Celebrating Women Filmmakers
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On Common Ground® Strengthening Teaching Through School-University Partnership
On Common Ground® Strengthening Teaching through School-University Partnership YALE-NEW HAVEN TEACHERS INSTITUTE® SPECIAL EDITION NUMBER 15, FALL 2015 JACOB LAWRENCE, DREAM SERIES #5: THE LIBRARY, 1967 Supporting Teachers in High-Need Schools By Peter Salovey the poor performance of students in our to partner universities with high-need public schools, especially our high-need public school districts to this end. Our henever I talk to teachers, I public schools, at every level, K-12. own faculty participants as seminar lead- find myself reminiscing about These teachers, who have unbelievably ers both in New Haven and in our nation- W my own education in public difficult jobs in overcrowded classrooms, al work are a "Who's Who" among our top schools, where I had many great teachers, should be respected as heroes. The best professors, more than a hundred of whom two of whom were especially inspiring. I way to help them live up to that image, in have taught seminars; and as the work was later to discover, when reunited with their own minds and in the mind of the spreads, this is also true nationally. classmates, how many of those teachers' public, is to improve their professional As part of our "Who's Who," four Deans students had been influenced by them to self-confidence by empowering them col- of Yale College and many of our most become elementary, secondary, and col- legially and improving their command of acclaimed professors have taught Institute lege teachers themselves. the subject matter they teach. The Yale and National Initiative seminars over the As a university teacher, I very much National Initiative, with its roots in the years. -
Black Panther Party “We Want Freedom” - Mumia Abu-Jamal Black Church Model
Women Who Lead Black Panther Party “We Want Freedom” - Mumia Abu-Jamal Black Church model: ● “A predominantly female membership with a predominantly male clergy” (159) Competition: ● “Black Panther Party...gave the women of the BPP far more opportunities to lead...than any of its contemporaries” (161) “We Want Freedom” (pt. 2) Invisibility does not mean non existent: ● “Virtually invisible within the hierarchy of the organization” (159) Sexism does not exist in vacuum: ● “Gender politics, power dynamics, color consciousness, and sexual dominance” (167) “Remembering the Black Panther Party, This Time with Women” Tanya Hamilton, writer and director of NIght Catches Us “A lot of the women I think were kind of the backbone [of the movement],” she said in an interview with Michel Martin. Patti remains the backbone of her community by bailing young men out of jail and raising money for their defense. “Patricia had gone on to become a lawyer but that she was still bailing these guys out… she was still their advocate… showing up when they had their various arraignments.” (NPR) “Although Night Catches Us, like most “war” films, focuses a great deal on male characters, it doesn’t share the genre’s usual macho trappings–big explosions, fast pace, male bonding. Hamilton’s keen attention to minutia and everydayness provides a strong example of how women directors can produce feminist films out of presumably masculine subject matter.” “In stark contrast, Hamilton brings emotional depth and acuity to an era usually fetishized with depictions of overblown, tough-guy black masculinity.” In what ways is the Black Panther Party fetishized? What was the Black Panther Party for Self Defense? The Beginnings ● Founded in October 1966 in Oakland, Cali. -
International Film Festival April 24 – May 4, 2008 the Washington, Dc International Film Festival
