DOCSLIB.ORG

The Fog Free

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

FREE THE FOG PDF James Herbert | 352 pages | 05 Mar 2010 | Pan MacMillan | 9780330515313 | English | London, United Kingdom The Fog - Wikipedia Looking for a movie the entire family can enjoy? Check out our picks for family friendly movies movies that transcend all ages. For even more, visit our Family Entertainment Guide. See the full list. Against the backdrop of spine-chilling stories of drowned mariners and a year-old shipwreck lying on the bottom The Fog the sea, the peaceful community of the coastal town of Antonio Bay, California is making preparations to celebrate its centennial. However--as strange supernatural occurrences blemish the festivities--an impenetrable opaque mist starts to shroud the seaside village, leading to unaccountable disappearances and the spilling of warm bright-red blood. One long century ago, a hideous crime was committed The Fog the town's elders. Now, the restless dead have returned for revenge, demanding justice. Is there something evil lurking in the fog? Written by Nick Riganas. I watched The Fog for the first time since the early 's the other night. John Carpenter and Debra Hill did a fine job with this one. The good points of the movie deal with the overall story and the setting of the film. The story is explained fully during the movie and the setting in California is superb and creepy. The music is The Fog disturbing. The background music coupled with The Fog uneasiness and lonliness of the town, Antonio Bay, is very effective. No gore whatsoever in this one so the whole family may watch this movie together. When I was about 10 or 11 years old The Fog movie did scare me quite a bit. The only negative was the The Fog. No character development at The Fog but that was probably intended. Jamie Lee Curtis's role is The Fog. Some references to Halloween are also found in the film. Look out for the name of one of the main characters. Overall a good movie. Not great but good. Looking for some great streaming picks? Check out some of the IMDb editors' favorites movies and shows to round out your Watchlist. Visit our The Fog to Watch page. Sign In. Keep track of everything you watch; tell your friends. Full Cast and Crew. Release Dates. Official Sites. Company Credits. Technical Specs. Plot Summary. Plot Keywords. Parents Guide. External Sites. User Reviews. User Ratings. External Reviews. Metacritic Reviews. Photo Gallery. Trailers and Videos. Crazy Credits. Alternate Versions. Rate This. An unearthly fog rolls into a small coastal town exactly years after a ship mysteriously sank in its waters. Director: John Carpenter. Writers: John CarpenterThe Fog Hill. Added to Watchlist. From metacritic. Top 50 Highest-Grossing s Horror Films. In search of darkenss. Share this Rating Title: The Fog 6. Use the HTML below. You must be a registered user to use the IMDb rating plugin. The Fog these titles were about superheroes I'd watch Edit Cast Cast The Fog, first billed only: Adrienne Barbeau Stevie Wayne Jamie Lee Curtis Elizabeth Solley Janet Leigh Kathy Williams John Houseman The Fog Tom Atkins Nick Castle James Canning Dick Baxter Charles Cyphers Dan O'Bannon Nancy Kyes Andy Wayne Hal Holbrook Father Malone John F. Tommy Wallace Regina Waldon Kobritz Jim Haynie Dockmaster Darrow Igus Edit Storyline Against the backdrop of spine-chilling stories of The Fog mariners and a year-old shipwreck lying on the bottom of the sea, the peaceful community of the coastal town of Antonio Bay, California is making preparations to celebrate its centennial. Taglines: What you can't see won't hurt you Edit Did You Know? Trivia When Janet Leigh is standing just outside the church door, there's an arc of fog at the top of the image. This was not intentional but was actual fog on the lens. Goofs When Andy runs on the beach to find the gold coin, footprints from previous takes are visible. Quotes Elizabeth Solley : Listen, I never hitchhiked before. I just really want to be careful. Can I ask you something? Nick Castle : Yes, I am. Yes, I am weird. Elizabeth Solley : You are weird. Thank God you're weird. The last one The Fog so normal, it was disgusting. Was this review helpful to you? Yes No Report this. Q: Who are the six Antonio Bay residents that the fog kills? Q: How does the movie The Fog Country: USA. Language: English. Runtime: 89 min. Sound Mix: Mono. Color: Color Metrocolor. Edit page. October Streaming Picks. Back to School Picks. Clear your history. The Fog () - IMDb The problem is with the fog. It must have seemed like an inspired idea to make a horror movie in which clouds of fog would be the menace, but the idea just doesn't work The Fog