An Explanatory Guide on the Unique ZWEIGART® Canvas Range 2 ZWEIGART - Made in Germany ZWEIGART - Made in Germany 3

Total Page:16

File Type:pdf, Size:1020Kb

An Explanatory Guide on the Unique ZWEIGART® Canvas Range 2 ZWEIGART - Made in Germany ZWEIGART - Made in Germany 3 MADE IN GERMANY CANVASES An explanatory guide on the unique ZWEIGART® canvas range 2 ZWEIGART - Made in Germany ZWEIGART - Made in Germany 3 MADE IN GERMANY Our trademark is the "Orange Line". The orange thread is woven into the edge of all the ZWEIGART® fabrics and means: Top-quality producti on. A unique range of fabrics, easy-care and woven with absolute precision: that is ZWEIGART® Made in Germany. 04 THE HISTORY OF 32 EMBROIDERY TECHNIQUES CANVASES KEY INFO ON THE TECHNIQUES THE USE OF CANVASES – HALF-STITCH . SIMPLE GOBELIN STITCH THEN AND NOW UNDERLAID HALF-STITCH GOBELIN STITCH DIAMOND STITCH 06 WHAT ARE CANVASES? DOUBLE DIAMOND STITCH PROPERTIES & SPECIAL FEATURES CROSS-STITCH AN OVERVIEW OF CANVAS BINDINGS FILLED CROSS-STITCH CARE INSTRUCTIONS STAYING STITCH IN PATTERN REPEAT RIGHT STAYING STITCH LEFT STAYING STITCH AN OVERVIEW OF ALL 08 CHESSBOARD STITCH CANVASES DIAGONAL STITCH . BASKET STITCH 500 STRAMIN VERTICAL KELIM STITCH 510 STRAMIN DIAGONAL KELIM STITCH 504 STRAMIN HORIZONTAL KELIM STITCH 505 STRAMIN MOSAIC STITCH 1231 PENELOPE CANVAS RIGHT FISHBONE DIAGONAL 1010 CAMILLA LEFT FISHBONE DIAGONAL ZWEIGART & SAWITZKI 9281 ROYAL CANVAS GmbH & Co. KG 1282 MONO CANVAS Fronäckerstraße 50 414 CORDOVA . ETAMINE 44 OTHER TECHNIQUES 71063 Sindelfi ngen 9604 ZWEIGART TWIST LATCH HOOK Germany 9699 ZWEIGART TWIST WASTE CANVAS 905 SUDANSTRAMIN POM-POM TECHNIQUE Tel + 49 (0) 7031 795 - 5 955 FEINSMYRNA . SUDAN CANVAS Fax + 49 (0) 7031 795 - 410 820 SMYRNASTRAMIN [email protected] 9106 ZWEIGART TWIST . RUG CANVAS 52 SUSTAINABILITY www.zweigart.com 9116 ZWEIGART TWIST . RUG CANVAS 1136 RUG CANVAS 9118 RUG CANVAS 54 KEYWORD INDEX Photos & Layout: Simone Pfeff er 4 ZWEIGART - The history of canvases ZWEIGART - The history of canvases 5 THE HISTORY OF CANVASES THE USE OF CANVASES – THEN AND NOW One of the oldest embroidery techniques, widespread since centuries throughout the world, including Asia, Southern Europe, France and England, is known as the "tapestry technique." Tapestry in vivid patterns was often used to cover chairs and sofas, or for large wall hangings, purses and other useful items. Today, many of these gorgeous works can be admired in museums. A characteristic feature of tapestry is that it is embroidered on canvas. In the process, the canvas is completely covered by embroidery stitches, meaning that both the motif and the background are embroidered on. One can choose a single form of embroidery to do so, but multiple types of embroidery can also be used. This depends on whether one wants to create an regular or irregular texture. There are two reasons why tapestry is Tapestry has been embroidered on canvas embroidered on canvas and not on normal, for many centuries, fully covered so that the countable fabric: For one thing, canvas is much texture of the canvas is no longer visible. less expensive than other countable needlework fabrics and for another, it is a very firm mesh thanks to its thick finish. With canvas, the mesh threads are very far apart in comparison with other fabrics and cannot be shifted. This has the benefit that the fabric will not contract when being embroidered on. Tapestry is a counted technique, which is why the motifs to be embroidered are counted on the canvas. There are many patterns available on the market: the canvases are usually pre-printed with the pattern and only have to be embroidered over. However, there are also canvases on the market Cushions / tapestry . ©Elizabeth Bradley which are already traced out, meaning the motif or parts thereof have already been pre-stretched with the necessary threads, making them easier to embroider and giving opulent results. into pom-pom rugs or the use of "waste The tapestry technique is still used on canvases today. Many modern as well as traditional patterns canvas," can also be found with artists, Nowadays, traditional tapestry is often and motifs can be found in the most diverse of countries and cultures today. Other classic canvas designers or do-it-yourselfers all over the supplemented by many other modern techniques like latch hook are also widespread. More recent techniques, such as working the canvas world. techniques. 