THE 22ND ANNUAL WASHINGTON, DC INTERNATIONAL FILM FESTIVAL APRIL 24 – MAY 4, 2008 THE WASHINGTON, DC INTERNATIONAL FILM FESTIVAL A world of films…a window into our world. Whether experienced in movie theaters, on DVDs or television in our homes, on our iPods or computers, films are the major communications media of our time. Hollywood films dominate commercial cinema. However, scores of talented filmmakers around the globe produce thou- sands of quality films that speak with a different voice, provide a different point of view, and tell different stories. Presenting these films in the nation’s capital is the purpose of Filmfest DC. Photo: Chad Evans Wyatt Film festivals are a journey of Tony Gittens, Festival Director and Shirin Ghareeb, Assistant Director discovery, a visual and thought provoking adventure into how people see and interpret our world. Every Filmfest DC is different and every film is unique from every other film in the festival. Together, they comprise an amazing representation of human imagination, commitment and talent. The festival has two special focuses this year — Politics & Film and New Latin Ameri- can Cinema. Obviously, politics are especially prominent during this election season and we wanted to explore the role affairs of state play in people’s every day lives. Latin American filmmakers are always a treasure trove of inventive storytelling. The di- verse selection of new work we have gathered from the Spanish-speaking world (in- cluding Spain) are moving, humorous, and insightful. None of this would be possible without the many dedicated people who have shared their time and talents with Filmfest DC. -
Statistical Yearbook 2019
STATISTICAL YEARBOOK 2019 Welcome to the 2019 BFI Statistical Yearbook. Compiled by the Research and Statistics Unit, this Yearbook presents the most comprehensive picture of film in the UK and the performance of British films abroad during 2018. This publication is one of the ways the BFI delivers on its commitment to evidence-based policy for film. We hope you enjoy this Yearbook and find it useful. 3 The BFI is the lead organisation for film in the UK. Founded in 1933, it is a registered charity governed by Royal Charter. In 2011, it was given additional responsibilities, becoming a Government arm’s-length body and distributor of Lottery funds for film, widening its strategic focus. The BFI now combines a cultural, creative and industrial role. The role brings together activities including the BFI National Archive, distribution, cultural programming, publishing and festivals with Lottery investment for film production, distribution, education, audience development, and market intelligence and research. The BFI Board of Governors is chaired by Josh Berger. We want to ensure that there are no barriers to accessing our publications. If you, or someone you know, would like a large print version of this report, please contact: Research and Statistics Unit British Film Institute 21 Stephen Street London W1T 1LN Email: [email protected] T: +44 (0)20 7173 3248 www.bfi.org.uk/statistics The British Film Institute is registered in England as a charity, number 287780. Registered address: 21 Stephen Street London W1T 1LN 4 Contents Film at the cinema -
Tate Report 2010-11: List of Tate Archive Accessions
Tate Report 10–11 Tate Tate Report 10 –11 It is the exceptional generosity and vision If you would like to find out more about Published 2011 by of individuals, corporations and numerous how you can become involved and help order of the Tate Trustees by Tate private foundations and public-sector bodies support Tate, please contact us at: Publishing, a division of Tate Enterprises that has helped Tate to become what it is Ltd, Millbank, London SW1P 4RG today and enabled us to: Development Office www.tate.org.uk/publishing Tate Offer innovative, landmark exhibitions Millbank © Tate 2011 and Collection displays London SW1P 4RG ISBN 978-1-84976-044-7 Tel +44 (0)20 7887 4900 Develop imaginative learning programmes Fax +44 (0)20 7887 8738 A catalogue record for this book is available from the British Library Strengthen and extend the range of our American Patrons of Tate Collection, and conserve and care for it Every effort has been made to locate the 520 West 27 Street Unit 404 copyright owners of images included in New York, NY 10001 Advance innovative scholarship and research this report and to meet their requirements. USA The publishers apologise for any Tel +1 212 643 2818 Ensure that our galleries are accessible and omissions, which they will be pleased Fax +1 212 643 1001 continue to meet the needs of our visitors. to rectify at the earliest opportunity. Or visit us at Produced, written and edited by www.tate.org.uk/support Helen Beeckmans, Oliver Bennett, Lee Cheshire, Ruth Findlay, Masina Frost, Tate Directors serving in 2010-11 Celeste -
