Acting in the Academy
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Margot Harley & David Schramm
THE SHAKESPEARE GUILD INVITES YOU TO TALK WITH TWO STELLAR ARTISTS PRESENTED AT THE National Arts Club UNDER THE SPONSORSHIP OF MagRack Video IN ASSOCIATION WITH THE English-Speaking Union MARGOT HARLEY & DAVID SCHRAMM Monday, April 28, at 8:00 p.m. This conversation will celebrate the thirtieth-anniversary season of THE ACTING COMPANY, a troupe that MARGOT HARLEY co-founded with the late JOHN HOUSE- MAN in 1972 as a way to allow the JUILLIARD SCHOOL DRAMA DIVISION’s first graduating class (which included KEVIN KLINE, PATTI LUPONE, and DAVID OGDEN STIERS) to gain professional experience in classical theater. Ms. Harley administered the Juilliard program during its first twelve years. Meanwhile she has produced such hits as Max Blitzstein’s musical The Cradle Will Rock (a celebrated Houseman revival that went from Manhattan to London’s Old Vic), The Curse of an Aching Heart and The Robber Bridegroom (two Broadway shows that starred Faye Dunaway), Ten by Tennes- see (a two-evening retrospective of Williams’ one-act plays, directed by Michael Kahn), and the New York premiere of Eric Overymyer’s On the Verge (directed by Garland Wright). She’ll be joined by DAVID SCHRAMM, another of her first-year Juilliard alumni. Mr. Schramm’s Broadway credits include Bedroom Farce, Goodbye Fidel, Lon- don Assurance, The Misanthrope, The Robber Bridegroom, School for Scandal, Tartuffe Born Again, and The Three Sisters. Best known for his eight seasons as Roy Biggins, the brash and overbearing owner of a commuter airline in the NBC sitcom Wings (1990-97), Mr. Schramm has also starred in Another World, Jake and the Fatman, Wiseguy, The Equalizer, Miami Vice, Spencer for Hire, and- Working Girl (where he played Joe McGill, opposite actress Sandra Bullock), and in such films as A Shock to the System, Big Packages, Johnny Handsome, Let it Ride, and Ragtime. -
Hounds Yap up Parade
10 WORLD MONDAY MARCH 5 2018 Razzie sticks to pile of poo MAYBE it was destiny for a Kimmel’s keen on movie with a pile of poo as a central character. The Emoji Movie has re- ceived Hollywood’s most fa- mous frown, the Razzie Award, for worst picture of 2017, making it the first ani- mated feature in 38 years to some Oscars chaos earn the top dishonour. “Leading this year’s list of movie-misfires is the emoti- NEALA JOHNSON just the sheer mystery of which While Best Picture is any- his performance as Winston con-based, talking poop opus,” film will take home the final one’s guess, winners in the Churchill in Darkest Hour and the Razzies said.” AFTER a catastrophic envel- gong of the evening. other big categories — Direc- Frances McDormand is the The Emoji Movie also took ope mix-up, what’s the worst Even supposing the right “I like when tor, Actor and Actress — seem firm favourite for her role as a worst screenplay, worst direc- thing that could happen at envelope is read at the end of far more certain: director Guil- mother seeking justice in tor, and worst screen combo, today’s Oscars? the Oscars, the final moment things go lermo del Toro is a sure bet for Three Billboards Outside Ebb- which was given to “any two That everything goes per- should be one of high drama. wrong” The Shape of Water, which is ing, Missouri. obnoxious emojis”. fectly. As far as host Jimmy Three Billboards Outside this year’s top Oscar contender That leaves Aussie nominee Tom Cruise’s attempted re- Kimmel is concerned, the Ebbing, Missouri won the with 13 nominations. -
A Study on Disney Princesses and Their Influence on Oungy Women and Their Personal Love Narratives