6 ZWEIGART - What are canvases? ZWEIGART - What are canvases? 7 WHAT ARE CANVASES? Mono canvas is a single-threaded canvas. It is plain-woven, meaning that the verti cal warp and horizontal weft move up and down and cross at the same distance – all openings between the threads are PROPERTIES & SPECIAL FEATURES woven checkers. The mesh threads are sti ff ened with a fi nish in order to stay in shape. Canvases are open fabric meshes usually made of cott on. They form a woven basis for many embroidery Double-threaded canvases are also plain-woven, except the spaces between the mesh threads and latch hook techniques. Canvas is usually covered with embroidery over its enti re area. High- are not equal. Instead, it has two threads packed close together, forming a stable woven checker made up quality canvas makes it easier to embroider and makes the embroidery last longer – att enti on should of two warp and two weft threads. With double-threaded canvas, the fi neness is not indicated with the always be paid to this when purchasing. number of mesh threads, but with the number of woven checkers. The opening or puncture site between the woven checkers is large and simplifi es counti ng and embroidering. It is a classic cloth for tapestry such Canvas comes in diff erent thicknesses: The number behind the slash aft er the item number indicates as Gobelin embroidery. On double-threaded canvas, parti cularly fi ne patt ern fi elds such as faces can only the numbers of sti tches per 10 cm. Fine canvases with 26 to 70 sti tches per 10 cm (6 - 18 ct.) are be embroidered using a single weaving thread, even with split or thinner thread, which means there isn’t for cross-sti tch, needlepoint, sati n sti tch and other sti ches for counted embroidery; while coarse just one sti tch for patt erning at these places, but four. canvases with 13 to 20 sti ches per 10 cm (3 - 5 ct.) are for cross-sti tch, sati n sti tch and Twist canvas is a special fabric in which two warp threads each turn around weft threads. It resembles The special thing about all ZWEIGART® latch hook. Canvas thickness, embroidery or the single-stranded canvas, but here the threads can not be moved due to the interlock/twist weave and canvases: they are woven absolutely straight latch hook threads as well as needle or latch result in a high surface stability. & square – a guarantee for best results. hook must match the technique in questi on, so it is always a good idea to make a sample. A special fi nish lends the fabric a fi rmness which makes it easier to embroider. Canvases from CARE INSTRUCTIONS ZWEIGART® are woven from sturdy, evenly rounded multi ple threads, heavily fi nished and feature CHARACTERISTICS If necessary canvases should only be a square and sti tch-precise surface. All canvases are 100% made at the company’s headquarters in carefully washed by hand / Dry cleaned Sindelfi ngen, Germany. OF ZWEIGART® aft er the embroidery is fi nished. The rigid fi nish oft he canvases will be lost when in CANVASES: A BRIEF OVERVIEW OF CANVAS BINDINGS contact with water – thus becoming much soft er. Therefore the canvases are only to • woven absolutely straight & square There are three diff erent kinds of canvas bindings. Each one has diff erent properti es and works especially be washed aft er the embroidery is done. • given a rigid fi nish well with specifi c embroidery or the latch hook techniques. These three bindings include mono canvas on Hoewever when washing and ironing, care • suitable for many diff erent one hand, and "twist canvas" as well as the double-threaded canvases on the other. instructi ons of all embroidery materials embroidery techniques The canvas which is used depends on various factors, such as the embroidery technique or material used. – especially yarns – need to be taken into • 100 % Made in Germany Our canvases are oft en printed on by partners with a wide variety of moti fs as a basic design for the considerati on. The canvas can be pulled • wide assortment of counts embroidery. For exact prints on canvases a straight and square quality is essenti al. back into a rectangular shape aft erwards. and widths 8 ZWEIGART - An overview of all canvases ZWEIGART - An overview of all canvases 9 the canvas should be selected one number tighter, so that the thread covers it well. A coarser canvas AN OVERVIEW OF can also be selected for a more transparent effect. In general, it is always recommended to test the yarn with a small sample on the canvas. With remaining threads of similar thickness, you can achieve additional effects, for instance by combining smooth, shiny or fluffy threads like patchwork to form a ALL CANVASES pattern-material mix. Stitches Suggested threads Needles Techniques 500 / 26 Sudan wool No 16 Gobelin stitch = half-stitch 6 ct. Merino wool needle strength 4,5 - 5 500 STRAMIN 500 / 26 Merino wool needle strength 7 - 8 No 16 Cross stitch 2,6 . 