DOCSLIB.ORG

Mohanlal Filmography

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Mohanlal Filmography Mohanlal filmography Mohanlal Viswanathan Nair (born May 21, 1960) is a four-time National Award-winning Indian actor, producer, singer and story writer who mainly works in Malayalam films, a part of Indian cinema. The following is a list of films in which he has played a role. 1970s [edit]1978 No Film Co-stars Director Role Other notes [1] 1 Thiranottam Sasi Kumar Ashok Kumar Kuttappan Released in one center. 2 Rantu Janmam Nagavally R. S. Kurup [edit]1980s [edit]1980 No Film Co-stars Director Role Other notes 1 Manjil Virinja Pookkal Poornima Jayaram Fazil Narendran Mohanlal portrays the antagonist [edit]1981 No Film Co-stars Director Role Other notes 1 Sanchari Prem Nazir, Jayan Boban Kunchacko Dr. Sekhar Antagonist 2 Thakilu Kottampuram Prem Nazir, Sukumaran Balu Kiriyath (Mohanlal) 3 Dhanya Jayan, Kunchacko Boban Fazil Mohanlal 4 Attimari Sukumaran Sasi Kumar Shan 5 Thenum Vayambum Prem Nazir Ashok Kumar Varma 6 Ahimsa Ratheesh, Mammootty I V Sasi Mohan [edit]1982 No Film Co-stars Director Role Other notes 1 Madrasile Mon Ravikumar Radhakrishnan Mohan Lal 2 Football Radhakrishnan (Guest Role) 3 Jambulingam Prem Nazir Sasikumar (as Mohanlal) 4 Kelkkatha Shabdam Balachandra Menon Balachandra Menon Babu 5 Padayottam Mammootty, Prem Nazir Jijo Kannan 6 Enikkum Oru Divasam Adoor Bhasi Sreekumaran Thambi (as Mohanlal) 7 Pooviriyum Pulari Mammootty, Shankar G.Premkumar (as Mohanlal) 8 Aakrosham Prem Nazir A. B. Raj Mohanachandran 9 Sree Ayyappanum Vavarum Prem Nazir Suresh Mohanlal 10 Enthino Pookkunna Pookkal Mammootty, Ratheesh Gopinath Babu Surendran 11 Sindoora Sandhyakku Mounam Ratheesh, Laxmi I V Sasi Kishor 12 Ente Mohangal Poovaninju Shankar, Menaka Bhadran Vinu 13 Njanonnu Parayatte K. A. Venugopal (as Mohanlal) 14 Aa Divasam Mammootty M.Mani (as Mohanlal) [edit]1983 No Film Co-stars Director Role Other notes 1 Visa Mammootty Balu Kiriyath Sunny 2 Hello Madras Girl Madhavi J. Williams (as Lal) 3 Ente Katha Prem Nazir, Mammootty P.K.Joseph Ramesh 4 Bhookambam Prem Nazir Joshi Raghu 5 Guru Dakshina Adoor Bhasi, Mammootty Baby Minister Prabhakaran 6 Naseema Sherief (as Mohanlal) 7 Kaliyamardanam Shankar, Nedumudi Venu J. Williams Johny 8 Kolakkomban Sasikumar (as Mohan Lal) 9 Kuyiline Thedi Adoor Bhasi M. Mani Thampuran Kutty 10 Himavahini Mammootty P. G. Vishwambaran Pappy 11 Arabikkadal Sasikumar (as Mohan Lal) 12 Sesham Kazhchayil Mammootty Balachandra Menon Cameo role 13 Marakkillorikkalum Prem Nazir, Shankar Fazil Murali 14 Sandhyakku Virinja Poovu Shankar, Mammootty P.G.Vishwambaran Ramu 15 Thaavalam Thambi Kannanthanam (as Mohanlal) 16 Theeram Thedunna Thira A.Vincent (as Mohan Lal) 17 Aadhipathyam Sreekumaran Thambi (as Mohan Lal) 18 Chakravalam Chuvannappol Mammootty, Ratheesh Sasikumar Surendran 19 Engine Nee Marakkum Shankar M.Mani Shambu 20 Iniyengilum Mammootty I. V. Sasi Ravi 21 Attakkalasam Prem Nazir Sasikumar Santhosh Babu 22 Kattathe Kilikkoodu Bharath Gopi, Revathi Bharathan Unni Krishnan 23 Asthram Gopi, Mammootty P. N. Menon Das 24 Changatham Mammootty Bhadran S T Daniel 5 2 Oru Mukham Pala Mukham Ratheesh P. K. Joseph Sukumaran Thampi 26 Nanayam Mammootty I. V. Sasi Babu 27 Ente Mamattikkuttiyammakku Bharath Gopi, Baby Shalini Fazil Alex [edit]1984 No Film Co-stars Director Role Other