Welcome

UPCOMING Dear Friends, On behalf of my colleagues, Jerry Patch and Darko Tresnjak, and all of our staff SEA OF and artists, I welcome you to The Old TRANQUILITY Globe for this set of new plays in the Jan 12 - Feb 10, 2008 Cassius Carter Centre Stage and the Old Globe Theatre Old Globe Theatre.

OOO Our Co-Artistic Director, Jerry Patch, THE has been closely connected with the development of both In This Corner , an Old Globe- AMERICAN PLAN commissioned script, and Sea of Tranquility , a recent work by our Playwright-in-Residence Feb 23 - Mar 30, 2008 Howard Korder, and we couldn’t be more proud of what you will be seeing. Both plays set Cassius Carter Centre Stage the stage for an exciting 2008, filled with new work, familiar works produced with new insight, and a grand new musical ( Dancing in the Dark ) based on a classic MGM musical OOO from the golden age of Hollywood.

DANCING Our team plans to continue to pursue artistic excellence at the level expected of this IN THE DARK institution and build upon the legacy of Jack O’Brien and Craig Noel. I’ve had the joy and (Based on the classic honor of leading the Globe since 2002, and I believe we have been successful in our MGM musical “The Band Wagon”) attempt to broaden what we do, keep the level of work at the highest of standards, and make Mar 4 - April 13, 2008 certain that our finances are healthy enough to support our artistic ambitions. With our Old Globe Theatre Board, we have implemented a $75 million campaign that will not only revitalize our campus but will also provide critical funding for the long-term stability of the Globe for OOO future generations. THE It is these future generations that I am thinking about as we begin the year. I am most GLASS MENAGERIE concerned about the Globe’s ability to reach and educate young people. We do a great deal April 12 - May 18, 2008 each year to reach almost 50,000 people with our Education and Outreach programs. Cassius Carter Centre Stage We must do even more. OOO When you support The Old Globe, you are supporting the 6th largest non-profit theatre in HERSHEY FELDER ’S the country (out of over 2,000) and I assure you that we will do everything possible to keep BEETHOVEN, AS your trust by creating great theatre and making certain that young people in our community I KNEW HIM continue and strengthen their connection to this art form. May 3 - June 8, 2008 Old Globe Theatre Again, Happy 2008 and welcome to this production!

LOUIS G. SPISTO CEO/Executive Producer

PERFORMANCES MAGAZINE P1 Season Sponsors

The Old Globe is deeply grateful to its Season Sponsors, each of whom has made an annual donation of $50,000 or greater. These gifts are critical to maintaining the Theatre’s high quality of artistic programming and award-winning work in the community.

The Legler Benbough Foundation Sheila and Jeffrey Lipinsky

Karen and Donald Cohn Conrad Prebys

Valerie and Harry Cooper Donald and Darlene Shiley

Audrey S. Geisel Supervisor Pam Slater-Price and the County of San Diego Globe Guilders Sheryl and Harvey P. White Joan and Irwin Jacobs Anonymous Las Patronas

To become a Season Sponsor, please contact Director of Development Todd R. Schultz at (619) 231-1941 x2310.

P2 PERFORMANCES MAGAZINE PRESENTS IN THIS CORNER

BY Steven Drukman

SCENIC DESIGN COSTUME DESIGN LIGHTING DESIGN SOUND DESIGN Lee Savage Tracy Christensen Tyler Micoleau Lindsay Jones

FIGHT DIRECTOR VOICE AND DIALECT COACH STAGE MANAGER Steve Rankin + Jan Gist Diana Moser

DIRECTED BY Ethan McSweeny

Casting by Samantha Barrie

+ Associate Artist of The Old Globe

PERFORMANCES MAGAZINE P3 Cast of Characters

Joe Louis ...... Dion Graham * Max Schmeling ...... Rufus Collins * The Announcer and others ...... T. Ryder Smith * The Trainer and others ...... Al White * The Reporter and others ...... David Deblinger * The Nurse and others ...... Katie Barrett * The Boxer ...... John Keabler N

Stage Manager ...... Diana Moser *

Time: 1930 - 1970 Place: The Ring There will be one 15-minute intermission

* Member of Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States. N Student from The Old Globe/University of San Diego Master of Fine Arts Program

Special Thanks To: Marie Fukumoto and The Boxing Company, San Diego; Jim Lampley, HBO Sports; Tony Palafox; Pablo Keyfauver