3,0 . 3,4 . 3,8 . 4,0 . 4,4 . 4,8 . 5,2 . 5,6 . 6,0 . 7,0 / cm - 6 . 7 . 8 . 9 . 10 . 11 . 12 . 13 . 14 . 15 . 18 ct. 6 ct. 100 % CO I 60 cm . 24" 500 / 30, 34 Tapestry wool No 18 Gobelin stitch = half-stitch 7, 8 ct. Merino wool needle strength 7 - 8 Canvas 500 is a very open, light meshwork fabric which retains its rigidity thanks to its stiff finish.
Recommended publications
  • Diamond Textiles Lookbook 2020
    E stablished over 25 years ago, We pride ourselves on being a fair trade Diamond Textiles has become an distributor—providing jobs and internationally acclaimed wholesale support for countless rural villages in textile company. Our company is India and Indonesia. based on a dream of creating fabrics Diamond Textiles holds dearly its that intertwine traditional organic tenets of personable customer service elements with a modern relevance. and exceptional quality of fabric. What’s Inside We currently distribute fabrics across Whether you are a large international the United States, in Europe, Africa, distributor, a small storefront, or a Tweed Thicket Canada, South America, Australia, cottage industry, you are served equally Pluses & Crosses and Asia. and professionally. Topstitch Confetti Faded Memories Nikko™, Nikko II, Nikko III Cotton Embossed Primitive Stars Sandcastle Nikko Geo Moon Cloth Diamond Textiles Wholesale Fabric Supplier 13731 Desmond Street Pacoima CA 91331 Spring [email protected] PHONE: 818-899-9144 2020 FAX: 818-899-9145 Tweed Thicket We’ve added new colors to our popular Tweed Thicket collection to include lush blue greens: blue suede, French grey and dragonfly. To complement these we are Tweed introducing earthtones of butter rum, pink ginger and natural twine. Tweed Thicket is a yarn-dyed cotton now Thicket available in 36 colors. Shipping to shops in July 2020. Avobe right and below: Quilt blocks from the Kinship: 100 Block Fusion Sampler from the #100Days100Blocks sew-along by gnomeangel.com Bianca Dress. Pattern by Violette Field www.diamondtextilesusa.com (818) 899-9144 [email protected] www.diamondtextilesusa.com (818) 899-9144 [email protected] Tweed Thicket Pluses & Crosses Pluses & Crosses Inspired by hand stitching and visible mending, Diamond Textiles is combining an array of saturated hues with a special weaving process to create the look of hand stitching.
    [Show full text]
  • Machine Embroidery Threads
    Machine Embroidery Threads 17.110 Page 1 With all the threads available for machine embroidery, how do you know which one to choose? Consider the thread's size and fiber content as well as color, and for variety and fun, investigate specialty threads from metallic to glow-in-the-dark. Thread Sizes Rayon Rayon was developed as an alternative to Most natural silk. Rayon threads have the soft machine sheen of silk and are available in an embroidery incredible range of colors, usually in size 40 and sewing or 30. Because rayon is made from cellulose, threads are it accepts dyes readily for color brilliance; numbered unfortunately, it is also subject to fading from size with exposure to light or frequent 100 to 12, laundering. Choose rayon for projects with a where elegant appearance is the aim and larger number indicating a smaller thread gentle care is appropriate. Rayon thread is size. Sewing threads used for garment also a good choice for machine construction are usually size 50, while embroidered quilting motifs. embroidery designs are almost always digitized for size 40 thread. This means that Polyester the stitches in most embroidery designs are Polyester fibers are strong and durable. spaced so size 40 thread fills the design Their color range is similar to rayon threads, adequately without gaps or overlapping and they are easily substituted for rayon. threads. Colorfastness and durability make polyester When test-stitching reveals a design with an excellent choice for children's garments stitches so tightly packed it feels stiff, or other items that will be worn hard stitching with a finer size 50 or 60 thread is and/or washed often.
