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Cora Ginsburg Catalogue 2015
CORA GINSBURG LLC TITI HALLE OWNER A Catalogue of exquisite & rare works of art including 17th to 20th century costume textiles & needlework 2015 by appointment 19 East 74th Street tel 212-744-1352 New York, NY 10021 fax 212-879-1601 www.coraginsburg.com [email protected] NEEDLEWORK SWEET BAG OR SACHET English, third quarter of the 17th century For residents of seventeenth-century England, life was pungent. In order to combat the unpleasant odors emanating from open sewers, insufficiently bathed neighbors, and, from time to time, the bodies of plague victims, a variety of perfumed goods such as fans, handkerchiefs, gloves, and “sweet bags” were available for purchase. The tradition of offering embroidered sweet bags containing gifts of small scented objects, herbs, or money began in the mid-sixteenth century. Typically, they are about five inches square with a drawstring closure at the top and two to three covered drops at the bottom. Economical housewives could even create their own perfumed mixtures to put inside. A 1621 recipe “to make sweete bags with little cost” reads: Take the buttons of Roses dryed and watered with Rosewater three or foure times put them Muske powder of cloves Sinamon and a little mace mingle the roses and them together and putt them in little bags of Linnen with Powder. The present object has recently been identified as a rare surviving example of a large-format sweet bag, sometimes referred to as a “sachet.” Lined with blue silk taffeta, the verso of the central canvas section contains two flat slit pockets, opening on the long side, into which sprigs of herbs or sachets filled with perfumed powders could be slipped to scent a wardrobe or chest. -
Start Spinning: Everything You Need to Know to Make Great Yarn Ebook
START SPINNING: EVERYTHING YOU NEED TO KNOW TO MAKE GREAT YARN PDF, EPUB, EBOOK Maggie Casey | 120 pages | 01 Apr 2008 | Interweave Press Inc | 9781596680654 | English | Loveland, CO, United States Start Spinning: Everything You Need to Know to Make Great Yarn PDF Book To make two-ply yarn, take two singles strands or both ends of the same strand , attach them both to your spindle, and twist them around each other in the opposite direction from how you originally spun them. When you spin, you put twist into fibres so that they hold together to form a continuous thread. Navajo Plying - Making a three-ply yarn 8. Designed to appeal to the beginning spinner, tips and hints are provided that illustrate how easy, enjoyable, and relaxing spinning can be. When I was in Kenya, women spun Romney wool chiefly "in the grease," but it often locked in large amounts of dirt in the process. Spin spin spin! Covers fiber characteristics, preparation and spinning, choosing a wheel, and crafting the finished yarn into useful and attractive pieces. I Made It! Leave the original loop of fiber anchored on the spindle hook. Description If you are a knitter or crocheter looking to take the step from just using manufactured yarn to making your own this is a great book to get you started. A bunch of loose fibers will fall apart if you pull on their ends. Launching a Patreon! First and foremost, you want a balanced drop spindle that spins true. Either one will do just fine to learn on. It is also much easier to learn to spin wool than silk, or cotton and other vegetable fibres. -
At High Country Quilts?
