Quilters Corner
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Cora Ginsburg Catalogue 2015
CORA GINSBURG LLC TITI HALLE OWNER A Catalogue of exquisite & rare works of art including 17th to 20th century costume textiles & needlework 2015 by appointment 19 East 74th Street tel 212-744-1352 New York, NY 10021 fax 212-879-1601 www.coraginsburg.com [email protected] NEEDLEWORK SWEET BAG OR SACHET English, third quarter of the 17th century For residents of seventeenth-century England, life was pungent. In order to combat the unpleasant odors emanating from open sewers, insufficiently bathed neighbors, and, from time to time, the bodies of plague victims, a variety of perfumed goods such as fans, handkerchiefs, gloves, and “sweet bags” were available for purchase. The tradition of offering embroidered sweet bags containing gifts of small scented objects, herbs, or money began in the mid-sixteenth century. Typically, they are about five inches square with a drawstring closure at the top and two to three covered drops at the bottom. Economical housewives could even create their own perfumed mixtures to put inside. A 1621 recipe “to make sweete bags with little cost” reads: Take the buttons of Roses dryed and watered with Rosewater three or foure times put them Muske powder of cloves Sinamon and a little mace mingle the roses and them together and putt them in little bags of Linnen with Powder. The present object has recently been identified as a rare surviving example of a large-format sweet bag, sometimes referred to as a “sachet.” Lined with blue silk taffeta, the verso of the central canvas section contains two flat slit pockets, opening on the long side, into which sprigs of herbs or sachets filled with perfumed powders could be slipped to scent a wardrobe or chest. -
Elegant Table Runner H
Elegant Table Runner Designed By Patty Peterson Featuring Kreinik Metallic Machine Sewing Threads Finished size 11.5" X 40.75" ave you ever wondered how you can use the decorative stitches on H your sewing machine? Well here’s a quick and easy project where you can combine your machine’s decorative stitches with beautiful metallic threads and make an absolutely elegant table accessory. Whether you make it for your own home or as a gift, this table runner project will help you see the possibilities of those decorative machine stitches in a whole new light! ! SUPPLY LIST: 1.!!! Kreinik Metallic Machine Sewing Threads (34 colors available). This project uses:! Fine Twist threads: 0001 SILVER, 0002 PEWTER, 0003 WHITE GOLD, 0006 ANTIQUE DK GOLD 2.!!! Kreinik Silver Metallized Gimp:! 0030 SILVER, 0032 ANTIQUE GOLD, 0033 BRASSY GOLD! 3.!!! Size 14 Topstitch needle 4.!!! Sewing or embroidery machine/combination 5.!!! Walking foot or dual feed foot to construct table runner 6.!!! Tear-away stabilizer (depending on your hoop size) 7.!!! Bobbin thread 8.!!! Scissors 9.!!! Kreinik Custom Corder!™ 10. !If you plan on embroidering out the stitches in your embroidery hoop you will need 3/4 yard of Kona Bay, Black cotton fabric !! 11. If you are sewing the decorative stitches you will need!1/2 yard Kona Bay, Black cotton fabric 12.! Background fabric 13" x 44" (WOF) width of fabric (our model uses light weight patterned nylon)! 13.! Backing fabric: Kona Bay, Black cotton 13" X 44" (WOF) 14. !Extra fabric to sew test stitches, such as a couple of 6" x 6" squares 15. -
Sleeveless Blouse Tutorial by Marianne Jeffrey Adventurousquilter.Blogspot.Com
Sleeveless Blouse Tutorial By Marianne Jeffrey Adventurousquilter.blogspot.com #sleevelessblousebyAQ Quick and easy to make! 1 Fabric Requirements This blouse tutorial has been written to suit any size; you take vital measurements and decide from several options offered. You will need up to: 2 yards of cotton fabric It is highly recommended you use cotton sateen as it drapes well. However you could use quilting cotton. I have found that a high quality yet lighter & softer quilting cotton such as some of those manufactured by Art Gallery Fabrics or M & S Textiles Australia drape well for use in cotton clothing. Harmony Art Organic Design has fabulous organic cotton sateen, you can buy it here: https://organiccottonplus.com/collections/prints-harmony-art Spoonflower also has a cotton sateen available in their range and offers a multitude delightful fabric designs by indie designers: https://www.spoonflower.com/ Rayon is another fabric option that drapes well but be sure to wash and dry before making the blouse to preshrink! Lightweight linen is also a great option or a linen/rayon blend! In dressmaking it is common for sewists to make a “wearable muslin” In simple terms a “muslin” involves making a ‘test’ garment from cheap fabric such as muslin to perfect the garment size, cut etc before using high quality fabrics for the final garment. A “wearable muslin” is made from cheaper quality fabric than your final garment, so that it is a wearable piece of clothing once it is complete! If you choose to do this you can shop the clearance aisle of large retailers such as Joann, Hobby Lobby, Walmart, Spotlight etc to buy cheap yardage for your test garment. -
At High Country Quilts?