    [Show full text]
  • Sulphur Butterfly Crochet Pattern
    Sulphur Butterfly Crochet Pattern MATERIALS DK-weight (#3) yarn in yellow/white and tan/grey/brown 3.5mm (E) crochet hook Tapestry needle Scissors GLOSSARY OF TERMS & ABBREVIATIONS chain stitch (ch): To make, draw yarn through the active loop on the hook. fasten off: cut the yarn 3 to 4 inches from the last stitch and draw the end through the active loop. Pull tightly to secure. double crochet stitch (dc): To make, yarn over, insert hook into indicated stitch, draw up a loop, (there will be three loops on the hook) yarn over and draw through two loops, yarn over and draw through two loops again. double-treble crochet stitch (dtc): To make, yarn over three times, insert hook in indicated stitch, draw up a loop (there will be 5 loops on the hook), yarn over and draw through 2 loops four times. front loop only (FLO): Indicates the location of where to place a stitch. Out of the two loops in the top of a stitch, only work under the one which is closest to the crocheter. half-double crochet stitch (hdc): To make, yarn over, insert hook into indicated stitch, draw up a loop, (there should be three loops on the hook) yarn over and draw through all three loops. long single crochet (spike stitch): To make, insert hook into the indicated location in a previous row, draw up a long loop (back up to the current row), yarn over and draw through both loops. single crochet stitch (sc): To make, insert your hook into the indicated stitch, draw up a loop, yarn over and draw through both loops.
    [Show full text]
  • Great Lakes Region Seminar
    Great Lakes Region Seminar April 11–15, 2021 Appleton, Wisconsin Hosted by the Fox Valley Embroiderers’ Guild A chapter of the Embroiderers’ Guild of America An Invitation to Vision of Stitches Vision can be defined as having the ability to see or the ability to think or plan with imagination; both definitions encompass our love of the needle arts. The Fox Valley Embroiderers’ Guild invites you to join us for Vision of Stitches, to be held at the Red Lion Hotel Paper Valley in downtown Appleton, Wisconsin, April 11–15, 2021. With inspiring faculty and classes, wonderful accommodations and food, as well as an exciting night out, we are looking forward to sharing our community with you. Of course, we will have the seminar favorites: a boutique presented by Needle Workshop of Wausau, Wisconsin, Merchandise Night and the GLR Members’ Needle Art Exhibit. We have teamed with Lions Clubs International to recycle used eyeglasses. Consider collecting used eyewear from your chapter members who are unable to join us. Looking forward to welcoming you to our Vision. Nancy Potter, Chairman, GLR Seminar, Vision of Stitches Brochure Contents Proposed Event Schedule 3 Registration Information 4 Process & Instructions Registration Fees and Class Confirmation Registrar’s Contact Information Hotel Registration 5 Seminar Cancellation Policy 5 Special Events 6 Boutique by The Needle Workshop of Wausau, Wisconsin Half-Day Classes: Sunday Meet the Teachers: Sunday Teachers’ Showcase: Monday Tuesday Night Out: Dinner at Pullmans at Trolley Square, featuring professor
    [Show full text]
  • Thread Yarn and Sew Much More
    Thread Yarn and Sew Much More By Marsha Kirsch Supplies: • HUSQVARNA VIKING® Yarn embellishment foot set 920403096 • HUSQVARNA VIKING® 7 hole cord foot with threader 412989945 • HUSQVARNA VIKING ® Clear open toe foot 413031945 • HUSQVARNA VIKING® Clear ¼” piecing foot 412927447 • HUSQVARNA VIKING® Embroidery Collection # 270 Vintage Postcard • HUSQVARNA VIKING® Sensor Q foot 413192045 • HUSQVARNA VIKING® DESIGNER™ Royal Hoop 360X200 412944501 • INSPIRA® Cut away stabilize 141000802 • INSPIRA® Twin needles 2.0 620104696 • INSPIRA® Watercolor bobbins 413198445 • INSPIRA® 90 needle 620099496 © 2014 KSIN Luxembourg ll, S.ar.l. VIKING, INSPIRA, DESIGNER and DESIGNER DIAMOND ROYALE are trademarks of KSIN Luxembourg ll, S.ar.l. HUSQVARNA is a trademark of Husqvarna AB. All trademarks used under license by VSM Group AB • Warm and Natural batting • Yarn –color to match • YLI pearl crown cotton (color to match yarn ) • 2 spools of matching Robison Anton 40 wt Rayon