notes 1 Akkare Mammootty K.N.Sasidharan Sudhan 2 Onnanu Nammal P. G. Vishwambaran Nanda Gopal Mammootty, Poornima Jayaram Swanthamevide 3 Jose Prakash, Swapna Sasikumar Rajendran Bandhamevide 4 Vanitha Police Prem Nazir Alappi Ashraf (as Mohanlal) 5 Appunni Nedumudi Venu, Gopi Sathyan Anthikkad Menon Mash 6 Athirathram Mammootty I V Sasi Prasad 7 Unaru Sukumaran, Ratheesh Mani Ratnam Balan 8 Kaliyil Alpam Karyam Rahman, Sukumari Sathyan Anthikkad (as Mohanlal) 9 Poochakkoru Mookkuthi Shankar, Soman, Menaka Priyadarshan Gopalakrishnan 10 Pavam Poornima Mammootty, Adoor Bhasi Balu Kiriyath (as Mohan Lal) Sudhakaran 11 Lakshmana Rekha Mammootty, Seema I V Sasi Nair 12 Aalkkoottathil Thaniye Mammootty, Seema I V Sasi Anil Kumar 13 Vetta Mammootty, Adoor Bhasi Mohan Roop (as Mohanlal) 14 Ivide Thudangunnu Rahman, Rohini Sasikumar Krishna Kumar 5 1 Kurisu Yuddham Prem Nazir, Madhu, Madhavi Baby (as Mohanlal) Nedumudi Venu, Zarina 16 Manassariyathe Soman Ambat Mammootty Wahab 17 Thirakal Seema, Lalu Alex, Menaka K.Vijayan James George 18 Kilikkonchal Adoor Bhasi, Rani Padmini V. Ashok Kumar (as Mohanlal) 19 Itha Innumuthal Shankar, Adoor Bhasi T.S. Sureshbabu (as Mohanlal) 20 Sreekrishna Parunthu Jagathy A. Vincent Kumaran 21 Aduthaduthu Rahman, Thilakan Sathyan Anthikkad Vishnu Mohan 22 Kattathe Kilikkoodu Revathy, Gopi Bharathan Unni Krishnan K. S. 23 Ariyatha Veethikal Madhu, Mammootty Balan Sethumadhavan Main antagonist; scripted by 24 Uyarangalil Rahman I V Sasi P. K. Jayarajan MT 5 2 Adiyozhukkukal Mammootty I V Sasi Gopi Mammootty, Poornima 26 Pin Nilavu P. G. Vishwambaran Raghu Jayaram 27 Oru Kochu Swapnam Vipin Das (as Mohanlal) [edit]1985 No Film Co-stars Director Role Other notes 1 Aviduthepole Ivideyum Mammootty K. S. Sethumadhavan Sukumaran 2 Nokketha Doorathu Kannum Nattu Nadhiya, Padmini Fazil Sreekumar 3 Omanikkan Ormikkan A. B. Raj 4 Aram + Aram Kinnaram Shankar Priyadarshan Unni 5 Naayakan Captain Raju, Jalaja Balu Kiriyath Krishnadas 6 Njan Piranna Nattil P. Chandrakumar 7 Onnanam Kunnil Oradi Kunnil Priyadarshan Nithin 8 Anubandham I V Sasi Bhaskaran 9 Mulamoottil Adima P. K. Joseph 10 Vasanthasena K. Vijayan Devan 11 Guruji Oru Vakku Nedumudi Venu Rajan Shankaradi Sudhakaran Nair 12 Parayanum Vayya Parayathirikkanum Vayya Priyadarshan 13 Angadikkappurathu I V Sasi Babu 14 Koodum Thedi Radhika, Rahman Paul Babu Peter 5 1 Jeevante Jeevan Baby Shalini J.Williams Jeevan 16 Adhyayam Onnumuthal Sathyan Anthikkad Vishnu Thomas 17 Azhiyatha Bandhangal Sasikumar Balakrishnan 18 Boeing Boeing Mukesh Priyadarshan Shyam 19 Karimbin Poovinakkare I V Sasi Bhadran 20 Uyarum Njan Nadake Madhuri P.Chandrakumar Tharappan 21 Idanilangal I V Sasi 22 Paththaamudayam Urvashi Sasikumar Jayamohan/Vikraman 23 Rangam I V Sasi 24 Ezhu Muthal Ombathu vare Sasikumar Gopi 5 2 Kandu Kandarinju Sajan Krishnanunni 26 Ente Kanakkuyil Sasikumar [edit]1986 No Film Co-stars Director Role Other notes Sathyan 1 Pappan Priyappetta Pappan Rahman, Thilakan Inspector Devadas Double role Anthikkad 2 Oppam Oppathinoppam Lalu Alex Soman Ambatt Krishnankutty Mazha Peyyunnu Maddalam 3 Mukesh, Mammootty Priyadarshan Shambu Kottunnu Scripted by M T 4 Panchagni Geetha Hariharan Rasheed Vasudevan Nair 5 Inspector Kariyilakkattupole Mammootty, Rahman, Karthika Padmarajan Achuthankutty 6 Abhayam Thedi Shobhana I V Sasi Kerala Filmfare Award for 7 