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Bachelor's Programme in English Language and Literature, St
Bachelor’s Programme in English Language and Literature, St. Teresa’s College (Autonomous) ST.TERESA’S COLLEGE (AUTONOMOUS) ERNAKULAM (Affiliated to Mahatma Gandhi University, Kottayam) CURRICULUM AND SYLLABI FOR BACHELOR’S PROGRAMME IN ENGLISH LANGUAGE AND LITERATURE AND SYLLABI FOR COMPLEMENTARY COURSES IN ENGLISH LANGUAGE AND LITERATURE Under Choice Based Credit & Semester System (2018 Admissions) Bachelor’s Programme in English Language and Literature, St Teresa’s College (Autonomous) ST. TERESA’S COLLEGE (AUTONOMOUS), ERNAKULAM DEPARTMENT OF ENGLISH BOARD OF STUDIES IN ENGLISH Sl Name of the Official Address Designation No. member 1 Dr. Tessy Anthony C. Associate Professor Chairman Department of English and Centre for Research, St. Teresa’s College. 2 Dr. Janaky Sreedharan Associate Professor Subject Expert Department of English, Calicut University 3 Dr. Meena T. Pillai, Associate Professor, Institute of Subject Expert English & Director, Centre for Cultural Studies, University of Kerala, Thiruvananthapuram, 4 Dr. Kalyani Vallath Director, Total English Solutions Industrial Expert 5 Ms. Alicen Jacob Assistant Professor, Alumni Aquinas College, Edakochi. 6 Dr. Beena Job, Associate Professor & Head Member Department of English and Centre for Research, St. Teresa’s College (Autonomous), Ernakulam 7 Dr. Latha R. Nair Associate Professor, Member Department of English, St. Teresa’s College (Autonomous), Ernakulam 8 Dr. Priya K. Nair Assistant Professor, Member Department of English, St. Teresa’s College (Autonomous), Ernakulam Curriculum and Syllabus 2018 admissions onwards 1 Bachelor’s Programme in English Language and Literature, St Teresa’s College (Autonomous) List of teachers who contributed to Board of Studies 1. Dr. Tessy Anthony C., Chairman, Board of Studies in English 2. -
Signatory ID Name CIN Company Name 02700003 RAM TIKA
Signatory ID Name CIN Company Name 02700003 RAM TIKA U55101DL1998PTC094457 RVS HOTELS AND RESORTS 02700032 BANSAL SHYAM SUNDER U70102AP2005PTC047718 SHREEMUKH PROPERTIES PRIVATE 02700065 CHHIBA SAVITA U01100MH2004PTC150274 DEJA VU FARMS PRIVATE LIMITED 02700070 PARATE VIJAYKUMAR U45200MH1993PTC072352 PARATE DEVELOPERS P LTD 02700076 BHARATI GHOSH U85110WB2007PTC118976 ACCURATE MEDICARE & 02700087 JAIN MANISH RAJMAL U45202MH1950PTC008342 LEO ESTATES PRIVATE LIMITED 02700109 NATESAN RAMACHANDRAN U51505TN2002PTC049271 RESHMA ELECTRIC PRIVATE 02700110 JEGADEESAN MAHENDRAN U51505TN2002PTC049271 RESHMA ELECTRIC PRIVATE 02700126 GUPTA JAGDISH PRASAD U74210MP2003PTC015880 GOPAL SEVA PRIVATE LIMITED 02700155 KRISHNAKUMARAN NAIR U45201GJ1994PTC021976 SHARVIL HOUSING PVT LTD 02700157 DHIREN OZA VASANTLAL U45201GJ1994PTC021976 SHARVIL HOUSING PVT LTD 02700183 GUPTA KEDAR NATH U72200AP2004PTC044434 TRAVASH SOFTWARE SOLUTIONS 02700187 KUMARASWAMY KUNIGAL U93090KA2006PLC039899 EMERALD AIRLINES LIMITED 02700216 JAIN MANOJ U15400MP2007PTC020151 CHAMBAL VALLEY AGRO 02700222 BHAIYA SHARAD U45402TN1996PTC036292 NORTHERN TANCHEM PRIVATE 02700226 HENDIN URI ZIPORI U55101HP2008PTC030910 INNER WELLSPRING HOSPITALITY 02700266 KUMARI POLURU VIJAYA U60221PY2001PLC001594 REGENCY TRANSPORT CARRIERS 02700285 DEVADASON NALLATHAMPI U72200TN2006PTC059044 ZENTERE SOLUTIONS PRIVATE 02700322 GOPAL KAKA RAM U01400UP2007PTC033194 KESHRI AGRI GENETICS PRIVATE 02700342 ASHISH OBERAI U74120DL2008PTC184837 ASTHA LAND SCAPE PRIVATE 02700354 MADHUSUDHANA REDDY U70200KA2005PTC036400 -