University of the Incarnate Word The Athenaeum Theses & Dissertations 12-2014 Happily Ever After: Is Disney Setting Us Up? A Study on Disney Princesses and Their Influence on oungY Women and Their Personal Love Narratives Brittany Danielle Minor University of the Incarnate Word Follow this and additional works at: https://athenaeum.uiw.edu/uiw_etds Part of the American Film Studies Commons, and the Other Feminist, Gender, and Sexuality Studies Commons Recommended Citation Minor, Brittany Danielle, "Happily Ever After: Is Disney Setting Us Up? A Study on Disney Princesses and Their Influence on oungY Women and Their Personal Love Narratives" (2014). Theses & Dissertations. 1. https://athenaeum.uiw.edu/uiw_etds/1 This Thesis is brought to you for free and open access by The Athenaeum. It has been accepted for inclusion in Theses & Dissertations by an authorized administrator of The Athenaeum. For more information, please contact [email protected]. HAPPILY EVER AFTER: IS DISNEY SETTING US UP? A STUDY ON DISNEY PRINCESSES AND THEIR INFLUENCE ON YOUNG WOMEN AND THEIR PERSONAL LOVE NARRATIVES A Thesis by BRITTANY DANIELLE MINOR Presented to the Graduate Faculty of University of the Incarnate Word in partial fulfillment for the degree of MASTER OF ARTS December 2014 Communication Arts HAPPILY EVER AFTER: IS DISNEY SETTING US UP? A STUDY ON DISNEY PRINCESSES AND THE INFLUENCE THEY HAVE ON YOUNG WOMEN AND THEIR PERSONAL LOVE NARRATIVES A Thesis by BRITTANY DANIELLE MINOR APPROVED: Dr. Valerie K. Greenberg - Ph.D. Cpnikiittee Chair Michael L. Mercer - Member ABSTRACT Happily Ever After: Is Disney Setting Us Up? A Study on Disney Princesses and the Influence they have on Young Women and their Personal Love Narratives Brittany Danielle Minor, B.A., University of the Incarnate Word This study discusses the issue of whether the influence of Disney films affects the girls who watch these films once they become adult women. -
Historical Inaccuracies and a False Sense of Feminism in Disney’S Pocahontas
Cyrus 1 Lydia A. Cyrus Dr. Squire ENG 440 Film Analysis Revision Fabricated History and False Feminism: Historical Inaccuracies and a False Sense of Feminism in Disney’s Pocahontas In 1995, following the hugely financial success of The Lion King, which earned Disney close to one billion is revenue, Walt Disney Studios was slated to release a slightly more experimental story (The Lion King). Previously, many of the feature- length films had been based on fairy tales and other fictional stories and characters. However, over a Thanksgiving dinner in 1990 director Mike Gabriel began thinking about the story of Pocahontas (Rebello 15). As the legend goes, Pocahontas was the daughter of a highly respected chief and saved the life of an English settler, John Smith, when her father sought out to kill him. Gabriel began setting to work to create the stage for Disney’s first film featuring historical events and names and hoped to create a strong female lead in Pocahontas. The film would be the thirty-third feature length film from the studio and the first to feature a woman of color in the lead. The project had a lot of pressure to be a financial success after the booming success of The Lion King but also had the added pressure from director Gabriel to get the story right (Rebello 15). The film centers on Pocahontas, the daughter of the powerful Indian chief, Powhatan. When settlers from the Virginia Company arrive their leader John Smith sees it as an adventure and soon he finds himself in the wild and comes across Pocahontas. -
Arte El Súper Agente 86
17 de octubre.qxd 10/18/2008 09:59 p.m. Page 8 EL SIGLO DE DURANGO DOMINGO 19 8E MÉXICO DE OCTUBRE 2008 Arte NOTA RETRO En preparación para la próxima película y la salida de la CRONOLOGÍA serie completa en DVD, recordamos a la comedia de El Súper espionaje por excelencia. Don Adams Barbara Feldon como Maxwell Smart como la Agente 99 Maxwell Smart era el Barbara Feldon (1932) ya personaje principal de era famosa antes de El Súper Agente 86. integrarse al elenco de A pesar de ser un El Súper Agente 86, importante agente aunque nadie sabía secreto, la su nombre: era tele-audiencia podía conocida como la notar que no era muy sensual Agente 86 brillante, era algo torpe mujer que y a menudo ocasionaba aparecía sobre una piel tantos problemas de tigre en un como los villanos. comercial para la crema El actor encontró un anticaspa Top Brass. poco más de éxito En el 2003 escribió como actor de voz, una el libro Viviendo solo y profesión donde no feliz, un libro de debía preocuparse por auto-ayuda para ser identificado con su personas solteras papel de El Súper de todas las Agente 86. edades. Edward Platt Bernie Kopell como El Jefe como Sigfrido Edward Platt (1916-1974) Aunque el será por siempre presidente de la agencia recordado como enemiga de Control, El Jefe en El Súper KAOS, sólo apareció Agente 86, pero ya en el episodio tenía dos décadas piloto, el némesis laborando en el mundo de Maxwell Smart en la del espectáculo antes mayoría de los episodios de tomar ese papel. -
