Student Parking Creates Problem

Total Page:16

File Type:pdf, Size:1020Kb

Student Parking Creates Problem r Sept. 29, 1977 t . - i Issue No. 291 I UNIVERSITY OF MISSOURI - ST. LOUIS , Student parking creates problem Bey Pfeifer Harm. for students between 9:30 and Nelson said, " I can' t believe a there are more cars on campus they amve on campus , they will 11 a.m. on Mondays. Wednes­ student has had to miss a class early in the semester. drive around in the area," he Lack of studenl parking may days and Fridays . because he or she can't find a " We don' t worry about t.he said. "They won't check. other be • substantial problem this " Those times are the busiest parking space." number of stickers we sell." he places, .. semester. ones we have," . said Nelson, Parking is usually congested said. " We worry about pro­ "They circle and circle With 4,800 spaces available "but there is no way that there during the first two weeks of viding enough spaces for every­ around, looking for"a spot. They for students on the UMSL cam­ aren't enough parking spaces to school, as many new students one." waste their time. their gas and pus , about 8,800 parking permits accomodate all students. bring their individual cars, ac­ Approximately 11 ,400 students their patience," Nelson stated. were sold this semester for those cording to Nelson, attend UMSl. and there are " then they go on and park in spaces. act:Ording to UMSL Po­ " Between 9:15 a.m. until about ahout 4.800 spaces to accom· facul ty/ staff, visilors or handi­ lice Chief James C. Nelson. 10:40, students start to fill up " The first day of class we had modate; them, capped parting areas and get a While the lotal number of the back 10Ls," he continued. to park students along the West Similarly, there are about 875 ticket ... permits incl udes those sold to "I can probably show you 200 Campus Drive (between the sse facully and staff, with 800 At present, there are DO plans day and evening students, Rolla or 300 spaces at that time," he and Multi·Purpose Buildings}," spaces designaled for their use, to build additional part.ing facili­ extension students and n:place­ said. he said. "ThaI's the only day ties, according to Perry. men! stickers issued thus far, . we ran out of space." A smaller area is provided for " Part.ing should be on the Nelson admits that the bulk of One student commented that " By the end of two weeks, those who are in a carpool of perimeter of campus," he said. the pennits were issued to day she has missed classes because they join carpools and the num­ three or more people. Si.zty-five "We are still e.zpanding and we students. she was unable to find a parting ber of cars decrease, .. said of these s pecial carpool perfmiu heSitate to build another garage Several students have com· space, although she says she Nelson. have been sold this semester, until we see what is in store for me nted to the Current that there tried every designated student John Peny, vice chancellor for compared to the 200 spaces the future for us." are no parting avail able area. administrative services, agrees allocated. Peny says it is possible that 1- While Nelson doubts there is another form of transportation a shortage of student spaces, he will replace cars in the future. believes the problem may be According to Peny, in 25 with the student and not UMSL years there may be no cars on fa cilities. campus and the money spent "Students are accustomed to now to accommodate additional part.ing in one locale and when cars will have been wasted. I Center increases prices on food • " There are fewer people using the food serv ice," Edwards sta· The cost of food in the UMSL ted. He said students don't cafeteria and snack bar have always stop or have time for a risen this year. snack between classes because In order 10 meel the costs of of the ways they arrange their additional expenses, the price schedules, increase was necessary. accord· ing to Bill Edwards , director of Monday and Wednesday are the Un iversity Center. the busiest days of the week. Custodial services , utilities, On a n average Wednesday, ac­ ;ENITA'nON, M ..., ,u; ol the PI e mployee salaries and rising cost cording 10 Edwards, the cafe­ 8. Grobman, on September 27, in the ofBce. plaque to JIUDH ' Cuh of food products all contribute to teria will serve about 1800 Penney, lounder of the J.e. Penoey department 8tora, and for whom an UMSL baJldlna was named. the increase. people and the snack bar will The plaque wID be placed premenantly in the J.e. Penney