• Newsletter• Newsletter & Class & Class Schedule Schedule for High for High Country Country Quilts Quilts • Winter • Fall 2009 2007 • $1.25• at High Country Quilts? The weather is still frosty and January is here. We have some great offerings for you to start the New Year! HIGH COUNTRY QUILTS Sue McMillin will give you some wise advice 4771 North Academy Boulevard regarding organizing your space so you can spend more Colorado Springs, CO 80918 of your free time sewing! Sue is a professional, whose 719/598-1312 business, With Time to Spare, has helped pull us from http://www.hcquilts.com/ Conveniently Located… the mire of clutter we had built up around the shop. Behind Denny’s at the southeast corner of We’re not finished yet, but, boy, do we have the tools to SHOP HOURS Academy and Flintridge get the rest of the job done! Thanks, Sue! Monday through Saturday 9:30 a.m.–6:00 p.m. There are several Block of the Month patterns for Closed Sundays you to choose from and some new clubs too. We can’t seem to restrain our excitement when we see some of the projects we think you’ll enjoy. Each one has its own Wildflower Quilt charm and appeal. We’re offering our “traditional” Instructor: Staff block of the month (at least we think of it as a tradition) Level: Advanced in two different flavors this year. It is a very cool pattern Beginner from the book Kansas Spirit by Jeanne Poore, which Registration: $50 we are stitching up in a neat set of taupes, blacks, and (setting and pattern lights. -
Tapestry Weaving
CONTENTS FOREWORD INTRODUCTION TO TEXTILES AND WEAVING 2 SPINNING SPINNING BY HAND 6 SPINNINGWHEEL: THE PARTS 6 SPINNINGWHEELWITH BOBBIN LEAD 9 BICYCLE SPINNINGWHEEL 9 SPINNING ACCESSORIES 9 BENCH-CARDER 11 CONSTRUCTING A BENCH-CARDER 12 THE SPINNING OPERATION 13 MATERIALS: WOOL AN D MOHAl R 14 THE CLASSES OF MOHAIR FROM LESOTHO 14 SORTING BASOTHO MOHAIR 15 TEASING 16 CARDING 16 COMBING 18 SPINNING: WORKING METHOD 19 LONG DRAW-WOOLLEN SPINNING 20 SHORT DRAW-WORSTED SPINNING 21 SPINNING FLUFFY YARN 22 Z-TWISTED AND S-TWISTED YARN 22 PLYING 22 THE SIZE OF THE YARN 23 SKEINS 23 EVALUATI NG TH E YARN 24 DYEING NATURAL DYES 25 SYNTHETIC OR CHEMICAL DYES 25 SYNTHETIC DYES FOR ANIMAL FIBRE 25 EQUIPMENT 27 MATERIALS USED FOR DYEING AT TLM 29 WEIGHING THE DYE-STUFF 30 PREPARING LESS THAN 1/10 GRAM DYE-STUFF 30 http://d-nb.info/1015550118 CALCULATING PERCENTAGES 31 PREPARING YARN FOR WASHING AND DYEING 31 HANDLING YARN FROM ANIMAL FIBRE 32 SOAKING YARN BEFORE WASHING 32 WASHING YARN 32 WORKING ROUTINE AND DYEING METHOD 33 SAMPLE DYEING 34 MATERIAL CONSUMPTION REGISTRATION 35 SHAFT LOOM WEAVING SHAFT LOOM WITH OVERHEAD PULLEY SYSTEM 36 SHAFT LOOM: THE PARTS 37 SHAFT LOOM: OPERATION 38 SHAFT LOOM WITH COUNTERMARCH 39 WEAVING ACCESSORIES AND HAND-TOOLS 39 THE WARP 42 THE WEFT 42 PREPARING WARP THE SIMPLEST WAY 42 PREPARING WARP ON A FRAME 43 PREPARING WARP ON A WARPING MILL 44 THE CROSS 45 THE REED 46 CALCULATING THE WARP WIDTH 47 CALCULATING THE WARP LENGTH 47 SPACING THE WARP BEFORE DRESSING THE LOOM 48 TRANSFERRING A WARP TO THE SHAFT LOOM 49 DRESSING -
2011 Balancing Act Catalogue
The Grand National Quilt Show 2011 Balancing Act Joseph Schneider Haus National Historic Site Kitchener, Ontario May 15 - September 11, 2011 The Grand National Committee gratefully acknowledges 2011 Award Winners: the support of the following sponsors: Grand Prize sponsored by Toyota Motor Manufacturing Canada A Needle Pulling Thread Magazine “Aglow” Christie Digital Systems Canada, Inc. Anna Hergert, Moose Jaw, SK Elna, Canada Janome Award of Excellence sponsored by Janome Canada Janome Sewing Machine Co. Ltd. Blood is Thicker than Water Tracey Lawko, Toronto, ON Toyota Motor Manufacturing Canada, Inc. Curator’s Choice Award sponsored by Waterloo County Quilters' Guild The Waterloo County Quilters’ Guild Scrapyard Couture by Bertolt of Kitchener 2011 Grand National Artists Joanne Young, Kitchener, ON Ilse Anysas-Salkauskas Meta MacLean Christie Digital Systems Special Award Enid Baker Kate Madeloso Cirque 2 Bird’s Eye View Meta McLean, TMR,Montreal, ON Nancy Bergman Ionne McCauley Ann Bird Judy Morningstar Award of Merit sponsored by Marie Black Margaret Notar a friend of the GN & JSH The Four Humours Silvia Bos