Si desea una sinopsis de esta obra en Español, favor de pedírsela al acomodador que le entregó este programa. If you would like a synopsis of this production in Spanish, please request it from an usher. In This Corner is supported, in part, by the following generous sponsors: AT&T AT&T has a history of support for The Old Globe and sponsored two of the Globe’s Broadway-bound musicals – Chita Rivera: The Dancer’s Life and Dirty Rotten Scoundrels – as well as past productions of George Gershwin Alone, Da, Play On!, Imaginary Friends, The White Rose, The Old Settler and Jar the Floor . AT&T is recognized for unparalleled communication services and for its long-standing commitment to public service and philanthropy – including significant support for the arts. Locally, the company remains actively involved throughout the San Diego community and is represented on the Globe Board of Directors by Area Vice President, Tim MacDonald. The Edgerton Foundation The Edgerton Foundation recently launched a new initiative to support the development of original theatrical works by helping fund exceptional projects that could ultimately join the American repertoire of widely performed plays and musicals. The world- premiere production of In This Corner by Steven Drukman was selected to receive one of the first Edgerton Foundation New American Play Awards in 2007. The Old Globe applauds the Edgerton Foundation’s willingness to foster the inherently demanding creative process needed to create a new work of lasting merit. The James Irvine Foundation The mission of The James Irvine Foundation is to expand opportunity for the people of California to participate in a vibrant, successful and inclusive society. The Foundation generously supports the arts, fostering creativity and nurturing a rich cultural environment throughout California. Thanks to a three-year grant of $500,000, The Old Globe now has a comprehensive play development program that is yielding exciting world-premiere theatre like In This Corner for San Diego audiences to enjoy. With the Foundation’s support, the Globe’s broad repertoire is expanding to include more new plays as well as classic works, revivals and large-scale musical projects.

P4 PERFORMANCES MAGAZINE Board of Directors

Dear Friends,

I am delighted to thank you, our dedicated subscribers and donors, for your support during The Old Globe’s very successful year in 2007. The Globe’s 16 productions received critical acclaim and enthusiastic audiences as the San Diego community once again showed its loyalty to our superb theatre. Last year, the Theatre also celebrated two milestones with the 20 th anniversary of The Old Globe/ University of San Diego Master of Fine Arts Program and the 10 th anniversary of the Globe’s production of Dr. Seuss’ How the Grinch Stole Christmas! .

The Globe’s Board, actors and staff were overjoyed when on November 15, 2007, the Globe’s Founding Director, Craig Noel, received the National Medal of Arts from President Bush. Craig has truly earned and richly deserves this prestigious award for his 70-year association with The Old Globe and significant lifelong contribution to American theatre.

It has been my privilege throughout the last two years to serve as The Old Globe’s Board Chair and work with the Globe’s dedicated Board Members, devoted volunteers, generous donors, talented actors and hard-working staff. Thank you for being here today and for supporting The Old Globe. We look forward to another great year of theatre in 2008!

Kathryn Hattox, Chair , Board of Directors BOARD OF DIRECTORS / OFFICERS Kathryn Hattox* Anthony S. Thornley* Deni S. Carpenter* Sandra Redman* Valerie Cooper* Tim K. Zinn* Chair Vice Chair Finance Vice Chair Development Vice Chair Nominating Secretary Treasurer

DIRECTORS Martin Goodman Jean Shekhter Bernard Lipinsky (1914-2001) Mary Beth Adderley-Wright Viviana Ibañez Nancy A. Spector Delza Martin (1915–2005) Joseph Benoit Deni Jacobs Louis G. Spisto* Patsy Shumway Robert Cartwright Daphne Jameson Daniel L. Sullivan, Ph.D. Donald Cohn* Timothy A. MacDonald* Julie H. Sullivan, Ph.D. HONORARY DIRECTORS Peter J. Cooper Sue Major Evelyn Mack Truitt Mrs. Richard C. Adams Stephen M. Cusato Fern Murphy Debra Turner (1912–2005) Elaine Bennett Darwin Marianne Nelson Crystal Watkins Clair Burgener (1921-2006) David W. Down Arthur Neumann Harvey White* Mrs. John H. Fox (1908–2003) Sue Ebner Robin Nordhoff Ruth Wikberg-Leonardi Audrey Geisel Joel Ewan David Ohanian June Yoder Paul Harter Pamela A. Farr Rafael Pastor Carolyn Yorston Gordon Luce (1925-2006) Jake Figi Conrad Prebys Deborah Young Dolly Poet (1921-2007) Sally Furay, R.S.C.J. John Rebelo Deborah Szekely Harold W. Fuson, Jr. Sara Rosenthal, M.D. EMERITUS DIRECTORS Hon. Pete Wilson Victor P. Gálvez Jeri Rovsek Garet B. Clark Robert Gleason Phyllis Schwartz J. Dallas Clark (1913–2005) *Executive Committee Member

Major funding provided by the City of San Diego Commission for Arts and Culture. The Old Globe is supported in part by grants from Supervisor Pam Slater-Price and The County of San Diego.