Ninnishtam Ennishtam Priya, Sukumari Alappy Ashraf Srikumar Best Actor 8 Vartha Mammootty, Rahman, Seema I V Sasi Vasu 9 Geetham Lizy Sajan Jagadeesh Nair Hello My Dear Wrong 10 Lizy, Captain Raju Priyadarshan Venugopal Number 11 Neram Pularumbol Mammootty K.P.Kumaran 12 Iniyum Kurukshetram Lizzy Sasikumar 13 Kaveri Mammootty Rajivnath 14 Mizhineerpookkal Urvashi Kamal 5 Poomukhappadiyil 1 Mammootty Bhadran Paul Ninneyum Kathu 16 Nimishangal Radhakrishnan Radhakrishnan Doore Doore Oru Koodu 17 Menaka Sibi Malayil Diwakaran Koottam Sreekumaran 18 Yuvajanolsavam Urvashi Jayan thambi 19 Shobaraj Madhavi Sasikumar Shobaraj Asha Jayaram, Geetu 20 Onnu Muthal Poojyam Vare Regunath Paleri Telephone Uncle Mohandas 21 Ente Entethu Mathram Shalini, Karthika Sasikumar Mr. Menon 22 Padayani Mammootty T. S. Mohan Ramesh 23 Manassil Oru Manimuthu Sasikumar 24 Pranaamam Jagadeesh S 5 anmanassullavarku Sathyan Gopalakrishna Filmfare Award for Best 2 Karthika Samadhanam Anthikkad Panicker Actor (Malayalam) 26 Adiverukal Karthika, Suresh Gopi Anil Balakrishnan 27 Deshadanakkili Karayarilla Karthika Padmarajan Harishankar Sathyan 28 Revathikkoru Pavakkutti Bharath Gopi Dr Madhavankutty Anthikkad 29 Kunjattakkilikal Sasikumar Balakrishnan Kerala State Film Award Sathyan for Best Actor 30 T. P. Balagopalan M.A. Shobhana Balagopalan Anthikkad Nominated: National Award for Best Actor Sathyan 31 Gandhinagar Second Street Karthika Sethu/Ram Singh Anthikkad Thambi 32 Rajavinte Makan Ratheesh Vincent Gomas Kannanthanam Namukku Parkkan 33 Shari Padmarajan Solomon Munthirithoppukal 34 Sukhamo Devi Shankar, Geetha, Urvashi Venu Nagavalli Sunny 5 3 Thalavattam Karthika, Lizy Priyadarshan Vinod [edit]1987 No Film Co-stars Director Role Other notes 1 January Oru Orma Karthika, Suresh Gopi Joshi Raju Scripted by M T 2 Amrutham Gamaya Geetha, Parvathi Hariharan Dr P K Haridas Vasudevan Nair 3 Adimakal Udamakal Mammootty I V Sasi Kannan 4 Sarvakalasala Innocent Vincent Venu Nagavalli Lal 5 Irupatham Noottandu Ambika, Suresh Gopi K. Madhu Sagar Alias Jacky Thambi 6 Bhoomiyile Rajakkanmar Suresh Gopi, Jagathy Raja Mahindra Varma Kannanthanam Unnikale Oru Kadha 7 Karthika, Thilakan Kamal Aby Parayam Mannarathodi 8 Thoovanathumbikal Sumalatha, Parvathy Padmarajan Jayakrishnan 9 Kayyethum Doorath K. Ramachandran Thambi 10 Vazhiyorakkazhchakal Ratheesh, Ambika, Suresh Gopi Raghvan/Antony Isaac Kannanthanam 11 Cheppu Lizy Priyadarshan Ramachandran 12 Nadodikkattu Sreenivasan, Shobhana, Thilakan Sathyan Anthikkad Ramdas 13 Mizhiyorangalil T S Dasan Special appearance 14 Ivide Ellavarkum Sugam Karthika Jacee [edit]1988 No Film Co-stars Director Role Other notes Mukunthetta Sumitra 1 Ranjini Priyadarshan Mukundan Vilikkunnu Venu 2 Ayitham Urvashi, Suresh Gopi Raman Nagavalli 3 Manu Uncle Mammootty, Suresh Gopi Dennis Joseph Mohanlal Cameo Ramya Krishnan Nedumudi 4 Orkkappurath Kamal Freddy Nicholas Venu Filmfare Award, Critics Awards for Best Actor and Kerala
Load more

Recommended publications
  • INSIDE the Prabhakhaitanfoundationchronicle Their Musicto Life Words to Bring Melodies in Authors String on Musiciansas World Ofbooks Dive Into the POETRY of LIFE 14
