpern A MILLION LITTLE PIECES Warner Bros. Dir: Sam Taylor-Johnson Trailer Prod: John Wells GONE GIRL 20th Century Fox Dir: David Fincher Trailer Prod: Reese Witherspoon, Ceán Chaffin HITCHCOCK Fox Searchlight, Dir: Sacha Gervasi Trailer Montecito Picture Co. Prod: Tom Pollock, Ivan Reitman **THE GIRL WITH THE DRAGON TATTOO Sony Pictures Dir: David Fincher Trailer Prod: Scott Rudin, Ceán Chaffin ***THE SOCIAL NETWORK Columbia Pictures Dir: David Fincher Trailer Prod: Scott Rudin, Michael De Luca ONE HOUR PHOTO Fox Searchlight Dir: Mark Romanek Trailer Prod: Christine Vachon, Pam Koffler DOWN WITH LOVE 20th Century Fox Dir: Peyton Reed Trailer Prod: Dan Jinks, Bruce Cohen K-19 Paramount, Dir: Kathryn Bigelow Trailer Intermedia Prod: Kathryn Bigelow, Christine Whitaker FIGHT CLUB 20th Century Fox Dir: David Fincher Trailer Prod: Art Linson, Cean Chaffin *2020 Emmy Award Nominee – Outstanding Cinematography for a Single-Camera Series (One Hour) **2011 Academy Awards Nominee – Best Cinematography **2011 American Society of Cinematographers Awards Nominee – Best Cinematography ***2010 Academy Awards Nominee – Best Cinematography ***2010 American Society of Cinematographers Awards Nominee – Best Cinematography, Feature Film COMMERCIALS (partial list) EA
    [Show full text]
  • Saturday, September 23, 2017 Letter from the Presenting Sponsor
    present the Environmental Media Awards Celebrating OUTSTANDING achievement within the ENTERTAINMENT and ENVIRONMENTAL communities #EMAAWARDS Saturday, September 23, 2017 Letter from the presenting sponsor Good evening ladies and gentleman, On behalf of Toyota and Lexus, welcome to the 27th annual Environmental Media Awards! Tonight we are honored to serve as presenting sponsors and celebrate the 17th anniversary of our partnership with the Environmental Media Association. Over the past 17 years, we’ve helped honor the thought leaders that inspire millions to lead more environmentally conscious lives. Tonight we continue to celebrate the efforts of the entertainment industry and celebrities that shape our culture. After all these years, we are still inspired by EMA’s efforts to promote environmental awareness using the powerful medium of entertainment. Tonight we’ve brought an inspiring vehicle line up to the party. The 2017 Toyota Mirai hydrogen fuel cell vehicle returns to the green carpet. As one of the world’s first mass-produced hydrogen fuel cell electric vehicles, the Toyota Mirai is a four-door, mid- size sedan with performance that fully competes with traditional internal combustion engines – but uses no gasoline. Instead, Mirai creates electricity on demand using hydrogen, oxygen and a fuel cell, and emits nothing but water vapor in the process. Lexus is excited to showcase its all-new hybrid luxury sedan, the LS 500h. With smooth power and an estimated 33 miles per gallon on the highway, it has a range of more than 600 miles of luxurious driving. On sale in February 2018 with a starting price around $80,000, the LS 500h will be the luxury sedan of choice for environmentally minded drivers.