thread • Construction thread and bobbin • ½ yard back ground fabric • ½ yard dark fabric for large squares • ¼ yard medium colored fabric for small squares • Basic sewing supplies and 24” ruler and making pen Cut: From background fabric: 14” wide by 21 ½” long From dark fabric: (20) 4 ½’ squares From medium fabric: (40) 2 ½” squares 21” W x 29” L (for backing) From Batting 21” W x 29” L From YLI Pearl Crown Cotton: Cut 2 strands 1 ¾ yds (total 3 ½ yds needed) From yarn: Cut one piece 5 yards © 2014 KSIN Luxembourg ll, S.ar.l. VIKING, INSPIRA, DESIGNER and DESIGNER DIAMOND ROYALE are trademarks of KSIN Luxembourg ll, S.ar.l. HUSQVARNA is a trademark of Husqvarna AB. All trademarks used under license by VSM Group AB Directions: 1.
    [Show full text]
  • Cora Ginsburg Catalogue 2015
    CORA GINSBURG LLC TITI HALLE OWNER A Catalogue of exquisite & rare works of art including 17th to 20th century costume textiles & needlework 2015 by appointment 19 East 74th Street tel 212-744-1352 New York, NY 10021 fax 212-879-1601 www.coraginsburg.com [email protected] NEEDLEWORK SWEET BAG OR SACHET English, third quarter of the 17th century For residents of seventeenth-century England, life was pungent. In order to combat the unpleasant odors emanating from open sewers, insufficiently bathed neighbors, and, from time to time, the bodies of plague victims, a variety of perfumed goods such as fans, handkerchiefs, gloves, and “sweet bags” were available for purchase. The tradition of offering embroidered sweet bags containing gifts of small scented objects, herbs, or money began in the mid-sixteenth century. Typically, they are about five inches square with a drawstring closure at the top and two to three covered drops at the bottom. Economical housewives could even create their own perfumed mixtures to put inside. A 1621 recipe “to make sweete bags with little cost” reads: Take the buttons of Roses dryed and watered with Rosewater three or foure times put them Muske powder of cloves Sinamon and a little mace mingle the roses and them together and putt them in little bags of Linnen with Powder. The present object has recently been identified as a rare surviving example of a large-format sweet bag, sometimes referred to as a “sachet.” Lined with blue silk taffeta, the verso of the central canvas section contains two flat slit pockets, opening on the long side, into which sprigs of herbs or sachets filled with perfumed powders could be slipped to scent a wardrobe or chest.
    [Show full text]
  • Stretching Unprimed Vs. Pre-Primed Canvas for Painting
    INFORMATION JUST PAINT SHEETS 8/07 No. 3 Developed in collaboration with Conservator James Bernstein and Golden Artist Colors, Inc. Stretching Unprimed vs. Pre-primed Canvas for Painting Pre-stretching traditional size. A stretched linen canvas by the weave in an unfavorable position. It is itself on a humid day would become taut. wisest to pre-stretch as a separate step. This Unprepared Canvas When there is an animal glue size on a linen aligns the weave as fabric tension is For ultimate fabric choice, unprimed canvas, the animal glue swells and the canvas estimated. If a fabric is very responsive, the canvas offers the most possibilities. The becomes less tight. Conversely, a linen first stretching may be done barehanded artist is not limited by the variety or size of canvas by itself on a dry day would become (without pliers), as the canvas should not fabrics available pre-primed. limp. However, animal glue under dry initially be stretched too taut. Allowance has If starting with unprepared linen, cotton, conditions shrinks and becomes taut. Thus to be left for subsequent wetting and rinsing or other fabric for painting, preliminary the opposite natural behaviors of linen and that will tighten the fabric significantly preparation of the canvas is essential. A animal glue are dynamically opposed and (albeit temporarily). common misunderstanding is that the help hold each other in tow. The pre-stretched canvas should be application of size or ground layer coatings This dynamic is not as well balanced for gradually and uniformly moistened and then will correct or compensate for all sorts of cotton canvas.