in "The Fog," John Carpenter's first thriller since " Halloween. And it also needs a slightly more plausible plot. We don't really care about the logic of the plot in horror movies, of course, but there has to be some plausibility, just so we know what the rules are. Carpenter's fog - which contains the ghosts of murdered sailors - is too unpredictable. When it rolls in, it's likely to kill anyone, no matter whether or not their ancestors were responsible for killing the sailors years ago. It introduces a few of its inhabitants, especially isolated women. It establishes a threat. And then the rest of the movie is devoted to scenes in The Fog the threat either does or does The Fog destroy its intended victims. Very simple. The threat need not even be believable; "Halloween's" psychotic killer, wrapped in sheets and apparently invulnerable, just kept on coming while a platoon of The Fog bit the dust. But "Halloween's" killer was a person, and had at least a bit of personal background we The Fog a traumatic scene from his childhood and heard a psychiatrist describe him as evil incarnate. The narrative background The Fog "The Fog" is presented stylishly - John Houseman of " The Paper Chase " tells a ghost story around a campfire on the beach, little kids listen with their mouths hanging open, we learn that shipwrecked sailors were murdered near this town a century ago, and that The Fog vowed to return years later. And, of course, tonight's the night. But when the sailors' ghosts return, wrapped in fog, we can't figure out what their motives are. Do they want to kill the descendants of their murderers? Are they angry The Fog the town itself? Are they indeed there in the fog, or are their The Fog hallucinating? Well, let's face it, we wouldn't care about the answers to these questions if "The Fog" were as scary as "Halloween. A sentient fog may be photogenic and this is a good-looking moviebut can we identify with it? Is it the kind of villain we love to hate? Not really. He picked the wrong story, I think, but The Fog directs it with a flourish. This isn't a great movie but it does show great promise from Carpenter - whose psychotic killer in "Halloween," you may recall, was missing at the end of the film and may be The Fog a sequel any day now. Roger Ebert was the film critic of the Chicago Sun-Times from until his death in Inhe won the The Fog Prize for The Fog criticism. John Houseman as Machen. Janet Leigh as Kathy Williams. Jamie Lee Curtis as Elizabeth Solley. Tommy Atkins as Nick Castle. Nancy Loomis as Sandy Fadel. Hal Holbrook as Father Malone. Adrienne Barbeau as Stevie Wayne. Reviews The Fog. Roger Ebert February 05, Now streaming on:. Powered The Fog JustWatch. Now playing. A Wilderness of Error Brian Tallerico. The Doorman Simon Abrams. Unpregnant Matt Zoller Seitz. Small Axe: Mangrove Odie Henderson. Film Credits. Latest blog posts. The Fog – The Official John Carpenter Often overlooked is The FogCarpenter's eerie crowd-pleaser that overcame its low-budget, do-it-yourself production to become a huge hit, earning 20 times what it cost to make. Ignore the remake for your own good and The Fog this peek behind the scenes at one of the forgotten The Fog of the early '80s, which was released on February 8, Stonehenge, for The Fog. The film originally didn't have much blood in it; Carpenter, having gone that route with Halloweenwanted to take a different tack this time. But gore was becoming popular with horror audiences, and since Carpenter was doing reshoots anyway, the studio urged him to add some bloodletting. Maybe he was thinking of Cronenberg's The Brood ? About one-third of the film consists of footage shot after Carpenter and Hill watched a rough cut and determined the movie wasn't working. They added some scenes, re-shot others, and introduced the character of the old man John Houseman who tells the campfire story at the beginning of the movie. Note: Mr. Houseman was not among the creepy British things that inspired the movie. Carpenter and Hill met inwhen The Fog worked as the script supervisor on Assault on Precinct 13and they began dating shortly thereafter. Carpenter and Hill continued to work together for the rest of her life she died inbut making The Fog couldn't have been The Fog for any of them, The Fog it starred Barbeau, to whom Carpenter The Fog newly married. Jamie Lee Curtis, a friend of Hill's, said in a interview that it was indeed an emotionally difficult time for her. Dennis Etchison wrote the paperback novelization of the movie he'd done the same for Halloweenin which better sense was made of the The Fog somewhat jumbled plot.
Recommended publications
  • Pionicer Newspaper of Ocean County. 5 Vents a Copy

