News Release
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
The Broadway Musical Adaptation of Sean O'casey's Juno and the Paycock
City University of New York (CUNY) CUNY Academic Works Publications and Research Kingsborough Community College 2002 Broadway and the Paycock: The Broadway Musical Adaptation of Sean O'Casey's Juno and the Paycock Julia M. Furay CUNY Kingsborough Community College How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/kb_pubs/45 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] I' . f BROADWAY AND THE P AYCOCK The Broadway Musical Adaptation of Sean O'Casey's Juno and the Paycock By Julia Marguerite Furay In Partial Fulfillment of the Masters of Arts Degree in Modem Drama Studies Under the Supervision ofFinola Cronin Head of Department: Dr. Joseph Long University College Dublin Drama Studies Department August 2002 I " TABLE OF CONTENTS TITLE PAGE ......................................................................................................................... 1 TABLE OF CONTENTS ..................................................................................................... 2 ABSTRACT............................................................................................................................ 3 INTRODUCTION ................................................................................................................. 4 CHAPTER 1: MUSICALITY WITHIN O'CASEY'S JUNO AND THE PAYCOCK 6 O'CASEY'S SONGFUL CHARACTERS 7 SINGING WORDS -
SMTA Catalog Complete
The Integrated Broadway Library Index including the complete works from 34 collections: sorted by musical HL The Singer's Musical Theatre Anthology (22 vols) A The Singer's Library of Musical Theatre (8 vols) TMTC The Teen's Musical Theatre Collection (2 vols) MTAT The Musical Theatre Anthology for Teens (2 vols) Publishers: HL = Hal Leonard; A = Alfred *denotes a song absent in the revised edition Pub Voice Vol Page Song Title Musical Title HL S 4 161 He Plays the Violin 1776 HL T 4 198 Mama, Look Sharp 1776 HL B 4 180 Molasses to Rum 1776 HL S 5 246 The Girl in 14G (not from a musical) HL Duet 1 96 A Man and A Woman 110 In The Shade HL B 5 146 Gonna Be Another Hot Day 110 in the Shade HL S 2 156 Is It Really Me? 110 in the Shade A S 1 32 Is It Really Me? 110 in the Shade HL S 4 117 Love, Don't Turn Away 110 in the Shade A S 1 22 Love, Don't Turn Away 110 in the Shade HL S 1 177 Old Maid 110 in the Shade HL S 2 150 Raunchy 110 in the Shade HL S 2 159 Simple Little Things 110 in the Shade A S 1 27 Simple Little Things 110 in the Shade HL S 5 194 Take Care of This House 1600 Pennsylvania Avenue A T 2 41 Dames 42nd Street HL B 5 98 Lullaby of Broadway 42nd Street A B 1 23 Lullaby of Broadway 42nd Street HL T 3 200 Coffee (In a Cardboard Cup) 70, Girls, 70 HL Mezz 1 78 Dance: Ten, Looks: Three A Chorus Line HL T 4 30 I Can Do That A Chorus Line HL YW MTAT 120 Nothing A Chorus Line HL Mezz 3 68 Nothing A Chorus Line HL Mezz 4 70 The Music and the Mirror A Chorus Line HL Mezz 2 64 What I Did for Love A Chorus Line HL T 4 42 One More Beautiful -
November 13 – the Best of Broadway
November 13 – The Best of Broadway SOLOISTS: Bill Brassea Karen Babcock Brassea Rebecca Copley Maggie Spicer Perry Sook PROGRAM Broadway Tonight………………………………………………………………………………………………Arr. Bruce Chase People Will Say We’re in Love from Oklahoma……….…..Rodgers & Hammerstein/Robert Bennett Try to Remember from The Fantasticks…………………………………………………..Jack Elliot/Jack Schmidt Can’t Help Lovin’ Dat Man from Show Boat……………………………Oscar Hammerstein/Jerome Kern/ Robert Russell Bennett Gus: The Theatre Cat from Cats……………………………………….……..…Andrew Lloyd Webber/T.S. Eliot Selections from A Chorus Line…………………………………….……..Marvin Hamlisch/Arr. Robert Lowden Glitter and Be Gay from Candide…………………….………………………………………………Leonard Bernstein Let’s Call the Whole Thing Off from Shall We Dance…….…….……………………George & Ira Gershwin Impossible Dream from Man of La Mancha………………………………………….