    [Show full text]
  • Mending As Practice and Expression Pocosin Arts Online - August 2021 Material Suggestions
    Mending as Practice and Expression Pocosin Arts Online - August 2021 Material Suggestions I want this experience to ft with what you have on hand and what you want to learn! I will link to sources of some supplies I like below, but there is no need to purchase anything unless you want to and think you will use it. You can also check the links to compare supplies to those you may already have. And of course you can get supplies anywhere you like. The most important thing you will need is some fabric scraps or worn-out textles to practce mending on (not your absolute favorite thing to start with). There are two broad categories of fabrics, based on how they are made; woven (like jeans, dress shirts, and sheets) and knited (like sweaters, socks, and T-shirts). We will talk a lot more about these in class. Each type lends itself to somewhat diferent tools and techniques. If you can, I encourage you to fnd a few scraps of each type to practce on, ideally in fabrics that are similar to the items you want to mend. These will also be a good source of material to cut patches from. I will be in touch before our class starts to fnd out about the projects you want to work on. For now, here are some general suggestons of materials and tools you may want to have on hand. In the meantme, feel free to contact me with any questons! [email protected] Threads You may want to use anything from sewing thread to wool yarn in your mending, depending on what you want to fx.
    [Show full text]
  • Jennifer Brunton 2017
    The Zibby Garnett Travelling Fellowship Report by Jennifer Brunton MLitt Technical Art History. The Cleveland Museum of Art, Ohio, USA. th th 9 July – 16 July 2017. Zibby Garnett Travel Fellowship Report Jennifer Brunton 2017 Table of Contents Introduction 1 1.1 Overview 1 1.2 Budget 2 Placement Overview 3 2.1 Cleveland 3 2.2 The Cleveland Museum of Art 4 3.1 Learning Objectives 4 4.1 Day 1: Stretching the First Canvas 6 4.2 Day 2: Part One. Working on a Glue Size Recipe 8 4.2.1 Day 2: Part Two: Preparing a Glue Ground Layer 10 4.3 Day 3: The Second Canvas and WOW! 11 4.3.1 WOW! (Wade Oval Wednesday) 13 4.4 Day 4: Experimenting with Ground Recipes 13 4.5 Day 5: Last Day and Boiling the Third Canvas 14 4.6 Back in Glasgow: Stretching the Huckaback Canvas 16 Conclusion 19 Acknowledgements 20 Appendix 1 21 Appendix 2 22 Appendix 3 24 Zibby Garnett Travel Fellowship Report Jennifer Brunton 2017 Image Credits All images not credited are copyright of the author, with permission from The Cleveland Museum of Art, Ohio. Figure 1. http://www.lib.utexas.edu/maps/world_cities/cleveland.jpg Figure 2. http://www.clevelandart.org/sites/default/files/images/homepage- feature/full/BannerBenefit_desktop.jpg Figure 22. http://www.universitycircle.org/events/2017/06/14/wow-wade-oval-wednesdays Zibby Garnett Travel Fellowship Report Jennifer Brunton 2017 Introduction. 1.1 Overview. My name is Jennifer Brunton, I am 22 years of age, and currently studying for a post- graduate degree in Technical Art History at the Centre for Textile Conservation and Technical Art History at the University of Glasgow.