Marianne Parsons Margaret Dunsmore, Ottawa, ON Catharina Breedyk Law Anita Payne Karen Cummings Judy Pearce Honourable Mention Global Warming - Benefit or Peril Margaret Dunsmore Elaine Quehl Anna Hergert, Moose Jaw, SK Judith M. Eckhardt B.J. Reid Micaela Fitzsimmons Janet Rhind Honourable Mention Dorothy Fu Carol Seeley A Lovely Place to Live - In an Apple Blossom Kate Madeloso, Halifax, NS Angela Grasse Susan Sharpe Robert Gutcher Mary Snyder Honourable Mention Phillida Hargreaves June Sparling Forest Meets Cultivation Ionne McCauley, Qualicum Beach, BC Anna Hergert Judy Taylor Joan Hug-Valeriote Engelina Van Essen Viewers’ Choice Award sponsored by Elna Canada Marie Kajdasz Beverly A. -
Introduction to Spinning Wheels
presents An Introduction to Spinning Wheels: How to Use and How to Choose a Spinning Wheel elcome to the world of handspinning! So, you’ve decided to take the plunge and explore Wthe wonders of making your own yarn with a spinning wheel. Not only are you in for a treat, but you’ve also started at the right place. Learning how to spin your own yarn is pretty easy and straight forward, especially if you have access to great teachers. To make this free eBook, we pulled from some of our best content from the pages of Spin.Offmagazine. The oldest of Interweave’s publications, Spin.Off is a quarterly magazine that has been around since 1977 inspiring spinners new and old to make beautiful yarn and find enchanting ways to use it. We also host the spinning community, spinningdaily.com complete with blogs, forums, and free patterns, Spin.Off Autumn Retreat (SOAR)—an intense and inspirational week with like-minded spinners, and our series of workshop videos where the living treasures of the spinning world share their knowledge with you. We’re devoted to bringing you the best spinning teachers, the newest spinning ideas, and most inspirational creativity right to your mailbox, computer, and ultimately fingertips. We hope you enjoy your spinning journey—come tell us about it at spinningdaily.com. Happy spinning, Amy Clarke Moore [email protected] Indulge your passion for fiber with Spin.Off magazine Spin.Off brings you: • The best teachers teaching the best spinning tricks and techniques • The newest information: fibers, tools, books, events, people, and places • The warmest handspun projects that you can make • The coolest stories of spinning history and tradition Subscribe Now! Call (800) 767-9638 or go to spinoffmagazine.com Copyright Spin.Off® magazine, Interweave Press LLC. -
Australian Yarn Weights - Ply & Wraps Per Inch Yarn Is the Most Important Component of Knitting
Australian Yarn Weights - Ply & Wraps Per Inch Yarn is the most important component of knitting. The qualities of the yarn affect the final product, no matter how experienced of a knitter you are. Of these qualities, yarn weight has the biggest impact, making it vital that knitters understand it when selecting the right yarn for a project. We go into the details below, but we also put this info into an awesome infographic! What Does Yarn Weight Mean? Yarn weight can be pretty confusing, especially if you’re just starting out on your knitting journey. At first glance, you might think that yarn weight is about how much a ball or skein weighs in ounces or grams on a scale. Nope! Yarn weight refers to the thickness of the yarn. It ranges from yarn as thin as sewing thread to yarn thicker than your arm. Some yarn weights are best suited for lace knitting, while others are used for sweaters or rugs. The success of your knitting project depends on selecting the right yarn weight. Understanding Yarns Yarns are made from fibers – plant, animal, mineral, cellulose, and plastic. The fiber composition affects how the yarn knits (such as elasticity and slipperiness) and how your final project appears. Fibers can be combined to create yarn, such as 50% silk and 50% linen, allowing the yarn to inherit qualities from each type of fiber used. How the fibers are processed and spun impacts the final yarn weight. Yarn Structure When fiber strands are twisted together, yarn is created. This process of twisting fibers is known as spinning. -
The Complete Costume Dictionary
