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Central University of Karnataka
CENTRAL UNIVERSITY OF KARNATAKA Kadaganchi, Kalaburagi-585367 PROVISIONAL FIRST LIST OF CANDIDATES CALLED FOR THE OPEN COUNSELLING ON 14.07.2017 PROGRAMME: INTEGRATED B.Sc. & M.Sc. (NO. OF REMAINING VACANT SEATS 25 = GEN – 10, OBC – 08, SC –05, ST-02) SUPERNUMERARY SEATS: HKR – 3, NCC/NSS/SPORTS -1, WDP -1, PH – 01, KM - 01) CANDIDATE Q.E CUCET SL. NO. NAME OF THE CANDIDATE CATEGORY REMARKS ID MARKS % MARKS 1 124057 APARNA C OBC 96 76.25 2 110812 SOUGANDH K M GM 96.00 73.75 3 199762 SREELAKSHMI OBC 94.40 73.5 4 111795 AHMED SHANIB GM 92.00 73.25 5 187165 ABHIRAMI R K OBC 99.50 70.75 6 173724 PREET RANJAN OBC 69.75 7 102511 ABHIRAMI J J GM 94 69 8 154663 N SHRAVAN KUMAR SHETTY GM 69 9 177333 SNEHA RAJESH GM 94 68.75 10 100043 SHAURYA UPADHYAYA GM 68.5 11 104300 ADITYA RAJ GM 67.75 12 105061 KARTHIKA NAIR GM 87.60 67 13 193133 NASEEF KAMAL T OBC 96.25 67 14 186110 SAMBIT KUMAR BAL GM 77.00 66.5 15 170650 ATHIRA R GM 95.2 66.25 16 130025 JENITH RAJ GM 88.80 65.75 17 200235 SOURAV KARMAKAR OBC 65 18 137982 DEBASHIS ROUT GM 80.16 63.75 19 215090 MANIRATHINAM R OBC 93.8 63.75 20 118860 ARYA KRISHNA T OBC 86.20 63.75 21 143088 LAKSHYA SHARMA GM 75.8 63.5 22 134640 MUHAMMAD MURSHID P P OBC 90.25 63.5 23 101741 ROHIT P LAL GM 63.25 24 105774 MANAS DAS GM 94.80 63 25 213060 VENI KRISHNA A K GM 94 63 26 166667 SYED ALI RIZVI GM 57.8 62.75 27 144528 RISHIKESH P GM 62 28 134559 ASHMIL MUHAMMED ALI GM 93.4 61.5 29 160452 RAJNISH KAUR GM 96 61.5 30 184511 SHUBHAM RANKAWAT OBC 88.80 61.5 31 177542 ADITYA GYANASAGAR GM 89.2 61.25 32 156450 ARDHRA DAS -
Exploitation, Victimhood, and Gendered Performance in Rituparno Ghosh’S Bariwali
EXPLOITATION, VICTIMHOOD, AND GENDERED PERFORMANCE IN RITUPARNO GHOSH’S BARIWALI Rohit K. Dasgupta and Tanmayee Banerjee Rituparno Ghosh (1961—2013) was a filmmaker, lyricist, and writer who first emerged on the cultural scene in Bengal as a copywriter at Response, a Kolkata-based advertising firm in the eighties. He made a mark for himself in the world of commercials, winning several awards for his company be- fore directing two documentaries for Doordarshan (India’s national public television). He moved into narrative film- making with the critically acclaimed Hirer Angti (Diamond Ring, 1992) and the National Award–winning Unishe April (19th April, 1995). He is credited with changing the experi- ence of cinema for the middle-class Bengali bhadrolok and 1 thus opening a new chapter in the history of Indian cinema. Ghosh arrived at a time when Bengali cinema was going Rituparno Ghosh. ©SangeetaDatta,2013 through a dark phase. Satyajit Ray had passed away in 1992 , leaving a vacuum. Although filmmakers such as Mrinal Ghosh, clearly influenced by Ray and Sen, addressed the Sen, Goutam Ghose, Aparna Sen, and Buddhadeb Dasgupta Bengali