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Margot Harley & David Schramm
THE SHAKESPEARE GUILD INVITES YOU TO TALK WITH TWO STELLAR ARTISTS PRESENTED AT THE National Arts Club UNDER THE SPONSORSHIP OF MagRack Video IN ASSOCIATION WITH THE English-Speaking Union MARGOT HARLEY & DAVID SCHRAMM Monday, April 28, at 8:00 p.m. This conversation will celebrate the thirtieth-anniversary season of THE ACTING COMPANY, a troupe that MARGOT HARLEY co-founded with the late JOHN HOUSE- MAN in 1972 as a way to allow the JUILLIARD SCHOOL DRAMA DIVISION’s first graduating class (which included KEVIN KLINE, PATTI LUPONE, and DAVID OGDEN STIERS) to gain professional experience in classical theater. Ms. Harley administered the Juilliard program during its first twelve years. Meanwhile she has produced such hits as Max Blitzstein’s musical The Cradle Will Rock (a celebrated Houseman revival that went from Manhattan to London’s Old Vic), The Curse of an Aching Heart and The Robber Bridegroom (two Broadway shows that starred Faye Dunaway), Ten by Tennes- see (a two-evening retrospective of Williams’ one-act plays, directed by Michael Kahn), and the New York premiere of Eric Overymyer’s On the Verge (directed by Garland Wright). She’ll be joined by DAVID SCHRAMM, another of her first-year Juilliard alumni. Mr. Schramm’s Broadway credits include Bedroom Farce, Goodbye Fidel, Lon- don Assurance, The Misanthrope, The Robber Bridegroom, School for Scandal, Tartuffe Born Again, and The Three Sisters. Best known for his eight seasons as Roy Biggins, the brash and overbearing owner of a commuter airline in the NBC sitcom Wings (1990-97), Mr. Schramm has also starred in Another World, Jake and the Fatman, Wiseguy, The Equalizer, Miami Vice, Spencer for Hire, and- Working Girl (where he played Joe McGill, opposite actress Sandra Bullock), and in such films as A Shock to the System, Big Packages, Johnny Handsome, Let it Ride, and Ragtime. -
South Coast Repertory Is a Professional Resident Theatre Founded in 1964 by David Emmes and Martin Benson
IN BRIEF FOUNDING South Coast Repertory is a professional resident theatre founded in 1964 by David Emmes and Martin Benson. VISION Creating the finest theatre in America. LEADERSHIP SCR is led by Artistic Director David Ivers and Managing Director Paula Tomei. Its 33-member Board of Trustees is made up of community leaders from business, civic and arts backgrounds. In addition, hundreds of volunteers assist the theatre in reaching its goals, and about 2,000 individuals and businesses contribute each year to SCR’s annual and endowment funds. MISSION South Coast Repertory was founded in the belief that theatre is an art form with a unique power to illuminate the human experience. We commit ourselves to exploring urgent human and social issues of our time, and to merging literature, design, and performance in ways that test the bounds of theatre’s artistic possibilities. We undertake to advance the art of theatre in the service of our community, and aim to extend that service through educational, intercultural, and community engagement programs that harmonize with our artistic mission. FACILITY/ The David Emmes/Martin Benson Theatre Center is a three-theatre complex. Prior to the pandemic, there were six SEASON annual productions on the 507-seat Segerstrom Stage, four on the 336-seat Julianne Argyros Stage, with numerous workshops and theatre conservatory performances held in the 94-seat Nicholas Studio. In addition, the three-play family series, “Theatre for Young Audiences,” produced on the Julianne Argyros Stage. The 20-21 season includes two virtual offerings and a new outdoors initiative, OUTSIDE SCR, which will feature two productions in rotating rep at the Mission San Juan Capistrano in July 2021. -
Acting in the Academy
Acting in the Academy There are over 150 BFA and MFA acting programs in the US today, nearly all of which claim to prepare students for theatre careers. Peter Zazzali contends that these curricula represent an ethos that is outdated and limited given today’s shrinking job market for stage actors. Acting in the Academy traces the history of actor training in universities to make the case for a move beyond standard courses in voice and speech, move- ment, or performance, to develop an entrepreneurial model that motivates and encourages students to create their own employment opportunities. This book answers questions such as: • How has the League of Professional Theatre Training Programs shaped actor training in the US? • How have training programs and the acting profession developed in relation to one another? • What impact have these developments had on American acting as an art form? Acting in the Academy calls for a reconceptualization of actor training in the US, and looks to newly empower students of performance with a fresh, original perspective on their professional development. Peter Zazzali is Assistant Professor of Theatre at the University of Kansas. John Houseman and members of Group I at Juilliard in the spring of 1972 reading positive reviews of the Acting Company’s inaugural season. Kevin Kline is seated behind Houseman. Photo by Raimondo Borea; Courtesy of the Juilliard School Archives. Acting in the Academy The history of professional actor training in US higher education Peter Zazzali First published 2016 by Routledge 2 Park Square, Milton Park, Abingdon, Oxon OX14 4RN and by Routledge 711 Third Avenue, New York, NY 10017 Routledge is an imprint of the Taylor & Francis Group, an informa business © 2016 Peter Zazzali The right of Peter Zazzali to be identifi ed as author of this work has been asserted by him in accordance with sections 77 and 78 of the Copyright, Designs and Patents Act 1988. -