Caroline-Study-Companion.Pdf
The Jefferson Performing Arts Society Presents 1118 Clearview Parkway Metairie, LA 70001 504-885-2000 www.jpas.org 1 | P a g e Table of Contents Teacher’s Notes………………………..……………….………..……..3 Standards and Benchmarks…………………………....……….…..6 Background…………………………………….………….….……..……7 Family Portraits………………………………………..……….……..80 Children Who Changed the World, 1963…….………….…..101 Children Who Changed the World, 2017.……………….…..125 Reflections on Monuments…………….………….…..…………149 Monuments: Context and Creation……………….……………167 Set Design, Area, Perimeter and Circumference….………179 Additional Resources……………………………….…..….……...213 2 | P a g e Teacher’s Notes Book and Lyrics by Tony Kushner Music by Jeanine Tesori Produced in collaboration with the Loyola University Department of Theatre Arts Directed by Dr. Laura Hope Musical Director Donna Clavijo Set in 1963 Louisiana, a provocative story of political change, social change… and pocket change. In 1963, the Gellman family and their African-American maid, Caroline Thibodeaux, live in sleepy Lake Charles, Louisiana. Caroline is drifting through life as a single mother of four working in a service job to a white family. A fragile, yet beautiful friendship develops between the young Gellman son, Noah, and Caroline. Noah’s stepmother, Rose, unable to give Caroline a raise, tells Caroline that she may keep the money that Noah leaves in his pockets. Caroline balks and refuses to take money from a child but her own children desperately need food, clothing and shoes. Outside of the laundry room, some of the greatest social advancements that the country has seen are being set in motion, and change is knocking on the door. “Caroline or Change” offers opportunities for connection. Two Louisiana families, the Gellman family and the Thibodeaux family are the “Everyman,” average, ordinary people moving through the day-to-day moments of their lives. -
South Coast Repertory Is a Professional Resident Theatre Founded in 1964 by David Emmes and Martin Benson
IN BRIEF FOUNDING South Coast Repertory is a professional resident theatre founded in 1964 by David Emmes and Martin Benson. VISION Creating the finest theatre in America. LEADERSHIP SCR is led by Artistic Director David Ivers and Managing Director Paula Tomei. Its 33-member Board of Trustees is made up of community leaders from business, civic and arts backgrounds. In addition, hundreds of volunteers assist the theatre in reaching its goals, and about 2,000 individuals and businesses contribute each year to SCR’s annual and endowment funds. MISSION South Coast Repertory was founded in the belief that theatre is an art form with a unique power to illuminate the human experience. We commit ourselves to exploring urgent human and social issues of our time, and to merging literature, design, and performance in ways that test the bounds of theatre’s artistic possibilities. We undertake to advance the art of theatre in the service of our community, and aim to extend that service through educational, intercultural, and community engagement programs that harmonize with our artistic mission. FACILITY/ The David Emmes/Martin Benson Theatre Center is a three-theatre complex. Prior to the pandemic, there were six SEASON annual productions on the 507-seat Segerstrom Stage, four on the 336-seat Julianne Argyros Stage, with numerous workshops and theatre conservatory performances held in the 94-seat Nicholas Studio. In addition, the three-play family series, “Theatre for Young Audiences,” produced on the Julianne Argyros Stage. The 20-21 season includes two virtual offerings and a new outdoors initiative, OUTSIDE SCR, which will feature two productions in rotating rep at the Mission San Juan Capistrano in July 2021. -
