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Tenor Saxophone Mouthpiece When
MAY 2014 U.K. £3.50 DOWNBEAT.COM MAY 2014 VOLUME 81 / NUMBER 5 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Associate Editor Davis Inman Contributing Editors Ed Enright Kathleen Costanza Art Director LoriAnne Nelson Contributing Designer Ara Tirado Bookkeeper Margaret Stevens Circulation Manager Sue Mahal Circulation Assistant Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Advertising Sales Associate Pete Fenech 630-941-2030 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. Jackson, Jimmy Katz, Jim Macnie, Ken Micallef, Dan Ouellette, Ted Panken, Richard Seidel, Tom Staudter, -
Margot Harley & David Schramm
THE SHAKESPEARE GUILD INVITES YOU TO TALK WITH TWO STELLAR ARTISTS PRESENTED AT THE National Arts Club UNDER THE SPONSORSHIP OF MagRack Video IN ASSOCIATION WITH THE English-Speaking Union MARGOT HARLEY & DAVID SCHRAMM Monday, April 28, at 8:00 p.m. This conversation will celebrate the thirtieth-anniversary season of THE ACTING COMPANY, a troupe that MARGOT HARLEY co-founded with the late JOHN HOUSE- MAN in 1972 as a way to allow the JUILLIARD SCHOOL DRAMA DIVISION’s first graduating class (which included KEVIN KLINE, PATTI LUPONE, and DAVID OGDEN STIERS) to gain professional experience in classical theater. Ms. Harley administered the Juilliard program during its first twelve years. Meanwhile she has produced such hits as Max Blitzstein’s musical The Cradle Will Rock (a celebrated Houseman revival that went from Manhattan to London’s Old Vic), The Curse of an Aching Heart and The Robber Bridegroom (two Broadway shows that starred Faye Dunaway), Ten by Tennes- see (a two-evening retrospective of Williams’ one-act plays, directed by Michael Kahn), and the New York premiere of Eric Overymyer’s On the Verge (directed by Garland Wright). She’ll be joined by DAVID SCHRAMM, another of her first-year Juilliard alumni. Mr. Schramm’s Broadway credits include Bedroom Farce, Goodbye Fidel, Lon- don Assurance, The Misanthrope, The Robber Bridegroom, School for Scandal, Tartuffe Born Again, and The Three Sisters. Best known for his eight seasons as Roy Biggins, the brash and overbearing owner of a commuter airline in the NBC sitcom Wings (1990-97), Mr. Schramm has also starred in Another World, Jake and the Fatman, Wiseguy, The Equalizer, Miami Vice, Spencer for Hire, and- Working Girl (where he played Joe McGill, opposite actress Sandra Bullock), and in such films as A Shock to the System, Big Packages, Johnny Handsome, Let it Ride, and Ragtime. -
Supplement 1
*^b THE BOOK OF THE STATES .\ • I January, 1949 "'Sto >c THE COUNCIL OF STATE'GOVERNMENTS CHICAGO • ••• • • ••'. •" • • • • • 1 ••• • • I* »• - • • . * • ^ • • • • • • 1 ( • 1* #* t 4 •• -• ', 1 • .1 :.