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Tribute to Kishore Kumar
Articles by Prince Rama Varma Tribute to Kishore Kumar As a child, I used to listen to a lot of Hindi film songs. As a middle aged man, I still do. The difference however, is that when I was a child I had no idea which song was sung by Mukesh, which song by Rafi, by Kishore and so on unlike these days when I can listen to a Kishore song I have never heard before and roughly pinpoint the year when he may have sung it as well as the actor who may have appeared on screen. On 13th October 1987, I heard that Kishore Kumar had passed away. In the evening there was a tribute to him on TV which was when I discovered that 85% of my favourite songs were sung by him. Like thousands of casual music lovers in our country, I used to be under the delusion that Kishore sang mostly funny songs, while Rafi sang romantic numbers, Mukesh,sad songs…and Manna Dey, classical songs. During the past twenty years, I have journeyed a lot, both in music as well as in life. And many of my childhood heroes have diminished in stature over the years. But a few…..a precious few….have grown……. steadily….and continue to grow, each time I am exposed to their brilliance. M.D.Ramanathan, Martina Navratilova, Bruce Lee, Swami Vivekananda, Kunchan Nambiar, to name a few…..and Kishore Kumar. I have had the privilege of studying classical music for more than two and a half decades from some truly phenomenal Gurus and I go around giving lecture demonstrations about how important it is for a singer to know an instrument and vice versa. -
HINDUJA GLOBAL SOLUTIONS LIMITED Page 1 LIST of UNPAID WARRANTS AS on 29/OCT/14 Account No
HINDUJA GLOBAL SOLUTIONS LIMITED Page 1 LIST OF UNPAID WARRANTS AS ON 29/OCT/14 Account No. : 4506236 Date :13/11/2014 ------------------------------------------------------------------------------------------ Sr No. Folio Warrant No Name Of Share Holder Amount Micr/Issue Date ------------------------------------------------------------------------------------------ 1 000218 5 KUNDUKURI LASHMI 250.00 263547 2 000253 7 C VASUDEVAN 250.00 261348 3 00103021 15 UMIL LEASE FINANCE COMPANY 250.00 264915 4 00103501 17 HANSRAJ CHHOGAJI JAIN 500.00 261360 5 00112852 38 SUNIL SINGLA 250.00 261453 6 00117919 44 MADANLAL BHATIA 500.00 259604 7 00118303 48 MAHESH VYAS 250.00 261351 8 00134945 76 SANJAY L MAKHIJA 250.00 263199 9 00137375 78 YOGESH SHAH 250.00 261399 10 00154695 98 SOUTHERN INDIA DEPOSITORY 250.00 264887 11 00162159 108 SNEHALATA S KINI 1250.00 261498 12 00163813 109 MOHITE JAGDISH MANSING 250.00 261881 13 00165565 112 YVETTE M DIAS 1000.00 261691 14 00168483 115 SNEHALATA S KINI 250.00 261917 15 00171212 119 AMIT RUPAREL 250.00 261892 16 00171409 120 PRAKASH SEVANTILAL DOSHI 250.00 261769 17 00172022 123 ARUN KRISHANKUMAR JINDAL 250.00 261980 18 00173100 124 NIRMALA SHARMA 250.00 260611 19 00174114 126 MEHIMA SINGH 750.00 259532 20 00174122 127 KARANSHER SINGH 500.00 259576 21 00174459 129 MOHANLAL TULSIDAS BHATIA 250.00 261965 22 00174521 130 AJAY GANGWAL 250.00 259533 23 00175316 140 R MUTHURAMAN 250.00 263664 24 00175392 146 RAJIV JIVANDAS SHAH 250.00 261366 25 100323 206 M K RAMAKRISHNAN 250.00 263575 26 1201060000102404 237 Shirish -