Applications Received During 1 to 31 March, 2018
Applications received during 1 to 31 March, 2018 The publication is a list of applications received during 1 to 31 March, 2018. The said publication may be treated as a notice to every person who claims or has any interest in the subject matter of Copyright or disputes the rights of the applicant to it under Rule 70 (9) of Copyright Rules, 2013. Objections, if any, may be made in writing to copyright office by post or e-mail within 30 days of the publication. Even after issue of this notice, if no work/documents are received within 30 days, it would be assumed that the applicant has no work / document to submit and as such, the application would be treated as abandoned, without further notice, with a liberty to apply afresh. S.No. Diary No. Date Title of Work Category Applicant 1 3158/2018-CO/L 01-03-2018 Concept of Overlapping Theory in Predictive Literary/ Dramatic Santanu Dey Astrology 2 3159/2018-CO/M 01-03-2018 LALITHAGANASEKHARAM Literary/ Dramatic SHAJI K K 3 3160/2018-CO/L 01-03-2018 "COMPILATION PROCESS FROM HIGH LEVEL Literary/ Dramatic Ms.Nirmal Mungale LANGUAGE TO LOW LEVEL LANGUAGE 4 3161/2018-CO/L 01-03-2018 THREE TIER ARCHITECTURE OF DATA Literary/ Dramatic Ms.Kiran Likhar WAREHOUSE 5 3162/2018-CO/L 01-03-2018 DATA WAREHOUSING & MINING Literary/ Dramatic Ms.Kiran Likhar 6 3163/2018-CO/L 01-03-2018 A Flower in the Wild Wind Literary/ Dramatic Priya Rajamani 7 3164/2018-CO/L 01-03-2018 Shares of Tares Literary/ Dramatic Sam Daniel 8 3165/2018-CO/L 01-03-2018 The Yellow Scooter Literary/ Dramatic Sunil H Kothari 9 3166/2018-CO/L 01-03-2018 Urban Curse Literary/ Dramatic Sangbaran Chatterjee, Sanjeeb Kr. -
Koel Chatterjee Phd Thesis
Bollywood Shakespeares from Gulzar to Bhardwaj: Adapting, Assimilating and Culturalizing the Bard Koel Chatterjee PhD Thesis 10 October, 2017 I, Koel Chatterjee, hereby declare that this thesis and the work presented in it is entirely my own. Where I have consulted the work of others, this is always clearly stated. Signed: Date: 10th October, 2017 Acknowledgements This thesis would not have been possible without the patience and guidance of my supervisor Dr Deana Rankin. Without her ability to keep me focused despite my never-ending projects and her continuous support during my many illnesses throughout these last five years, this thesis would still be a work in progress. I would also like to thank Dr. Ewan Fernie who inspired me to work on Shakespeare and Bollywood during my MA at Royal Holloway and Dr. Christie Carson who encouraged me to pursue a PhD after six years of being away from academia, as well as Poonam Trivedi, whose work on Filmi Shakespeares inspired my research. I thank Dr. Varsha Panjwani for mentoring me through the last three years, for the words of encouragement and support every time I doubted myself, and for the stimulating discussions that helped shape this thesis. Last but not the least, I thank my family: my grandfather Dr Somesh Chandra Bhattacharya, who made it possible for me to follow my dreams; my mother Manasi Chatterjee, who taught me to work harder when the going got tough; my sister, Payel Chatterjee, for forcing me to watch countless terrible Bollywood films; and my father, Bidyut Behari Chatterjee, whose impromptu recitations of Shakespeare to underline a thought or an emotion have led me inevitably to becoming a Shakespeare scholar. -
GK Digest April 2016Saudi Arabia, Where Low Oil Prices Have Put Considerable Strain on Their Finances