• . -.' . • - •>»»'• • H- • f' ' • • • • J -•» J COPYRIGHT, 1949, BY THE COUNCIL OF STATE GOVERNMENTS jk •J . • ) • • • PBir/Tfili i;? THE'UNIfTED STATES OF AMERICA S\ A ' •• • FOREWORD 'he Book of the States, of which this volume is a supplement, is designed rto provide an authoritative source of information on-^state activities, administrations, legislatures, services, problems, and progressi It also reports on work done by the Council of State Governments, the cpm- missions on interstate cooperation, and other agencies concepned with intergovernmental problems. The present suppkinent to the 1948-1949 edition brings up to date, on the basis of information receivjed.from the states by the end of Novem ber, 1948^, the* names of the principal elective administrative officers of the states and of the members of their legislatures. Necessarily, most of the lists of legislators are unofficial, final certification hot having been possible so soon after the election of November 2. In some cases post election contests were pending;. However, every effort for accuracy has been made by state officials who provided the lists aiid by the CouncJLl_ of State Governments. » A second 1949. supplement, to be issued in July, will list appointive administrative officers in all the states, and also their elective officers and legislators, with any revisions of the. present rosters that may be required. ^ Thus the basic, biennial ^oo/t q/7^? States and its two supplements offer comprehensive information on the work of state governments, and current, convenient directories of the men and women who constitute those governments, both in their administrative organizations and in their legislatures. -
Principal State and Territorial Officers
/ 2 PRINCIPAL STATE AND TERRITORIAL OFFICERS EXECUTIVE OFFICERS Atlorneys .... State Governors Lieulenanl Governors General . Secretaries of State. Alabama. James E. Foisoin J.C.Inzer .A. .A.. Carniichael Sibyl Pool Arizona Dan E. Garvey None Fred O. Wilson Wesley Boiin . Arkansas. Sid McMath Nathan Gordon Ike Marry . C. G. Hall California...... Earl Warren Goodwin J. Knight • Fred N. Howser Frank M. Jordan Colorado........ Lee Knous Walter W. Jolinson John W. Metzger George J. Baker Connecticut... Chester Bowles Wm. T. Carroll William L. Hadden Mrs. Winifred McDonald Delaware...:.. Elbert N. Carvel A. duPont Bayard .Mbert W. James Harris B. McDowell, Jr. Florida.. Fuller Warren None Richard W. Ervin R.A.Gray Georgia Herman Talmadge Marvin Griffin Eugene Cook Ben W. Fortson, Jr. * Idaho ;C. A. Robins D. S. Whitehead Robert E. Sniylie J.D.Price IlUnola. .-\dlai E. Stevenson Sher^vood Dixon Ivan.A. Elliott Edward J. Barrett Indiana Henry F. Schricker John A. Walkins J. Etnmett McManamon Charles F. Fleiiiing Iowa Wm. S.'Beardsley K.A.Evans Robert L. Larson Melvin D. Synhorst Kansas Frank Carlson Frank L. Hagainan Harold R. Fatzer (a) Larry Ryan Kentucky Earle C. Clements Lawrence Wetherby A. E. Funk • George Glenn Hatcher Louisiana Earl K. Long William J. Dodd Bolivar E. Kemp Wade O. Martin. Jr. Maine.. Frederick G. Pgynp None Ralph W. Farris Harold I. Goss Maryland...... Wm. Preston Lane, Jr. None Hall Hammond Vivian V. Simpson Massachusetts. Paul A. Dever C. F. Jeff Sullivan Francis E. Kelly Edward J. Croiiin Michigan G. Mennen Williams John W. Connolly Stephen J. Roth F. M. Alger, Jr.- Minnesota. -
South Coast Repertory Is a Professional Resident Theatre Founded in 1964 by David Emmes and Martin Benson