Application Employee of High Sr No
Application Employee of High Sr No. Seq No Rollno Applicant Full Name Father's Full Name Applicant Mother Name DOB (dd/MMM/yyyy) Domicile of State Category Sub_Category Email ID Gender Mobile Number Court Allahabad Is Present Score 1 1000125 2320015236 ANIL KUMAR SHIV CHARAN ARYA MAHADEVI 6/30/1990 Uttar Pradesh OBC Sports Person (S.P.)[email protected] Male 9911257770 No PRESENT 49 2 1000189 2320015700 VINEET AWASTHI RAM KISHOR AWASTHI URMILA AWASTHI 4/5/1983 Uttar Pradesh General NONE [email protected] 8423230100 No PRESENT 43 3 1000190 2110045263HEMANT KUMAR SHARMA GHANSHYAM SHARMA SHAKUNTALA DEVI 3/22/1988 Other than Uttar Pradesh General [email protected] 9001934082 No PRESENT 39 4 1000250 2130015960 SONAM TIWARI SHIV KUMAR TIWARI GEETA TIWARI 4/21/1991 Other than Uttar Pradesh General [email protected] Male 8573921039 No PRESENT 44 5 1000487 2360015013 RAJNEESH KUMAR RAJVEER SINGH VEERWATI DEVI 9/9/1989 Uttar Pradesh SC NONE [email protected] Male 9808520812 No PRESENT 41 6 1000488 2290015053 ASHU VERMA LATE JANARDAN LAL VERMA PADMAVATI VERMA 7/7/1992 Uttar Pradesh SC NONE [email protected] Male 9005724155 No PRESENT 36 7 1000721 2420015498 AZAJUL AFZAL MOHAMMAD SHAHID NISHAD NAZMA BEGUM 2/25/1985 Uttar Pradesh General NONE [email protected] 7275529796 No PRESENT 27 8 1000794 2250015148AMBIKA PRASAD MISHRA RAM NATH MISHRA NIRMALA DEVI 12/24/1991 Uttar Pradesh General NONE [email protected] Male 8130809970 No PRESENT 36 9 1001008 2320015652 SATYAM SHUKLA PREM PRAKASH -
Ajeeb Aadmi—An Introduction Ismat Chughtai, Sa'adat Hasan Manto
Ajeeb Aadmi—An Introduction I , Sa‘adat Hasan Manto, Krishan Chandar, Rajinder Singh Bedi, Kaifi Azmi, Jan Nisar Akhtar, Majrooh Sultanpuri, Ali Sardar Jafri, Majaz, Meeraji, and Khawaja Ahmed Abbas. These are some of the names that come to mind when we think of the Progressive Writers’ Movement and modern Urdu literature. But how many people know that every one of these writers was also involved with the Bombay film indus- try and was closely associated with film directors, actors, singers and pro- ducers? Ismat Chughtai’s husband Shahid Latif was a director and he and Ismat Chughtai worked together in his lifetime. After Shahid’s death Ismat Chughtai continued the work alone. In all, she wrote scripts for twelve films, the most notable among them ◊iddµ, Buzdil, Sån® kµ ≤µ∞y≥, and Garm Hav≥. She also acted in Shyam Benegal’s Jun∑n. Khawaja Ahmed Abbas made a name for himself as director and producer for his own films and also by writing scripts for some of Raj Kapoor’s best- known films. Manto, Krishan Chandar and Bedi also wrote scripts for the Bombay films, while all of the above-mentioned poets provided lyrics for some of the most alluring and enduring film songs ever to come out of India. In remembering Kaifi Azmi, Ranjit Hoskote says that the felicities of Urdu poetry and prose entered the consciousness of a vast, national audience through the medium of the popular Hindi cinema; for which masters of Urdu prose, such as Sadat [sic] Hasan Manto, wrote scripts, while many of the Progressives, Azmi included, provided lyrics. -
List of Unclaimed PF Amount of Ex. Employees of DSIIDC Ltd