middle-class nostalgia for the past and made films “ ” contributed significantly to his genre of intellectual cinema, that were distinctly “Bengali” yet transcended its parochialism. they did not have much command over the commercial mar- Ghosh’s films were widely appreciated for their challenging “ ” ket. The contrived plots, melodrama, and obligatory fight narratives. His stories explored such transgressive social codes sequences of the action-packed Hindi cinema, so appealing to as incest in Utsab (Festival, 1999), marital rape in Dahan the masses, had barely anything intelligible to offer to those in (Crossfire, 1997), polyamory in Shubho Muharat (First Shot, search of a higher quality cinema. -
Chapter 1 Uday Shankar and Locating Modernity
CHAPTER 1 UDAY SHANKAR AND LOCATING MODERNITY In 1920, a twenty year old, handsome Indian student arrived in London to study painting at the Royal College of Art. Three years later, he made his debut at Covent Garden alongside the legendary Russian ballet dancer, Anna Pavlova, although—quite remarkably—until a few months earlier, he had little to no dance experience. His audiences in England, France, and the United States nevertheless thought he was very talented at what he did. The dancer invented a new style of dance, which purportedly represented Indian culture; his dance looked “foreign” enough that nobody doubted his claim. In the late 1920s, the dancer returned to India, and demonstrated his new style to his fellow compatriots. Most of his compatriots did not care for this new style, but a few prominent figures encouraged him to continue with what he was doing. His family and friends also supported him; some of them even joined his dance troupe as dancers and musicians, including his youngest brother, twenty years his junior. The troupe then returned to Paris. Meanwhile, India was nearing the end of its dramatic transition from a British imperial colony to a newly independent nation. When the dancer returned to settle in India in the late 1930s, he immersed himself in the current debates over India’s future identity and culture. Most people, who believed the essence of Indian culture could be found in its ancient traditions, were looking to the past for the “real” definition of national culture and identity. The dancer, however, proposed that his invented style and eclectic approach to art defined India’s culture instead. -
Professional-Address.Pdf
NAME FAT_HS_NA CORADDRE CORADD CORADDRE CORADDR COR_STATE COR_PIN SEX NAMECAT SS RESS1 SS2 ESS3 VIKRAM JIT SINGH COLONEL D.S. 3/33 CHANDIG CHANDIGAR 160011 M DR. VOHRA VOHRA SECTOR 28- ARH H USHA PANDIT TAPARE SH.TAPARE P 'SNEHBAND NEAR DIST- MAHARASH 412803 F MRS. BHIMRAO H' S.T. SATARA TRA JAI PRAKASH SINGH SHRI R.S.SINGH 15/32, WEST NEW DELHI M DR. PATEL BISWAJIT MOHANTY LATE SH. VOCATIONA HANDICA POLICE BIHAR M PRABHAT KR. L REHABI. PPED, COLONY,ANI