BuUdlnllphoto by Debra Knox DelermannJ. serve 2600, yel the amount of Soda and coffee. for example. money is almost the same. went up five 10 ten cenls In the cafeteria, the busiest because of the demand for these times are between 11 :40 a.m. Federal regulations change; ite ms and the rising cost of and 12 noon. Edwards said that these products, people come in all at once and i must wait in line, which is not Most food Items were effected usual. affects UMSL financial aid by the 15 per cenl increase. "Most significantly, all breakfast • 'The ftrSt few weeks we were em Paal to send a bill to such stude nts that fin ancial aid checks were items have gone up." said in worse shape than we are demanding an appropriate re­ delayed in delivery. Edwards. " but they are still now, " he said. "We had to About 3.500 UMS L students fund. According to Rokicki . in the cheaper than everywhere else." train new cashiers, so people who receive some type of fi· past checks were delivered Ihree Fruil has gone up in price for had to walt in line." nancial aid this semester are To t:eceive federal aid. a or four weeks before the begin­ the first rime in six years 10 25 affected by new regulations in· student is now required to ning of the school semester, cents. In the snack bar, during class stituted by the federal govern· maintain a satisfactory academic /' " The special sandwiches that breats, Edwards has calculated ment, le vtl. or the aid will be cancelled "Some students were accept· we sell in the snack bar have that each cashier handles about Phillip Rokicki. director of the for the neX"( school year. ing the checks and then not gone up, too," said Edwards , 24 transactions per minute. financial aid office. stated that " In the past, federal programs coming 10 school. " said Rokicki. " but we have not noticed any The staff works 12 months a with fed eral aid comes federal didn't require that a student "So we are not giving students decrease in sales." year. 5 days a week and " labor reg ulation .." With the dolla'rs, keep a certain grade point Iheir checks unlil the ir payment Is tight" as Edwards says. comes control." he said. average. but the university did," of fees is due. This way we can ,All of the entrees and vege­ "It is im portant 10 re member said Rokicki. prevent them fro m using the tables renect the price increase, Duri ng the summertime, the that such regulations are a " We could gel by with stu­ money for something else other also, snack bar operated at a deficit. response to law," said Rokicki . dents who were on BEOG (Basic than school expenses, " The idea is to get as much Faculty and staff are the main Educational Opportunity Grant) additional revenue fro m the users of the food serv ice in the cafeteria as we get out of the summer. Edwards says they Congress passes a law and because it's a federally funded ., How much regulation is snack bar," he said . mus t still provide a variety of regulations are then developed program." he said. " but now good. I don' t know," he said. In the past, the cafeteria used food which costs e.ztra money, by the Department of Health. the government is requiring the "Over_regulation is extensive. rent-free utilities and did not use Edwards said the food service Education and Welfa re 10 com· academic standard on all Out some regUl ations nave Deen revenue for cuslodial services. has an obligation to be open ply with Ihat law. grants. ,. good, Now, without the subsidy, rev· duri ng the regular semesters, One such law is Public Law enue must be generated to pay " We go one step funher and 94-482 passed by the 94th Con· The amou nt of money given Sonle regulations, he believes. for services and provide for stay open during breaks for the gress on Oct. 12, 1976. It has out by UMSL through the pro­ have "opened up" higher edu· wage and salary increases. facu lty and staff," he said. many regu latory effects, accord­ granl has not changed. however. cation by allowing more people ing to Rokicki. "The number of students who to a"end colleges and univer· "This is the fi rst major in­ Approd mately 500 are served apply for the grant has in· sities who could not meet the crease in several years." Ed­ each day during the summer. as For the first time this sem .... creased," said Rokicki. This off· costs ~' ilh o ut a federal grant, wards said. "Our prices are still compared to 3000 during the ester. a studen' who receives a sets the loss from students who Over half the federal money lower than those of commercial regular school day.