…Mitch Leigh/Joe Darion Mambo from Westside Story……………………………………………..…………………….…….Leonard Bernstein Somewhere from Westside Story……………………………………….…………………….…….Leonard Bernstein Intermission Seventy-Six Trombones from The Music Man………………………….……………………….Meredith Willson Before the Parade Passes By from Hello, Dolly!……………………………John Herman/Michael Stewart Vanilla Ice Cream from She Loves Me…………..…………....…………………….Sheldon Harnick/Jerry Bock Be a Clown from The Pirate..…………………………………..………………………………………………….Cole Porter Summer Time from Porgy & Bess………………………………………………………….………….George Gershwin Move On from Sunday in the Park with George………….……..Stephen Sondheim/Michael Starobin The Grass is Always Greener from Woman of the Year………….John Kander/Fred Ebb/Peter Stone Phantom of the Opera Overture……………………………………………………………….Andrew Lloyd Webber Music of the Night from Phantom of the Opera…….………………………………….Andrew Lloyd Webber Love Never Dies from Love Never Dies………………..…..……………………………….Andrew Lloyd Webber Over the Rainbow from The Wizard of Oz….……………………………………….Harold Arlen/E.Y. Harburg Arr. Mark Hayes REHEARSALS: Mon., Oct. 17 7 p.m. -
Mousical Trivia
Level I: Name the classic Broadway musicals represented in these illustrations from THE GREAT AMERICAN MOUSICAL. Level II: Identify the song and the character(s) performing each one. Level III: Name the show's creators, the year the show originally opened, the theatre it opened in, and the original stars. a.) b.) e.) d.) c.) BONUS QUESTION: Can you name the choreographer Pippin the intern is paying tribute to on the cover of the book? ANSWERS Level I: Name the classic Broadway musicals represented in these illustrations from THE GREAT AMERICAN MOUSICAL. Level II: Identify the song and the character(s) performing each one. Level III: Name the show's creators, the year the show originally opened, the theatre it opened in, and the original stars. a.) d.) Level I: The King and I Level I: Fiddler on the Roof Level II: "Getting to Know You", Anna Leonowens, Royal Wives Level II: “If I Were a Rich Man”, Tevye and Royal Children Level III: Book by Joseph Stein; Based on stories by Sholom Aleichem; Level III: Music by Richard Rodgers; Lyrics by Oscar Hammerstein Music by Jerry Bock; Lyrics by Sheldon Harnick. 1964, Imperial Theatre. II; Book by Oscar Hammerstein II; Based on the novel "Anna and Zero Mostel & Beatrice Arthur the King of Siam" by Margaret Landon. 1951, St. James Theatre. Yul Brynner & Gertrude Lawrence b.) e.) Level I: My Fair Lady Level I: Hello, Dolly! Level II: “Wouldn't It Be Loverly?”, Eliza Doolittle and the Cockneys Level II: “Hello, Dolly!”, Mrs. Dolly Gallagher Levi, Rudolph, Waiters and Level III: Book by Alan Jay Lerner; Lyrics by Alan Jay Lerner; Music by Cooks Frederick Loewe; Adapted from "Pygmalion" by George Bernard Shaw. -
S051516 Evelyn Mahon
Williams College Department of Music Evelyn Mahon '18, alto Stephen Sondheim '50 “Love, I Hear”, from A Funny Thing Happened on the Way to the Forum Jerry Bock/ Sheldon Harnick “Dear Friend”, from She Loves Me Tom Lehrer “Poisoning Pigeons in the Park” by Tom Lehrer Stephen Sondheim “On the Steps of the Palace”, from Into the Woods Leonard Bernstein “Some other Time”, from On the Town Stephen Sondheim “Moments in the Woods”, from Into the Woods Andrew Lloyd Weber “Don't Cry for Me, Argentina”, from Evita Stephen Sondheim “Children and Art”, from Sunday in the Park with George Stephen Sondheim “Loving You”, from Passion Manuel Miranda “Burn”, from Hamilton Stephen Sondheim “The Miller's Son”, from A Little Night Music Jerry Bock/ Sheldon Harnick “A trip to the Library”, from She Loves Me Joe Darion/ Mitch Leigh “What Does he Want of Me”, from Man of LaMancha Joe Darion/MItch Leigh “Aldonza”, from Man of LaMancha Jerry Bock/Sheldon Harnick “Tonight at 8”, from She Loves Me Stephen Sondheim “Could I leave you?”, from Follies Stephen Sondheim “Send in the clowns”, from A little Night Music Jason Robert Brown “Still hurting”, from The Last Five Years Marcy Heisler/ Zina Goldrich Taylor the Latte Boy Kurt Weill “Pirate Jenny”, from The Threepenny Opera Joseph Kosma/ Jacques Prevert Autumn leaves LinManuel Miranda Breathe Larry Grossman/Hal Hackady “Mama, a Rainbow”, from Minnie’s Boys Sunday, May 15, 2016 2:00 p.m. Brooks-Rogers Recital Hall Williamstown, Massachusetts Please turn off cell phones. No photography or recording is permitted. Evelyn Mahon '18 is a Theatre/Statistics double major from Williamstown, MA. -