MR. MOHANTY CENTRE A/84 SABAD,PAT PHILOMENA JOSEPH SHRI LECTURER S.P. TIRUPATI ANDHRA 517502 F J.THENGUVILAYIL IN SPECIAL MAHILA PRADESH MRS. EDUCATION UNIVERSI MODI PRAVIN SHRI BONNY DALIA ELLISBRIDG GUJARAT 380006 M KESHAVLAL M.K.CHHAGANLAL ORTHOPAE BUILDING E, MR. DICS ,NR AHMEDABA VEENA APPARASU SH. PLOT NO SHASTRI HYDERABAD ANDHRA F VENKATESHWAR 188, PURAM PRADESH MS. RAO 'SWAPRIKA' CLY,PO- PROF.T REVATHY SRI N.R.GUPTA THAKUR REHABI.F NAGGR,DILS HYDERAB ANDHRA F HARI OR THE UKH AD PRADESH ARABINDA MOHANTY SRI R.MOHANTY PLOT NO 24, BHUBANE ORISSA M DR. SAHEEDNA SWAR B.P. YADAV LATE 1/1 SARVA DELHI M DR. SH.K.L.MANDAL PRIYA DHARMENDRA KUMAR SHRI ROOP SENIOR DEPT. OF SAFDARJAN NEW DELHI 110029 M DR. CHAND MEDICAL REHABILI G WUNNAVA GANDHI SH MAYUR, 377 MUMBAI MAHARASH M RAMRAO W.V.V.B.RAMALIG V.P. ROAD TRA DR. AM MOHAN SUNKAD SHRI A.R. SUNKAD ST. HONAVA KARNATAKA 581334 M DR. IGNATIUS R SHARAS SHANKAR SHRI 11/17, PANDUR GOREGAON MAHARASH M MR. RANADE R.S.RAMCHANDR RAMKRIPA ANGWADI (E), MUMBAI TRA DR. -
India Dance Brochure
About the Mamata Shankar Ballet Troupe: Florence High School’s Creative Writing Program teaches students to write for The Group follows the style evolved by Uday Shankar, which has the inherent grammar of Classical Indian dance and yet is innovative, contemporary and not shackled with the moors of rigid classicism. publication. Students write poems, short stories, essays, and one-act plays which The graceful body movements are blended with the idiom of vibrant folk dances of India to attain a are entered into local, state, and national writing competitions. Creative Writing statuesque quality of lyricism. The group believes that dance inculcates the feeling of love & compassion, students also write, edit, design, and publish Signatures, Florence High School’s gives a meaningful dimension to human emotions, and binds the mind and heart of the youth to the award-winning literary-arts magazine. cultural heritage and tradition. About Mamata Shankar: The mission of the Bengali Association of Huntsville is to educate the communi- Mamata Shankar is the Principal of the institution. She is an accomplished dancer, choreographer, and an ty about the culture and heritage of Bengal and its neighboring regions through actress. She has trained in Bharatanatyam, Manipuri, Kathakali, and the Uday Shankar style of dance. She educational, cultural, and recreational activities. is the daughter of Uday and Amala Shankar, wife of Chandrodoy Ghosh, niece of Pt. Ravi Shankar and sister of Ananda Shankar. Shoals India & South Asian Association (SISAA) is a non-profit organization About Chandrodoy Ghosh: based in the Shoals. SISAA’s primary mission is to enhance awareness about Chandrodoy Ghose is the Founder-Director of MAMATA SHANKAR BALLET TROUPE. -
Annexure 1B 18416