www.BankExamsToday.com BankExamsToday.com GKRamandeep Singh Digest April 2016 Ramandeep Singh 5/2/2016 India's Best Current Affairs Android App International GK Digest April 2016Saudi Arabia, where low oil prices have put considerable strain on their finances. France operation ‘Sangaris’ comes to an end in World Intellectual Property Day 2016 observed CAR globally \France will end its three year long military The World Intellectual Property Day 2016 was on operation ‘Sangaris’ in Central African Republic 26 April 2016 observed across the world with the which came into force in 2013 following a theme Digital Creativity - Culture Re imagined. communal violence. On this day, the World Intellectual Property Organization (WIPO) works together with The France government proposed to withdraw its troops citing the formation of various government agencies, non- the new government under Faustin- government organizations, community groups and individuals to hold different Archange Touadera and restoration of events and activities to promote World peace Intellectual Property Day. The communal violence broke out in CAR when Muslim rebels ousted the Christian The day is celebrated to spread awareness president Francois from power and about the role that intellectual property following this French troops started the rights (patents, trademarks, operation ‘Sangaris’ in 2013 industrial designs, copyright) play in encouraging innovation and creativity. BankExamsToday.com4th Nuclear Security Summit begins in India 3rd in worldwide dope violation in new Washington WADA report The fourth edition of Nuclear Security Summit India has become No. 3rd in Anti-Doping Rule (NSS) began in Washington, United States to Violation in 2014 – WADA reported discuss a gamut of issues pertaining to nuclear security. -
Central University of Karnataka
CENTRAL UNIVERSITY OF KARNATAKA Kadaganchi, Kalaburagi-585367 PROVISIONAL FIRST LIST OF CANDIDATES CALLED FOR THE OPEN COUNSELLING ON 14.07.2017 PROGRAMME: INTEGRATED B.Sc. & M.Sc. (NO. OF REMAINING VACANT SEATS 25 = GEN – 10, OBC – 08, SC –05, ST-02) SUPERNUMERARY SEATS: HKR – 3, NCC/NSS/SPORTS -1, WDP -1, PH – 01, KM - 01) CANDIDATE Q.E CUCET SL. NO. NAME OF THE CANDIDATE CATEGORY REMARKS ID MARKS % MARKS 1 124057 APARNA C OBC 96 76.25 2 110812 SOUGANDH K M GM 96.00 73.75 3 199762 SREELAKSHMI OBC 94.40 73.5 4 111795 AHMED SHANIB GM 92.00 73.25 5 187165 ABHIRAMI R K OBC 99.50 70.75 6 173724 PREET RANJAN OBC 69.75 7 102511 ABHIRAMI J J GM 94 69 8 154663 N SHRAVAN KUMAR SHETTY GM 69 9 177333 SNEHA RAJESH GM 94 68.75 10 100043 SHAURYA UPADHYAYA GM 68.5 11 104300 ADITYA RAJ GM 67.75 12 105061 KARTHIKA NAIR GM 87.60 67 13 193133 NASEEF KAMAL T OBC 96.25 67 14 186110 SAMBIT KUMAR BAL GM 77.00 66.5 15 170650 ATHIRA R GM 95.2 66.25 16 130025 JENITH RAJ GM 88.80 65.75 17 200235 SOURAV KARMAKAR OBC 65 18 137982 DEBASHIS ROUT GM 80.16 63.75 19 215090 MANIRATHINAM R OBC 93.8 63.75 20 118860 ARYA KRISHNA T OBC 86.20 63.75 21 143088 LAKSHYA SHARMA GM 75.8 63.5 22 134640 MUHAMMAD MURSHID P P OBC 90.25 63.5 23 101741 ROHIT P LAL GM 63.25 24 105774 MANAS DAS GM 94.80 63 25 213060 VENI KRISHNA A K GM 94 63 26 166667 SYED ALI RIZVI GM 57.8 62.75 27 144528 RISHIKESH P GM 62 28 134559 ASHMIL MUHAMMED ALI GM 93.4 61.5 29 160452 RAJNISH KAUR GM 96 61.5 30 184511 SHUBHAM RANKAWAT OBC 88.80 61.5 31 177542 ADITYA GYANASAGAR GM 89.2 61.25 32 156450 ARDHRA DAS -
Masculinity and the Structuring of the Public Domain in Kerala: a History of the Contemporary