Recommended publications
  • Margot Harley & David Schramm
    THE SHAKESPEARE GUILD INVITES YOU TO TALK WITH TWO STELLAR ARTISTS PRESENTED AT THE National Arts Club UNDER THE SPONSORSHIP OF MagRack Video IN ASSOCIATION WITH THE English-Speaking Union MARGOT HARLEY & DAVID SCHRAMM Monday, April 28, at 8:00 p.m. This conversation will celebrate the thirtieth-anniversary season of THE ACTING COMPANY, a troupe that MARGOT HARLEY co-founded with the late JOHN HOUSE- MAN in 1972 as a way to allow the JUILLIARD SCHOOL DRAMA DIVISION’s first graduating class (which included KEVIN KLINE, PATTI LUPONE, and DAVID OGDEN STIERS) to gain professional experience in classical theater. Ms. Harley administered the Juilliard program during its first twelve years. Meanwhile she has produced such hits as Max Blitzstein’s musical The Cradle Will Rock (a celebrated Houseman revival that went from Manhattan to London’s Old Vic), The Curse of an Aching Heart and The Robber Bridegroom (two Broadway shows that starred Faye Dunaway), Ten by Tennes- see (a two-evening retrospective of Williams’ one-act plays, directed by Michael Kahn), and the New York premiere of Eric Overymyer’s On the Verge (directed by Garland Wright). She’ll be joined by DAVID SCHRAMM, another of her first-year Juilliard alumni. Mr. Schramm’s Broadway credits include Bedroom Farce, Goodbye Fidel, Lon- don Assurance, The Misanthrope, The Robber Bridegroom, School for Scandal, Tartuffe Born Again, and The Three Sisters. Best known for his eight seasons as Roy Biggins, the brash and overbearing owner of a commuter airline in the NBC sitcom Wings (1990-97), Mr. Schramm has also starred in Another World, Jake and the Fatman, Wiseguy, The Equalizer, Miami Vice, Spencer for Hire, and- Working Girl (where he played Joe McGill, opposite actress Sandra Bullock), and in such films as A Shock to the System, Big Packages, Johnny Handsome, Let it Ride, and Ragtime.
    [Show full text]
  • South Coast Repertory Is a Professional Resident Theatre Founded in 1964 by David Emmes and Martin Benson
    IN BRIEF FOUNDING South Coast Repertory is a professional resident theatre founded in 1964 by David Emmes and Martin Benson. VISION Creating the finest theatre in America. LEADERSHIP SCR is led by Artistic Director David Ivers and Managing Director Paula Tomei. Its 33-member Board of Trustees is made up of community leaders from business, civic and arts backgrounds. In addition, hundreds of volunteers assist the theatre in reaching its goals, and about 2,000 individuals and businesses contribute each year to SCR’s annual and endowment funds. MISSION South Coast Repertory was founded in the belief that theatre is an art form with a unique power to illuminate the human experience. We commit ourselves to exploring urgent human and social issues of our time, and to merging literature, design, and performance in ways that test the bounds of theatre’s artistic possibilities. We undertake to advance the art of theatre in the service of our community, and aim to extend that service through educational, intercultural, and community engagement programs that harmonize with our artistic mission. FACILITY/ The David Emmes/Martin Benson Theatre Center is a three-theatre complex. Prior to the pandemic, there were six SEASON annual productions on the 507-seat Segerstrom Stage, four on the 336-seat Julianne Argyros Stage, with numerous workshops and theatre conservatory performances held in the 94-seat Nicholas Studio. In addition, the three-play family series, “Theatre for Young Audiences,” produced on the Julianne Argyros Stage. The 20-21 season includes two virtual offerings and a new outdoors initiative, OUTSIDE SCR, which will feature two productions in rotating rep at the Mission San Juan Capistrano in July 2021.