PERFORMANCES MAGAZINE P5 The Old Globe Reorganizes Leadership Team

Leadership Gifts to The Old Globe In December, The Old Globe’s Board of Directors announced the reorganiza - tion of its leadership team. After 26 years as the Globe’s Artistic Director, The Old Globe would like to recognize and Jack O’Brien retired his post and assumed the title of Artistic Director thank the following generous individuals Emeritus. O’Brien, one of the most sought-after directors in the commercial who have made extraordinary gifts of and not-for-profit theatre, has served the Globe with a tenure that is remark - $1 million or more to this organization. These able for both its longevity and artistic achievement. For the past several major contributions have been designated for years the demands of O’Brien’s schedule have made it difficult for a full time artistic projects, the endowment and facilities, presence at the Globe, and he felt it was time to step down and transition and help The Old Globe remain one of our into this new role. Jack has left a lasting legacy at the Globe that is rivaled country’s great theatre institutions. only by his stature in the theatre industry, and we wish him success in all his future endeavors. $20,000,000 or greater Donald and Darlene Shiley Lou Spisto, who has led the Globe since 2002, will continue executive leadership of the artistic and financial program with the new title of $10,000,000 or greater CEO/Executive Producer. Board Chair Kathryn Hattox noted, “Lou has Conrad Prebys built an excellent team, achieved financial stability and brought the Globe’s theatrical art to unprecedented heights. Our finances and the work on our stages have never been in better shape.” $5,000,000 or greater Sheryl and Harvey P. White Jerry Patch, a nationally-respected dramaturge and an industry leader in the Kathryn Hattox development of new plays — brought to the Globe by Spisto and O’Brien in 2005 to oversee day-to-day artistic operations and increase new play Karen and Donald Cohn development — will become Co-Artistic Director with Darko Tresnjak. Tresnjak will expand his position from oversight of the Summer Shakespeare Festival to a broader role in the Globe’s artistic management with Patch. $1,000,000 or greater Both men continue to report to Spisto and, working as they have, they are California Cultural and looking forward to continuing to serve this community with artistic and Historical Endowment education programs of the highest caliber.

Estate of Dorothy S. Prough The Rivkin Family Estate of Beatrice Lynds Audrey S. Geisel / San Diego Foundation Dr. Seuss Fund

Mr. and Mrs. Victor H. Ottenstein Mrs. Helen Edison The Stephen and Mary Birch Foundation PICTURED LEFT TO RIGHT : DARKO TRESNJAK , LOU SPISTO AND JERRY PATCH ; PHOTO BY CAROL SONSTEIN

P6 PERFORMANCES MAGAZINE Craig Noel Receives National Medal of Arts

The Globe is thrilled to announce that Founding Director Craig Noel was named a recipient of the 2007 National Medal of Arts. The awards were presented to this year’s honorees by President George W. Bush and Mrs. Laura Bush in an East Room ceremony at the White House on Thursday, November 15. Established by Congress in 1984, the National Medal of Arts is the country’s highest honor for artistic excellence. Award recipients are selected based on their contributions to the creation, growth, and support of the arts in the United States. The nine 2007 National Medal of Arts Recipients include Morton Lauridsen, composer; the Lionel Hampton International Jazz Festival; N. Scott Momaday, author, essayist, poet, professor, painter; R. Craig Noel, Founding Director, The Old Globe; Roy R. Neuberger, art collector; Les Paul, guitarist, inventor; Henry PRESIDENT BUSH PRESENTED THE 2007 N ATIONAL MEDAL OF ARTS TO OLD GLOBE THEATRE FOUNDING DIRECTOR CRAIG NOEL DURING A CEREMONY AT Steinway, arts patron; George Tooker, painter; Andrew Wyeth, THE WHITE HOUSE ; PHOTO BY MICHAEL STEWART FOR THE NATIONAL ENDOW - painter. MENT OF THE ARTS . Craig's contributions to the American theatre – both locally and Tony Award-winner Jack O’Brien, whom he brought on board as nationally – are legion. He has enriched the larger community Artistic Director in 1981. Scores of great American actors, such as through his support and encouragement of playwrights, actors and Marion Ross, David Ogden Stiers and Kelsey Grammer, have artists and through the nurturing of an entire generation of citizens worked with Craig and are indebted to him. His passion for arts who have become today's theatregoers and arts supporters. He is education fueled many innovative programs, including the Globe considered one of the “deans” of the regional theatre movement and Educational Tours in 1974, the renowned Master of Fine Arts gradu - took the lead in a significant revival of American interest in ate acting program, in conjunction with University of San Diego in Shakespeare, having launched San Diego National Shakespeare 1987, and Teatro Meta, which began in 1983 and went on to become Festival in 1949. He also established the first full Actors’ Equity an award-winning, bilingual playwriting program that served company in California and was one of the original developers of a thousands of young people in the San Diego region. comprehensive arts education program. We at the Globe have always known Craig as “the Father of San Craig has been associated with The Old Globe since its incep - Diego Theatre,” recognizing that he has been a guide, mentor and tion and has guided the organization through its metamorphosis ally to virtually every professional theatre endeavor in this commu - from a community theatre to one of the nation's most successful nity. His many honors include the California Governor's Award for not-for-profit arts organizations. At age 92, Craig’s tenure and direc - the Arts; the San Diego Union-Tribune's list of 25 persons who torial credits at the Globe represent a milestone not yet achieved by shaped the city's history; San Diego's Living Treasure Award; and any other living director in United States history. He has helmed the San Diego Critics Circle named its annual honors “The Craig more than 225 productions at the Globe, including the world pre - Noel Awards for Excellence in Theatre.” Craig remains active and mieres of Lillian Garrett-Groag's The White Rose and Reuben continues to enrich the theatre community through his unflagging Gonzalez's The Boiler Room ; along with American premieres of Alan support of playwrights, directors, actors and theatre artisans. He is Ayckbourn's Mr. A’s Amazing Maze Plays and Intimate Exchanges . Most truly a national treasure, and we couldn’t be more thrilled that the recently, he directed Over the River and Through the Woods and worked President of the United States selected him to receive the National with Tony-Award winner John Rando on the 2006 production of Medal of Arts. Moonlight and Magnolias . Under his leadership, he oversaw the expan - sion of the Globe to a three-theatre complex and played an instru - mental role in the careers of many directors – including three-time