    Pionicer Newspaper of Ocean County. 5 Vents a Copy

    PIONICER NEWSPAPER OF OCEAN COUNTY. 5 VENTS A COPY TOMS RIVER, 31. J, FRIDAY. APRII. », 1920 KWABIWUKW IS» VOLERE To .NUMBER js " , . OF WORK FOB REN “JOE" THORFNON IS -TOO H AILS SHOT TO PIKt'F.S NO ONI OPPOSED DAM AT *>1) TEAMS IN THIS SECT 10 X POOt TO RTS HtH CONGRESS" llltt Iti: 1*0 8 ITS REPORTED BV OCEAN lOt.NTV BANKS I’lHUt HEARING VESIERDAT Bank Assets Deposits In the past month or ho the xnmrently there 1» no lack of work In some parts of the Third Consrea-1 malls have again loom all shot to nvrtt and teams in this section of slonal district they have a brand new Lakewood Trust Company $2.!»20.T;m>.70 $2 553.463 10 No one appeared yesterday to op- First N'attonal, Toms River 1,180,387.81 1,124,76012 pieces, It has been as iliilicult to fsvse the project of damming Toma ■ . «hore In addition to the ordinary and bona fide reason for uppoal.i* i get mall mailer through as It »a» “ok of aprlna. which 1c enough on "Joe" Thompson of New Ksypt for Ocean Co. National. Pt. Pleasant 1.113,716.28 961,368 JO River at the public hearing In ibo Peoples National, Lakewood ■ 1,153,488,27 959,294.84 •luring the curly months of tots, courthouse on Tbi vday, April 8. at , ms and the rmtda to keep teams the Republican nomination for coo- when the war paralysed the mall ' i teamsters busy, there are a nutn- gress this fall.
  • Baggage X-Ray Scanning Effects on Film

    Baggage X-Ray Scanning Effects on Film

    Tib5201 April 2003 TECHNICAL INFORMATION BULLETIN Baggage X-ray Scanning Effects on Film Updated April 8, 2003 Airport Baggage Scanning Equipment Can Jeopardize Your Unprocessed Film Because your pictures are important to you, this information is presented as an alert to travelers carrying unprocessed film. New FAA-certified (Federal Aviation Administration) explosive detection systems are being used in U.S. airports to scan (x-ray) checked baggage. This stronger scanning equipment is also being used in many non-US airports. The new equipment will fog any unprocessed film that passes through the scanner. The recommendations in this document are valid for all film formats (135, Advanced Photo System [APS], 120/220, sheet films, 400 ft. rolls, ECN in cans, etc.). Note: X rays from airport scanners don’t affect digital camera images or film that has already been processed, i.e. film from which you have received prints, slides, KODAK PHOTO CD Discs, or KODAK Picture CDs. This document also does not cover how mail sanitization affects film. If you would like information on that topic, click on this Kodak Web site: mail sanitization. Suggestions for Avoiding Fogged Film X-ray equipment used to inspect carry-on baggage uses a very low level of x-radiation that will not cause noticeable damage to most films. However, baggage that is checked (loaded on the planes as cargo) often goes through equipment with higher energy X rays. Therefore, take these precautions when traveling with unprocessed film: • Don’t place single-use cameras or unprocessed film in any luggage or baggage that will be checked.
  • Scary Movies at the Cudahy Family Library