    The Prabha Khaitan Foundation Chronicle January 2020 I Issue 10 Dive into the world of books on musicians as authors string melodies in words to bring their music to life POETRY OF HINGLISH ROMANCE IS LIFE BABU WRITE 14 15 13 INSIDE 2 INSIDE MITHILA Music, Memories STORIES 18 and More “If winter comes, can spring be far behind?” — GAMECHANGER Percy Bysshe Shelley. LAUNCH Spring has definitely arrived, bringing with it renewed zeal and spirit, and the Foundation 20 has been taking advantage of the same. It has been our constant endeavour to feature new writers and showcase new genres and WINNING narratives. And like spring, our bouquet of literary events also embodied the new — both WOMAN in terms of essence and faces. Music was the flavour of the season. We 26 have been privileged to host some of the greatest luminaries from the world of music. Their stories unveiled the ordinary behind the A ROOM WITH A extraordinary legends of timeless melodies. Sessions featured maestros of classical music, VIEW stalwarts of the Bollywood music industry, music queens who broke all stereotypes 34 and more. While their stories awed us, their words humbled us. Hope you enjoy reading MANISHA JAIN the extraordinary tales of some of the best of Communications & Branding Chief, music. CAUSE OF THE Prabha Khaitan Foundation Alongside putting together our regular MONTH events, we are busy gearing up for the Ehsaas Conclave. The mantra of the Conclave is 38 ‘Learning, Linking and Leadership.’ Ehsaas Women from all over India and abroad will be coming together at the conclave to bond CELEBRATING over ideas and experiences.
    [Show full text]
  • South Asia Multidisciplinary Academic Journal , Free-Standing Articles Madurai Formula Films: Caste Pride and Politics in Tamil Cinema 2
    Edinburgh Research Explorer Madurai Formula Films Citation for published version: Damodaran, K & Gorringe, H 2017, 'Madurai Formula Films', South Asia Multidisciplinary Academic Journal (SAMAJ), pp. 1-30. <https://samaj.revues.org/4359> Link: Link to publication record in Edinburgh Research Explorer Document Version: Publisher's PDF, also known as Version of record Published In: South Asia Multidisciplinary Academic Journal (SAMAJ) General rights Copyright for the publications made accessible via the Edinburgh Research Explorer is retained by the author(s) and / or other copyright owners and it is a condition of accessing these publications that users recognise and abide by the legal requirements associated with these rights. Take down policy The University of Edinburgh has made every reasonable effort to ensure that Edinburgh Research Explorer content complies with UK legislation. If you believe that the public display of this file breaches copyright please contact [email protected] providing details, and we will remove access to the work immediately and investigate your claim. Download date: 28. Sep. 2021 South Asia Multidisciplinary Academic Journal Free-Standing Articles Madurai Formula Films: Caste Pride and Politics in Tamil Cinema Karthikeyan Damodaran and Hugo Gorringe Publisher Association pour la recherche sur l'Asie du Sud (ARAS) Electronic version URL: http://samaj.revues.org/4359 ISSN: 1960-6060 Electronic reference Karthikeyan Damodaran and Hugo Gorringe, « Madurai Formula Films: Caste Pride and Politics in Tamil Cinema », South Asia Multidisciplinary Academic Journal [Online], Free-Standing Articles, Online since 22 June 2017, connection on 22 June 2017. URL : http://samaj.revues.org/4359 This text was automatically generated on 22 June 2017.