    [Show full text]
  • Acting in the Academy
    Acting in the Academy There are over 150 BFA and MFA acting programs in the US today, nearly all of which claim to prepare students for theatre careers. Peter Zazzali contends that these curricula represent an ethos that is outdated and limited given today’s shrinking job market for stage actors. Acting in the Academy traces the history of actor training in universities to make the case for a move beyond standard courses in voice and speech, move- ment, or performance, to develop an entrepreneurial model that motivates and encourages students to create their own employment opportunities. This book answers questions such as: • How has the League of Professional Theatre Training Programs shaped actor training in the US? • How have training programs and the acting profession developed in relation to one another? • What impact have these developments had on American acting as an art form? Acting in the Academy calls for a reconceptualization of actor training in the US, and looks to newly empower students of performance with a fresh, original perspective on their professional development. Peter Zazzali is Assistant Professor of Theatre at the University of Kansas. John Houseman and members of Group I at Juilliard in the spring of 1972 reading positive reviews of the Acting Company’s inaugural season. Kevin Kline is seated behind Houseman. Photo by Raimondo Borea; Courtesy of the Juilliard School Archives. Acting in the Academy The history of professional actor training in US higher education Peter Zazzali First published 2016 by Routledge 2 Park Square, Milton Park, Abingdon, Oxon OX14 4RN and by Routledge 711 Third Avenue, New York, NY 10017 Routledge is an imprint of the Taylor & Francis Group, an informa business © 2016 Peter Zazzali The right of Peter Zazzali to be identifi ed as author of this work has been asserted by him in accordance with sections 77 and 78 of the Copyright, Designs and Patents Act 1988.
    [Show full text]
  • 1999 Winter Triangle Magazine
    Profiles Excellenceof PRESIDENT’S REPORT 1999 From the President Good People Making Good Things Happen university can be no better than its people. In mission field in Athat regard, Indiana Wesleyan University Southern Africa truly is blessed. We are blessed one-hundred fold, and Cambodia indeed four-hundred fold. That’s how many for 14 years and people there now are in the IWU family: 430. had not In planning this issue of the Triangle, Alan considered the Miller gave our vice presidents a most difficult possibility of assignment. Alan, in his role as editor of the teaching at Triangle, asked each vice president to choose one IWU. Three person from his area of responsibility who years ago, he Dr. Jim Barnes demonstrated the excellent caliber of people who brought his twin work at IWU. sons to campus for a visit where he learned about That’s almost like asking a parent to pick one of an opening in the religion department. He was his or her children as examples of good kids. offered and accepted the job. Dr. Lo recently Employees at IWU are like family. began his fourth year as head of IWU’s (For the record, Wilbur and Ardelia Williams, intercultural studies program, which already has who are featured on the cover of this magazine, 70 students. weren’t involved in the selection process. They Two years ago, Dr. Harriet Rojas flew to were consensus choices to represent the very best Indianapolis to interview for a job at a state that IWU has to offer.) university – only to learn that the university no The six choices made by the vice presidents are longer planned to fill the position.
    [Show full text]
  • Senate Action Looms on Mixed Tax Package TRENTON (AP) - Senate but Calling Himself an Ex- Shared in the Assembly
    4> The Daily Register VOL.97 N0.118 SHREWSBURY, N. J. TUESDAY, DECEMBER 3, 1974 TEN CENTS Cleanup of extensive storm damage starts Monmouth County commu- Sea Bright was one of the Ave., about 100 feet away. the investment firm of Ed- nities were busy yesterday re- hardest hit towns on the Mon- Sea Bright also faced the wards & Hanly at 107 Broad pairing damage suffered dur mouth County coast Police same problem Monmouth St, while other businesses in ing the severe storm Sunday Chief John F Carmody said Beach encountered once the the heart of town suffered night and yesterday morning the North Beach area was ocean high tide subsided - similar experiences while shore towns today again "extremely bad " flooding from the Shrewsbury In Little Silver. Colonial face possible flood tides, Highway reopened Hiver on their western banks First National Bank had its which have hampered their Although tfis men reported Ocein Ave in Monmouth blinds hanging out of Us large recovery efforts for the past that Ocean Ave north of the Reach, was cleared yesterday broken windows, while two days. Rumson Bridge was reopened afternoon, said Sgt Joseph Medium Buick Opel on There may be some relief after high tide late last night, Masica. who also reported the Shrewsbury Ave., New for those low-lying areas the chief earlier said, "That borottgh'l fire department Shrewsbury, looked like it Weather forecasts indicate a part u( the road is very bad wrii called out in the height of was the target of a bomb. chance of some rain or wet Us covered with debris and llie storm at about 3am to Joe Middleton.