    Scary Movies at the Cudahy Family Library

    SCARY MOVIES AT THE CUDAHY FAMILY LIBRARY prepared by the staff of the adult services department August, 2004 updated August, 2010 AVP: Alien Vs. Predator - DVD Abandoned - DVD The Abominable Dr. Phibes - VHS, DVD The Addams Family - VHS, DVD Addams Family Values - VHS, DVD Alien Resurrection - VHS Alien 3 - VHS Alien vs. Predator. Requiem - DVD Altered States - VHS American Vampire - DVD An American werewolf in London - VHS, DVD An American Werewolf in Paris - VHS The Amityville Horror - DVD anacondas - DVD Angel Heart - DVD Anna’s Eve - DVD The Ape - DVD The Astronauts Wife - VHS, DVD Attack of the Giant Leeches - VHS, DVD Audrey Rose - VHS Beast from 20,000 Fathoms - DVD Beyond Evil - DVD The Birds - VHS, DVD The Black Cat - VHS Black River - VHS Black X-Mas - DVD Blade - VHS, DVD Blade 2 - VHS Blair Witch Project - VHS, DVD Bless the Child - DVD Blood Bath - DVD Blood Tide - DVD Boogeyman - DVD The Box - DVD Brainwaves - VHS Bram Stoker’s Dracula - VHS, DVD The Brotherhood - VHS Bug - DVD Cabin Fever - DVD Candyman: Farewell to the Flesh - VHS Cape Fear - VHS Carrie - VHS Cat People - VHS The Cell - VHS Children of the Corn - VHS Child’s Play 2 - DVD Child’s Play 3 - DVD Chillers - DVD Chilling Classics, 12 Disc set - DVD Christine - VHS Cloverfield - DVD Collector - DVD Coma - VHS, DVD The Craft - VHS, DVD The Crazies - DVD Crazy as Hell - DVD Creature from the Black Lagoon - VHS Creepshow - DVD Creepshow 3 - DVD The Crimson Rivers - VHS The Crow - DVD The Crow: City of Angels - DVD The Crow: Salvation - VHS Damien, Omen 2 - VHS
  • Félags- Og Mannvísindadeild

    Félags- Og Mannvísindadeild

    Félags- og mannvísindadeild MA-ritgerð Blaða- og fréttamennska Slægjur Undirflokkur hryllingsmynda Oddur Björn Tryggvason September 2009 Félags- og mannvísindadeild MA-ritgerð Blaða- og fréttamennska Slægjur Undirflokkur hryllingsmynda Oddur Björn Tryggvason September 2009 Leiðbeinandi: Guðni Elísson Nemandi: Oddur Björn Tryggvason Kennitala: 070278-5459 Ágrip Slægjur eru undirflokkur hryllingsmynda sem áttu blómaskeið sitt um miðbik áttunda áratugarins og fyrri hluta þess níunda. Þessar tegundir mynda þóttu ekki merkilegar út frá kvikmyndalegu sjónarmiði og voru harðlega gagnrýndar. Slægjurnar voru álitnar þrepinu ofar en klámmyndir. Auðvelt er að afskrifa myndirnar sökum einsleitni þeirra en þegar betur er að gáð má glögglega sjá að þær eru afsprengi umhverfisins og lýsandi dæmi um þann veruleika sem ákveðin kynslóð upplifði. Óvættirnir voru gjarnan táknrænir fyrir refsivendi óæskilegrar hegðunar og góð gildi ásamt sjálfsbjargarhvöt voru það sem þurfti til að lifa af. Félags- og stjórnmálalegar aðstæður höfðu sitt að segja í upprisu þessarra mynda og þær öðluðust vinsældir á umrótartíma í Bandaríkjunum. Fjallað verður um þessa tegund mynda og leitast við að varpa ljósi á menningarlegt gildi þeirra. bls. 3 Abstract Slasher films are a sub category within horror films that had it‘s glory days in the late seventies and early eighties. These films were not considered very noteworthy from a cinematic viewpoint and were harshly criticized by critics. Slasher films were thought to be one nocth above pornographic films. It‘s easy to write these films off because of their simplitcity but looking beneath the cover one can clearly see that these films are culturally significant and are indicative of a reality experienced by a certain generation.
  • Remaking Horror According to the Feminists Or How to Have Your Cake and Eat It, Too