“Aspects of Danish Cinema”
Programme of Danish Film Screenings at the Danish Institute at Athens 2018 “Aspects of Danish Cinema”. By Ioanna Athanassatou/Film Historic at the Greek Open University & the University of Athens Screening on the 26th of April 2018 Silent heart (2014) by Bille August In film screening programme of the last 2 years, we have had the chance to see I line of Danish movies from Carl Dreyer, Lars von Trier, Susanne Bier and Thomas Vinterberg. Today we have chosen to screen “Silent heart” - in Danish ”Stille hjerte” and in Greek “Αθόρυβη καρδιά” (2014) by Bille August, the fourth movie this year. Bille August is considered the total opposite to Lars Von Trier and Vinterberg with a great international reputation. The filmography of Bille August includes two movies that both were awarded with the Golden Palms in Cannes: “Pelle the Conqueror” (1988) and “The best intentions” (1992). In these movies, including today´s, the director is closer to the cinematic perception of Swedish director Ingmar Bergman (Valoukos 2003, page 630), avoiding formalistic searching, but focusing on the mental state of his heroes. When August directed the movie in 2014, he was inspired by the Scandinavian drama of Ibsen and Strindberg, but also by the philosophic/religious meditation of Søren Kierkegaard. “Silent heart” touches upon the very complex and emotional issue of euthanasia. It was awarded at International festivals and was admitted at the European Art House. The movie is about the family gathering of three generations, coming together for the weekend inorder to say their last goodbye to Esther (Ghita Nørby) – mother and grandmother – who is sick from the incurable disease, Amyotrophic Lateral Sclerosis. -
Curtis Brown
CURTIS BROWN Literary and talent agency Haymarket House, 28-29 Haymarket, London SWIY 4SP ! www.curtisbrown.co.uk [email protected] IT +44 (0) 20 7393 4400 I F +44 (0) 20 7393 4401 KIRSTY KINNEAR CASTING CDG Kate Staddon ACTORS + 44 (0)20 7393 4472, [email protected] CURTIS BROWN FILM THE SONG OF NAMES (Post-prod) (Casting Director) Producer: Robert Lantos, Lyse Lafontaine Director: Francois Girard BLINDED BY THE LIGHT (2019) (Casting Director) Producer: Jane Barclay, Gurinder Chadha Director: Gurinder Chadha DUMBO (2019) (Casting Associate) Producer: Derek Frey, Katterli Frauenfelder, Justin Springer Director: Tim Burton BOHEMIAN RHAPSODY (2018) (Casting Associate) Producer: Graham King Director: Bryan Singer CURTIS BROWN GROUP LTD Registered Office: Haymarket House, 28-29 Haymarket, London SW1Y 4SP. Registered in London: 679620 THE LIE OF YOU (Post-prod) (Casting Director) Producer: Jennifer Handorf Director: Richard Redwine THE GUERNSEY LITERARY AND POTATO PEEL PIE SOCIETY (2018) (Casting Associate) Producers: Graham Broadbent, Peter Czemin, Paula Mazur Director: Mike Newell TOMB RAIDER (2018) (Casting Associate) Producer: Graham King Director: Roar Uthaug COLETTE (2018) (Casting Associate) Producers: Elizabeth Karlsen and Pamela Koffler Director: Wash Westmoreland THE WATCHER IN THE WOODS (2017) (Casting Director) Producer: Paula Hart Director: Melissa Joan Hart PIRATES OF THE CARIBBEAN: DEAD MEN TELL NO TALES (2017) (Casting Associate UK) Producer: Jerry Bruckheimer Director: Joachim Ronning, Epsen Sandberg THE -
The Art of Noise: Conversations with Great Songwriters Online
gt6w1 [Download] The Art of Noise: Conversations with Great Songwriters Online [gt6w1.ebook] The Art of Noise: Conversations with Great Songwriters Pdf Free Daniel Rachel *Download PDF | ePub | DOC | audiobook | ebooks Download Now Free Download Here Download eBook #204410 in Books Rachel Daniel 2014-10-07 2014-10-07Original language:EnglishPDF # 1 9.16 x 1.40 x 6.21l, .0 #File Name: 1250051290528 pagesThe Art of Noise Conversations with Great Songwriters | File size: 29.Mb Daniel Rachel : The Art of Noise: Conversations with Great Songwriters before purchasing it in order to gage whether or not it would be worth my time, and all praised The Art of Noise: Conversations with Great Songwriters: 1 of 1 people found the following review helpful. Inspiration for songwriter's old and new.By F. J. Souder IIIGreat book on songwriters and their methods and writing techniques. If you need some inspiration there's plenty here to read and draw from each interviewee. Good going Daniel.0 of 0 people found the following review helpful. Insight on Every PageBy A.Trendl HungarianBookstore.comAt first I thought Daniel Rachel had written a book all about the avant-garde synthpop group big in the 1980s. While that would no doubt be interesting, this is much more substantial.Essentially, it is a collection of interviews of songwriters as the title implies.Rachel begins each chapter with an essay leading into the interview.Who is interviewed? Mick Jones from the Clash, Annie Lennox, Jimmy Page, Sting, Ian Dury, Robin Gibb, Ray Davies and so on. Each is around 20 pages, give or take, with each Q/A a paragraph or two. -
Michelle Laine
MICHELLE LAINE Costume Designer FEATURES ARCHENEMY Adam Egypt Mortimer Company X / SpectreVision Cast: Joe Manganiello, Zolee Griggs, Skylan Brooks PNEUMA Floria Sigismondi PHOENIX “Ti Amo Speciale” Warren Fu DIRECTORS & MUSIC VIDEOS WARREN FU Zedd + Kehlani “Good Thing,” Phoenix “Ti Amo Speciale”, “J-Boy”, Paramore “Rose-Colored Boy” MICHAEL GRACEY Pink “Walk Me Home” FLORIA SIGISMONDI Alice Glass “Without Love”, Nuit Blanche Toronto “Pneuma” Lawrence Rothman ft. Charli XCX “Oz Vs. Eden” Lawrence Rothman ft. Angel Olsen “California Paranoia” Lawrence Rothman ft. Soko “Users” Lawrence Rothman “H”, “#1 All Time Low”, “Fatal Attraction” Living Things “Fake It Baby, Fake it” Yves Tumor “Lifetime” SKINNY Tiesto “Red Lights” MIMI CAVE Lunch Money Lewis ft. Chloe Angelides “Whip It!” DAVE LONGSTRETH Dirty Projectors “Lamp Lit Prose” NICOLAS RANDALL Jorge Blanco “Summer Soul” ATRAK Ft. Jamie Lidell “We All Fall Down” NICOLAS RANDALL + MARC EDOUARD LEON Midnight to Monaco “One In A Million” TOMAS WHITMORE Rae Sremmurd “Perplexing Pegasus” John Mayer “Still Feel Like Your Man” BREWER The Chainsmokers “Sick Boy” OZZIE PULLIN Jax Jones ft. Demi Lovato “Instruction” DIRECTORS & COMMERCIALS EZRA HURWITZ Ryan Murphy Show Opener, Romp LEEOR WILD The Venetian VINCENT PEONE Yahoo Sports CHLOE WALLACE Booking.com NICOLAS RANDALL Zillow, Verizon Fios, State Farm “More Than A Bundle”, State Farm “Mine”, Instagram, Zillow, Euro Jackpot JOHN PINA + BENJAMIN KUTSKO Surf Air “Unlimited Flight – Morning Coffee”, Surf Air “Unlimited Flight – You’ve Arrived” JOHN PINA + CHRIS BERDINE Adult Swim/Dr. Pepper “Ten”, Adult Swim/Sobe “Life Water” DAVID BRASHEAR Splenda “I Use Splenda” JAKE HURWITZ V8 Juice FLORIA SIGISMONDI Facebook JOSH LIPTON Need For Speed “Born to Race” DOMINIC LAHIFF Spotify 800 South Robertson Blvd. -
A Obra-Prima De Um Sacana
Sexta-feira 28 Agosto 2009 www.ipsilon.pt Quentin Tarantino, novo filme ESTE SUPLEMENTO FAZ PARTE INTEGRANTE DA EDIÇÃO Nº 7087 DO PÚBLICO, E NÃO PODE SER VENDIDO SEPARADAMENTE DO PÚBLICO, EDIÇÃO Nº 7087 INTEGRANTE DA PARTE FAZ ESTE SUPLEMENTO A obra-prima de um sacana NICOLAS GUERIN/CORBIS NICOLAS Hayao Miyazaki John Landis Mário Zambujal Fiery Furnaces Festival de Atenas e Epidauros Wavves em Dezembro por todos os caminhos das harmonias vocais) em Micachu inesperados para criar canções descalabro “who cares?” de ética “d.i.y.” e alto teor adoptado directamente do trauteável. Segundo anuncia o punk (ou da adolescência). Os e Wavves MySpace da banda de Mica Levi Wavves cantam coisas (Micachu) - onde já está intemporais como os “No hope para a disponível “Kwesachu”, kids” que não têm carro, nem “mixtape” criada em parceria miúda, nem emprego, e, com o músico e artista Kwes -, depois de dois concertos rentrée os Micachu passam pelo Plano portugueses cancelados em B, no Porto, dia 20 de Maio, consequência de uma São boas notícias para a rentrée Novembro, descendo até passagem desastrosa pelo ou, se quisermos ser Lisboa, à Galeria Zé dos Bois, no festival Primavera Sound – verdadeiramente precisos, para dia seguinte. “Misturar ecstasy, Valium e a pré-época natalícia. Quatro Um mês depois, chegarão os Xanax antes de tocar em Flash concertos e duas bandas, Wavves de Nathan Williams, frente de milhares de pessoas Micachu & The Shapes e miúdo aborrecido com a vida na foi uma das piores decisões Wavves, daquelas que, para o Califórnia que transformou o que já tomei”, foram as bem ou para o mal, vale mesmo aborrecimento em matéria palavras imortais de Nathan a pena ver neste preciso inspiradora. -