Annexure 1 B List of taxpayers allotted to State having turnover of more than or equal to 1.5 Crore Sl.No Taxpayers Name GSTIN 1 BROTHERS OF ST.GABRIEL EDUCATION SOCIETY 36AAAAB0175C1ZE 2 BALAJI BEEDI PRODUCERS PRODUCTIVE INDUSTRIAL COOPERATIVE SOCIETY LIMITED 36AAAAB7475M1ZC 3 CENTRAL POWER RESEARCH INSTITUTE 36AAAAC0268P1ZK 4 CO OPERATIVE ELECTRIC SUPPLY SOCIETY LTD 36AAAAC0346G1Z8 5 CENTRE FOR MATERIALS FOR ELECTRONIC TECHNOLOGY 36AAAAC0801E1ZK 6 CYBER SPAZIO OWNERS WELFARE ASSOCIATION 36AAAAC5706G1Z2 7 DHANALAXMI DHANYA VITHANA RAITHU PARASPARA SAHAKARA PARIMITHA SANGHAM 36AAAAD2220N1ZZ 8 DSRB ASSOCIATES 36AAAAD7272Q1Z7 9 D S R EDUCATIONAL SOCIETY 36AAAAD7497D1ZN 10 DIRECTOR SAINIK WELFARE 36AAAAD9115E1Z2 11 GIRIJAN PRIMARY COOPE MARKETING SOCIETY LIMITED ADILABAD 36AAAAG4299E1ZO 12 GIRIJAN PRIMARY CO OP MARKETING SOCIETY LTD UTNOOR 36AAAAG4426D1Z5 13 GIRIJANA PRIMARY CO-OPERATIVE MARKETING SOCIETY LIMITED VENKATAPURAM 36AAAAG5461E1ZY 14 GANGA HITECH CITY 2 SOCIETY 36AAAAG6290R1Z2 15 GSK - VISHWA (JV) 36AAAAG8669E1ZI 16 HASSAN CO OPERATIVE MILK PRODUCERS SOCIETIES UNION LTD 36AAAAH0229B1ZF 17 HCC SEW MEIL JOINT VENTURE 36AAAAH3286Q1Z5 18 INDIAN FARMERS FERTILISER COOPERATIVE LIMITED 36AAAAI0050M1ZW 19 INDU FORTUNE FIELDS GARDENIA APARTMENT OWNERS ASSOCIATION 36AAAAI4338L1ZJ 20 INDUR INTIDEEPAM MUTUAL AIDED CO-OP THRIFT/CREDIT SOC FEDERATION LIMITED 36AAAAI5080P1ZA 21 INSURANCE INFORMATION BUREAU OF INDIA 36AAAAI6771M1Z8 22 INSTITUTE OF DEFENCE SCIENTISTS AND TECHNOLOGISTS 36AAAAI7233A1Z6 23 KARNATAKA CO-OPERATIVE MILK PRODUCER\S FEDERATION -
Mohanlal Filmography
Mohanlal filmography Mohanlal Viswanathan Nair (born May 21, 1960) is a four-time National Award-winning Indian actor, producer, singer and story writer who mainly works in Malayalam films, a part of Indian cinema. The following is a list of films in which he has played a role. 1970s [edit]1978 No Film Co-stars Director Role Other notes [1] 1 Thiranottam Sasi Kumar Ashok Kumar Kuttappan Released in one center. 2 Rantu Janmam Nagavally R. S. Kurup [edit]1980s [edit]1980 No Film Co-stars Director Role Other notes 1 Manjil Virinja Pookkal Poornima Jayaram Fazil Narendran Mohanlal portrays the antagonist [edit]1981 No Film Co-stars Director Role Other notes 1 Sanchari Prem Nazir, Jayan Boban Kunchacko Dr. Sekhar Antagonist 2 Thakilu Kottampuram Prem Nazir, Sukumaran Balu Kiriyath (Mohanlal) 3 Dhanya Jayan, Kunchacko Boban Fazil Mohanlal 4 Attimari Sukumaran Sasi Kumar Shan 5 Thenum Vayambum Prem Nazir Ashok Kumar Varma 6 Ahimsa Ratheesh, Mammootty I V Sasi Mohan [edit]1982 No Film Co-stars Director Role Other notes 1 Madrasile Mon Ravikumar Radhakrishnan Mohan Lal 2 Football Radhakrishnan (Guest Role) 3 Jambulingam Prem Nazir Sasikumar (as Mohanlal) 4 Kelkkatha Shabdam Balachandra Menon Balachandra Menon Babu 5 Padayottam Mammootty, Prem Nazir Jijo Kannan 6 Enikkum Oru Divasam Adoor Bhasi Sreekumaran Thambi (as Mohanlal) 7 Pooviriyum Pulari Mammootty, Shankar G.Premkumar (as Mohanlal) 8 Aakrosham Prem Nazir A. B. Raj Mohanachandran 9 Sree Ayyappanum Vavarum Prem Nazir Suresh Mohanlal 10 Enthino Pookkunna Pookkal Mammootty, Ratheesh Gopinath Babu Surendran 11 Sindoora Sandhyakku Mounam Ratheesh, Laxmi I V Sasi Kishor 12 Ente Mohangal Poovaninju Shankar, Menaka Bhadran Vinu 13 Njanonnu Parayatte K. -