IN BRIEF FOUNDING South Coast Repertory is a professional resident theatre founded in 1964 by David Emmes and Martin Benson. VISION Creating the finest theatre in America. LEADERSHIP SCR is led by Artistic Director David Ivers and Managing Director Paula Tomei. Its 33-member Board of Trustees is made up of community leaders from business, civic and arts backgrounds. In addition, hundreds of volunteers assist the theatre in reaching its goals, and about 2,000 individuals and businesses contribute each year to SCR’s annual and endowment funds. MISSION South Coast Repertory was founded in the belief that theatre is an art form with a unique power to illuminate the human experience. We commit ourselves to exploring urgent human and social issues of our time, and to merging literature, design, and performance in ways that test the bounds of theatre’s artistic possibilities. We undertake to advance the art of theatre in the service of our community, and aim to extend that service through educational, intercultural, and community engagement programs that harmonize with our artistic mission. FACILITY/ The David Emmes/Martin Benson Theatre Center is a three-theatre complex. Prior to the pandemic, there were six SEASON annual productions on the 507-seat Segerstrom Stage, four on the 336-seat Julianne Argyros Stage, with numerous workshops and theatre conservatory performances held in the 94-seat Nicholas Studio. In addition, the three-play family series, “Theatre for Young Audiences,” produced on the Julianne Argyros Stage. The 20-21 season includes two virtual offerings and a new outdoors initiative, OUTSIDE SCR, which will feature two productions in rotating rep at the Mission San Juan Capistrano in July 2021. -
Howe Collection of Musical Instrument Literature ARS.0167
http://oac.cdlib.org/findaid/ark:/13030/c8cc1668 No online items Guide to the Howe Collection of Musical Instrument Literature ARS.0167 Jonathan Manton; Gurudarshan Khalsa Archive of Recorded Sound 2018 [email protected] URL: http://library.stanford.edu/ars Guide to the Howe Collection of ARS.0167 1 Musical Instrument Literature ARS.0167 Language of Material: Multiple languages Contributing Institution: Archive of Recorded Sound Title: Howe Collection of Musical Instrument Literature Identifier/Call Number: ARS.0167 Physical Description: 438 box(es)352 linear feet Date (inclusive): 1838-2002 Abstract: The Howe Collection of Musical Instrument Literature documents the development of the music industry, mainly in the United States. The largest known collection of its kind, it contains material about the manufacture of pianos, organs, and mechanical musical instruments. The materials include catalogs, books, magazines, correspondence, photographs, broadsides, advertisements, and price lists. The collection was created, and originally donated to the University of Maryland, by Richard J. Howe. It was transferred to the Stanford Archive of Recorded Sound in 2015 to support the Player Piano Project. Stanford Archive of Recorded Sound, Stanford University Libraries, Stanford, California 94305-3076”. Language of Material: The collection is primarily in English. There are additionally some materials in German, French, Italian, and Dutch. Arrangement The collection is divided into the following six separate series: Series 1: Piano literature. Series 2: Organ literature. Series 3: Mechanical musical instruments literature. Series 4: Jukebox literature. Series 5: Phonographic literature. Series 6: General music literature. Scope and Contents The Howe Musical Instrument Literature Collection consists of over 352 linear feet of publications and documents comprising more than 14,000 items. -