    Remaking Horror According to the Feminists Or How to Have Your Cake and Eat It, Too

    Représentations dans le monde Anglophone – Janvier 2017 Remaking Horror According to the Feminists Or How to Have your Cake and Eat It, Too David Roche, Université Toulouse Jean Jaurès Key words: horror, remake, feminist film theory, post-feminism, politics. Mots-clés : horreur, remake, théorie féministe, post-féminisme, politiques identitaires. Remakes, as Linda Hutcheon has noted, “are invariably adaptations because of changes in context” (170), and this in spite of the fact that the medium remains the same. What Robert Stam has said of film adaptations is equally true of remakes: “they become a barometer of the ideological trends circulating during the moment of production” because they “engage the discursive energies of their time” (45). Context includes the general historical, cultural, social, national and ideological context, of course, as well as the modes of production and aesthetic trends in the film and television industry. Studying remakes is, then, a productive way to both identify current trends and reconsider those of the past, as well as to assess the significance of a previous work into which the remake offers a new point of entry (Serceau 9), and this regardless of whether or not we deem the remake to be a “successful” film in itself. In this respect, remakes are especially relevant to film and television history and, more generally, to cultural history: they can teach us a lot about the history of production strategies, the evolution of genres, narrative, characterization and style, and of various representations (of an event, a situation, a group or a figure). In a recent article entitled “Zip, zero, Zeitgeist” [sic] posted on his blog (Aug 24, 2014), David Bordwell warns against the tendency of some journalists to see “mass entertainment” as “somehow reflect[ing] its society”: In sum, reflectionist criticism throws out loose and intuitive connections between film and society without offering concrete explanations that can be argued explicitly.
  • Human' Jaspects of Aaonsí F*Oshv ÍK\ Tke Pilrns Ana /Movéis ÍK\ É^ of the 1980S and 1990S

    Human' Jaspects of Aaonsí F*Oshv ÍK\ Tke Pilrns Ana /Movéis ÍK\ É^ of the 1980S and 1990S

    DOCTORAL Sara MarHn .Alegre -Human than "Human' jAspects of AAonsí F*osHv ÍK\ tke Pilrns ana /Movéis ÍK\ é^ of the 1980s and 1990s Dirigida per: Dr. Departement de Pilologia jA^glesa i de oermanisfica/ T-acwIfat de Uetres/ AUTÓNOMA D^ BARCELONA/ Bellaterra, 1990. - Aldiss, Brian. BilBon Year Spree. London: Corgi, 1973. - Aldridge, Alexandra. 77» Scientific World View in Dystopia. Ann Arbor, Michigan: UMI Research Press, 1978 (1984). - Alexander, Garth. "Hollywood Dream Turns to Nightmare for Sony", in 77» Sunday Times, 20 November 1994, section 2 Business: 7. - Amis, Martin. 77» Moronic Inferno (1986). HarmorKlsworth: Penguin, 1987. - Andrews, Nigel. "Nightmares and Nasties" in Martin Barker (ed.), 77» Video Nasties: Freedom and Censorship in the MecBa. London and Sydney: Ruto Press, 1984:39 - 47. - Ashley, Bob. 77» Study of Popidar Fiction: A Source Book. London: Pinter Publishers, 1989. - Attebery, Brian. Strategies of Fantasy. Bloomington and Indianapolis: Indiana University Press, 1992. - Bahar, Saba. "Monstrosity, Historicity and Frankenstein" in 77» European English Messenger, vol. IV, no. 2, Autumn 1995:12 -15. - Baldick, Chris. In Frankenstein's Shadow: Myth, Monstrosity, and Nineteenth-Century Writing. Oxford: Oxford Clarendon Press, 1987. - Baring, Anne and Cashford, Jutes. 77» Myth of the Goddess: Evolution of an Image (1991). Harmondsworth: Penguin - Arkana, 1993. - Barker, Martin. 'Introduction" to Martin Barker (ed.), 77» Video Nasties: Freedom and Censorship in the Media. London and Sydney: Ruto Press, 1984(a): 1-6. "Nasties': Problems of Identification" in Martin Barker (ed.), 77» Video Nasties: Freedom and Censorship in the MecBa. London and Sydney. Ruto Press, 1984(b): 104 - 118. »Nasty Politics or Video Nasties?' in Martin Barker (ed.), 77» Video Nasties: Freedom and Censorship in the Medß.
  • |||GET||| Behind the Fog 1St Edition