1998 Acquisitions
1998 Acquisitions PAINTINGS PRINTS Carl Rice Embrey, Shells, 1972. Acrylic on panel, 47 7/8 x 71 7/8 in. Albert Belleroche, Rêverie, 1903. Lithograph, image 13 3/4 x Museum purchase with funds from Charline and Red McCombs, 17 1/4 in. Museum purchase, 1998.5. 1998.3. Henry Caro-Delvaille, Maternité, ca.1905. Lithograph, Ernest Lawson, Harbor in Winter, ca. 1908. Oil on canvas, image 22 x 17 1/4 in. Museum purchase, 1998.6. 24 1/4 x 29 1/2 in. Bequest of Gloria and Dan Oppenheimer, Honoré Daumier, Ne vous y frottez pas (Don’t Meddle With It), 1834. 1998.10. Lithograph, image 13 1/4 x 17 3/4 in. Museum purchase in memory Bill Reily, Variations on a Xuande Bowl, 1959. Oil on canvas, of Alexander J. Oppenheimer, 1998.23. 70 1/2 x 54 in. Gift of Maryanne MacGuarin Leeper in memory of Marsden Hartley, Apples in a Basket, 1923. Lithograph, image Blanche and John Palmer Leeper, 1998.21. 13 1/2 x 18 1/2 in. Museum purchase in memory of Alexander J. Kent Rush, Untitled, 1978. Collage with acrylic, charcoal, and Oppenheimer, 1998.24. graphite on panel, 67 x 48 in. Gift of Jane and Arthur Stieren, Maximilian Kurzweil, Der Polster (The Pillow), ca.1903. 1998.9. Woodcut, image 11 1/4 x 10 1/4 in. Gift of Mr. and Mrs. Frederic J. SCULPTURE Oppenheimer in memory of Alexander J. Oppenheimer, 1998.4. Pierre-Jean David d’Angers, Philopoemen, 1837. Gilded bronze, Louis LeGrand, The End, ca.1887. Two etching and aquatints, 19 in. -
Musical Theatre Scene Study (Sections II, III) Syllabus: 2018-19 Oakland School for the Arts – School of Theatre Instructor: Mr
Musical Theatre Scene Study (Sections II, III) Syllabus: 2018-19 Oakland School for the Arts – School of Theatre Instructor: Mr. Travisano Class Location: Room 202 Instructor Contact: [email protected] Class Meeting Times: Tues (Periods 7, 8) & Thurs (Period 7) Instructor Office Hours: lunch/after school _________________________________________________________________________________________________ ABOUT THE COURSE In this course we’ll explore methods and historical practice of musical theatre dating from the so-called Golden Age of the 1950s to next generation of musical creators who begin to push the genre in a new direction in the 1970s (creating what are referred to as “concept musicals”). Through a close examination of specific musicals you’ll gain an in depth knowledge of the acting theories and techniques required to create fully-realized characters. You’ll also gain practical knowledge of musical theatre performance by directing, choreographing, and performing scenes from musicals of this period. Based on student feedback, in this course we’ll focus more intently on acting as a component of the art of musical theatre performance. We’ll explore non-musicals from this period as the basis for exercises in theory and practice. In fact, we’ll begin the year in this particular section with an intensive acting workshop around the work of Tennessee Williams. As we align with CTE (Career Technical Education, Performing Arts Pathway Standards B.1-6) throughout this course we’ll think about how you can apply what you learn in this class to what you can expect in a career or in college. You’ll do frequent observations and critiques of each other’s work and the work of established professionals from whom we can all learn. -
Bruce Walker Musical Theater Recording Collection