    [Show full text]
  • Enter Laughing by Joseph Stein One More Step
    Read Ebook {PDF EPUB} Enter Laughing by Joseph Stein One more step. Please complete the security check to access www.broadwayworld.com. Why do I have to complete a CAPTCHA? Completing the CAPTCHA proves you are a human and gives you temporary access to the web property. What can I do to prevent this in the future? If you are on a personal connection, like at home, you can run an anti-virus scan on your device to make sure it is not infected with malware. If you are at an office or shared network, you can ask the network administrator to run a scan across the network looking for misconfigured or infected devices. Another way to prevent getting this page in the future is to use Privacy Pass. You may need to download version 2.0 now from the Chrome Web Store. Cloudflare Ray ID: 6564fb68fdf0c40b • Your IP : 188.246.226.140 • Performance & security by Cloudflare. Enter Laughing (film) Enter Laughing is a 1967 comedy film, directed by Carl Reiner, based on his autobiographical novel and the 1963 stage play of the same name. [1] It was Reiner's directorial debut. Contents. Plot summary Cast Musical score and soundtrack Track listing Personnel See also References External links. The film stars Jose Ferrer, Shelley Winters, Elaine May, Jack Gilford, Janet Margolin and newcomer Reni Santoni. It tells the story of a young Jewish man from the Bronx trying to break into the theater and launch a career in acting. The film has never been released on DVD or Blu-Ray.
    [Show full text]
  • Shakespeare Theatre Company 2011|2012 Annual Report MK Photo
    ShakeSpeare TheaTre Company 2011|2012 annual report MK Photo Cover: photo of allen Gilmore, paul reisman, Steven epp and rachel Spencer hewitt in The Servant of Two Masters by S. Christian Low. photo of michael kahn by kevin allen. Dear Friend, I could not have asked for a more fitting season to celebrate the Shakespeare As a part of our 25th anniversary festivities, we Theatre Company’s past 25 years. It is truly extraordinary endeavored to recognize Shakespeare’s wide-reaching to see the impact this Theatre has made on audiences, influence in a variety of genres and on our greatest artists and the American theatre throughout its actors. Bard’s Broadway presented two musicals drawing existence. We were honored to receive the 2012 on Shakespearean works. Sidney Harman Hall played Regional Theatre Tony Award® from the American host to the 1930s musical The Boys from Syracuse, Theatre Wing, as a testament to our efforts to produce inspired by The Comedy of Errors, and Two Gentlemen quality classical theatre. I was privileged to accept the of Verona: A Rock Opera, which played concurrently award on behalf of everyone who has worked tirelessly with STC’s mainstage production of the play. I was also for this on-going artistic adventure. fortunate enough to host some of the most talented actors of our time, Sir Patrick Stewart, Kevin Kline, With our 25th anniversary, we commemorated all of James Earl Jones and Stacy Keach, during Classic the traits that make the Shakespeare Theatre Company Conversations. Audiences, and I, enjoyed this series a pillar of the community.