    |||GET||| Behind the Fog 1St Edition

    BEHIND THE FOG 1ST EDITION DOWNLOAD FREE Lisa Martino-Taylor | 9781315295206 | | | | | Fog, First Edition Or maybe if your boss puts it on your desk We use cookies to enhance your experience on our website. No trivia or quizzes yet. Herbert creates the perfect blend of over the top with gruesomeness This is one of those books I really wanted to love more considering Herbert is kind of a UK horror icon, however, I only half loved it. Diya finds people by reaching out to a lot of nonprofit groups and she is always aware of representing a broad cross-section of the people who end up on the streets. Other Editions Antonio Bay is actually Point Reyes Station. The more visceral sections are quite good, but they're not Behind the Fog 1st edition for long and the author is not operating at a level near them for much of the book. He is up there with Stephen king for me and is truly Talented I Picked up this book when I was a teen, on holiday, It was a book left in my aunty and uncles holiday Villa, I got into a few pages and it truly disturbed me to the core, to the point where I even felt I was far too young at the time to be reading such a scary book. There were a few scenes that felt dated, and of course, 40 years on, the technology is going to be antiquated, but Behind the Fog 1st edition is all of little consequence, and I hardly noticed.
  • SUNDAY MORNING GRID 10/23/16 LATIMES.COM/TV TIMES 7 Am 7:30 8 Am 8:30 9 Am 9:30 10 Am 10:30 11 Am 11:30 12 Pm 12:30 2 CBS Football New York Giants Vs

    SUNDAY MORNING GRID 10/23/16 LATIMES.COM/TV TIMES 7 Am 7:30 8 Am 8:30 9 Am 9:30 10 Am 10:30 11 Am 11:30 12 Pm 12:30 2 CBS Football New York Giants Vs

    SUNDAY MORNING GRID 10/23/16 LATIMES.COM/TV TIMES 7 am 7:30 8 am 8:30 9 am 9:30 10 am 10:30 11 am 11:30 12 pm 12:30 2 CBS Football New York Giants vs. Los Angeles Rams. (6:30) (N) NFL Football Raiders at Jacksonville Jaguars. (N) Å 4 NBC News (N) Å Meet the Press (N) (TVG) News Figure Skating F1 Count Formula One Racing 5 CW News (N) Å News (N) Å In Touch Paid Program 7 ABC News (N) Å This Week News (N) News (N) Jack Hanna Ocean Sea Rescue Wildlife 9 KCAL News (N) Joel Osteen Schuller Pastor Mike Woodlands Amazing Paid Program 11 FOX Fox News Sunday FOX NFL Kickoff (N) FOX NFL Sunday (N) Football Regional Coverage. (N) Å 13 MyNet Paid Matter Paid Program 18 KSCI Paid Program Church Faith Paid Program 22 KWHY Local Local Local Local Local Local Local Local Local Local Local Local 24 KVCR Painting Painting Joy of Paint Wyland’s Paint This Painting Cook Mexico Martha Hubert Baking Mexican 28 KCET Peep 1001 Nights Bug Bites Bug Bites Edisons Biz Kid$ Rick Steves’ Europe Travel Skills (TVG) Å Age Fix With Dr. Youn 30 ION Jeremiah Youssef In Touch Leverage Å Leverage Å Leverage Å Leverage Å 34 KMEX Conexión Paid Program Fútbol Central (N) Fútbol Mexicano Primera División: Pumas vs Tigres República Deportiva (N) 40 KTBN Walk in the Win Walk Prince Carpenter Jesse In Touch PowerPoint It Is Written Pathway Super Kelinda John Hagee 46 KFTR Paid Program Home Alone 2: Lost in New York ›› (1992) (PG) Zona NBA Next Day Air › (2009) Donald Faison.
  • Facultad De Ciencias Políticas, Sociales Y De La Comunicación Trabajo De Fin De Grado Grado En Periodismo