• Newsletter• Newsletter & Class & Class Schedule Schedule for High for High Country Country Quilts Quilts • Winter • Fall 2009 2007 • $1.25• at High Country Quilts? The weather is still frosty and January is here. We have some great offerings for you to start the New Year! HIGH COUNTRY QUILTS Sue McMillin will give you some wise advice 4771 North Academy Boulevard regarding organizing your space so you can spend more Colorado Springs, CO 80918 of your free time sewing! Sue is a professional, whose 719/598-1312 business, With Time to Spare, has helped pull us from http://www.hcquilts.com/ Conveniently Located… the mire of clutter we had built up around the shop. Behind Denny’s at the southeast corner of We’re not finished yet, but, boy, do we have the tools to SHOP HOURS Academy and Flintridge get the rest of the job done! Thanks, Sue! Monday through Saturday 9:30 a.m.–6:00 p.m. There are several Block of the Month patterns for Closed Sundays you to choose from and some new clubs too. We can’t seem to restrain our excitement when we see some of the projects we think you’ll enjoy. Each one has its own Wildflower Quilt charm and appeal. We’re offering our “traditional” Instructor: Staff block of the month (at least we think of it as a tradition) Level: Advanced in two different flavors this year. It is a very cool pattern Beginner from the book Kansas Spirit by Jeanne Poore, which Registration: $50 we are stitching up in a neat set of taupes, blacks, and (setting and pattern lights. -
Simplified Sewing: Hems
South Dakota State University Open PRAIRIE: Open Public Research Access Institutional Repository and Information Exchange SDSU Extension Fact Sheets SDSU Extension 1964 Simplified Sewing: Hems Cooperative Extension South Dakota State University Follow this and additional works at: https://openprairie.sdstate.edu/extension_fact Recommended Citation South Dakota State University, Cooperative Extension, "Simplified Sewing: Hems" (1964). SDSU Extension Fact Sheets. 865. https://openprairie.sdstate.edu/extension_fact/865 This Fact Sheet is brought to you for free and open access by the SDSU Extension at Open PRAIRIE: Open Public Research Access Institutional Repository and Information Exchange. It has been accepted for inclusion in SDSU Extension Fact Sheets by an authorized administrator of Open PRAIRIE: Open Public Research Access Institutional Repository and Information Exchange. For more information, please contact [email protected]. .. ... -~--- - --v · . --,-.-.- , -. ·. ..•, .. ·'··· .••,.,. - .t:\. --(. ......., • ... ·\•i• ....,.,•-•1•,··...- .,.. "\' ·,- • • • -:\. -: ·):.~\:,..,:}:,:.·,:,..,:;:,:.~:,-:-,:.0:.- ·,~\:,.!;;;; ··:,:.\!.t:,-;..:,t;.,:,:,:.i:1:,:.'.:.•; .-·F_:,~::::_:.~:~~~~~;.:::z~:;:'.·---~-~;:~~L ::·.1~~~~1::.:;.:_;~~: File Copy FS244 THE l-lE~I of your dress can have the "professional - Wearer should stand in a natural position with look" or the "homemade look." In general, the best arms at sides and weight on both feet. hem is the least conspicuous, and every step in making a hem is planned with this in mind There are several methods of marking a hem. You may use any one of these: The professional touch is recognize-cl by the follow- ing characteristics: Various types of chalk markers or pin markers - Inconspicuous from the right side Yardstick - Even distance from the floor Tailor's square. - Wide enough for good proportion and to gi\.re With some of these you can mark enough weight to hang well your own hem; others require a - Even in width help«. -
Taking Shape DARTS ADD SHAPE TURNING a FLAT PIECE of FABRIC INTO a THREE-DIMENSIONAL FORM to MATCH the CONTOURS of the BODY LINDA TURNER GRIEPENTROG