Maharashtra Nursing Council,Mumbai
06/07/2017 MAHARASHTRA NURSING COUNCIL,MUMBAI Seat No. & Exam Center Allotted For REVISED GENERAL NURSING AND MIDWIFERY THIRD YEAR Exam held in August 2017 Centre Name : B.Y.L.NAIR CHA. HOSP, MUMBAI Institute Name: G.T. HOSPITAL, MUMBAI Centre Inst. Seat No. Name Exempted Subjects Sr.No. Sr. No. 1 1 1 MISS CHORGE AKANKSHA MANGESH 2 2 2 MISS DHOKE ASHWINI ARJUN 3 3 3 MISS DHUMAL DARSHANA KRISHNA 4 4 4 MISS DOIPHODE KUMUDINI MADHUKAR 5 5 5 MISS GANGURDE SONIYA RAJESH 6 6 6 MR GAVIT PRADIP CHANDAR 7 7 7 MISS JAISWAR REENA LOUTURAM 8 8 8 MISS KAMBLE SAYALI CHANDRAKANT 9 9 9 MISS KANOJA JAISHRI JANU 10 10 10 MISS KANOJIYA NEELAM GANGARAM 11 11 11 MISS KOLAPATE NAMITA GANPAT 12 12 12 MISS KOTKAR SHIVANI VILAS 13 13 13 MISS KSHIRSAGAR NIKITA GANAPAT 14 14 14 MISS NARKAR ANITA LAXMAN 15 15 15 MISS PALVANKAR PRIYANKA ANANT 16 16 16 MISS PATIL SHRUTIKA PRAMOD 17 17 17 MISS RAHATE SNEHA SHASHIKANT 18 18 18 MISS RAMANE YOGITA PRAKASH 19 19 19 MISS RANE SUSMITA KRISHNA Page 1 of 461 06/07/2017 MAHARASHTRA NURSING COUNCIL,MUMBAI Seat No. & Exam Center Allotted For REVISED GENERAL NURSING AND MIDWIFERY THIRD YEAR Exam held in August 2017 20 20 20 MISS RATHOD SHITAL RAMDHAN 21 21 21 MISS VALANJU PRITI MANGESH 22 22 22 MR VALVI NIRMAL AJIT 23 23 23 MISS WAGHMARE MONIKA VILAS NOTE : 'P' MEANS PROVISIONALLY PERMITTED ******************************************************************************************************************************************* if there is any mistake in the EXEMPTION of the Candidate it should be brought to the notice of the Council before the examination otherwise Councile will not be resposible for any Consequences. -
MESS BILL for OCTOBER 2013 Srno Roll No Name Mess Total 1 101111041 K
MESS BILL FOR OCTOBER 2013 srno Roll No Name Mess total 1 101111041 K. S. Kaushik A & B 2170 2 101113001 A J SUDHI A & B 2170 3 101113002 ADAPALA ARAVINDH BABU A & B 2170 4 101113004 AMIT KUMAR A & B 2170 5 101113005 AMITHVISHAL. P A & B 2470 6 101113007 ANGAMBA NAMEIRAKPAM A & B 2689 7 101113008 ANIRUDH DEORAH A & B 2365 8 101113010 ANWIN P S A & B 2545 9 101113011 ARUN. M.V A & B 2170 10 101113012 ASHISH RANJAN A & B 2170 11 101113014 CHANDU SAI TARUN A & B 2348 12 101113016 GUDALA DILEEP A & B 2170 13 101113017 HUKUMU RIO DEBBARMA A & B 2621 14 101113019 JULIAN DIVAKAR A A & B 2170 15 101113020 KARNIK N HEGDE A & B 2170 16 101113021 KOKKIRALA HARSHA VARDHAN RAO A & B 2170 17 101113022 KUMAVATH CHANDRA SHEKHAR NAIK A & B 2758 18 