Bruce Walker Musical Theater Recording Collection Bruce Walker Musical Theater Recording Collection Recordings are on vinyl unless marked otherwise marked (* = Cassette or # = Compact Disc) KEY OC - Original Cast TV - Television Soundtrack OBC - Original Broadway Cast ST - Film Soundtrack OLC - Original London Cast SC - Studio Cast RC - Revival Cast ## 2 (OC) 3 GUYS NAKED FROM THE WAIST DOWN (OC) 4 TO THE BAR 13 DAUGHTERS 20'S AND ALL THAT JAZZ, THE 40 YEARS ON (OC) 42ND STREET (OC) 70, GIRLS, 70 (OC) 81 PROOF 110 IN THE SHADE (OC) 1776 (OC) A A5678 - A MUSICAL FABLE ABSENT-MINDED DRAGON, THE ACE OF CLUBS (SEE NOEL COWARD) ACROSS AMERICA ACT, THE (OC) ADVENTURES OF BARON MUNCHHAUSEN, THE ADVENTURES OF COLORED MAN ADVENTURES OF MARCO POLO (TV) AFTER THE BALL (OLC) AIDA AIN'T MISBEHAVIN' (OC) AIN'T SUPPOSED TO DIE A NATURAL DEATH ALADD/THE DRAGON (BAG-A-TALE) Bruce Walker Musical Theater Recording Collection ALADDIN (OLC) ALADDIN (OC Wilson) ALI BABBA & THE FORTY THIEVES ALICE IN WONDERLAND (JANE POWELL) ALICE IN WONDERLAND (ANN STEPHENS) ALIVE AND WELL (EARL ROBINSON) ALLADIN AND HIS WONDERFUL LAMP ALL ABOUT LIFE ALL AMERICAN (OC) ALL FACES WEST (10") THE ALL NIGHT STRUT! ALICE THROUGH THE LOOKING GLASS (TV) ALL IN LOVE (OC) ALLEGRO (0C) THE AMAZING SPIDER-MAN AMBASSADOR AMERICAN HEROES AN AMERICAN POEM AMERICANS OR LAST TANGO IN HUAHUATENANGO .....................(SF MIME TROUPE) (See FACTWINO) AMY THE ANASTASIA AFFAIRE (CD) AND SO TO BED (SEE VIVIAN ELLIS) AND THE WORLD GOES 'ROUND (CD) AND THEN WE WROTE... (FLANDERS & SWANN) AMERICAN -
Little Night Music
44th Season • 419th Production SEGERSTROM STAGE / SEPTEMBER 7 - OCTOBER 7, 2007 David Emmes Martin Benson PRODUCING ARTISTIC DIRECTOR ARTISTIC DIRECTOR presents A LITTLE NIGHT MUSIC music and lyrics by Stephen Sondheim book by Hugh Wheeler Sibyl Wickersheimer Shigeru Yaji Christopher Akerlind SCENIC DESIGN COSTUME DESIGN LIGHTING DESIGN Drew Dalzell Ken Roht Jeff Gifford Jamie A. Tucker* SOUND DESIGN CHOREOGRAPHER PRODUCTION MANAGER STAGE MANAGER Musical Direction by Dennis Castellano DIRECTED BY Stefan Novinski Barbara and Bill Roberts HONORARY PRODUCERS CORPORATE PRODUCER Suggested by a film by Ingmar Bergman. Originally produced and directed on Broadway by Harold Prince. A Little Night Music • SOUTH COAST REPERTORY P1 THE CAST (in order of appearance) Mr. Lindquist ............................................................... Christopher Carothers* Mrs. Nordstrom ....................................................................... Karen Culliver* Mr. Erlanson ......................................................................... Kevin McMahon* Mrs. Anderssen ....................................................................... Ann Marie Lee* Mrs. Segstrom ................................................................................ Tracy Lore* Madame Armfeldt ........................................................................ Teri Ralston* Fredrika Armfeldt ................................................................... Katie Horwitch* Frid ................................................................................ -
Jan. 25 to Feb. 15, 2020
South Bay Musical Theatre presents Noteworthy Entertainment Book by Joe Masteroff Lyrics by Sheldon Harnick Music by Jerry Bock Based on a play by Miklós László Saratoga Civic Theater 13777 Fruitvale Ave. Jan. 25 to Photo by Steve Stubbs Steve by Photo Saratoga, California Feb. 15, 2020 SouthBayMT.com • 408-266-4734 1 There are plenty more delights to be discovered! Join us for the remaining shows of our 2019-2020 season! Director’s Note Up next, for one night only, is our salute to Stephen Sondheim’s 90th birthday, Songs I Wish I’d HE LOVES ME is often hailed as the “perfect and treated it as a play and dug deep into each Written (at least in part) by Brad Handshy, the creator of our popular Broadway By The Decade Scharming musical” I knew this to be true the character’s purpose and journey. For me, the series. In May, we open Rodgers & Hammerstein’s South Pacific, which won 10 Tony Awards when moment I first read it and said to myself, “Well, theme I most wanted to explore was simple: it was released 70 years ago. We conclude the season with an original Big Band tribute to The they sure don’t write them like this anymore.” You can find love in the most unexpected place Fabulous 40s: Songs of Love & War, featuring those — even if you’re a perfume store clerk in 1930’s wonderfully nostalgic melodies curated from The his comedic love story has truly stood the Budapest. To quote our Georg: “Will wonders Great American Songbook. -