Techniques Taking Shape DARTS ADD SHAPE TURNING A FLAT PIECE OF FABRIC INTO A THREE-DIMENSIONAL FORM TO MATCH THE CONTOURS OF THE BODY LINDA TURNER GRIEPENTROG ustline, hip, waistline to tummy, elbow and shoulder. Darts can be horizontal, vertical or anywhere in between, straight or curved, but the stitching principles are the same. BThe goal of quality dart stitching is smooth, pucker-free points that don’t call attention to themselves. SHAPING A single-point dart is shaped like a triangle, and when stitched it takes a wedge of fabric out of the garment allowing for controlled fullness at the point. A single dart may be on the lengthwise fabric grain, angled or slightly curved. (1) A double-point or contour dart is diamond or rugby ball shaped, and is used to shape the waistline, leaving fullness at both ends for the bust and hip. (2) A French dart is a curved shape from the garment side seam to the bustline. This dart has cut edges joined like a seam. (3) V9082 Vintage Vogue, 1960. Misses’ A5(6-8-10-12-14) E5(14-16-18-20-22). Sew Rating: Average. Price code Orange. Illustrations: Theresa O’Connell Theresa Illustrations: 1 2 3 26 SEW TODAY May/June 2019 MARKING to anchor the stitches. Stitch (7) and stitch toward the point, Darts are indicated on the along the line, removing the A third technique for dart then repeat for the other pattern tissue by either solid pins as you get to them. Taper point, slightly overlapping or dashed lines and a dot the stitching to the point the beginning stitching lines at the point. -
Almost Amish Apron, Children's Size
Almost Amish Apron, Children’s Size 7 ½” Selvages 1/2” Pocket 7 ½ ” Ruffle Ruffle Tie (makes 2) 17” waistband Body of Apron (cut 1) 11 ” Fold 3 ¾” 3 ¾” 3 ¾ ” 4 ½ ” 13” 1/2 yd red fabric for ruffles, ties, waistband, and pocket 3/8 yd floral fabric for body of apron (makes 2) 1. Make ties by sewing right sides together then turning right side out. 2. Form ruffle by sewing two pieces together to form one long piece, fold in half length-wise with wrong sides together, run gathering stitch (long machine stitch) with raw edges together. 3. Apply ruffle to side and bottom edges of apron, gathering up the ruffle to fit and discarding extra ruffle. 4. Prepare pocket and topstitch onto apron. Sew on button. 5. With right sides together stitch waistband to top edge of apron, folding ends of waistband under to be even with edge of ruffle. Fold waistband to inside and pin barely over seam. On right side of apron, topstitch waistband near seam line. 6. Insert ties into ends of waistband and stitch across. Almost Amish Apron, Detailed Instructions 1. Fabric amounts and cutting of pieces are shown below. 9” Selvages Pocket 9” Ruffle Ruffle Tie Tie 22” waistband Body of Apron (cut 1) 13 ¼” Fold 4” 4” 4 ¾ ” 4 ¾ ” 5” 19” 3/4 yd red fabric for ruffles, ties, waistband, and pocket 5/8 yd floral fabric for body of apron 2. Fold tie in half length-wise right sides together and press. Stitch long edge and one short edge 1/2” from raw edge. -
Instructions and Free Patterns
Instructions and free patterns www.mybernette.com “Romantic style” project sewing instructions Frilly blouse Sizes 3434––––4242 European (4(4(4-(4 ---1212 US/6US/6----1414 UK) You'll need - 1.2m (1 3/8 yd) pink taffeta (fabric width 1.5m (5')) - 0.45m (½ yd) white tulle (fabric width 1.5m (5')) - 0.50 m (1/2 yd) pink voile (fabric width 1.5m (5')) - 1.5m (1 2/3 yd) satin ribbon, approx. 