    [Show full text]
  • La Producción Del Videoclip Y La Narrativa De Nuevos Lenguajes
    La producción del videoclip y la narrativa de nuevos lenguajes. Aproximación a las influencias comunicacionales y artísticas en la obra de Floria Sigismondi ANDREA SALOMÉ MORALES GALÁRRAGA ANDRÉS ALFREDO LUNA MONTALVO 2017 octubre La producción del videoclip y la narrativa de nuevos lenguajes. 225 Aproximación a las influencias comunicacionales y artísticas en la obra de Floria Sigismondi El presente trabajo realiza un acercamiento a la lectura de las representaciones visuales del cuerpo presentes en los trabajos realizados por la directora Floria Sigismondi. A través del análisis de productos audiovisuales de diversos artistas, agrupaciones y géneros musicales, se evidencia la influencia y la intertextualidad de ciertos elementos artísticos del vanguardismo y del cine, presentes en el manejo, montaje, diseño y composición de escenarios, personajes y narrativas de sus videoclips. Iconos musicales como David Bowie o Marilyn Manson han logrado ge- nerar un campo de interpretaciones que deconstruyen realidades convencionales, pero no solo en la composición musical de sus obras, sino en el diseño de un trabajo audiovisual en el que Sigismondi ausculta en los imaginarios de los públicos receptores, que pueden rebasar los acuerdos sociales para redefinir al cuerpo y los ambientes. En el trabajo de la directora artística, hemos encontrado una serie de influencias atadas a los clásicos del cine, a quie- nes no solo reinventa en nuevas exhibiciones de corte musical, como es el caso de Luis Buñuel, sino que también rinde homenaje a esas piezas que están impregnadas en la memoria de sus públicos. Ciertamente, el videoclip constituye una de las prácticas comunicacionales más experimentales del discurso audiovisual contemporáneo, lo que permite a los realizadores explorar diversos y subjetivos modos de expresar y crear la realidad.
    [Show full text]
  • Janine Marchessault CV Oct 2017
    JANINE M. MARCHESSAULT Curriculum Vitae York University 4700 Keele Street Toronto, Ontario, Canada M3J 1P3 Phone: (416) 736-2100 ext. 33485 Fax: (416) 736-5392 E-mail: [email protected] CITIZENSHIP: CANADIAN, AMERICAN LANGUAGES: ENGLISH, FRENCH Current Position Professor, Department of Cinema and Media Arts, York University Canada Research Chair Tier II in Art, Digital Media and Globalization, York University (2003-2013) ACADEMIC CROSS-APPOINTMENTS York University Graduate Program in Social and Political Thought Graduate Program in Communication and Culture Graduate Program in the Humanities Graduate Program in Cinema and Media Arts EDUCATION 1992 Ph.D., Social and Political Thought, York University Dissertation: “The Moving Image in the Aura of Science: Identity, Technology, History” 1987 M.A., Department of Film, York University Thesis: “Some Implications for Avant-Garde Practices in the Cinema” 1982 B.A., Communication Studies, Concordia University HONOURS AND AWARDS 2016 Fellowship of the Royal Society of Canada 2012 Trudeau Fellowship Award 2011 Faculty of Graduate Studies Teaching Award, York University 2008-13 Canada Research Chair in Art, Digital Media, and Globalization (Tier II) 2003-08 Canada Research Chair in Art, Digital Media, and Globalization (Tier II) 1992-94 Social Science and Humanities Research Council, Post-Doctoral Research Award, McGill University. 1988-91 FCAR (FQRSC) Doctoral Award, York University Marchessault SCHOLARLY AND PROFESSIONAL ACTIVITIES 2017- Nuit Blanche Toronto Arts Advisory Council 2015-16 Public Art Consultant, Lawrence Heights Public Art Competition Overseeing $800,000 public art commission for Lawrence Heights Development Revitalization Project and the City of Toronto. 2013-15 Inaugural Director of Sensorium | Centre for Digital Arts Research York University 2008-16 Co-Investigator, The Media Events of Expo 67, investigates the media experiments of Montréal’s Expo 67 with the general purpose of understanding World Expositions as pedagogical events.