    [Show full text]
  • Our First Two Big-Time Classes
    Translate Latest news from Rittenhouse Needlepoint View this email in your browser May 2018 Newsletter In this Issue: 1. Our First Two Big Time Classes 2. News roundup 3. Thread of the Month: Stef Francis 12 Ply Silk 4. Stitch of the Month: Little Wavy 5. Notes on Needlepoint Our First Two Big-Time Classes Why do I say, "Our first two big-time classes?" Well, because this is the first time in the nearly ten years that we have been open that we will be bringing in professional teachers to our store to teach. And boy are we excited! First up is "78 Stitches, 78 Threads" with Ruth Dilts. This wonderful class is a crash-course in all things Rainbow Gallery. You know Rainbow Gallery threads. You've been using them forever. They are those threads that come on cards https://us2.campaign-archive.com/?e=[UNIQID]&u=9b9b7549e5c8f818070e0508c&id=d352853db8[6/26/2018 4:17:38 PM] and are on the ubiquitous spin racks found pretty much wherever needlepoint supplies are sold. True confession here -- I've been in the business for a while now and even I have trouble keeping all the names of their products straight in my mind so I can only imagine what a jumble it must be for people who don't handle them every day. Well, now is your chance to start untangling that confusing web. And best of all with this class you will end up with a permanent reference volume to take home with you so that in the future you need never be confused by the plethora of Rainbow Gallery options ever again.
    [Show full text]
  • Tailoring Series TECHNIQUES for TAILORING UNDERLINING a TAILORED GARMENT—Underlining Is a Second Layer of Fabric. It Is Cut By
    tailoring series TECHNIQUES FOR TAILORING UNDERLINING A TAILORED GARMENT—Underlining is a second layer of fabric. It is cut by the garment pattern pieces and staystitched to the wrong side of the corresponding outer sections before any seams are joined. The two layers are then handled as one. As a general guide, most suit jackets and coats look more pro- fessional when underlined. Underlining is especially recommended for lightweight wool materials, loosely woven materials and light- colored materials. For additional information on selecting fabrics for underlining and applying the underlining, see Lining a Shirt 01' Dress HE 72, N. C. Agricultural Extension Service. STAYSTITCHING—Staystitch all outer garment pieces before construction begins. If garment is underlined, stays-titching is done when the two layers of fabric are sewn together. Staystitch 1/3 in. outside seamline (on the seam allowance). Stay- stitch “ with matching cotton thread on all curved *areas that may stretch during construction such as necklines, side seams, shoulder seams, armholes, and side seams of skirt. Use directional stitching always to prevent stretching of fabric and to prevent one layer of fabric from riding. The direction to stitch is indicated by small arrows on the pattern on the seamlines. INTERFACINGS—Select a high quality hair canvas for the front and collar of coats and jackets. The percentage of wool indicates the quality—the higher the wool content of the canvas the better the quality. Since a high percentage of wool makes the hair canvas fairly dark in color, it cannot be used successfully under light-colored fabrics. In these cases use an interfacing lighter in color and lower in wool content.
    [Show full text]
  • Elegant Table Runner H
    Elegant Table Runner Designed By Patty Peterson Featuring Kreinik Metallic Machine Sewing Threads Finished size 11.5" X 40.75" ave you ever wondered how you can use the decorative stitches on H your sewing machine? Well here’s a quick and easy project where you can combine your machine’s decorative stitches with beautiful metallic threads and make an absolutely elegant table accessory. Whether you make it for your own home or as a gift, this table runner project will help you see the possibilities of those decorative machine stitches in a whole new light! ! SUPPLY LIST: 1.!!! Kreinik Metallic Machine Sewing Threads (34 colors available). This project uses:! Fine Twist threads: 0001 SILVER, 0002 PEWTER, 0003 WHITE GOLD, 0006 ANTIQUE DK GOLD 2.!!! Kreinik Silver Metallized Gimp:! 0030 SILVER, 0032 ANTIQUE GOLD, 0033 BRASSY GOLD! 3.!!! Size 14 Topstitch needle 4.!!! Sewing or embroidery machine/combination 5.!!! Walking foot or dual feed foot to construct table runner 6.!!! Tear-away stabilizer (depending on your hoop size) 7.!!! Bobbin thread 8.!!! Scissors 9.!!! Kreinik Custom Corder!™ 10. !If you plan on embroidering out the stitches in your embroidery hoop you will need 3/4 yard of Kona Bay, Black cotton fabric !! 11. If you are sewing the decorative stitches you will need!1/2 yard Kona Bay, Black cotton fabric 12.! Background fabric 13" x 44" (WOF) width of fabric (our model uses light weight patterned nylon)! 13.! Backing fabric: Kona Bay, Black cotton 13" X 44" (WOF) 14. !Extra fabric to sew test stitches, such as a couple of 6" x 6" squares 15.
    [Show full text]