MASCULINITY AND THE STRUCTURING OF THE PUBLIC DOMAIN IN KERALA: A HISTORY OF THE CONTEMPORARY Ph. D. Thesis submitted to MANIPAL ACADEMY OF HIGHER EDUCATION (MAHE – Deemed University) RATHEESH RADHAKRISHNAN CENTRE FOR THE STUDY OF CULTURE AND SOCIETY (Affiliated to MAHE- Deemed University) BANGALORE- 560011 JULY 2006 To my parents KM Rajalakshmy and M Radhakrishnan For the spirit of reason and freedom I was introduced to… This work is dedicated…. The object was to learn to what extent the effort to think one’s own history can free thought from what it silently thinks, so enable it to think differently. Michel Foucault. 1985/1990. The Use of Pleasure: The History of Sexuality Vol. II, trans. Robert Hurley. New York: Vintage: 9. … in order to problematise our inherited categories and perspectives on gender meanings, might not men’s experiences of gender – in relation to themselves, their bodies, to socially constructed representations, and to others (men and women) – be a potentially subversive way to begin? […]. Of course the risks are very high, namely, of being misunderstood both by the common sense of the dominant order and by a politically correct feminism. But, then, welcome to the margins! Mary E. John. 2002. “Responses”. From the Margins (February 2002): 247. The peacock has his plumes The cock his comb The lion his mane And the man his moustache. Tell me O Evolution! Is masculinity Only clothes and ornaments That in time becomes the body? PN Gopikrishnan. 2003. “Parayu Parinaamame!” (Tell me O Evolution!). Reprinted in Madiyanmarude Manifesto (Manifesto of the Lazy, 2006). Thrissur: Current Books: 78. -
April 2019 Sl.No
New books added in April 2019 Sl.No. Call No. Author Title The validity of anumana (inference) in nyaya 1 R PSN 181.43 BAB/V Babu C D system/ 2 R PE 823.007 TAN/R Tania Mary Vivera Reading minds: Impact of smrti tadition 3 R PSS 294.592 6 SMI/I Smitha K on Kerala ethos/ 4 M301 SIV/T Sivaraman Cheriyanad Theranjedutha kathakal/ 5 M 080 VEN/A Venugopal K M Abhimukhangal/ Kuttippuzha Krishan Pillai Vicharaviplavathinte 6 M 894.812 092 JOS/K Joseph Panakkal Deepasikha/ Keraleeya Navothanavum Vagbhatanandagurudeva 7 M 294.561 ABO/K Aboobakkar Kathiyalam num/ Poykayil Appachan Keezhalarute 8 M 303.484 092 LEN/P Lenin K M Vimochakan/ Delhousi square muthal 9 M301 VIJ/D Vijayan P N aandippatti vare/ Achuthanunni Bharatheeya sahitya 10 M 801.95 ACH/B Chathanath darsanam/ 11 M3 MAT/T Mathew K P Theekkattiloote/ Chitrasalabhagalude 12 M301 THO/C Thomas Joseph kappal/ 13 M301 (ITr.) RAB/T Rabindranath Tagore Tagore kathakal/ 14 M301 RAV/K Ravivarma p Kimakurvatha Sanjayana/ 15 M 791.437 MAD/N Madhu Ervavankara Nishadam/ 16 M2 SAY/A Sayed Ponkunnam Aathmanivedanam/ 17 M2 VAS/U Vasudevan Pillai Utampady/ Ere Dweshavum Alpam 18 M2 GNC/E G.N. Cheruvadu Snehavum/ 19 M2 SAN/A G.N. Cheruvadu Abhayarthikal/ 20 M2 JOH/K John Fernandaz Kollakolli/ Gurudeth Cinemayum 21 M 791.430 92 SEN/G Senan N C Jeevithavum/ 22 M301 KAS/O Kasthuri Joseph Autograph/ Aswathamavinte 23 M301 RAM/A Ramesh Babu theeram/ 24 M301 SAJ/O Sajiv Kumar S Outsider/ 25 M301 VEN/A Venugopalan T P Anunasikam/ Jayasankaran Kunjikrishnanmesiri 26 M301 JAY/K Puthuppalli vivahithanayi/ 27 M3 -
Exploitation, Victimhood, and Gendered Performance in Rituparno Ghosh’S Bariwali