1999 Winter Triangle Magazine
Profiles Excellenceof PRESIDENT’S REPORT 1999 From the President Good People Making Good Things Happen university can be no better than its people. In mission field in Athat regard, Indiana Wesleyan University Southern Africa truly is blessed. We are blessed one-hundred fold, and Cambodia indeed four-hundred fold. That’s how many for 14 years and people there now are in the IWU family: 430. had not In planning this issue of the Triangle, Alan considered the Miller gave our vice presidents a most difficult possibility of assignment. Alan, in his role as editor of the teaching at Triangle, asked each vice president to choose one IWU. Three person from his area of responsibility who years ago, he Dr. Jim Barnes demonstrated the excellent caliber of people who brought his twin work at IWU. sons to campus for a visit where he learned about That’s almost like asking a parent to pick one of an opening in the religion department. He was his or her children as examples of good kids. offered and accepted the job. Dr. Lo recently Employees at IWU are like family. began his fourth year as head of IWU’s (For the record, Wilbur and Ardelia Williams, intercultural studies program, which already has who are featured on the cover of this magazine, 70 students. weren’t involved in the selection process. They Two years ago, Dr. Harriet Rojas flew to were consensus choices to represent the very best Indianapolis to interview for a job at a state that IWU has to offer.) university – only to learn that the university no The six choices made by the vice presidents are longer planned to fill the position. -
Senate Action Looms on Mixed Tax Package TRENTON (AP) - Senate but Calling Himself an Ex- Shared in the Assembly
4> The Daily Register VOL.97 N0.118 SHREWSBURY, N. J. TUESDAY, DECEMBER 3, 1974 TEN CENTS Cleanup of extensive storm damage starts Monmouth County commu- Sea Bright was one of the Ave., about 100 feet away. the investment firm of Ed- nities were busy yesterday re- hardest hit towns on the Mon- Sea Bright also faced the wards & Hanly at 107 Broad pairing damage suffered dur mouth County coast Police same problem Monmouth St, while other businesses in ing the severe storm Sunday Chief John F Carmody said Beach encountered once the the heart of town suffered night and yesterday morning the North Beach area was ocean high tide subsided - similar experiences while shore towns today again "extremely bad " flooding from the Shrewsbury In Little Silver. Colonial face possible flood tides, Highway reopened Hiver on their western banks First National Bank had its which have hampered their Although tfis men reported Ocein Ave in Monmouth blinds hanging out of Us large recovery efforts for the past that Ocean Ave north of the Reach, was cleared yesterday broken windows, while two days. Rumson Bridge was reopened afternoon, said Sgt Joseph Medium Buick Opel on There may be some relief after high tide late last night, Masica. who also reported the Shrewsbury Ave., New for those low-lying areas the chief earlier said, "That borottgh'l fire department Shrewsbury, looked like it Weather forecasts indicate a part u( the road is very bad wrii called out in the height of was the target of a bomb. chance of some rain or wet Us covered with debris and llie storm at about 3am to Joe Middleton. -
Historical Theater Programs Collection MS-87 Wright State
Historical Theater Programs Collection (MS-87) Guide This finding aid was produced using ArchivesSpace on September 21, 2021. Description is written in: English. Describing Archives: A Content Standard Wright State University Libraries, Special Collections and Archives Special Collections and Archives 3640 Colonel Glenn Hwy Dayton, OH 45435-0001 [email protected] URL: http://www.libraries.wright.edu/special Historical Theater Programs Collection (MS-87) Guide Table of Contents Summary Information .................................................................................................................. 3 Scope and Contents ...................................................................................................................... 3 Arrangement ............................................................... .................................................................. 3 Administrative Information .......................................................................................................... 4 Collection Inventory ............................................................... ...................................................... 4 Series 1: Plays and Musicals ............................................................... ....................................... 4 Series 2: Animal Shows & Races ............................................................................................. 29 Series 3: Concerts ............................................................... ..................................................... -