    Facultad De Ciencias Políticas, Sociales Y De La Comunicación Trabajo De Fin De Grado Grado En Periodismo

    Facultad de Ciencias Políticas, Sociales y de la Comunicación Trabajo de Fin de Grado Grado en Periodismo La evolución de la mujer en el subgénero de cine de terror “slasher”: análisis desde una perspectiva de género Alumna: Nieves Martín Ortega Tutor: Luis Fernando Iturrate Cárdenes Curso académico 2018/2019 Resumen La intención de esta investigación es realizar un análisis de los personajes femeninos presentes en el subgénero de terror conocido como “slasher”, y su evolución a lo largo de los años. Se podría decir que el subgénero slasher nace en los 70, con películas como Halloween y La matanza de Texas, que incluirían elementos que serían repetidos hasta la saciedad por futuras películas slasher. A partir de ahí, el subgénero sufre una serie de renacimientos, reinvenciones y remakes a lo largo de varias décadas, hasta llegar a la actualidad. Pero, a pesar de todos los cambios, siempre estará presente en el subgénero la figura de la ‘final girl’, o chica final. Es en esta figura en la que me centraré para analizar la evolución de los personajes femeninos a lo largo de la historia del slasher. Para ello, se han analizado x películas de las principales décadas de éxito del slasher, en las que aparece el personaje de la chica final. Las cuestiones a analizar se han seleccionado en base a conocimientos previos y desde aquellos conceptos más relevantes encontrados en la base teórica de este trabajo. 2 Índice Introducción 4 Justificación 5 Antecedentes y estado actual 7 Marco teórico 13 Objetivos e hipótesis 17 Metodología 18 Resultados y análisis 19 Conclusiones 30 Bibliografía 33 3 1.
  • The Impact of a Book Flood on Reading Motivation and Reading Achivement of Fourth Grade Students

    The Impact of a Book Flood on Reading Motivation and Reading Achivement of Fourth Grade Students

    THE IMPACT OF A BOOK FLOOD ON READING MOTIVATION AND READING ACHIVEMENT OF FOURTH GRADE STUDENTS by SHERRY MARIE ANDREWS A dissertation submitted in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY IN READING EDUCATION 2017 Oakland University Rochester, Michigan Doctoral Advisory Committee Linda M. Pavonetti, Ed.D., Chair James F. Cipielewski, PhD. Bong Gee Jang, Ph.D. Anica G. Bowe, Ph.D. © Copyright by Sherry Marie Andrews, 2017 All rights reserved ii I dedicate this dissertation to my family and friends. A special thank you goes to my loving and supportive husband, John and daughter, Nicole who have made numerous sacrifices and tirelessly supported me throughout this journey. I will always appreciate all that you both have done. I also dedicate this dissertation to my mother, Velma for instilling the love of reading by playing recorded stories on the record player when I was a child. I know that you have watched over me from heaven as I have aspired to reach the goals that you said were possible. To my father, Orice, when I began this journey I never thought that you would not be present when I crossed the finish line. Your tenacity and spirit have kept me centered and focused. Sincere appreciation is extended to my siblings, Antionette and Orlando for their encouragement and unyielding confidence in my ability to complete this endeavor. To my cousin, Norma, who has been a constant source of inspiration and moral support. To my friends Janet and Joanne who provided a place for respite and never grew tired of listening to my ramblings.
  • Blu-Ray Titles