“A Fascinating Instrumental Album” As the First Musical of 1964-65 Broadway Season, “Fiddler on the Roof” Has Set a High Standard for Later Shows to Follow
“A Fascinating Instrumental Album” As the first musical of 1964-65 Broadway season, “Fiddler On the Roof” has set a high standard for later shows to follow. It is set in the small village of Anatevka, in Tsarist Russia, during the early days of this century. The action depicts the struggles of Tevye, the dairyman, to find suitable husbands for the three eldest of his five daughters. Despite his plans, each daughter, one by one, marries for love, thereby breaking down the age-old pattern of tradition in which the father selects the marriage partner. In the leading role of Tevye, the superb comedian and actor Zero Mostel finds one of his most rewarding roles. Despite the dramatic impact of the plot, “Fiddler on the Roof” is a heart-warming story, told with lighthearted humor, and staged with brilliantly exciting dances by Jerome Robbins. Its score is by Jerry Bock and Sheldon Harnick, who gave the theater the Pulitzer Prize winning “Fiorello!,” “The Body Beautiful,” “Tenderloin” and, most recently “She Loves Me”. Jerry Bock’s music has a tender, chanting quality and an earthy, ethnic appeal that one seldom hears on Broadway. In this fascinating instrumental album, the over-all feeling of the music is captured. Claus Ogerman’s inventive arrangements reveal the stately dignity of the Sabbath Prayer performed with a hazy array of romantic strings. He incorporates a slight Latin feel into If I Were a Woman, played as a slow samba, and To Life, which he has chosen to do as a Latin dance, the baion, in-- paradoxically--Oriental style. -
Developmental Cross Training Repertoire for Musical Theatre
Developmental Cross Training Repertoire for Musical Theatre Women The repertoire suggestions below target specific developmental goals. It is important to keep in mind however that the distinguishing characteristic of musical theatre singing is the variability of tonal resonance within any given song. A predominantly soprano song might suddenly launch into a belt moment. A chest dominant ballad may release into a tender soprano. Story always pre-empts musical choices. “Just You Wait” from My Fair Lady is part of the soprano canon but we would be disappointed if Eliza could not tell Henry Higgins what she really felt. In order to make things easier for beginning students, it’s a good idea to find repertoire with targeted range and consistent quality as students develop skill in coordinating registration. Soprano Mix—Beginner, Teens to Young Adult Examples of songs to help young sopranos begin to feel functionally confident and enthusiastic about characters and repertoire. Integrating the middle soprano is a priority and it is wise to start there. My Ship Lady in the Dark Weill Far from the Home I Love Fiddler on the Roof Bock/ Harnick Ten Minutes Ago Cinderella Rodgers/Hammerstein Mr. Snow Carousel Rodgers/Hammerstein Happiness is a Thing Called Joe Cabin in the Sky Arlen/Harburg One Boy Bye Bye Birdie Strouse/Adams Dream with Me Peter Pan Bernstein Just Imagine Good News! DeSylva/Brown So Far Allegro Rodgers/Hammerstein A Very Special Day Me and Juliet Rodgers/Hammerstein How Lovely to be a Woman Bye Bye Birdie Strouse/Adams One Boy Bye Bye Birdie Strouse/Adams Lovely Funny Thing.