List of unclaimed PF amount of Ex. employees of DSIIDC Ltd. S. EMPLOYEE EMPLOYER PF NO NAME FATHER NAME TOTAL NO. SHARE SHARE 1 1 LATE SH. VISHNU KIRTI SH. KRISHAN LAL 22047.00 0.00 22047.00 2 39 NARINDER KUMAR 46435.00 46425.00 92860.00 3 42 C.D.SINGHAL 7522.00 7606.00 15128.00 4 51 PANKAJ SRIVASTVA DR. P.D. SRIVASTVA 452.00 373.00 825.00 5 59 ANAND SINGH 15604.00 15604.00 31208.00 6 60 NATHU RAM 18383.00 18383.00 36766.00 7 61 KAMLA KHULLAR SH. SHANTI NARAIN 30281.00 30358.00 60639.00 8 62 S.L. TOKAS SH. S. TOKAS 12078.00 12078.00 24156.00 9 63 RAM NATH SH. DUKHARI RAM 0.00 1392.00 1392.00 10 70 0.P. SETH SH. S.S. SETH 218.00 218.00 436.00 11 81 KISHAN KUMAR GUPTA SH. KUNDAN PRASAD 21595.45 0.00 21595.45 12 86 GEETA BHATTASALI 2524.00 2524.00 5048.00 13 93 S.C. GUPTA SH. T.C. GUPTA 263632.00 209258.00 472890.00 14 94 P.P. MEGHANI LATE SH. S.P. MEGHANI 75718.00 66248.00 141966.00 15 104 SURINDERJEET KAUR SH. KESAR SINGH KALRA 8632.00 10539.00 19171.00 16 107 DEEPAK JAIN SH. M.L. JAIN 61.00 0.00 61.00 17 108 9ADHA KRISHAN SH. DURGA PRASAD 55.00 879.00 934.00 18 109 S.K.MINHAS 8055.00 8055.00 16110.00 19 120 NANDAN SINGH HEET SH. -
Telephone Directory
27/09/2021, 12:09 Telephone Directory Name/Designation Location Mobile No. Email Shri KAMRAN RIZVI Corporate Office [email protected] CMD Shri M NAGARAJ Corporate Office 9899731800 [email protected] DCP Shri D GUHAN Corporate Office 9911127489 [email protected] DF Shri AJAY MISHRA Corporate Office 8826267231 [email protected] CVO Dr D SUBRAHMANYAM HSMI 9810433859 [email protected]; [email protected] Sr.ED(T) SHAILESH PRAKASH TRIPATHI Corporate Office 9899983684 [email protected] ED(IT) QAMAR ALI Delhi RO 9810153892 [email protected] ED(F) HT SURESH Corporate Office 9449861991 [email protected]; [email protected] ED(P) Dr ALOK KUMAR JOSHI Corporate Office 8769052772 [email protected]; [email protected] ED(P) Dr D RAVISHANKAR Corporate Office 9449861988 [email protected] GM(P) S GURUDATTA Corporate Office 9998805570 [email protected] GM(P) ANJU THAKUR Corporate Office 9911175116 [email protected] GM(F) KOSHY VARGHESE Thiruvananthapuram 9447358768 [email protected] GM(F) RADHA ROY Corporate Office 9810153691 [email protected] GM(P) SURENDRA KUMAR Corporate Office 9871465959 [email protected] GM(P) HM BHATNAGAR Corporate Office 9760016118 [email protected] GM(L) UPINDER KAUR Corporate Office 9810868467 [email protected] GM(PR) SANJIV NAKRA Corporate Office 8800442240 [email protected] GM(A) RITABRATA GHOSH Corporate Office 9650221115 [email protected] GM(P) MANIKA NEGI Corporate Office 9810367622 [email protected] GM(P) NS GANESH Corporate Office 9871733199 [email protected] GM(F) RUPESH KUMAR SHAH Corporate Office 9810713788 -
Dr Ashok Kumar Singh
Dr Ashok Kumar Singh E-mail: [email protected], [email protected] Contact No: +91 8299554333, 9454169304 Current Position & Correspondence Address: Scientist Geo-technical Engineering & Underground Space Utilisation Group CSIR-Central Institute of Mining and Fuel Research, Regional Research Centre, Roorkee, CBRI campus, Roorkee-247667, Uttarakhand, India Google Scholar: https://scholar.google.com/citations?user=-_f2MhEAAAAJ&hl=en Research Gate: https://www.researchgate.net/profile/Ashok_Singh43 Research Interest To work on the scientific solution of geo-engineering problems in the area of rock engineering, mining