    [Show full text]
  • Cinema of the Social: Stars, Fans and the Standardization of Genre in Tamil Cinema
    Western University Scholarship@Western Digitized Theses Digitized Special Collections 2011 CINEMA OF THE SOCIAL: STARS, FANS AND THE STANDARDIZATION OF GENRE IN TAMIL CINEMA Ganga Rudraiah Follow this and additional works at: https://ir.lib.uwo.ca/digitizedtheses Recommended Citation Rudraiah, Ganga, "CINEMA OF THE SOCIAL: STARS, FANS AND THE STANDARDIZATION OF GENRE IN TAMIL CINEMA" (2011). Digitized Theses. 3315. https://ir.lib.uwo.ca/digitizedtheses/3315 This Thesis is brought to you for free and open access by the Digitized Special Collections at Scholarship@Western. It has been accepted for inclusion in Digitized Theses by an authorized administrator of Scholarship@Western. For more information, please contact [email protected]. CINEMA OF THE SOCIAL: STARS, FANS AND THE STANDARDIZATION OF GENRE IN TAMIL CINEMA r , ' (Spine title: CINEMA OF THE SOCIAL) (Thesis Format: Monograph) by : Ganga Rudraiah Graduate Program in Film Studies A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts The School of Graduate and Postdoctoral Studies The University of Western Ontario London, Ontario, Canada © Ganga Rudraiah 2011 THE UNIVERSITY OF WESTERN ONTARIO SCHOOL OF GRADUATE AND POSTDOCTORAL STUDIES CERTIFICATE OF EXAMINATION r Supervisor Examiners Dr. Christopher E. Glttings Dr. James Prakash Younger Supervisory Committee Dr. Constanza Burucúa Dr. Chris Holmlund The thesis by Ganga Rudraiah entitled: Cinema of the Social: Stars, Fans and the Standardization of Genre in Tamil Cinema is accepted in partial fulfillment of the requirements for the degree of Master of Arts Date Chair of the Thesis Examination Board Abstract The star machinery of Tamil cinema presents itself as a nearly unfathomable system that produces stars and politicians out of actors and fans out of audiences in an organized fashion.
    [Show full text]
  • Ripped, Retro and Ravishing
    23 SCREEN CHANGE SATURDAY, DEC 31, 2011 2011 2012 Telly bellies and old flames Saas-bahus and their kitchen politics made way for old-fashioned, and mature, romance on television this year KKAHANI MEIN TWIST: Unlike the typical AVIJIT GHOSH 20-nothing telly TIMES NEWS NETWORK couples, Ram and Priya (left) are “Have you ever been in love? Horrible isn’t it? middle-aged and It makes you so vulnerable. It opens your Dr Ashutosh and Dr Nidhi (right) chest and it opens up your heart and it means have an 18-year that someone can get inside you and mess you age gap up. You build up all these defenses, you build up a whole suit of armour, so that nothing can a 20-plus intern with flowing hair and forest-fire and complicating one’s life. By a twist of of a girl half his age. In times when most heroes tured enormous mindspace. And in the Dec 17 hurt you, then one stupid person, no different eyes. Nidhi brims with life. Her smile carries the circumstance, they get married. And slowly, are 20-nothings and almost as pretty as the TAM rating, Bade Achche... was at 9th place. from any other stupid person, wanders into smell of the finest winter flowers and she can like shit, love too happens. And that ‘crazy little heroine, these serials put forward an alternative The love stories have become a late evening your stupid life...and then your life isn’t your light up a room by just stepping into it.
    [Show full text]
  • Amfar India to Benefit Amfar, the Foundation for AIDS Research
    amfAR India To Benefit amfAR, The Foundation for AIDS Research November 2014 Mumbai, India Event Produced by Andy Boose / AAB Productions A Golden Opportunity amfAR held its inaugural Indian fundraising gala in Mumbai in November 2013. The event was hosted by amfAR Global Fundraising Chairman Sharon Stone, and Bollywood stars Aishwarya Rai Bachchan and Abhishek Bachchan. It was chaired by amfAR Chairman Kenneth Cole, Vikram Chatwal, Anuj Gupta, Rocky Malhotra, and Hilary Swank. Memorable Moments The black-tie event, presented by Dr. Cyrus Poonawalla and held at The Taj Mahal Palace Hotel, featured a cocktail reception, dinner, and an exquisite gold-themed fashion show that showcased three of India’s most important fashion designers -- Rohit Bal, Abu Jani- Sandeep Khosla, and Tarun Tahiliani. The evening concluded with a spirited performance by pop sensation Ke$ha, whose Hilary Swank for amfAR India songs included her hits Animal, We R Who We R, and Tik Tok. Among the Guests Neeta Ambani, Torquhil Campbell, Duke of Argyll, Sonal Chauhan, Venugopal Dhoot, Nargis Fakhri, Sunil Gavaskar, Parmeshwar Godrej, Lisa Haydon, Dimple Kapadia, Tikka Kapurthala, Nandita Mahtani, Rocky The Love Gold Fashion Show for amfAR India Abhishek Bachchan, Sharon Stone, Nita Ambani, and Aishwarya Rai Bachchan for amfAR India Malhotra, Dino Morea, among many others. Kenneth Cole and Sharon Stone for amfAR India Total Media Impressions: 2.4 Billion Total Media Value: $1.6 Million Aishwarya Rai Bachchan for amfAR India The Love Gold Fashion Show for amfAR India A Star-Studded Cast amfAR’s fundraising events are world renowned for their ability to attract a glittering list of top celebrities, entertainment industry elite, and international society.