101113024 M GOKUL ANAND A & B 2170 19 101113025 MADAM MALLIKARJUN A & B 2170 20 101113026 MAHONRING SHAIZA A & B 2668 21 101113027 MOHAMMED SIRAJUDDIN A & B 2170 22 101113029 NIKHIL CHOPRA GALIMOTU A & B 2529 23 101113030 NILESH ROY A & B 2687 24 101113034 RAFAEL WILLIAMS MANNERS A & B 2170 25 101113035 RAHUL SOMARAJAN NAIR A & B 2170 26 101113036 RAVIPUDI SRIKANTH A & B 2170 27 101113037 S N MITHUN BALAJI A & B 2170 28 101113038 S P GANESHAN A & B 2170 29 101113039 S SANTHOSH A & B 2728 30 101113040 S SIDDHARTH A & B 2170 31 101113042 SHAHUL SHANAVAS S A & B 2170 32 101113043 SIDHARTH.K A & B 2170 33 101113045 SRIRAM R A & B 2425 34 101113048 YOKESHWAR ELANGOVAN A & B 2170 35 102111003 A. -
(In Rs) 1 2018006273 Davu Ambika Devi 1-399048571 ANDHRA A.A.N.M
Student wise details of the Scholarship released Name of the Scheme: Pragati Scholarship scheme (Degree+Diploma) Frequency of the Scholarship – Annual Amount released during the month of February 2021 S. No. Student ID Name of the Student Institute ID Institute State Institute Name Amount Released (in Rs) 1 2018006273 Davu Ambika Devi 1-399048571 ANDHRA A.A.N.M. & V.V.R.S.R. 20,000 PRADESH POLYTECHNIC 2 2018005266 Ede Harshitha 1-399048571 ANDHRA A.A.N.M. & V.V.R.S.R. 20,000 PRADESH POLYTECHNIC 3 2018001428 Gangula Veena Madhavi 1-399048571 ANDHRA A.A.N.M. & V.V.R.S.R. 20,000 PRADESH POLYTECHNIC 4 2018004012 Manne Vijaya Durga 1-399048571 ANDHRA A.A.N.M. & V.V.R.S.R. 20,000 PRADESH POLYTECHNIC 5 2018006786 Rashmitha Yalakurthi 1-399048571 ANDHRA A.A.N.M. & V.V.R.S.R. 20,000 PRADESH POLYTECHNIC 6 2018004203 Sai Keerthi Chavan 1-399048571 ANDHRA A.A.N.M. & V.V.R.S.R. 20,000 PRADESH POLYTECHNIC 7 2018001647 Somaraju Aswini 1-399048571 ANDHRA A.A.N.M. & V.V.R.S.R. 20,000 PRADESH POLYTECHNIC 8 2018005439 Sonti Sindhu 1-399048571 ANDHRA A.A.N.M. & V.V.R.S.R. 20,000 PRADESH POLYTECHNIC 9 2018004167 Sonti Yasasri 1-399048571 ANDHRA A.A.N.M. & V.V.R.S.R. 20,000 PRADESH POLYTECHNIC 10 2018001300 Veccha Naga Lakshmi 1-399048571 ANDHRA A.A.N.M. & V.V.R.S.R. 27,735 Annapurna PRADESH POLYTECHNIC 11 2018002991 Ghantasala Sowmya Sree 1-399048571 ANDHRA A.A.N.M. -
A Legacy of Innovation: Contextualising an International Creative Practice Project
COVER SHEET Stock, Cheryl F. (2006) A Legacy of Innovation: Contextualising an International Creative Practice Project. Kolkata, West Bengal. 2004. In Vella, Richard, Eds. Proceedings SPIN SPeculation and INnovation: Applying Practice Led Research in the Creative Industries, pages pp. 1- 16, Creative Industries Faculty, QUT, Brisbane. Copyright 2006 Cheryl F. Stock Accessed from http://eprints.qut.edu.au A LEGACY OF INNOVATION Contextualising an international creative practice project Kolkata, West Bengal, December 2004. Cheryl Stock Creative Industries Queensland University of Technology [email protected] Abstract Rabindranath Tagore and Uday Shankar, both 