    [Show full text]
  • SKETCH SKETCH President and Vice-Chancellor Dr
    The magazine of OCAD University Volume 25, Issue 1 Summer 2013 SKETCH SKETCH President and Vice-Chancellor Dr. Sara Diamond Chancellor Catherine (Kiki) Delaney Chair, Board of Governors Ian C. Tudhope Vice-President, Academic Dr. Christine Bovis-Cnossen Vice President, Finance & Administration Matt Milovick Vice-President, Development & Alumni Relations and President, OCAD University Foundation Jill Birch Associate Vice-President, Research, and Dean, Graduate Studies Dr. Helmut Reichenbächer Associate Vice-President, University Relations Carole Beaulieu Associate Vice-President, Students Deanne Fisher Dean, Faculty of Art Dr. Vladimir Spicanovic Dean, Faculty of Design Dr. Gayle Nicoll Dean, Faculty of Liberal Arts & Sciences and School of Interdisciplinary Studies Dr. Kathryn Shailer Chair, OCAD U Foundation Richard Kostoff President, Alumni Association Maggie Broda Produced by OCAD U Marketing & Communications Editor Larissa Kostoff Design Hambly & Woolley Inc. Contributors Suzanne Alyssa Andrew, Rose Bouthillier, Naomi Buck, Christopher Moorehead, Ellyn Walker Special thanks to Sarah Mulholland, Kelley Teahen, Cheryl Wang, Laura Wood Charitable Registration #10779-7250 RR0001 Canada Post Publications Agreement #40019392 Printed on recycled paper. Return undeliverable copies to: OCAD University 100 McCaul Street, Toronto, Ontario Canada M5T 1W1 Telephone 416.977.6000 Facsimile 416.977.6006 ocadu.ca Note: The views and opinions expressed in this publication are those of its contributors and do not necessarily reflect OCAD University policy or position. CONTENTS 14 22 FEATURES 4 centrefold From process to practice: OCAD University and the Strategic National Arts Alumni Project (SNAAP) 14 Making change: OCAD U’s new minor Art & Social Change MFA candidate Ellyn Walker talks curriculum, community-building and contribution By Ellyn Walker 2 HAPPENINGS 3 PRESIDENT’S MESSAGE 4 CAMPUS NEWS 19 ALUMNI NEWS 22 ALUMNI PROFILE 25 EXHIBITION The magazine of OCAD University Volume 25, Issue 1 Summer 2013 SKETCH Front cover Shary Boyle, Ophiodea, 2013.
    [Show full text]
  • Jeri Slaughter Television
    Jeri Slaughter Television: The Voice / Seasons 2-12 Performance Producer NBC The Voice (Artist Performance Producer NBC Performance) Coldplay, Ellie Goulding, Cher, Kelly Clarkson, Maroon 5, 50 Cent, The Killers, Michael Buble, Matchbox 20, Jason Aldean, Christina Aguilera & Cee Lo, Pitbull & Neyo Super Bowl 50 Halftime Show Creative Director CBS w/ Coldplay, Bruno Mars, & Beyonce Last Call With Carson Daly w/ Creative Director / NBC Carmen Elektra & The Choreographer Bombshells VH1 Divas Live w/ Leona Creative Director VH1 Lewis The Ellen Degeneres Show w/ Creative Director / NBC Leona Lewis & Christina Choreographer Aguilera Jimmy Kimmel Live w/ Leona Creative Director / ABC Lewis & Mariah Carey Choreographer Late Show David Letterman Creative Director / CBS w/ Leona Lewis & Christina Choreographer Aguilera Saturday Night Live w/ Creative Director / NBC Christina Aguilera Choreographer Dick Clark's New Year's Creative Director / ABC Rockin Eve w/ Jennifer Choreographer Hudson & Christina Aguilera The Today Show w/ Leona Creative Director / CBS Lewis, Christina Aguilera, & Choreographer Mariah Carey America's Got Talent w/ Robin Creative Director NBC Thicke, Leona Lewis & Ashley Tisdale So You Think You Can Dance Creative Director FOX w/ Leona Lewis Oprah w/ Christina Aguilera Creative Director / ABC Choreographer X-Factor w/ Whitney Houston Creative Director / FOX/SYCO & JLS Choreographer Dancing With The Stars w/ Creative Director / ABC Jennifer Hudson, Pitbull & Choreographer Neyo, Christina Aguilera, Leona Lewis, Whitney Houston Good Luck Charlie Choreographer Disney The Tonight Show with Jay Creative Director / NBC Leno w/ Christina Aguilera Choreographer American Idol w/ Jennifer Creative Director / FOX Hudson & Christina Aguilera Choreographer The Mindy Project Choreographer NBC Rising Star Creative Producer ABC I Can Do That Creative Producer NBC 2016 NBA All Star Half Time Creative Director / NBA Show w/ Walk The Moon Choreographer 2015 NBA All Star Opening Creative Director / NBA/Three Wishes Performance w/ Christina Choreographer Productions Inc.
    [Show full text]
  • Björk and Michel Gondry's Networked Authorship
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
    [Show full text]