4mm (1/6") wide - Assorted sewing and embroidery threads in pink - Embroidery stabilizer for the facing - Spray adhesive - Sewing thread to match the color of the fabric - Gathering foot - Cording foot Fabric rerecommendationcommendation Taffeta or other shiny, slightly crisp fabric for the blouse. Sheer fabrics that can be gathered with the gathering foot for the frills. Good to know The decorative stitches will cause the fabric to shrink slightly, so be sure to add 2.5cm (1") seam allowance to the outer facing when cutting it out. After embellishing the facing with decorative stitching, reposition the paper pattern on the stitched fabric and trim the seam allowance to 1.5cm (5/8"). Cutting out Seam allowanceallowancess ––– When cutting out, add 1.5cm (5/8") seam allowance to all edges and the hem, and 1cm (3/8") to armhole curves. Pink taffeta 2 x front 1 x back to fabric fold 2 x facing 2 x belt loops: 1.5cm x 8cm (5/8" x 3 ¼"), including seam allowance 1 x belt: 8cm x 66cm (3 ¼" x 26"), including seam allowance 2 x bias binding for armhole, cut on cross-grain: 4cm x 47cm (1 5/8" x 18 1/2") Sheer voile, taffetataffeta,,,, or tulle Tear or cut (depending on the fabric's texture) 2cm- (7/8"-) wide strips for the frill on the facing. -
Sewing Math: How to Add, Subtract, Multiply & Divide
PAGE 8 KITCHEN-KLATTER MAGAZINE, SEPTEMBER, 1974 it's gathered and full, the best proce dure is to sew the skirt to the bottom of the bodice and add an attractive purchased belt. If it's fairly straight or A-line, you can do that, or you can set SEWING MATH: it on flat and neat to the knit bodice, turn the seam upward (again toward the HOW TO ADD, knit) and topstitch. It's entirely possi SUBTRACT, ble, if your girl needs even more MULTIPLY & DIVIDE length, to cut the knit bodice long enough for a dropped waistline; then by Mary Feese the "new" dress can be worn with or without a belt, as its wearer prefers. As you re-use fabrics, you'll find buttons, zippers, and some trim that you don't need for the project in hand, yet that are too good to throw away. You look at that title and wonder, figures, the problems are somewhat Save them! Small buttons store well in "What on earth does that mean?" Well, different. Anything that fits this month pill bottles; larger ones can be put simply this: you can add, subtract, may not do so next month! Let's say into plastic sandwich bags to keep multiply, and divide with items of she has a good dress, whose fabric is them together, yet easily visible. To clothing your family already owns. Re well worth redoing - but there's just re-use zippers and various trims, take cycle, alter, remake, restyle, hand no room in the bustline. The "tank the time to spray-starch and press them down, freshen up - and come out with top" idea can solve this one. -
2011 Balancing Act Catalogue
The Grand National Quilt Show 2011 Balancing Act Joseph Schneider Haus National Historic Site Kitchener, Ontario May 15 - September 11, 2011 The Grand National Committee gratefully acknowledges 2011 Award Winners: the support of the following sponsors: Grand Prize sponsored by Toyota Motor Manufacturing Canada A Needle Pulling Thread Magazine “Aglow” Christie Digital Systems Canada, Inc. Anna Hergert, Moose Jaw, SK Elna, Canada Janome Award of Excellence sponsored by Janome Canada Janome Sewing Machine Co. Ltd. Blood is Thicker than Water Tracey Lawko, Toronto, ON Toyota Motor Manufacturing Canada, Inc. Curator’s Choice Award sponsored by Waterloo County Quilters' Guild The Waterloo County Quilters’ Guild Scrapyard Couture by Bertolt of Kitchener 2011 Grand National Artists Joanne Young, Kitchener, ON Ilse Anysas-Salkauskas Meta MacLean Christie Digital Systems Special Award Enid Baker Kate Madeloso Cirque 2 Bird’s Eye View Meta McLean, TMR,Montreal, ON Nancy Bergman Ionne McCauley Ann Bird Judy Morningstar Award of Merit sponsored by Marie Black Margaret Notar a friend of the GN & JSH The Four Humours Silvia Bos Marianne Parsons Margaret Dunsmore, Ottawa, ON Catharina Breedyk Law Anita Payne Karen Cummings Judy Pearce Honourable Mention Global Warming - Benefit or Peril Margaret Dunsmore Elaine Quehl Anna Hergert, Moose Jaw, SK Judith M. Eckhardt B.J. Reid Micaela Fitzsimmons Janet Rhind Honourable Mention Dorothy Fu Carol Seeley A Lovely Place to Live - In an Apple Blossom Kate Madeloso, Halifax, NS Angela Grasse Susan Sharpe Robert Gutcher Mary Snyder Honourable Mention Phillida Hargreaves June Sparling Forest Meets Cultivation Ionne McCauley, Qualicum Beach, BC Anna Hergert Judy Taylor Joan Hug-Valeriote Engelina Van Essen Viewers’ Choice Award sponsored by Elna Canada Marie Kajdasz Beverly A. -