    [Show full text]
  • Bhoga-Bhaagya-Yogyata Lakshmi
    BHOGA-BHAAGYA-YOGYATA LAKSHMI ( FULFILLMENT AS ONE DESERVES) Edited, compiled, and translated by VDN Rao, Retd. General Manager, India Trade Promotion Organization, Ministry of Commerce, Govt. of India, Pragati Maidan, New Delhi, currently at Chennai 1 Other Scripts by the same Author: Essence of Puranas:-Maha Bhagavata, Vishnu Purana, Matsya Purana, Varaha Purana, Kurma Purana, Vamana Purana, Narada Purana, Padma Purana; Shiva Purana, Linga Purana, Skanda Purana, Markandeya Purana, Devi Bhagavata;Brahma Purana, Brahma Vaivarta Purana, Agni Purana, Bhavishya Purana, Nilamata Purana; Shri Kamakshi Vilasa Dwadasha Divya Sahasranaama: a) Devi Chaturvidha Sahasra naama: Lakshmi, Lalitha, Saraswati, Gayatri; b) Chaturvidha Shiva Sahasra naama-Linga-Shiva-Brahma Puranas and Maha Bhagavata; c) Trividha Vishnu and Yugala Radha-Krishna Sahasra naama-Padma-Skanda-Maha Bharata and Narada Purana. Stotra Kavacha- A Shield of Prayers Purana Saaraamsha; Select Stories from Puranas Essence of Dharma Sindhu Essence of Shiva Sahasra Lingarchana Essence of Paraashara Smtiti Essence of Pradhana Tirtha Mahima Dharma Bindu Essence of Upanishads : Brihadaranyaka , Katha, Tittiriya, Isha, Svetashwara of Yajur Veda- Chhandogya and Kena of Saama Veda-Atreya and Kausheetaki of Rig Veda-Mundaka, Mandukya and Prashna of Atharva Veda ; Also ‘Upanishad Saaraamsa’ (Quintessence of Upanishads) Essence of Virat Parva of Maha Bharata Essence of Bharat Yatra Smriti Essence of Brahma Sutras Essence of Sankhya Parijnaana- Also Essence of Knowledge of Numbers Essence of Narada Charitra; Essence Neeti Chandrika-Essence of Hindu Festivals and Austerities- Essence of Manu Smriti*- Quintessence of Manu Smriti* - *Essence of Pratyaksha Bhaskara- Essence of Maha Narayanopanishad*-Essence of Vidya-Vigjnaana-Vaak Devi* Note: All the above Scriptures already released on www.
    [Show full text]
  • Spectacle Spaces: Production of Caste in Recent Tamil Films
    South Asian Popular Culture ISSN: 1474-6689 (Print) 1474-6697 (Online) Journal homepage: http://www.tandfonline.com/loi/rsap20 Spectacle spaces: Production of caste in recent Tamil films Dickens Leonard To cite this article: Dickens Leonard (2015) Spectacle spaces: Production of caste in recent Tamil films, South Asian Popular Culture, 13:2, 155-173, DOI: 10.1080/14746689.2015.1088499 To link to this article: http://dx.doi.org/10.1080/14746689.2015.1088499 Published online: 23 Oct 2015. Submit your article to this journal View related articles View Crossmark data Full Terms & Conditions of access and use can be found at http://www.tandfonline.com/action/journalInformation?journalCode=rsap20 Download by: [University of Hyderabad] Date: 25 October 2015, At: 01:16 South Asian Popular Culture, 2015 Vol. 13, No. 2, 155–173, http://dx.doi.org/10.1080/14746689.2015.1088499 Spectacle spaces: Production of caste in recent Tamil films Dickens Leonard* Centre for Comparative Literature, University of Hyderabad, Hyderabad, India This paper analyses contemporary, popular Tamil films set in Madurai with respect to space and caste. These films actualize region as a cinematic imaginary through its authenticity markers – caste/ist practices explicitly, which earlier films constructed as a ‘trope’. The paper uses the concept of Heterotopias to analyse the recurrence of spectacle spaces in the construction of Madurai, and the production of caste in contemporary films. In this pursuit, it interrogates the implications of such spatial discourses. Spectacle spaces: Production of caste in recent Tamil films To foreground the study of caste in Tamil films and to link it with the rise of ‘caste- gestapo’ networks that execute honour killings and murders as a reaction to ‘inter-caste love dramas’ in Tamil Nadu,1 let me narrate a political incident that occurred in Tamil Nadu – that of the formation of a socio-political movement against Dalit assertion in December 2012.