Acting in the Academy
Acting in the Academy There are over 150 BFA and MFA acting programs in the US today, nearly all of which claim to prepare students for theatre careers. Peter Zazzali contends that these curricula represent an ethos that is outdated and limited given today’s shrinking job market for stage actors. Acting in the Academy traces the history of actor training in universities to make the case for a move beyond standard courses in voice and speech, move- ment, or performance, to develop an entrepreneurial model that motivates and encourages students to create their own employment opportunities. This book answers questions such as: • How has the League of Professional Theatre Training Programs shaped actor training in the US? • How have training programs and the acting profession developed in relation to one another? • What impact have these developments had on American acting as an art form? Acting in the Academy calls for a reconceptualization of actor training in the US, and looks to newly empower students of performance with a fresh, original perspective on their professional development. Peter Zazzali is Assistant Professor of Theatre at the University of Kansas. John Houseman and members of Group I at Juilliard in the spring of 1972 reading positive reviews of the Acting Company’s inaugural season. Kevin Kline is seated behind Houseman. Photo by Raimondo Borea; Courtesy of the Juilliard School Archives. Acting in the Academy The history of professional actor training in US higher education Peter Zazzali First published 2016 by Routledge 2 Park Square, Milton Park, Abingdon, Oxon OX14 4RN and by Routledge 711 Third Avenue, New York, NY 10017 Routledge is an imprint of the Taylor & Francis Group, an informa business © 2016 Peter Zazzali The right of Peter Zazzali to be identifi ed as author of this work has been asserted by him in accordance with sections 77 and 78 of the Copyright, Designs and Patents Act 1988. -
Senate Action Looms on Mixed Tax Package TRENTON (AP) - Senate but Calling Himself an Ex- Shared in the Assembly
4> The Daily Register VOL.97 N0.118 SHREWSBURY, N. J. TUESDAY, DECEMBER 3, 1974 TEN CENTS Cleanup of extensive storm damage starts Monmouth County commu- Sea Bright was one of the Ave., about 100 feet away. the investment firm of Ed- nities were busy yesterday re- hardest hit towns on the Mon- Sea Bright also faced the wards & Hanly at 107 Broad pairing damage suffered dur mouth County coast Police same problem Monmouth St, while other businesses in ing the severe storm Sunday Chief John F Carmody said Beach encountered once the the heart of town suffered night and yesterday morning the North Beach area was ocean high tide subsided - similar experiences while shore towns today again "extremely bad " flooding from