HEG84-199 Topstitching
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Historical Materials from University of Nebraska-Lincoln Extension Extension 1984 HEG84-199 Topstitching Rose Marie Tondl University of Nebraska - Lincoln Follow this and additional works at: https://digitalcommons.unl.edu/extensionhist Part of the Agriculture Commons, and the Curriculum and Instruction Commons Tondl, Rose Marie, "HEG84-199 Topstitching" (1984). Historical Materials from University of Nebraska- Lincoln Extension. 1391. https://digitalcommons.unl.edu/extensionhist/1391 This Article is brought to you for free and open access by the Extension at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Historical Materials from University of Nebraska-Lincoln Extension by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. HEG84-199 Topstitching This NebGuide describes the use of topstitching on jackets and coats, including techniques and materials required for a professional look. Rose Marie Tondl Extension Specialist-Clothing and Textiles Topstitching is an important yet distinctive finishing touch to a jacket or coat. Not only is it decorative, but a line of topstitching helps to keep interfacings in place, creates a neat, crisp edge on a tailored jacket, and accents seams. Topstitching can be done in various places on the garment, including lapels, pockets and pocket flaps, hems, cuffs, pleats, waistbands and major seams. The key to beautiful topstitching is the thread. It can be done with regular or special topstitching thread. Look on the end of the spool for the label that says "topstitching/buttonhole twist." Note the fiber content. Some are silk, some are 100% polyester and some are polyester wrapped with cotton. -
Newsletter: Call to Sign up for These Classes
Summer/Fall 2021 Country Stitches Sewing Machines and Quilting since 1982 www.countrystitches.com One of the Largest and Best Husqvarna Viking, Pfaff, Baby Lock, Juki, Bernina and Singer US Dealers East Lansing Jackson 2200 Coolidge Rd, East Lansing, MI 48823 1965 Boardman Rd, Jackson, MI 49202 (517) 351-2416 or 1-800-572-2031 (517) 782-7100 or 1-800-782-3830 Mon, Wed, Thurs: 10-7 • Tues, Fri: 10-6 Mon-Thurs: 10-6 • Fri: 10-5 Saturday: 10-4 • Sunday: 12-4 Saturday: 10-4 • Sunday: Closed Don’t Miss Country Stitches The Battle Birthday Party & Craft Show of the Brands Thursday, Thursday, August 12th th 10am-4pm • East Lansing only August 12 See the best of every Sewing Ma- 10am-4pm chine brand. Husqvarna Viking, East Lansing Pfaff, Baby Lock, Bernina and Juki all have specialists coming to show To Our Very Special Customers, you the features of their machines. You are cordially invited to help us celebrate at our This is a great time to see how the 39th Birthday Party brands compare and see which will We appreciate our customers and the support you have given us. We thank you by offering special birthday savings on world-famous Husqvarna Viking, Pfaff, be best for you. Juki, Bernina, Singer, and Baby Lock Sewing Machines and products. We also have GREAT DEALS on Koala, Tailormade, Arrow/Kangaroo and Unique Sew- * Each company has their best pric- ing Furniture, as well as: used, open stock, factory closeouts, classroom models es of the year. Don’t miss their great and demo machines! • Machine and serger specials are going on now! (So you can come in anytime specials.