Enter Laughing Repair Shop and His Parents Have Plans for • Enter Laughing by Jospeh Stein
“From raw experimental to the classics” Since 1994! whose ambition and exuberance for an In this Issue: A Review of acting career far exceeds his talent. He What’s Theatre In the Raw been up to...? already has a job in a sewing machine Enter Laughing repair shop and his parents have plans for • Enter Laughing by Jospeh Stein ..... 1 him to attend college to pursue a career by John Jane published by • A Review of TITR’s ‘Enter Laughing’ in pharmacy. Notwithstanding our hero’s Review Vancouver (May 2019) lack of skill or experience, he manages to by Joseph Stein............................. 1 & 3 Set in New York City in the nineteen- land a part in his first play – albeit for no •Wound Up in One-Acts - a one-act thirties, Enter Laughing is a two-act pay. Young Kolowitz’s other problem – if mini-fest at Spartacus Books ............ 2 comedy written by Joseph Stein, based it really is one – is that he seems unable to on Carl Reiner’s semi-autobiographical •12th Biennial One-Act Playwriting meet a woman he isn’t sexually attractive novel. The odd title comes from a to – or them to him. The play becomes Contest is open! ................................ 4 personal direction note, sometimes called somewhat farcical when his leading lady, a parenthetical, in the script from a play the producer’s daughter Angela (Lisa within the play. Carl Reiner, who was a Robertson) wants to take their onstage producer, writer and actor on The Dick chemistry into reality. Van Dyke Show, is still alive at the age of ninety-seven. -
FTR Play Guide R1
PLAY GUIDE 2016 2017 About ATC .................................................................................................................................................. 1 Introduction to the Play ............................................................................................................................. 2 Meet the Creators ...................................................................................................................................... 2 Meet the Characters .................................................................................................................................. 4 The Sholem Aleichem Stories ..................................................................................................................... 8 Musical Adaptation ................................................................................................................................... 9 Judaism ..................................................................................................................................................... 10 Jewish Traditions ....................................................................................................................................... 12 Historical Context ...................................................................................................................................... 14 The Pale of Settlement .............................................................................................................................. -
News Release
NEWS RELEASE FOR IMMEDIATE RELEASE: Nov. 21, 2016 ARIZONA THEATRE COMPANY KEEPS THE TRADITION ALIVE WITH BELOVED MUSICAL FIDDLER ON THE ROOF New production of the treasured musical highlights 50th Anniversary Season The beloved musical Fiddler on the Roof, called “one of the greatest musicals in history” by the New York Daily News and “Indestructible” by The New Yorker magazine, brings a richly vibrant close to 2016 and a celebratory opening to 2017 in Arizona Theatre Company’s epic production as part of ATC’s 50th anniversary season. Directed by ATC Artistic Director David Ira Goldstein, the Arizona Theatre Company production plays Dec. 3-31 at the Temple of Music and Art, 333 S. Scott Ave. in Tucson and Jan. 6-29 at the Herberger Theater Center, 222 E. Monroe in Phoenix. The 2016-17 season is sponsored by I. Michael and Beth Kasser. Shirley Estes is the Tucson Production Sponsor. Phoenix Production Sponsors are Joanie Flatt & Michael Flatt and The Shapiro Family Philanthropic Foundation. Featuring a cast of 28, ATC’s first-ever production of Fiddler is the largest production the company has produced in over 30 years. The musical features a host of classics including “To Life,” “If I Were a Rich Man,” “Sunrise, Sunset” and “Matchmaker, Matchmaker.” The original Broadway production opened in September 1964 and ran for a then-record 3,232 performances. It has been subsequently continuously produced in nearly every country in the world, bringing its timeless mix of rich drama, delightful wit and timeless themes of faith to tens of millions. The original production won nine of its ten Tony Awards nominations. -
Edition 1 | 2019-2020