    Blu-Ray Titles

    BLU-RAY DISC ASSOCIATION CES 2007 Blu-ray Disc: The Leader in HD Entertainment Current and Upcoming Title Releases∗ Currently Available 16 Blocks The Ant Bully 25th Anniversary: Live in Amsterdam The Architect 50 First Dates ATL Aeon Flux Basic Instinct 2 All the King’s Men Behind Enemy Lines America’s Soul Benchwarmers American Classic The Big Hit Annapolis Black Hawk Down Blazing Saddles Goal: The Dream Begins Blues Gone in 60 Seconds The Brothers Grimm Good Night and Good Luck Bubble The Great Raid The Covenant Haunted Mansion A Christmas Story HDNet World Report – Shuttle Club Date: Live in Memphis Discovery’s Historic Mission Crash Hitch Dark Water House of Flying Daggers The Descent House of Wax The Devil Wears Prada Ice Age: The Meltdown The Devil’s Rejects Into the Blue Dinosaur Invincible Eight Below The Italian Job Enemy of the State Jay & Silent Bob Strike Back Enron – The Smartest Guys in the Room John Legend – Live at the House of Fantastic Four Kingdom of Heaven Firewall Kiss Kiss Bang Bang The Fifth Element Kiss of the Dragon Flight of the Phoenix A Knight’s Tale Flightplan Kung Fu Hustle Four Brothers Lady in the Water Freak ‘N’Roll…Into the Fog The Lake House The Fugitive Lara Croft – Tomb Raider Full Metal Jacket The Last Samurai Glory Road The Last Waltz Go League of Extraordinary Gentlemen Lethal Weapon Space Cowboys Lethal Weapon 2 Species Little Man Speed Lord of War Stargate Memento Stealth Million Dollar Baby Stir of Echoes Mission-Impossible III Superman – The Movie Mission Impossible – Ultimate Missions Superman II – The Richard Donner Cut Collection Superman Returns Monster House S.W.A.T.
  • Destination Unknown: Experiments in the Network Novel

    Destination Unknown: Experiments in the Network Novel

    UNIVERSITY OF CINCINNATI DATE: November 25, 2002 I, Scott Rettberg , hereby submit this as part of the requirements for the degree of: Doctorate of Philosophy (Ph.D.) in: The Department of English & Comparative Literature It is entitled: Destination Unknown: Experiments in the Network Novel Approved by: Thomas LeClair, Ph.D. Joseph Tabbi, Ph.D. Norma Jenckes, Ph.D. Destination Unknown: Experiments in the Network Novel A dissertation submitted to the Division of Research and Advanced Studies of the University of Cincinnati in partial fulfillment of the requirements for the degree of Doctorate of Philosophy (Ph.D.) in the Department of English and Comparative Literature of the College of Arts and Sciences 2003 by Scott Rettberg B.A. Coe College, 1992 M.A. Illinois State University, 1995 Committee Chair: Thomas LeClair, Ph.D. Abstract The dissertation contains two components: a critical component that examines recent experiments in writing literature specifically for the electronic media, and a creative component that includes selections from The Unknown, the hypertext novel I coauthored with William Gillespie and Dirk Stratton. In the critical component of the dissertation, I argue that the network must be understood as a writing and reading environment distinct from both print and from discrete computer applications. In the introduction, I situate recent network literature within the context of electronic literature produced prior to the launch of the World Wide Web, establish the current range of experiments in electronic literature, and explore some of the advantages and disadvantages of writing and publishing literature for the network. In the second chapter, I examine the development of the book as a technology, analyze “electronic book” distribution models, and establish the difference between the “electronic book” and “electronic literature.” In the third chapter, I interrogate the ideas of linking, nonlinearity, and referentiality.