20 th century Indian cultural icons, used tradition as a basis for new theatre concepts and processes, which were innovative yet commercially and internationally successful. As with many innovators, their once fresh ideas now form the basis of a somewhat formulaic approach emulated by dance organisations in West Bengal . Understanding this context was crucial at the 2004 Kolkata International Choreographic Workshop in which three non-Indian choreographers worked with teams of 17-20 Indian dancers trained either in classical traditions or the ‘Uday Shankar' style. This paper speculates on differing interpretations of innovation and practice through problematising the expectations, actuality and outcomes of this workshop. Encoded with the cultural aesthetics and movement patterns of their training and beliefs, the dancers also subtly imbued the process and works with the underlying spiritual significance of Indian dance. Analysis of the creative processes of the workshop yields intermittent understandings of their complex cultural, political and social milieu. The paper also examines issues of content creation, form and function in a culture where commercialisation, tradition and spirituality exist side by side within a work, an ethos, a community. -
List of Names Drawing Central Samman Pension Sl No
List of Names drawing Central Samman Pension Sl no. Name State ANDAMAN AND NICOBAR 1 MRS. JAMUNA KUMARI ISLANDS 2 BOLLAM NAGALAXMI ANDHRA PRADESH 3 KOMPALLY RADHMMA W/O LATE BAANDHRA PRADESH 4 A HANUMANTHA RAO ANDHRA PRADESH 5 KALYANAPU ANASURYAMMA ANDHRA PRADESH 6 RAMISETTI VENKATA MAHA LAXMI ANDHRA PRADESH 7 LAGADAPATI CHENCHAIAH ANDHRA PRADESH 8 DAMULURI VENKATESWARLU ANDHRA PRADESH 9 N SUBHADRAMMA W/O LATE KOTEANDHRA PRADESH 10 LAGADAPATI KAMALAMMA ANDHRA PRADESH 11 LAGADAPATI NARASIMHA RAO ANDHRA PRADESH 12 LAGADAPATI PAKEERAIAH ANDHRA PRADESH 13 VUNNAM VENKATESWARLU ANDHRA PRADESH 14 VUTUKURU YASODASMMA W/O LATANDHRA PRADESH 15 J BUTCHAIAH ANDHRA PRADESH 16 AKKINENI NIRMALA ANDHRA PRADESH 17 LAGADAPATI NAGESWARA RAO ANDHRA PRADESH 18 YERNENI VENKATA RAVAMMA ANDHRA PRADESH 19 K DHNALAXMI W/O LATE BASAVAIAANDHRA PRADESH 20 RAMISETTI PEDDA VENKATESWARLANDHRA PRADESH 21 KOPPU GOVINDAMMA ANDHRA PRADESH 22 GADDE SATYANARAYANA ANDHRA PRADESH 23 NIRUKONDA KOTESWARA RAO ANDHRA PRADESH 24 KOLLI BHARATHA VENKATA ANDHRA PRADESH 25 GADDE RAGHAVAIAH ANDHRA PRADESH 26 KOTA VENKATA RAVAMMA ANDHRA PRADESH 27 CHIRUMAMILLA SATYANARAYANA ANDHRA PRADESH 28 CHERUKURI KAMALAMMA ANDHRA PRADESH 29 S SUSEELAMMA DEVI W/O LATE SU ANDHRA PRADESH 30 SURYADEVARA V KR MURTHY ANDHRA PRADESH 31 DANTALA SEETHAMMA W/O LATE DANDHRA PRADESH 32 CHAVALA NAGAMMA W/O LATE HAVANDHRA PRADESH 33 SURYADEVARA CHANDRASEKHARAANDHRA PRADESH 34 BAHUDODDA KONDAIAH ANDHRA PRADESH 35 BANDI SATYANARAYANA ANDHRA PRADESH 36 ANUMALA ASWADHA NARAYANA ANDHRA PRADESH 37 KESARI PERAMMA ANDHRA