INEMA INTERNATIONAL Students, Faculty, Staff and the Community Are Invited • ADMISSION IS FREE • Donations Welcome 7:30 P.M
MURRAY STATE UNIVERSITY • Spring 2017 INEMA INTERNATIONAL Students, faculty, staff and the community are invited • ADMISSION IS FREE • Donations Welcome 7:30 p.m. Thursday, Friday and Saturday evenings • Curris Center Theater JAN. 26-27-28 • USA, 1992 MARCH 2-3-4 • USA, 2013 • SHAKESPEARE FESTIVAL THUNDERHEART WARM BODIES Dir. Michael Apted With Val Kilmer, Sam Shephard, Graham Greene. Dir. Jonathan Levine, In English and Sioux with English subtitles. Rated R, 119 mins. With Nicholas Hoult, Dave Franco, Teresa Palmer, Analeigh Tipton, John Malkovich Thunderheart is a thriller loosely based on the South Dakota Sioux Indian In English, Rated PG-13, 98 mins. uprising at Wounded Knee in 1973. An FBI man has to come to terms with his mixed blood heritage when sent to investigate a murder involving FBI A romantic horror-comedy film based on Isaac Marion's novel of the same agents and the American Indian Movement. Thunderheart dispenses with name. It is a retelling of the Romeo and Juliet love story set in an apocalyptic clichés of Indian culture while respectfully showing the traditions kept alive era. The film focuses on the development of the relationship between Julie, a on the reservation and exposing conditions on the reservation, all within the still-living woman, and "R", a zombie…A funny new twist on a classic love story, conventions of an entertaining and involving Hollywood murder mystery with WARM BODIES is a poignant tale about the power of human connection. R a message. (Axmaker, Sean. Turner Classic Movies 1992). The story is a timely exploration of civil rights issues and Julie must find a way to bridge the differences of each side to fight for a that serves as a forceful indictment of on-going injustice. -
For Immediate Release 22Nd Annual Nantucket Film
FOR IMMEDIATE RELEASE ND 22 ANNUAL NANTUCKET FILM FESTIVAL ANNOUNCES THE BIG SICK AS OPENING NIGHT FILM AN INCONVENIENT SEQUEL: TRUTH TO POWER TO CLOSE FESTIVAL WHITNEY: CAN I BE ME SCREENS AS CENTERPIECE DISNEY•PIXAR’S CARS 3 PRESENTED AS OPENING FAMILY FILM SPOTLIGHT FILMS INCLUDE COUP D’ETAT, DOG YEARS, FUN MOM DINNER, PATTI CAKE$, TAKE EVERY WAVE: THE LIFE OF LAIRD HAMILTON New York, NY (April 25, 2017) – The Nantucket Film Festival proudly announced today the opening night selection for its 2017 festival, Lionsgate/Amazon Studios’ THE BIG SICK, directed by Michael Showalter and written by Emily V. Gordon and Kumail Nanjiani. Based on the screenwriters’ real-life courtship, the romantic comedy follows the relationship between comedian Kumail (Nanjiani) and grad student Emily (Zoe Kazan) as they struggle with cultural differences and the unexpected impact of a mysterious illness. The film also stars Holly Hunter and Ray Romano. Paramount Pictures & Participant Media’s AN INCONVENIENT SEQUEL: TRUTH TO POWER, directed by Bonni Cohen and Jon Shenk will close the festival. As a follow-up to the Oscar®-winning AN INCONVENIENT TRUTH, the film charts Vice President Al Gore's continuing mission to solve our climate crisis before it's too late. The 22nd Nantucket Film Festival (NFF) will take place June 21-26, 2017, and celebrates the art of screenwriting and storytelling in cinema and television. Nick Broomfield (2017 NFF Honoree) and Rudi Dolezal’s WHITNEY: CAN I BE ME will screen as the festival’s centerpiece film. The documentary offers a candid look at the life, career, and untimely death of Whitney Houston.