    [Show full text]
  • N E W S L E T T
    Volume 21 Kurt Weill Number 2 Newsletter Fall 2003 Volume 21 Kurt Weill Number 2 Newsletter In this issue Fall 2003 Note from the Editor 3 ISSN 0899-6407 A Letter Surfaces 4 Weill’s Reply to Theodor W. Adorno in April 1942 © 2003 Kurt Weill Foundation for Music 7 East 20th Street New York, NY 10003-1106 Feature tel. (212) 505-5240 fax (212) 353-9663 I’m a Stranger Here Myself 6 Free Associations from an Ethnomusicologist Bruno Nettl Published twice a year, the Kurt Weill Newsletter features articles and reviews (books, performances, recordings) that center on Kurt Weill as Emigré 11 One American’s View by Claire R. Reis Weill but take a broader look at issues of twentieth-century music and theater. With a print run of 5,000 copies, the Newsletter is dis- Letter from Berlin 13 tributed worldwide. Subscriptions are free. The editor welcomes Jürgen Schebera attends Mahagonny.com the submission of articles, reviews, and news items for inclusion in future issues. A variety of opinions are expressed in the Newsletter; they do not Recordings necessarily represent the publisher’s official viewpoint. Letters to the editor are welcome. The Eternal Road (excerpts) on Naxos 14 Edward Harsh The Firebrand of Florence on Capriccio 16 Staff Stephen Banfield Elmar Juchem, Editor Carolyn Weber, Associate Editor Dave Stein, Associate Editor Teva Kukan, Production Books Music & German National Identity 17 Kurt Weill Foundation Trustees ed. Celia Applegate and Pamela Potter Kim Kowalke, President Paul Epstein Jürgen Thym Lys Symonette, Vice-President Walter Hinderer Amerikanismus—Americanism—Weill 19 Philip Getter, Vice-President Welz Kauffman ed.
    [Show full text]
  • UA68/13/4 Bowling Green, Vol. 4, No. 2 Kelly Thompson Chapter, Public Relations Students Society of America
    Western Kentucky University TopSCHOLAR® Student Organizations WKU Archives Records Spring 1984 UA68/13/4 Bowling Green, Vol. 4, No. 2 Kelly Thompson Chapter, Public Relations Students Society of America Follow this and additional works at: http://digitalcommons.wku.edu/stu_org Part of the Advertising and Promotion Management Commons, Creative Writing Commons, Journalism Studies Commons, Mass Communication Commons, Photography Commons, Public History Commons, Public Relations and Advertising Commons, Social History Commons, Social Influence and Political Communication Commons, Sports Studies Commons, Theatre History Commons, and the United States History Commons Recommended Citation Kelly Thompson Chapter, Public Relations Students Society of America, "UA68/13/4 Bowling Green, Vol. 4, No. 2" (1984). Student Organizations. Paper 275. http://digitalcommons.wku.edu/stu_org/275 This Magazine is brought to you for free and open access by TopSCHOLAR®. It has been accepted for inclusion in Student Organizations by an authorized administrator of TopSCHOLAR®. For more information, please contact [email protected]. Thought. High technology. Without high at1X1ety. Of the 235 mi llion people in this counli)', onlya fraction know how to u~ a computer. Which is why Apple inve nted Macintosh~thc com­ puter for the rest of us. No more time wasted pouring through manuals. No more compl icated commands. Macintosh is so advanced, you can be doing meaningfu) work in a matter afhours. Because if you em point, you already know how to use it Our professional sales staff will answer all your questions and, of course, provide service and support So come in today for a hands-o il .' demonstration. Without sweaty palms.