The Complete Costume Dictionary Elizabeth J. Lewandowski The Scarecrow Press, Inc. Lanham • Toronto • Plymouth, UK 2011 Published by Scarecrow Press, Inc. A wholly owned subsidiary of The Rowman & Littlefield Publishing Group, Inc. 4501 Forbes Boulevard, Suite 200, Lanham, Maryland 20706 http://www.scarecrowpress.com Estover Road, Plymouth PL6 7PY, United Kingdom Copyright © 2011 by Elizabeth J. Lewandowski Unless otherwise noted, all illustrations created by Elizabeth and Dan Lewandowski. All rights reserved. No part of this book may be reproduced in any form or by any electronic or mechanical means, including information storage and retrieval systems, without written permission from the publisher, except by a reviewer who may quote passages in a review. British Library Cataloguing in Publication Information Available Library of Congress Cataloging-in-Publication Data Lewandowski, Elizabeth J., 1960– The complete costume dictionary / Elizabeth J. Lewandowski ; illustrations by Dan Lewandowski. p. cm. Includes bibliographical references. ISBN 978-0-8108-4004-1 (cloth : alk. paper) — ISBN 978-0-8108-7785-6 (ebook) 1. Clothing and dress—Dictionaries. I. Title. GT507.L49 2011 391.003—dc22 2010051944 ϱ ™ The paper used in this publication meets the minimum requirements of American National Standard for Information Sciences—Permanence of Paper for Printed Library Materials, ANSI/NISO Z39.48-1992. Printed in the United States of America For Dan. Without him, I would be a lesser person. It is the fate of those who toil at the lower employments of life, to be rather driven by the fear of evil, than attracted by the prospect of good; to be exposed to censure, without hope of praise; to be disgraced by miscarriage or punished for neglect, where success would have been without applause and diligence without reward. -
Class Schedule January– March 2021
Class Schedule January– March 2021 About Our Classes - NEW Teacher - Cindy Peters Thank you so much for your continued support for Sun. Jan. 3 11 am—1 pm $25 our classes, both in person and virtual. Learning a new HEART PILLOWS - I love the way these heart blocks are skill and having fun while you do it is very important at pieced and how they make the perfect pillow! Learn piecing tech- Quilter’s Cupboard! To sign up for a class, please pre- niques and how to finish into a pillow. register to reserve your space. Classes have a mini- VIRTUAL OR IN PERSON mum of 4 students and refunds are available up to one Teacher - Cindy Peters week before the first class session. In fairness to the Sun. Jan. 10 Noon-4 pm $30 teachers and other students who have purchased their supplies, we are unable to make refunds after that ROTARY CUTTING TIPS—The secret to a beautiful quilt time. We will be offering most of the classes Virtually starts with the cutting. Learn about the rotary cutter and rulers via Facebook Live, as well as in person to allow more that will make everything easier! Bring a project to cut and learn to participate. to decipher cutting instructions. VIRTUAL OR IN PERSON Teacher - Cindy Peters Supplies are needed for all classes and a supply list will Mon. Jan. 11 6-8 pm $20 be emailed at least 1 week prior to start of class. The class fee covers instruction only, but there is a 10% QUILT FINISHING TECHNIQUES - This is the perfect class discount on all supplies needed for the class. -
Spinning Soft Yarn Rhythmically Spinning and Plying Low Twist Yarns
Spinning Soft Yarn Rhythmically spinning and plying low twist yarns By Mary Spanos Mary uses a short forward draw spinning technique, similar to worsted spinning, to create these fluffy wool yarns for soft and lightweight garments. Several years ago I thought I’d finally learned to spin at SOAR in Vermont in 1997. I’ve used Jaquie’s technique to the perfect knitting yarn. That three-ply yarn was lovely and change from a long backward draw to a short forward draw, the skeins were beautiful. The yarn was a consistent, perfectly which is described below. smooth, high-twist 3-ply. Unfortunately, the sweater I made with Changing my spinning technique was not easy. After years that yarn didn’t turn out as I had hoped. The knitted fabric felt of spinning wool one way, those hand motions had become like stiff and dense, and the sweater weighed more than