and allied industries emphasizing field based researches on: Development of new tools/techniques in Rock Mass Characterization/Classifications Rock Engineering: Field Mapping & Characterizations Experimental Rock Mechanics Engineering Geological aspects in Rock Blasting and Excavation Engineering Academic Details PhD Thesis: Landslide Vulnerability Analysis around Rampur Area, Himachal Pradesh, India. Degree Year Institute Specialization/ Subjects Ph.D. 2018 IIT(ISM) Dhanbad Engineering Geology M. Sc. 2012 University of Allahabad Applied Geology Maths, Physics, Computer B.Sc. 2010 University of Allahabad Maintenance Employment & Research Experiences Teaching Assistant at Department of Applied Geology, IIT(ISM), Dhanbad (July 2013 August 2018) Project Asscoiate (II) at CSIR-CIMFR, Regional Research Centre, Roorkee & Bilaspur (CG) (27/09/2019 to 15/07/2021) Publications Articles in Journals (SCI) 1) Singh, A.K.; Kundu, J.; Sarkar, K; Verma, HK; Singh, PK (2021) Impact of rock block characteristics on rockfall hazard and its implications for rockfall protection strategies along Himalayan highways: A case study. Bulletin of Engineering Geology and the Environment, 80: 5347–5368 (IF: 4.298/2020) 2) Tripathi, A.; Gupta, N.; Singh A.K.; Mohanty, S.P., Rai, N.; Pain, A. -
Exploitation, Victimhood, and Gendered Performance in Rituparno Ghosh’S Bariwali
EXPLOITATION, VICTIMHOOD, AND GENDERED PERFORMANCE IN RITUPARNO GHOSH’S BARIWALI Rohit K. Dasgupta and Tanmayee Banerjee Rituparno Ghosh (1961—2013) was a filmmaker, lyricist, and writer who first emerged on the cultural scene in Bengal as a copywriter at Response, a Kolkata-based advertising firm in the eighties. He made a mark for himself in the world of commercials, winning several awards for his company be- fore directing two documentaries for Doordarshan (India’s national public television). He moved into narrative film- making with the critically acclaimed Hirer Angti (Diamond Ring, 1992) and the National Award–winning Unishe April (19th April, 1995). He is credited with changing the experi- ence of cinema for the middle-class Bengali bhadrolok and 1 thus opening a new chapter in the history of Indian cinema. Ghosh arrived at a time when Bengali cinema was going Rituparno Ghosh. ©SangeetaDatta,2013 through a dark phase. Satyajit Ray had passed away in 1992 , leaving a vacuum. Although filmmakers such as Mrinal Ghosh, clearly influenced by Ray and Sen, addressed the Sen, Goutam Ghose, Aparna Sen, and Buddhadeb Dasgupta Bengali middle-class nostalgia for the past and made films “ ” contributed significantly to his genre of intellectual cinema, that were distinctly “Bengali” yet transcended its parochialism. they did not have much command over the commercial mar- Ghosh’s films were widely appreciated for their challenging “ ” ket. The contrived plots, melodrama, and obligatory fight narratives. His stories explored such transgressive social codes sequences of the action-packed Hindi cinema, so appealing to as incest in Utsab (Festival, 1999), marital rape in Dahan the masses, had barely anything intelligible to offer to those in (Crossfire, 1997), polyamory in Shubho Muharat (First Shot, search of a higher quality cinema. -
Chapter 1 Uday Shankar and Locating Modernity
