Subject Guide – David Bowie This Subject Guide brings together key content from Bloomsbury Popular Music’s wide-ranging platform. With scholarly eBooks, 33 1/3 books, and encyclopedia articles, this guide is your springboard for David Bowie. EBook Chapters • Austerlitz, S. (2007). Music Video in Fugue. In Money For Nothing: A History of the Music Video from the Beatles to the White Stripes (pp. 11–30). New York: Continuum. https://www.bloomsburypopularmusic.com/encyclopedia-chapter?docid=b- 9781501330636&tocid=b-9781501330636-chapter1&st=David+Bowie • Austerlitz, S. (2007). Television Vaudeville. In Money For Nothing: A History of the Music Video from the Beatles to the White Stripes (pp. 31–64). New York: Continuum. https://www.bloomsburypopularmusic.com/encyclopedia-chapter?docid=b- 9781501330636&tocid=b-9781501330636-chapter2&st=david+bowie • Donnelly, K. (2015). Falling to Earth: Bowie’s Failed Film Soundtrack. In Magical Musical Tour: Rock and Pop in Film Soundtracks (pp. 93–104). New York: Bloomsbury Academic. https://www.bloomsburypopularmusic.com/encyclopedia-chapter?docid=b- 9781501312762&tocid=b-9781501312762-chapter7&st=david+bowie • Frost, B. (2019). Time machines. In R. Edgar , F. Mann & H. Pleasance (Ed.). Music, Memory and Memoir (pp. 151–164). New York,: Bloomsbury Academic. https://www.bloomsburypopularmusic.com/encyclopedia-chapter?docid=b- 9781501340673&tocid=b-9781501340673-chapter10&st=David+Bowie • Holm-Hudson, K. (2019). ‘Walking the Dead’: Memory and self-reflexive intertextuality in late-style David Bowie. In R. Edgar , F. Mann & H. Pleasance (Ed.). Music, Memory and Memoir (pp. 81–98). New York,: Bloomsbury Academic. https://www.bloomsburypopularmusic.com/encyclopedia-chapter?docid=b- 9781501340673&tocid=b-9781501340673-chapter6&st=david+bowie • Jeffrey W., C. (2017). Buddhism and Popular Music. In C. Partridge & M. Moberg (Ed.). The Bloomsbury Handbook of Religion and Popular Music (pp. 144–159). London: Bloomsbury Academic. https://www.bloomsburypopularmusic.com/encyclopedia-chapter?docid=b- 9781474237369&tocid=b-9781474237369-chapter13&st=david+bowie • Manghani, S. (2017). The Pleasures of (Music) Video. In G. Arnold , D. Cookney , K. Fairclough & M. Goddard (Ed.). Music/Video: Histories, Aesthetics, Media (pp. 21–40). New York: Bloomsbury Academic. https://www.bloomsburypopularmusic.com/encyclopedia-chapter?docid=b- 9781501313943&tocid=b-9781501313943-chapter1&st=david+bowie • Mills, R. (2017). ‘Rule Britannia is out of bounds’: David Bowie and English heritage. David Bowie Is … (2013) The Next Day (2013) and Blackstar (2016). In L. Brooks , M. Donnelly & R. Mills (Ed.). Mad Dogs and Englishness: Popular Music and English Identities (pp. 36– 53). New York: Bloomsbury Academic. https://www.bloomsburypopularmusic.com/encyclopedia-chapter?docid=b- 9781501311284&tocid=b-9781501311284-chapter2&st=david+bowie • Naiman, T. (2019). “More Solemn Than a Fading Star”: David Bowie’s Modernist Aesthetics of Ending. In L.A. Burns & S. Hawkins (Ed.). The Bloomsbury Handbook of Popular Music Video Analysis (pp. 297–314). New York,: Bloomsbury Academic. https://www.bloomsburypopularmusic.com/encyclopedia-chapter?docid=b- 