    [Show full text]
  • TRIPOD Volume 78
    Volume 78 THE TRINITY issue 3 mppen off TRIPOD September 25,1979 3d twice gahs ie aid of a rathti le Bates sent ins Braman's heal Stodgy College Investment deflection, Susie the center of the 1 and McKenzie Policy Proves Successful : backfield. Tht- by Megan White the field at the prevented the College from spend- are most interested in those that | This past July, Trinity made the ing more than its cash income from show potential for'a dividend that I front page of the Hartford Courant in Oberhaus # endowments, and also discouraged will increase at the rate of infla- ] in an article comparing Trinity's vard and provid-' it from investing (as did Yale, tion." Unlike Wesleyan and Yale, J successful investment policy over md strong stick-' Wesleyan, and others) in growth Trinity stuck to a simple rule: the past ten years with those less n injury Anne: stocks at just the point when, as spend only interest and dividends, ; effective policies adopted by near- seen in retrospect, they were so never spend principal. I enough in goal by Wesleyan and Yale. Vice overpriced. According to Vice up and it endej President of Finance and Planning, The College's overall objective President English, the trustees, James F. English, stated that he is to increase both the level of per administration, and faculty were did not want to become too student endowment income in real • willing to exercise the self-disci- of Dartmouth complacent with the results of the terms and the proportion of educa- pline in spending which made g, were a tat study.
    [Show full text]
  • Taking Steps
    44th Season • 427th Production SEGERSTROM STAGE / MAY 16 - JUNE 15, 2008 David Emmes Martin Benson PRODUCING ARTISTIC DIRECTOR ARTISTIC DIRECTOR presents TAKING STEPS by Alan Ayckbourn Ralph Funicello Angela Balogh Calin Geoff Korf Steven Cahill SCENIC DESIGN COSTUME DESIGN LIGHTING DESIGN SOUND AND MUSIC David Nevell Darin Anthony Jeff Gifford Julie Haber* VOICE & DIALECT COACH ASSISTANT DIRECTOR PRODUCTION MANAGER STAGE MANAGER DIRECTED BY Art Manke Tom and Marilyn Sutton HONORARY PRODUCERS CORPORATE PRODUCER Presented by special arrangement with Samuel French, Inc. Taking Steps • SOUTH COAST REPERTORY P1 THE CAST (in order of appearance) Mark ............................................................................................. Bill Brochtrup* Elizabeth ....................................................................................... Kirsten Potter* Tristram ....................................................................................... Kasey Mahaffy* Roland ................................................................................................. Rob Nagle* Leslie Bainbridge ........................................................................... Louis Lotorto* Kitty ................................................................................................. Emily Eiden* SETTING The action takes place in The Pines; the attic, the bedroom, the lounge and the linking stairs and passageways. LENGTH Approximately two hours and 20 minutes including one 15-minute intermission. PRODUCTION STAFF Dramaturg
    [Show full text]
  • Shakespeare on Film and Television in the Motion Picture, Broadcasting and Recorded Sound Division of the Library of Congress
    SHAKESPEARE ON FILM AND TELEVISION IN THE MOTION PICTURE, BROADCASTING AND RECORDED SOUND DIVISION OF THE LIBRARY OF CONGRESS Compiled by Zoran Sinobad January 2012 Introduction This is an annotated guide to moving image materials related to the life and works of William Shakespeare in the collections of the Motion Picture, Broadcasting and Recorded Sound Division of the Library of Congress. While the guide encompasses a wide variety of items spanning the history of film, TV and video, it does not attempt to list every reference to Shakespeare or every quote from his plays and sonnets which have over the years appeared in hundreds (if not thousands) of motion pictures and TV shows. For titles with only a marginal connection to the Bard or one of his works, the decision what to include and what to leave out was often difficult, even when based on their inclusion or omission from other reference works on the subject (see below). For example, listing every film about ill-fated lovers separated by feuding families or other outside forces, a narrative which can arguably always be traced back to Romeo and Juliet, would be a massive undertaking on its own and as such is outside of the present guide's scope and purpose. Consequently, if looking for a cinematic spin-off, derivative, plot borrowing or a simple citation, and not finding it in the guide, users are advised to contact the Moving Image Reference staff for additional information. How to Use this Guide Entries are grouped by titles of plays and listed chronologically within the group by release/broadcast date.
    [Show full text]