CHAPTER 1 UDAY SHANKAR AND LOCATING MODERNITY In 1920, a twenty year old, handsome Indian student arrived in London to study painting at the Royal College of Art. Three years later, he made his debut at Covent Garden alongside the legendary Russian ballet dancer, Anna Pavlova, although—quite remarkably—until a few months earlier, he had little to no dance experience. His audiences in England, France, and the United States nevertheless thought he was very talented at what he did. The dancer invented a new style of dance, which purportedly represented Indian culture; his dance looked “foreign” enough that nobody doubted his claim. In the late 1920s, the dancer returned to India, and demonstrated his new style to his fellow compatriots. Most of his compatriots did not care for this new style, but a few prominent figures encouraged him to continue with what he was doing. His family and friends also supported him; some of them even joined his dance troupe as dancers and musicians, including his youngest brother, twenty years his junior. The troupe then returned to Paris. Meanwhile, India was nearing the end of its dramatic transition from a British imperial colony to a newly independent nation. When the dancer returned to settle in India in the late 1930s, he immersed himself in the current debates over India’s future identity and culture. Most people, who believed the essence of Indian culture could be found in its ancient traditions, were looking to the past for the “real” definition of national culture and identity. The dancer, however, proposed that his invented style and eclectic approach to art defined India’s culture instead. -
India Dance Brochure
About the Mamata Shankar Ballet Troupe: Florence High School’s Creative Writing Program teaches students to write for The Group follows the style evolved by Uday Shankar, which has the inherent grammar of Classical Indian dance and yet is innovative, contemporary and not shackled with the moors of rigid classicism. publication. Students write poems, short stories, essays, and one-act plays which The graceful body movements are blended with the idiom of vibrant folk dances of India to attain a are entered into local, state, and national writing competitions. Creative Writing statuesque quality of lyricism. The group believes that dance inculcates the feeling of love & compassion, students also write, edit, design, and publish Signatures, Florence High School’s gives a meaningful dimension to human emotions, and binds the mind and heart of the youth to the award-winning literary-arts magazine. cultural heritage and tradition. About Mamata Shankar: The mission of the Bengali Association of Huntsville is to educate the communi- Mamata Shankar is the Principal of the institution. She is an accomplished dancer, choreographer, and an ty about the culture and heritage of Bengal and its neighboring regions through actress. She has trained in Bharatanatyam, Manipuri, Kathakali, and the Uday Shankar style of dance. She educational, cultural, and recreational activities. is the daughter of Uday and Amala Shankar, wife of Chandrodoy Ghosh, niece of Pt. Ravi Shankar and sister of Ananda Shankar. Shoals India & South Asian Association (SISAA) is a non-profit organization About Chandrodoy Ghosh: based in the Shoals. SISAA’s primary mission is to enhance awareness about Chandrodoy Ghose is the Founder-Director of MAMATA SHANKAR BALLET TROUPE. -