    [Show full text]
  • Koel Chatterjee Phd Thesis
    Bollywood Shakespeares from Gulzar to Bhardwaj: Adapting, Assimilating and Culturalizing the Bard Koel Chatterjee PhD Thesis 10 October, 2017 I, Koel Chatterjee, hereby declare that this thesis and the work presented in it is entirely my own. Where I have consulted the work of others, this is always clearly stated. Signed: Date: 10th October, 2017 Acknowledgements This thesis would not have been possible without the patience and guidance of my supervisor Dr Deana Rankin. Without her ability to keep me focused despite my never-ending projects and her continuous support during my many illnesses throughout these last five years, this thesis would still be a work in progress. I would also like to thank Dr. Ewan Fernie who inspired me to work on Shakespeare and Bollywood during my MA at Royal Holloway and Dr. Christie Carson who encouraged me to pursue a PhD after six years of being away from academia, as well as Poonam Trivedi, whose work on Filmi Shakespeares inspired my research. I thank Dr. Varsha Panjwani for mentoring me through the last three years, for the words of encouragement and support every time I doubted myself, and for the stimulating discussions that helped shape this thesis. Last but not the least, I thank my family: my grandfather Dr Somesh Chandra Bhattacharya, who made it possible for me to follow my dreams; my mother Manasi Chatterjee, who taught me to work harder when the going got tough; my sister, Payel Chatterjee, for forcing me to watch countless terrible Bollywood films; and my father, Bidyut Behari Chatterjee, whose impromptu recitations of Shakespeare to underline a thought or an emotion have led me inevitably to becoming a Shakespeare scholar.
    [Show full text]
  • 4 Broadcast Sector
    MINISTRY OF INFORMATION AND BROADCASTING Annual Report 2006-2007 CONTENTS Highlights 1. Overview 1 2. Administration 3 3. Information Sector 12 4. Broadcast Sector 53 5. Films Sector 110 6. International Co-operation 169 7. Plan and Non-Plan Programmes 171 8. New Initiatives 184 Appendices I. Organisation Chart of the Ministry 190 II. Media-wise Budget for 2006-2007 and 2007-2008 192 Published by the Director, Publications Division, Ministry of Information and Broadcasting, Government of India Typeset at : Quick Prints, C-111/1, Naraina, Phase - I, New Delhi. Printed at : Overview 3 HIGHLIGHTS OF THE YEAR The 37th Edition of International Film Festival of India-2006 was organized in Goa from 23rd November to 3rd December 2006 in collaboration with State Government of Goa. Shri Shashi Kapoor was the Chief Guest for the inaugural function. Indian Film Festivals were organized under CEPs/Special Festivals abroad at Israel, Beijing, Shanghai, South Africa, Brussels and Germany. Indian films also participated in different International Film Festivals in 18 countries during the year till December, 2006. The film RAAM bagged two awards - one for the best actor and the other for the best music in the 1st Cyprus International Film Festival. The film ‘MEENAXI – A Tale of Three Cities’ also bagged two prizes—one for best cinematography and the other for best production design. Films Division participated in 6 International Film Festivals with 60 films, 4 National Film Festivals with 28 films and 21 State level film festivals with 270 films, during the period 1-04-06 to 30-11-06. Films Division Released 9791 prints of 39 films, in the theatrical circuits, from 1-4-06 to 30-11-06.