EXPLOITATION, VICTIMHOOD, AND GENDERED PERFORMANCE IN RITUPARNO GHOSH’S BARIWALI Rohit K. Dasgupta and Tanmayee Banerjee Rituparno Ghosh (1961—2013) was a filmmaker, lyricist, and writer who first emerged on the cultural scene in Bengal as a copywriter at Response, a Kolkata-based advertising firm in the eighties. He made a mark for himself in the world of commercials, winning several awards for his company be- fore directing two documentaries for Doordarshan (India’s national public television). He moved into narrative film- making with the critically acclaimed Hirer Angti (Diamond Ring, 1992) and the National Award–winning Unishe April (19th April, 1995). He is credited with changing the experi- ence of cinema for the middle-class Bengali bhadrolok and 1 thus opening a new chapter in the history of Indian cinema. Ghosh arrived at a time when Bengali cinema was going Rituparno Ghosh. ©SangeetaDatta,2013 through a dark phase. Satyajit Ray had passed away in 1992 , leaving a vacuum. Although filmmakers such as Mrinal Ghosh, clearly influenced by Ray and Sen, addressed the Sen, Goutam Ghose, Aparna Sen, and Buddhadeb Dasgupta Bengali middle-class nostalgia for the past and made films “ ” contributed significantly to his genre of intellectual cinema, that were distinctly “Bengali” yet transcended its parochialism. they did not have much command over the commercial mar- Ghosh’s films were widely appreciated for their challenging “ ” ket. The contrived plots, melodrama, and obligatory fight narratives. His stories explored such transgressive social codes sequences of the action-packed Hindi cinema, so appealing to as incest in Utsab (Festival, 1999), marital rape in Dahan the masses, had barely anything intelligible to offer to those in (Crossfire, 1997), polyamory in Shubho Muharat (First Shot, search of a higher quality cinema. -
Retrospective Analysis of Plagiaristic Practices Within a Cinematic Industry in India – a Tip in the Ocean of Icebergs
Retrospective analysis of plagiaristic practices within a cinematic industry in india – a tip in the ocean of icebergs Item Type Article Authors Sivasubramaniam, Shiva D; Paneerselvam, Umamaheswaran; Ramachandran, Sharavan Citation Umamaheswaran, P., Ramachandran, S. and Sivasubramaniam, S.D., (2020). 'Retrospective Analysis of Plagiaristic Practices within a Cinematic Industry in India–a Tip in the Ocean of Icebergs'. Journal of Academic Ethics, pp.1-11. DOI: 10.1007/ s10805-020-09360-7 DOI 10.1007/s10805-020-09360-7 Publisher Springer Journal Journal of Academic Ethics Download date 27/09/2021 02:43:07 Link to Item http://hdl.handle.net/10545/624527 Journal of Academic Ethics https://doi.org/10.1007/s10805-020-09360-7 Retrospective Analysis of Plagiaristic Practices within a Cinematic Industry in India – aTip in the Ocean of Icebergs Paneerselvam Umamaheswaran1 & Sharavan Ramachandran2 & Shivadas D. Sivasubramaniam3 # The Author(s) 2020 Abstract Music plagiarism is defined as using tune, or melody that would closely imitate with another author’s music without proper attributions. It may occur either by stealing a musical idea (a melody or motif) or sampling (a portion of one sound, or tune is copied into a different song). Unlike the traditional music, the Indian cinematic music is extremely popular amongst the public. Since the expectations of the public for songs that are enjoyable are high, many music directors are seeking elsewhere to “borrow” tunes. Whilst a vast majority of Indian cinemagoers may not have noticed these plagiarised tunes, some journalists and vigilant music lovers have noticed these activities. This study has taken the initiative to investigate the extent of plagiaristic activities within one Indian cinematic music industry. -
Chapter 1 Uday Shankar and Locating Modernity