[email protected] Sl.No. Case No. Stage of the Case
Name of the Court : Principal Judge’s Court Email ID : [email protected] Sl.No. Case No. Stage of the Party Name Advocate Name Permitted Case (Thiru / Tmt) Time 1 CRLA Arguments -- R. Krishnakumar (Appellant) 11.30 343/2019 City Public Prosecutor (Respondent) 2 CRLA Arguments -- J. Thooyamani (Appellant) 11.30 392/2019 City Public Prosecutor (Respondent) Name of the Court: I Additional Sessions Court E-Mail: [email protected] Sl. Case No. Stage of the Case Party Name Advocate Name Permitted Time No 1 CA 83/2016 Arguments N.Bhaskaran Vs Kingston Jerald - 10.30 - 10.45 Amaravathy Finance Counsel for Appt a.m. S.S Cheran - Counsel for Respt 2 SC 103/2013 Arguments Natrajan and 3 others S.N.A.Hussainy - 10.45 - 11.00 Appt counsel a.m. S.Md.Kassim - Respt counsel 3 SC 194/2017 For further Muthu Ganesan & M.Rajavelu - 11.00 - 11.15 arguments another Counsel for a.m. Accused 4 SC 227/2018 Opening of Seba @ Sebastian & R.Narendran - 11.15 - 11.30 Prosecution another Counsel for a.m. Accused 5 SC 235/2018 For defence side Shanmugasundaram S.Shankar - Counsel 11.30 - 11.45 submission & 2 others for Accused a.m. 6 SC 558/2018 For further Velu & 3 others J.Jaya Chitra - 11.45 - 12.00 arguments Counsel for p.m. Accused 7 SC 424/2019 Arguments Michel & 16 others M/s.K.kannan . 12.00 - 12.30 M/s.K.M.Vijayan p.m. Associates, M/s.G.Prabakaran, M/s.R.C.Paul Kanagaraj, M/s.C.M.Suersh Arokianathan, M/s.P.K.Ilavarasan, M/s.K.Raghunath, M/s.S.Seenuvasan, P.R.Dinesh Kumar, S.Mohana Vadivelu, S.Jayakumar. -
List of Officers Who Attended Courses at NCRB
List of officers who attened courses at NCRB Sr.No State/Organisation Name Rank YEAR 2000 SQL & RDBMS (INGRES) From 03/04/2000 to 20/04/2000 1 Andhra Pradesh Shri P. GOPALAKRISHNAMURTHY SI 2 Andhra Pradesh Shri P. MURALI KRISHNA INSPECTOR 3 Assam Shri AMULYA KUMAR DEKA SI 4 Delhi Shri SANDEEP KUMAR ASI 5 Gujarat Shri KALPESH DHIRAJLAL BHATT PWSI 6 Gujarat Shri SHRIDHAR NATVARRAO THAKARE PWSI 7 Jammu & Kashmir Shri TAHIR AHMED SI 8 Jammu & Kashmir Shri VIJAY KUMAR SI 9 Maharashtra Shri ABHIMAN SARKAR HEAD CONSTABLE 10 Maharashtra Shri MODAK YASHWANT MOHANIRAJ INSPECTOR 11 Mizoram Shri C. LALCHHUANKIMA ASI 12 Mizoram Shri F. RAMNGHAKLIANA ASI 13 Mizoram Shri MS. LALNUNTHARI HMAR ASI 14 Mizoram Shri R. ROTLUANGA ASI 15 Punjab Shri GURDEV SINGH INSPECTOR 16 Punjab Shri SUKHCHAIN SINGH SI 17 Tamil Nadu Shri JERALD ALEXANDER SI 18 Tamil Nadu Shri S. CHARLES SI 19 Tamil Nadu Shri SMT. C. KALAVATHEY INSPECTOR 20 Uttar Pradesh Shri INDU BHUSHAN NAUTIYAL SI 21 Uttar Pradesh Shri OM PRAKASH ARYA INSPECTOR 22 West Bengal Shri PARTHA PRATIM GUHA ASI 23 West Bengal Shri PURNA CHANDRA DUTTA ASI PC OPERATION & OFFICE AUTOMATION From 01/05/2000 to 12/05/2000 1 Andhra Pradesh Shri LALSAHEB BANDANAPUDI DY.SP 2 Andhra Pradesh Shri V. RUDRA KUMAR DY.SP 3 Border Security Force Shri ASHOK ARJUN PATIL DY.COMDT. 4 Border Security Force Shri DANIEL ADHIKARI DY.COMDT. 5 Border Security Force Shri DR. VINAYA BHARATI CMO 6 CISF Shri JISHNU PRASANNA MUKHERJEE ASST.COMDT. 7 CISF Shri K.K. SHARMA ASST.COMDT.