the Shrewsbury In Little Silver. Colonial face possible flood tides, Highway reopened Hiver on their western banks First National Bank had its which have hampered their Although tfis men reported Ocein Ave in Monmouth blinds hanging out of Us large recovery efforts for the past that Ocean Ave north of the Reach, was cleared yesterday broken windows, while two days. Rumson Bridge was reopened afternoon, said Sgt Joseph Medium Buick Opel on There may be some relief after high tide late last night, Masica. who also reported the Shrewsbury Ave., New for those low-lying areas the chief earlier said, "That borottgh'l fire department Shrewsbury, looked like it Weather forecasts indicate a part u( the road is very bad wrii called out in the height of was the target of a bomb. chance of some rain or wet Us covered with debris and llie storm at about 3am to Joe Middleton. -
Enter Laughing by Joseph Stein One More Step
Read Ebook {PDF EPUB} Enter Laughing by Joseph Stein One more step. Please complete the security check to access www.broadwayworld.com. Why do I have to complete a CAPTCHA? Completing the CAPTCHA proves you are a human and gives you temporary access to the web property. What can I do to prevent this in the future? If you are on a personal connection, like at home, you can run an anti-virus scan on your device to make sure it is not infected with malware. If you are at an office or shared network, you can ask the network administrator to run a scan across the network looking for misconfigured or infected devices. Another way to prevent getting this page in the future is to use Privacy Pass. You may need to download version 2.0 now from the Chrome Web Store. Cloudflare Ray ID: 6564fb68fdf0c40b • Your IP : 188.246.226.140 • Performance & security by Cloudflare. Enter Laughing (film) Enter Laughing is a 1967 comedy film, directed by Carl Reiner, based on his autobiographical novel and the 1963 stage play of the same name. [1] It was Reiner's directorial debut. Contents. Plot summary Cast Musical score and soundtrack Track listing Personnel See also References External links. The film stars Jose Ferrer, Shelley Winters, Elaine May, Jack Gilford, Janet Margolin and newcomer Reni Santoni. It tells the story of a young Jewish man from the Bronx trying to break into the theater and launch a career in acting. The film has never been released on DVD or Blu-Ray. -
GUITARBENCH MAGAZINE ISSUE 6 PAGE 6 !Anks for Taking the Time to Speak to Us, Jay
P L A Y E R S | L U T H I E R S | C O L L E C T O R S G U I T A R B E N C H A C O U S T I C & C L A S S I C A L Issue 6 2013 C O N T E N T S I N T E R V I E W S L E S S O N S F E A T U R E S G U I T A R B E N C H E D I T O R S N O T E /dKZ͗dĞƌĞŶĐĞdĂŶ Welcome to our second issue of 2013! KͲ/dKZ͗:ĞƐƐŝĐĂWĂƵ ^>^ͬDZ<d/E'͗:ĞƐƐŝĐĂWĂƵ tĞ͛ǀĞĚĞĐŝĚĞĚƚŽĚŽƐŽŵĞƚŚŝŶŐĚŝīĞƌĞŶƚƚŚŝƐ WZKK&ZZ͗ŽƵŐ^ŚĂŬĞƌ ŝƐƐƵĞďLJƉƵƫŶŐŽƵƚĂďƵŵƉĞƌŝƐƐƵĞǁŝƚŚŵŽƌĞ ŽŶƚƌŝďƵƟŶŐtƌŝƚĞƌƐ͗ŶƚŽŶŵĞƌLJ͕<ĞŶŽŶĮĞůĚ͕ ŝŶƚĞƌǀŝĞǁƐƚŚĂŶƵƐƵĂů͘tĞ͛ǀĞŝŶƚĞƌǀŝĞǁĞĚƐŽ :ŽƐĞĞƌŶĂƌĚŽ͕:ŽŚŶdŚŽŵĂƐ ŵĂŶLJǁŽŶĚĞƌĨƵůĨŽůŬƐƌĞĐĞŶƚůLJ͕ǁĞĚĞĐŝĚĞĚƚŽ t^/d^͗ŐƵŝƚĂƌďĞŶĐŚ͘ĐŽŵ ƉƵƚƚŽŐĞƚŚĞƌĂďƵŵƉĞƌŝƐƐƵĞĨŽƌŽƵƌƌĞĂĚĞƌƐ͘^Ž KƵƌKŶůŝŶĞDĂŐĂnjŝŶĞ͗ǁǁǁ͘ŐƵŝƚĂƌďĞŶĐŚ͘ĐŽŵ ƚŚŝƐŵŽŶƚŚ͕ůĂƌƌƵƚŚ͕<ĞŶŶLJ,ŝůůĂŶĚ:ĂLJ>ŝĐŚƚLJ ŐŝǀĞƵƐĂďƌĞĂƚŚŽĨŬŶŽǁůĞĚŐĞŝŶůƵƚŚĞƌŝĞǁŝƚŚ ŽƵŐzŽƵŶŐƚĞůůŝŶŐƵƐŚŽǁŚĞĮŶĚƐƚŚĞƟŵĞƚŽ dŚĞŝŶĨŽƌŵĂƟŽŶĂŶĚĂĚǀĞƌƟƐŝŶŐƐĞƚĨŽƌƚŚŚĞƌĞŝŶŚĂƐ ƉůĂLJƉƌŽĨĞƐƐŝŽŶĂůĂŶĚLJĞƚĐŽŶƚƌŝďƵƚĞƚŽǀĂƌŝŽƵƐ ďĞĞŶŽďƚĂŝŶĞĚĨƌŽŵƐŽƵƌĐĞƐďĞůŝĞǀĞĚƚŽďĞĂĐĐƵƌĂƚĞ͘dŚĞ ŵĂŐĂnjŝŶĞƐ͘ ƉƵďůŝƐŚĞƌ͕ŚŽǁĞǀĞƌ͕ĚŽĞƐŶŽƚǁĂƌƌĂŶƚĐŽŵƉůĞƚĞĂĐĐƵƌĂĐLJ ŽĨƐƵĐŚŝŶĨŽƌŵĂƟŽŶĂŶĚĂƐƐƵŵĞƐŶŽƌĞƐƉŽŶƐŝďŝůŝƚLJĨŽƌĂŶLJ ĐŽŶƐĞƋƵĞŶĐĞƐĂƌŝƐŝŶŐĨƌŽŵƚŚĞƵƐĞƚŚĞƌĞŽĨŽƌƌĞůŝĂŶĐĞ /ŶĂĚĚŝƟŽŶ͕ǁĞ͛ƌĞǀĞƌLJůƵĐŬLJƚŽďĞĂďůĞƚŽ ƚŚĞƌĞŽŶ͘WƵďůŝƐŚĞƌƌĞƐĞƌǀĞƐƚŚĞƌŝŐŚƚƚŽƌĞũĞĐƚŽƌĐĂŶĐĞůĂŶLJ ďƌŝŶŐLJŽƵƚŚĞǀĞƌLJůĂƚĞƐƚŝŶŐƵŝƚĂƌƚĞĐŚŶŽůŽŐLJ ĂĚǀĞƌƟƐĞŵĞŶƚŽƌƐƉĂĐĞƌĞƐĞƌǀĂƟŽŶĂƚĂŶLJƟŵĞǁŝƚŚŽƵƚ ƚŚƌŽƵŐŚŽƵƌ,ŝŐŚsŽůƚĂŐĞĨĞĂƚƵƌĞ͘WĂƵůsŽũƵƐƚ ŶŽƟĐĞ͘WƵďůŝƐŚĞƌƐŚĂůůŶŽƚďĞůŝĂďůĞĨŽƌĂŶLJĐŽƐƚƐŽƌĚĂŵĂŐĞƐ ŝĨĨŽƌĂŶLJƌĞĂƐŽŶŝƚĨĂŝůƐƚŽƉƵďůŝƐŚĂŶĂĚǀĞƌƟƐĞŵĞŶƚ͘dŚŝƐ ůĂƵŶĐŚĞĚŚŝƐƐƚĂŶĚĂůŽŶĞĂĐŽƵƐƟĐƐLJŶƚŚĞƟnjĞƌ͕Ă ƉƵďůŝĐĂƟŽŶŵĂLJŶŽƚďĞƌĞƉƌŽĚƵĐĞĚ͕ŝŶǁŚŽůĞŽƌŝŶƉĂƌƚ͕ ƌĂƚŚĞƌĂŵĂnjŝŶŐƉŝĞĐĞŽĨƚĞĐŚŶŽůŽŐLJĚĞƐŝŐŶĞĚƚŽ ƐƚŽƌĞĚŝŶĂƌĞƚƌŝĞǀĂůƐLJƐƚĞŵ͕ŽƌƚƌĂŶƐŵŝƩĞĚ͕ŝŶĂŶLJĨŽƌŵŽƌďLJ ĐŽŵƉůĞŵĞŶƚĂĐŽƵƐƟĐŐƵŝƚĂƌƐĂŶĚǁĞŵĂŶĂŐĞĚ -
Shakespeare Theatre Company 2011|2012 Annual Report MK Photo
ShakeSpeare TheaTre Company 2011|2012 annual report MK Photo Cover: photo of allen Gilmore, paul reisman, Steven epp and rachel Spencer hewitt in The Servant of Two Masters by S. Christian Low. photo of michael kahn by kevin allen. Dear Friend, I could not have asked for a more fitting season to celebrate the Shakespeare As a part of our 25th anniversary festivities, we Theatre Company’s past 25 years. It is truly extraordinary endeavored to recognize Shakespeare’s wide-reaching to see the impact this Theatre has made on audiences, influence in a variety of genres and on our greatest artists and the American theatre throughout its actors. Bard’s Broadway presented two musicals drawing existence. We were honored to receive the 2012 on Shakespearean works. Sidney Harman Hall played Regional Theatre Tony Award® from the American host to the 1930s musical The Boys from Syracuse, Theatre Wing, as a testament to our efforts to produce inspired by The Comedy of Errors, and Two Gentlemen quality classical theatre. I was privileged to accept the of Verona: A Rock Opera, which played concurrently award on behalf of everyone who has worked tirelessly with STC’s mainstage production of the play. I was also for this on-going artistic adventure. fortunate enough to host some of the most talented actors of our time, Sir Patrick Stewart, Kevin Kline, With our 25th anniversary, we commemorated all of James Earl Jones and Stacy Keach, during Classic the traits that make the Shakespeare Theatre Company Conversations. Audiences, and I, enjoyed this series a pillar of the community. -
Downbeat.Com August 2014 U.K. £3.50
AUGUST 2014 U.K. £3.50 DOWNBEAT.COM August 2014 VOLUME 81 / NUMBER 8 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Associate Editor Davis Inman Contributing Editors Ed Enright Kathleen Costanza Art Director LoriAnne Nelson Contributing Designer Žaneta Cuntová Bookkeeper Margaret Stevens Circulation Manager Sue Mahal Circulation Associate Kevin R. Maher Circulation Assistant Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Advertising Sales Associate Pete Fenech 630-941-2030 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. Jackson, Jimmy Katz, Jim Macnie, Ken Micallef, Dan