CHAPTER 1 UDAY SHANKAR AND LOCATING MODERNITY In 1920, a twenty year old, handsome Indian student arrived in London to study painting at the Royal College of Art. Three years later, he made his debut at Covent Garden alongside the legendary Russian ballet dancer, Anna Pavlova, although—quite remarkably—until a few months earlier, he had little to no dance experience. His audiences in England, France, and the United States nevertheless thought he was very talented at what he did. The dancer invented a new style of dance, which purportedly represented Indian culture; his dance looked “foreign” enough that nobody doubted his claim. In the late 1920s, the dancer returned to India, and demonstrated his new style to his fellow compatriots. Most of his compatriots did not care for this new style, but a few prominent figures encouraged him to continue with what he was doing. His family and friends also supported him; some of them even joined his dance troupe as dancers and musicians, including his youngest brother, twenty years his junior. The troupe then returned to Paris. Meanwhile, India was nearing the end of its dramatic transition from a British imperial colony to a newly independent nation. When the dancer returned to settle in India in the late 1930s, he immersed himself in the current debates over India’s future identity and culture. Most people, who believed the essence of Indian culture could be found in its ancient traditions, were looking to the past for the “real” definition of national culture and identity. The dancer, however, proposed that his invented style and eclectic approach to art defined India’s culture instead. -
Hospital List for Medicare Under Health Insurance| Royal Sundaram
SL.N STD O. HOSPITAL NAME ADDRESS - 1 ADDRESS - 2 CITY PIN CODE STATE ZONE CODE TEL 1 TEL - 2 FAX - 1 SALUTATION FIRST NAME MIDDLE SURNAME E MAIL ID (NEAR PEERA 1 SHRI JIYALAL HOSPITAL & MATERNITY CENTRE 6, INDER ENCLAVE, ROHTAK ROAD GARHI CHOWK) DELHI 110 087 DELHI NORTH 011 2525 2420 2525 8885 MISS MAHIMA 2 SUNDERLAL JAIN HOSPITAL ASHOK VIHAR, PHASE II DELHI 110 052 DELHI NORTH 011 4703 0900 4703 0910 MR DINESH K KHANDELWAL 3 TIRUPATI STONE CENTRE & HOSPITAL 6,GAGAN VIHAR,NEW DELHI DELHI 110051 DELHI NORTH 011 22461691 22047065 MS MEENU # 2, R.B.L.ISHER DAS SAWHNEY MARG, RAJPUR 4 TIRATH RAM SHAH HOSPITAL ROAD, DELHI 110054 DELHI NORTH 011 23972425 23953952 MR SURESH KUMAR 5 INDRAPRASTHA APOLLO HOSPITALS SARITA VIHAR DELHI MATHURA ROAD DELHI 110044 DELHI NORTH 011 26925804 26825700 MS KIRAN 6 SATYAM HOSPITAL A4/64-65, SECTOR-16, ROHINI, DELHI 110 085 DELHI NORTH 011 27850990 27295587 DR VIJAY KOHLI CS / OCF - 6 (NEAR POPULAR APARTMENT AND SECTOR - 13, 7 BHAGWATI HOSPITAL MOTHER DIARY BOOTH) ROHINI DELHI 110 085 DELHI NORTH 011 27554179 27554179 DR NARESH PAMNANI NETRAYATAN DR. GROVER'S CENTER FOR EYE 8 CARE S 371, GREATER KAILASH 2 DELHI 110 048 DELHI NORTH 011 29212828 29212828 DR VISHAL GROVER 9 SHROFF EYE CENTRE A-9, KAILASH COLONY DELHI 110048 DELHI NORTH 011 29231296 29231296 DR KOCHAR MADHUBAN 10 SAROJ HOSPITAL & HEART INSTITUTE SEC-14, EXTN-2, INSTITUTIONAL AREA CHOWK DELHI 110 085 DELHI NORTH 011 27557201 2756 6683 MR AJAY SHARMA 11 ADITYA VARMA MEDICAL CENTRE 32, CHITRA VIHAR DELHI 110 092 DELHI NORTH 011 2244 8008 22043839 22440108 MR SANOJ GUPTA SWARN CINEMA 12 SHRI RAMSINGH HOSPTIAL AND HEART INSTITUTE B-26-26A, EAST KRISHNA NAGAR ROAD DELHI 110 051 DELHI NORTH 011 209 6964 246 7228 MS ARCHANA GUPTA BALAJI MEDICAL & DIAGNOSTIC RESEARCH 13 CENTRE 108-A, I.P.