9781501342363&tocid=b-9781501342363-chapter16&st=david+bowie • Perrott, L. (2020). The alchemical union of David Bowie and Floria Sigismondi: ‘Transmedia surrealism’ and ‘loose continuity’. In C. Vernallis , H. Rogers & L. Perrott (Ed.). Transmedia Directors: Artistry, Industry and New Audiovisual Aesthetics (pp. 194–220). London: Bloomsbury Academic. https://www.bloomsburypopularmusic.com/encyclopedia-chapter?docid=b- 9781501339295&tocid=b-9781501339295-chapter14&st=david+bowie • Smith, P. (2016). A Personal History of UK Arena Concerts: Reflections on Gigs over the Past Forty Years. In R. Edgar , K. Fairclough-Isaacs , B. Halligan & N. Spelman (Authors), The Arena Concert: Music, Media and Mass Entertainment (pp. 169–180). London: Bloomsbury Academic. https://www.bloomsburypopularmusic.com/encyclopedia-chapter?docid=b- 9781501316326&tocid=b-9781501316326-chapter11&st=David+Bowie • Wilson, S. (2020). One-missing. In Scott Walker and the Song of the One-All-Alone (pp. 59– 92). London: Bloomsbury Academic. https://www.bloomsburypopularmusic.com/encyclopedia-chapter?docid=b- 9781501332562&tocid=b-9781501332562-missing&st=David+Bowie • Wright, J.L. (2018). Introduction. In Crossover Stardom: Popular Male Music Stars in American Cinema (pp. 1–8). London: Bloomsbury Academic. https://www.bloomsburypopularmusic.com/encyclopedia-chapter?docid=b- 9781501396298&tocid=b-9781501396298-0000107&st=David+Bowie • Wright, J.L. (2017). The Boy Kept Swinging: David Bowie, Music Video, and the Star Image. In G. Arnold , D. Cookney , K. Fairclough & M. Goddard (Ed.). Music/Video: Histories, Aesthetics, Media (pp. 67–78). New York: Bloomsbury Academic. https://www.bloomsburypopularmusic.com/encyclopedia-chapter?docid=b- 9781501313943&tocid=b-9781501313943-chapter4&st=david+bowie • Woodall, K. (2019). Meeting your idols 1: Growing up addicted in York. In R. Edgar , F. Mann & H. Pleasance (Ed.). Music, Memory and Memoir (pp. 165–168). New York,: Bloomsbury Academic. https://www.bloomsburypopularmusic.com/encyclopedia-chapter?docid=b- 9781501340673&tocid=b-9781501340673-chapter11&st=david+bowie Whole eBooks • Bennett, A. (2020). British Progressive Pop 1970–1980. New York,: Bloomsbury Academic. https://www.bloomsburypopularmusic.com/encyclopedia?docid=b-9781501336669 • Cinque, T., Moore, C., & Redmond, S. (Ed.). (2015). Enchanting David Bowie: Space/Time/Body/Memory. New York: Bloomsbury Academic. https://www.bloomsburypopularmusic.com/encyclopedia?docid=b-9781501304781 • Waldrep, S. (2015). Future Nostalgia: Performing David Bowie. New York: Bloomsbury Academic. https://www.bloomsburypopularmusic.com/encyclopedia?docid=b-9781501314186 • Wilcken, H. (2005). David Bowie's Low. London: Bloomsbury Academic. Articles from the Bloomsbury Encyclopedia of Popular Music • Albiez, S. (2017). Avant-pop. In P. Prato & D. Horn (Ed.). Bloomsbury Encyclopedia of Popular Music of the World: Genres: Europe (pp. 36–38). London: Bloomsbury Academic. https://www.bloomsburypopularmusic.com/encyclopedia-chapter?docid=b- 9781501326110&tocid=b-9781501326110-fsm900-ch-31-sec-1 • Albiez, S. (2017). New Romantics. In P. Prato & D. Horn (Ed.). Bloomsbury Encyclopedia of Popular Music of the World: Genres: Europe (pp. 526–528). London: Bloomsbury Academic. https://www.bloomsburypopularmusic.com/encyclopedia-chapter?docid=b- 9781501326110&tocid=b-9781501326110-fsm15123-ch-31-sec-1&st=David+Bowie • Albiez, S. (2017). Synthpop. In P. Prato & D. Horn (Ed.). Bloomsbury Encyclopedia of Popular Music of the World: Genres: Europe (pp. 765–767). London: Bloomsbury Academic. https://www.bloomsburypopularmusic.com/encyclopedia-chapter?docid=b- 9781501326110&tocid=b-9781501326110-fsm21632-ch-31-sec-1&st=David+Bowie • Auslander, P. (2017). Glam Rock. In P. Prato & D. Horn (Ed.). Bloomsbury Encyclopedia of Popular Music of the World: Genres: Europe (pp. 331–334). London: Bloomsbury Academic. https://www.bloomsburypopularmusic.com/encyclopedia-chapter?docid=b- 9781501326110&tocid=b-9781501326110-fsm9201-ch-31-sec-1#b-9781501326110- fsm9211-ch-31-sec-1 • Brackett, D. (2003). Pastiche. In J. Shepherd , D. Horn , D. Laing , P. Oliver & P. Wicke (Ed.). Bloomsbury Encyclopedia of Popular Music of the World: Performance and Production (p. ). London: Continuum. https://www.bloomsburypopularmusic.com/encyclopedia-chapter?docid=b- 9781501329234&tocid=b-9781501329234-08742&st=David+Bowie • Buckley, D. (2003). Iconography. In J. Shepherd , D. Horn , D. Laing , P. Oliver & P. Wicke (Ed.). Bloomsbury Encyclopedia of Popular Music of the World: Media, Industry and Society (p. ). London: Continuum. https://www.bloomsburypopularmusic.com/encyclopedia-chapter?docid=b- 9781501329227&tocid=b-9781501329227-0025970&st=David+Bowie • Buckley, D. , & Laing, D. (2003). Stage Act. In J. Shepherd , D. Horn , D. Laing , P. Oliver & P. Wicke (Ed.). Bloomsbury Encyclopedia of Popular Music of the World: Performance and Production (p. ). London: Continuum. https://www.bloomsburypopularmusic.com/encyclopedia-chapter?docid=b- 9781501329234&tocid=b-9781501329234-0014293&st=David+Bowie • Buckley, D. , & Shepherd, J. (2003). Fans. In J. Shepherd , D. Horn , D. Laing , P. Oliver & P. Wicke (Ed.). Bloomsbury Encyclopedia of Popular Music of the World: Media, Industry and Society (p. ). London: Continuum. https://www.bloomsburypopularmusic.com/encyclopedia-chapter?docid=b- 9781501329227&tocid=b-9781501329227-0024627&st=David+Bowie • Buckley, D. , & Shepherd, J. (2003). Stardom. In J. Shepherd , D. Horn , D. Laing , P. Oliver & P. Wicke (Ed.). Bloomsbury Encyclopedia of Popular Music of the World: Media, Industry and Society (p. ). London: Continuum. https://www.bloomsburypopularmusic.com/encyclopedia-chapter?docid=b- 9781501329227&tocid=b-9781501329227-0025657&st=David+Bowie • Horn, D. , & Sanjek, D. (2003). —Victor (US). In J. Shepherd , D. Horn , D. Laing , P. Oliver & P. Wicke (Ed.). Bloomsbury Encyclopedia of Popular Music of the World: Media, Industry and Society (p. ). London: Continuum. https://www.bloomsburypopularmusic.com/encyclopedia-chapter?docid=b- 9781501329227&tocid=b-9781501329227-0029860&st=David+Bowie • Laing, D. (2003). —Rykodisc (US). In J. Shepherd , D. Horn , D. Laing , P. Oliver & P. Wicke (Ed.). Bloomsbury Encyclopedia of Popular Music of the World: Media, Industry and Society (p. ). London: Continuum. https://www.bloomsburypopularmusic.com/encyclopedia-chapter?docid=b-