Ahmanson Theatre
AHMANSON THEATRE 1967-68 PREMIERE SEASON 1968-69 SEASON “More Stately Mansions” “Captain Brassbound’s Conversion” by Eugene O’Neill; by George Bernard Shaw; Starring Ingrid Bergman, Arthur Hill Starring Greer Garson, and Colleen Dewhurst; Darren McGavin, Jim Backus, Paul Directed by José Quintero. Ford, John Williams, George Rose (American Premiere). and Tony Tanner; September 12 - October 21, 1967. Directed by Joseph Anthony. “The Happy Time” September 24 - November 9, 1968. Book by N. Richard Nash; “Love Match” Based on the play by Samuel A. Book by Christian Hamilton; Taylor and the book by Robert L. Music by David Shire; Fontaine; Music by John Kander; Lyrics by Richard Maltby Jr.; Lyrics by Fred Ebb; Starring Patricia Routledge, Starring Robert Goulet and Michael Allinson and Hal Linden; David Wayne; Directed and choreographed by Directed and choreographed by Danny Daniels. Gower Champion. (World Premiere). (World Premiere). November 19, 1968 - January 4, 1969. November 13 - December 23, 1967. The Royal Shakespeare Company in The Royal Shakespeare Company in “Dr. Faustus” “As You Like It” by Christopher Marlowe; by William Shakespeare; Directed by Clifford Williams. Directed by David Jones. “Much Ado About Nothing” “The Taming of the Shrew” by William Shakespeare; by William Shakespeare; Directed by Trevor Nunn. Directed by Trevor Nunn. January 14 - March 1, 1969. January 2 - February 10, 1968. “Rosencrantz and Guildenstern Are Dead” “Catch My Soul” by Tom Stoppard; Words by William Shakespeare; Starring Brian Murray and Music by Ray Pohlman; George Backman; Starring William Marshall, Jerry Lee Directed by Derek Goldby. Lewis and Julienne Marie; March 11 - April 26, 1969. -
SMDP Back Issue 080521.Pdf
THURSDAY Homeless in hotels Crime Watch California spending Drop pants, show pipe. billions. Page 2 08.05.21 Page 3 Volume 20 Issue 227 In Sheriff’s race, reform candidate Murder charge for driver in hit-and-run case Cecil Rhambo secures Supervisor MATTHEW HALL Daily Press Editor A Culver City man has been Kuehl’s endorsement arrested for murder following a fatal hit-and-run incident at Busby’s Restaurant/Bar on Monday. Nicholas Ralph Sloan has been charged with murder, assault with a deadly weapon and DUI after he killed a man at about 1:05 a.m. on August 2. According to SMPD, Sloan was asked by restaurant staff to leave Busby’s on Santa Monica Blvd. before the incident. Sloan, angered by this demand, exited the NICHOLAS RALPH SLOAN establishment, and retrieved his vehicle. He then drove through the The victim was transported to a parking lot in an aggressive manner local hospital and later died of his before attempting to intentionally injuries. hit a customer standing in front of The Los Angeles Coroner’s office the business. However, Sloan only said identification of the victim is ran over the foot of his intended being withheld pending notification target and instead struck the victim. to the family. Lieutenant Rudy Flores said the According to witnesses, Sloan’s victim knew the suspect and the two had been in the bar together. SEE MURDER PAGE 5 Courtesy photo CHIEF: Cecil Rhambo is locking up endorsements to challenge Sheriff Villanueva. Trial begins for alleged rapist CLARA HARTER transparency candidate. -
February 23 @ 7Pm Et
VISION RESIDENCY MENASAFIED FEBRUARY 23 @ 7PM ET MENASAFIED FEBRUARY 23 @ 7PM ET FEATURING GEORGE ABUD JONATHAN RAVIV VISHAL VAIDYA SHERZ ALETAHA SHARONE SAYEGH KUHOO VERMA SHOBA NARAYANAN THE TEAM Directed by SHARONE SAYEGH Arranged & Music Directed by MONA SEYED-BOLORFOROSH Music Produced, Mixed & Mastered by JACKLYN RIHA Videography & Video Editing by BRIAN VINIK VIRTUAL BAND Bansuri SRISHTI BIYANI Bass & Kanun JOHN MURCHISON Clarinet TANO BROCK Piano MONA SEYED-BOLORFOROSH Violin BENGISU GÖKÇE Tabla, Dolak, Durbuka, Riq, Darbuka, Frame Drum, Talking Drum & Udu MT ADITYA SRINIVASAN Djembe & Doumbek GILBERT MANSOUR Guitar & Oud HARVEY VALDES Curated by Vision Resident RONA SIDDIQUI THE ARTISTS WOULD LIKE TO THANK Rona Siddiqui, Jamshied Sharifi, Lee Poulin & Joe Tannenbaum. Ars Nova operates on the unceded land of the Lenape