2 BROADWAY AT THE TENNESSEE 6 BROADWAY AT THE TENNESSEE NETworks Presentations Presents Based on the Sholom Aleichem stories by special permission of Arnold Perl Book by Music by Lyrics by JOSEPH STEIN JERRY BOCK SHELDON HARNICK Original Broadway production directed and choreographed by JEROME ROBBINS Starring DANNY ARNOLD MAITE UZAL JONATHAN VON MERING CAROL BEAUGARD KELLY GABRIELLE MURPHY RUTHY FROCH NOA LUZ BARENBLAT EMMA TAYLOR SCHWARTZ CARLY POST NICK SICCONE NIC CASAULA JACK O'BRIEN ANDREW HENDRICK JESSICA ALTCHILER MATEUS BARBOSA DA SILVA NICHOLAS BERKE ANDREA MARIE BUSH CAM COTE DAVID SCOTT CURTIS DAVID FERGUSON KELLY GLYPTIS MICHAEL GREENBERG YOCHAI GREENFELD BENNETT J. LEEDS SAM MCLELLAN RANDA MEIERHENRY CARLYE MESSMAN ALI ARIAN MOLAEI ALYNN RINAH PAROLA GRAY RANDOLPH CASSANDRA SURIANELLO BROOKE WETTERHAHN SCOTT WILLITS Inspired by the work of JEROME ROBBINS Set Design Costume Design Lighting Design Sound Design MICHAEL YEARGAN CATHERINE ZUBER DONALD HOLDER SCOTT LEHRER & ALEX NEUMANN Additional Set & Adaptations Hair & Wig Design Fight Director MIKIKO SUZUKI MACADAMS TOM WATSON BH BARRY Music Director / Conductor Dance Arrangements Music Coordinator MICHAEL GILDIN ORAN ELDOR JOHN MEZZIO Marketing & Publicity Direction Tour Booking Casting BOND THEATRICAL GROUP THE BOOKING GROUP JASON STYRES, CSA MEREDITH BLAIR Production Manager Production Stage Manager Company Manager General Manager NETWORKS PRESENTATIONS KELSEY CLARK CHRISTOPHER T.P. HOLMAN GENTRY & ASSOCIATES EVAN ROONEY STEVE VARON Music Supervisor and New Orchestrations TED SPERLING Choreography Recreated by CHRISTOPHER EVANS Original Choreography by HOFESH SHECHTER Direction Recreated by SARI EVANS Original Direction by BARTLETT SHER Originally produced on the New York stage by HAROLD PRINCE 2015 Broadway Revival produced by JEFFREY RICHARDS JAM THEATRICALS LOUISE GUND BROADWAY ACROSS AMERICA REBECCA GOLD STEPHANIE P. -
The Inventory of the Jose Ferrer Collection #1596
The Inventory of the Jose Ferrer Collection #1596 Howard Gotlieb Archival Research Center Jose Ferrer (1912-1992) Inventory 2001 Most of the materials in the collection are related to the stage plays, musicals, and televisions productions with which Jose Ferrer was associated :from 1948-1988 as producer, director, author, and/or actor. Scripts, contracts, agreements, records of negotiations, and financial matters, together with related correspondence form the bulk of the content for theatre and film productions, scripts alone for those in television. The files for_ two 1958 musicals, "Oh Captain" and "Edwin Booth" are extensive. Jose Ferrer's business affairs were handled by his lawyer Edwin W. Reiskind. Almost all related correspondence involving Jose Ferrer is channeled through Reiskind. Two further notable items in the collections are: 1) the text of Jose Ferrer's testimony or the Hearings on Un-American Activities in May, 1951, and 2) a group of personal autograph letters to Ruth Gordon and Garson Kanin written :from 1952-1987. Ferrer. Jose 1912-1992 fuventozy Outline I. Materials regarding Plays and Musicals, 1951-1978: fucludes Plays and Musicals Proposed, 197-1972 II. Materials regarding Films, 1948-1980: fucludes Film Proposals, 1952-1975. ill. Materials regarding TV Productions N. Other Media: A. Radio: "Jose Ferrer Presents Shakespeare," 1951-1952 B. Opera: Proposal for Jose Ferrer to stage VOLPONE, 1952-1953 V. Materials By and About Jose Ferrer: A. Printed quotes by Jose Ferrer, 1956-1959 B. About Jose Ferrer: 1. Biographical Essay, June 1952 2. Role in New York Memorial Service for President Kennedy, Dec. 22, 1963 3. -
Dupont Theatre Records 2150
DuPont Theatre records 2150 This finding aid was produced using ArchivesSpace on September 14, 2021. Description is written in: English. Describing Archives: A Content Standard Manuscripts and Archives PO Box 3630 Wilmington, Delaware 19807 [email protected] URL: http://www.hagley.org/library DuPont Theatre records 2150 Table of Contents Summary Information .................................................................................................................................... 3 Historical Note ............................................................................................................................................... 3 Scope and Content ......................................................................................................................................... 6 Administrative Information ............................................................................................................................ 6 Controlled Access Headings .......................................................................................................................... 6 Collection Inventory ....................................................................................................................................... 7 Administrative ............................................................................................................................................. 7 Subscriptions ...............................................................................................................................................