it should (it so many other small habits that don’t require attention or thought. was uncomfortably heavy and too warm). Too much twist in my It was difficult to change those motions, even when the new singles and in the plying resulted in a yarn that looked good but technique seemed so simple. But it was worth the frustration. was actually dense and firm instead of soft and fluffy as I had Not only does this technique help me produce the kind of yarns I envisioned my sweater. enjoy knitting and weaving, but it also offers a more comfortable At that time, I was spinning wool with a long draw tech- sitting position and hand positions so I can spin for longer periods nique, which if broken into steps could be described as: 1) the of time. -
All Courses Syllabus by College of Home Science, Nirmala Niketan
UNIVERSITY OF MUMBAI Revised Syllabus SEMESTER I & SEMESTER II Program: B.Sc. Course: Home Science (Choice Based Semester Grading System with effect from the Academic Year 2016–2017) PREAMBLE Home Science is an interdisciplinary science, which offers holistic and socially-relevant educational programmes. Home Science has emerged as a full-fledged scientific course in which overall improvement in the quality of life of the individual, family, and community is sought. There is a prominent emphasis on professional competence and sensitivity to the needs of society. The degree courses are B.Sc. (Home Science), M.Sc. (Home Science) and Ph.D. (Home Science). The four main areas of specialization are as follows: 1. Foods, Nutrition and Dietetics 2. Human Development 3. Textile and Fashion Technology 4. Community Resource Management The objectives of the Home Science curriculum are as follows: 1. To impart knowledge and facilitate the development of skills and techniques in the different areas of Home Science (namely ‘Foods, Nutrition and Dietetics’; ‘Human Development’; ‘Textile and Fashion Technology’; and ‘Community Resource Management’) required for personal, professional and community advancement. 2. To inculcate in students, values and attitudes that enhance personal and family growth and to sensitize them to various social issues for the development of a humane society. 3. To promote in students a scientific temper and competencies in research to enable contributions to the national and international knowledge base in Home Science and allied fields. 4. In sum, to empower our women students such that they are able to effect positive changes at multiple levels. SEMESTER I COURSE COURSE TYPE TITLE OF THE COURSE WORKLOAD NO. -
An Explanatory Guide on the Unique ZWEIGART® Canvas Range 2 ZWEIGART - Made in Germany ZWEIGART - Made in Germany 3
MADE IN GERMANY CANVASES An explanatory guide on the unique ZWEIGART® canvas range 2 ZWEIGART - Made in Germany ZWEIGART - Made in Germany 3 MADE IN GERMANY Our trademark is the "Orange Line". The orange thread is woven into the edge of all the ZWEIGART® fabrics and means: Top-quality producti on. A unique range of fabrics, easy-care and woven with absolute precision: that is ZWEIGART® Made in Germany. 04 THE HISTORY OF 32 EMBROIDERY TECHNIQUES CANVASES KEY INFO ON THE TECHNIQUES THE USE OF CANVASES – HALF-STITCH . SIMPLE GOBELIN STITCH THEN AND NOW UNDERLAID HALF-STITCH GOBELIN STITCH DIAMOND STITCH 06 WHAT ARE CANVASES? DOUBLE DIAMOND STITCH PROPERTIES & SPECIAL FEATURES CROSS-STITCH AN OVERVIEW OF CANVAS BINDINGS FILLED CROSS-STITCH CARE INSTRUCTIONS STAYING STITCH IN PATTERN REPEAT RIGHT STAYING STITCH LEFT STAYING STITCH AN OVERVIEW OF ALL 08 CHESSBOARD STITCH CANVASES DIAGONAL STITCH . BASKET STITCH 500 STRAMIN VERTICAL KELIM STITCH 510 STRAMIN DIAGONAL KELIM STITCH 504 STRAMIN HORIZONTAL KELIM STITCH 505 STRAMIN MOSAIC STITCH 1231 PENELOPE CANVAS RIGHT FISHBONE DIAGONAL 1010 CAMILLA LEFT FISHBONE DIAGONAL ZWEIGART & SAWITZKI 9281 ROYAL CANVAS GmbH & Co. KG 1282 MONO CANVAS Fronäckerstraße 50 414 CORDOVA . ETAMINE 44 OTHER TECHNIQUES 71063 Sindelfi ngen 9604 ZWEIGART TWIST LATCH HOOK Germany 9699 ZWEIGART TWIST WASTE CANVAS 905 SUDANSTRAMIN POM-POM TECHNIQUE Tel + 49 (0) 7031 795 - 5 955 FEINSMYRNA . SUDAN CANVAS Fax + 49 (0) 7031 795 - 410 820 SMYRNASTRAMIN [email protected] 9106 ZWEIGART TWIST . RUG CANVAS 52 SUSTAINABILITY www.zweigart.com