peoples on the island of Manhahtaan (Mannahatta) in Lenapehoking, the Lenape Homeland. We acknowledge the brutal history of this stolen land and the displacement and dispossession of its Indigenous people. We also acknowledge that after there were stolen lands, there were stolen people. We honor the generations of displaced and enslaved people that built, and continue to build, the country that we occupy today. We gathered together in virtual space to watch this performance. We encourage you to consider the legacies of colonization embedded within the technology and structures we use and to acknowledge its disproportionate impact on communities of color and Indigenous peoples worldwide. We invite you to join us in acknowledging all of this as well as our shared responsibility: to consider our way forward in reconciliation, decolonization, anti-racism and allyship. We commit ourselves to the daily practice of pursuing this work. -
CLE Institute Newsletter October 2011 Hon
CLE INSTITUTE NEWSLETTER October 2011 Hon. Stephen G. Crane Receives Jack Newton Lerner Award for Outstanding Contributions to Continuing Legal Education at 2011Landlord Tenant Practice Institute At a special luncheon held in conjunction with the 2011 Jack Newton Lerner Landlord Tenant Practice Institute, Hon. Sherry Klein Heitler, Administrative Judge, Civil Matters, First Judicial District, Supreme Court, New York County, presented the Jack Newton Lerner Award for Outstanding Contributions to Continuing Legal Education to the Hon. Stephen G. Crane. The award recognizes the individual who has made significant contributions to the HON. STEPHEN G. CRANE AND FAMILY HON. SHERRY KLEIN HEITLER presentation of quality CLE programming. Not only is Judge Crane Co-Chair of NYCLA’s Committee on CLE, but he is also Co-Chair of NYCLA’s seminal Art Litigation and Dispute Resolution Institute, now in its fourth year, and a speaker/ moderator at countless CLE programs during the year. He is also instrumental in offering his advice and counsel on many issues faced by NYCLA’s CLE Institute. The highlight of the award presentation was the attendance by Jack Newton Lerner’s widow, Evelyn, and her family. The CLE Institute is grateful to the Lerner family for helping us continue to honor the legacy of Jack Newton Lerner, who not only has been recognized as the “dean” of landlord tenant practice, but was also a devoted CLE lecturer for over twenty years. The CLE Institute also wishes to thank the co-chairs of this EVELYN LERNER AND FAMILY year’s Landlord Tenant Practice Institute, Hon. Laurie Lau, NYC Civil Court, Housing Part and George M. -
Get Smart Talent: Steve Carell, Anne Hathaway
Get Smart Talent: Steve Carell, Anne Hathaway, Alan Arkin, Terence Stamp, Dwayne Johnson (The Rock), Ken Davitian, James Caan. Date of review: Thursday 26th June, 2008 Director: Peter Segal Classification: PG Running time: 110 minutes We rate it: Four and a half stars. Like many people who mis-spent their youth watching too much television, I can remember a golden age of American TV comedy: it was characterised, for me, by the mid-1960s series created by Mel Brooks and Buck Henry, Get Smart. Born as a sort of comedic reaction to some of the more serious cold-war thrillers like Fail Safe and its Seven Days in May, Get Smart reduced the espionage landscape to an ongoing battle for supremacy between two shadowy spy agencies: the bad guys, K.A.O.S., and the good guys, CONTROL. Headed up by bungling spy-hero Maxwell Smart (who was of course anything but), and his wiser and far more competent “side-kick”, Agent 99, the CONTROL agency routinely foiled plots to explode bombs, assassinate Presidents, and generally destroy the balance of good and evil. Brooks and Henry created a series that is now legendary for its cheesy but still laugh- out-loud humour, which was given life by a game cast and a series of running gags that are now the stuff of TV folklore. Phrases like “Missed it by THAT much,” and “The old dart-gun in the fountain-pen trick” still have me rolling about laughing whenever they’re delivered, which many of my contemporaries find somewhat sad, I must admit.