    [Show full text]
  • COMMON ELIGIBILITY TEST 2020 (For M
    COMMON ELIGIBILITY TEST 2020 (For M. Phil. And Ph.D. Programs 2020-2021) Eligible Applicant List (Updated) S. No Application No Appearing Subject Name Father/Guardian Name Email Id 1 CET/2020-21/00001 Commerce DEVICHANDRIKA S B.SIVASUBRAMANIAN [email protected] 2 CET/2020-21/00002 English SINDUJA B BUPATHY G [email protected] 3 CET/2020-21/00003 Computer Science Vishali priya. O T.OOMATHURAI [email protected] 4 CET/2020-21/00004 Journalism And Mass Comm. Melwin Samuel Rajamani [email protected] 5 CET/2020-21/00005 Computer Applications Megala V Vanaja [email protected] 6 CET/2020-21/00006 Commerce PRAKASH D K R DHANABALAN [email protected] 7 CET/2020-21/00007 English PADHMAVATHI Alagarsamy ALAGARSAMY [email protected] 8 CET/2020-21/00008 Costume Design & Fashion K.SATHYA SATHYA M KRISHNASAMY [email protected] 9 CET/2020-21/00009 Mathematics GIFTEENA HINGIS Y M YESUDHASAN C [email protected] 10 CET/2020-21/00010 Chemistry SWATHI THARANI.D Dharmalingam.R [email protected] 11 CET/2020-21/00011 Computer Applications Nandhakumar SubramaniamSubbulakshmi [email protected] 12 CET/2020-21/00012 English Priyadharsini R D Rajagopal [email protected] 13 CET/2020-21/00013 Psychology KANCHANA D M DHANALAKSHMI M [email protected] 14 CET/2020-21/00014 Computer Science JINCY JOY JOY SAMUEL [email protected] 15 CET/2020-21/00015 English B. Dheepthi P C Balamohan [email protected] 16 CET/2020-21/00016 Education Dany K J Jose [email protected] 17 CET/2020-21/00017
    [Show full text]
  • Amrita School of Art and Science Kochi
    Amma signs Faith Leaders’ Universal Declaration Against Slavery at Vatican Amma joined Pope Francis in the Vatican and 11 other world religious leaders in a ceremonial signing of a declaration against human trafficking and slavery. Chancellor Amma Awarded Honorary Doctorate The State University of New York (SUNY) presented Amma with an honorary doctorate in humane letters at a special ceremony held on May 25, 2010 at Lippes Concert Hall in Slee Hall on the University at Buffalo North Campus. Amma Says...... When we study in college, striving to become a professional - this is education for a living. On the other hand, education for life requires understanding the essential principles of spirituality. This means gaining a My conviction is that deeper understanding of the world, our minds, our emotions, and ourselves. We all know that the real goal of science, technology and education is not to create people who can understand only the language of machines. The main purpose of spirituality must unite education should be to impart a culture of the heart - a culture based on spiritual values. in order to ensure Communication through machines has even made people in far off places seem very close. Yet, in the absence a sustainable and of communication between hearts, even those who are physically close to us seem to be far away. balanced existence of Today’s world needs people who express goodness in their words and deeds. If such noble role models set the our world. example for their fellow beings, the darkness prevailing in today’s society will be dispelled, and the light of peace - Amma and non-violence will once again illumine this earth.
    [Show full text]
  • Has the Advent of Social Media Ended the Culture of Superstardom in Bollywood?
    IOSR Journal Of Humanities And Social Science (IOSR-JHSS) Volume 22, Issue 11, Ver. 8 (November. 2017) PP 43-44 e-ISSN: 2279-0837, p-ISSN: 2279-0845. www.iosrjournals.org Has the advent of social media ended the culture of superstardom in Bollywood? Urvi Parikh1 Ravindra Katyayan2 1Research Scholar, JJT University, Vidyanagari, Jhunjhunu, Rajasthan – 333001 2Research Guide, JJT University, Vidyanagari, Jhunjhunu, Rajasthan – 333001 [[email protected]]. Abstract: Superstar as a term is synonymous with Bollywood. The glamorous world of Bollywood has witnessed the rise of several stars, making a mark with their talent, charm and charisma. While some manage to swoon the audience over their looks, there are some who sweep them off their feet and are tagged as the Superstars of Bollywood! From Dilip Kumar to Shah Rukh Khan, B-town has many names in this list of superstars. But lately, we only have stars. The culture of superstar has become redundant. Reason? May be the advent of social media. With easy accessibility and direct contact with a star over social media has brought down the curiosity that once existed around the film stars. The kind of stardom that has been enjoyed by the likes of Rajesh Khanna, Dilip Kumar, Amitabh Bachchan, Shah Rukh Khan, Salman Khan, Aamir Khan, Akshay Kumar and Ajay Devgn, is missing with the actors of the newer generation. Keywords: Bollywood, Social Media, Shah Rukh Khan, Amitabh Bachchan, Salman Khan, Superstars of Bollywood, Twitter ----------------------------------------------------------------------------------------------------------------------------- ---------- Date of Submission: 09-11-2017 Date of acceptance: 23-11-2017 ----------------------------------------------------------------------------------------------------------------------------- ---------- I. INTRODUCTION Indian cinema has completed a century since the first film was made by Dadasaheb Phalke back in 1917.
    [Show full text]