PERFORMANCES MAGAZINE P7 Program Notes

Quotes from Joe Louis... JOE LOUIS AND SOCIAL HISTORY “There are things wrong with America, but nothing Hitler can fix.” The followiing is taken from Ringside by Bud Schulberg, Ivan R. Dee, Chicago, 2006 OOO Ralph Ellison’s Invisible Man was an apt title “I have only done what any red-blooded for the entire black race in America in the 1930s. In American would do. We’re gonna do our the eyes of white people, it simply did not exist. The part, and we will win, because we are on New York Times’ boast that it printed “all the news God’s side.” that’s fit to print,” should have added “for white – On joining the U.S. Army, 1942. people.” When young Joe Louis was winning amateur boxing titles in the early ’30s, the outstand - OOO ing black men in our country, like W.E.B. DuBois “He can run but he can’t hide.” and A. Phillip Randolph, were nonpersons to every – On fighting the speedy Billy Conn white newspaper. Even famous entertainers like Louis Armstrong, Paul Robeson and Bojangles OOO Robinson were ignored. For a black baseball player “I don't like money, actually, but it quiets to play in the big leagues was unthinkable. The my nerves." National Football League was no better, and as for A YOUNG JOE LOUIS the colleges, when a Southern college objected to playing Columbia with its one OOO black player, New York’s great liberal arts college obligingly dropped him from the “Everybody wants to go to heaven, but lineup. nobody wants to die." It’s only against that backdrop of know-nothing, racial prejudice that the impact of Joe Louis can be understood. The heart of the Joe Louis story is his historic break through the race barrier. Earlier in the century there had been BLACKBURN’S RULES another great black champion, Jack Johnson, but there was no way he could chal - Jack Blackburn, Joe Louis’ trainer, lenge for the heavyweight title in America. He had to chase the champion all over set these rules for his young fighter: the world before finally catching up with him in Australia. There he beat on the hapless white Tommy Burns so fiercely that the police finally intervened at the 1. Don’t speak. end of the fourteenth round. The myopic racism of the day was nakedly expressed by Jack London, at ring - 2. Never have your picture taken side to cover the fight for the New York Herald. “He is a white man and so am I,” with a white woman. wrote this avowed socialist who preached international understanding (apparent - ly for whites only). “Naturally I want the white man to win.” And when Johnson’s hand was raised, London called on the undefeated ex-champion, Jim 3. Never go into a nightclub Jeffries, to come out of retirement to put this overweening black boy in his place. alone. “But one thing remains,” London begged in his post-mortem for the Herald, “Jeffries must emerge from his alfalfa farms and remove that smile from Johnson’s 4. Never gloat over a fallen face. Jeff, it’s up to you.” “The Fight Between the White Champion and the Black Champion,” as it was opponent. billed in Reno in 1910, was less a boxing match than a primitive tableau in bitter race relations. In Jeffries’ corner were all the previous champions, the impas - 5. Never smile. sioned Caucasians John L. Sullivan, Bob Fitzsimmons, and “Gentleman” Jim Corbett, who mouthed racist epithets at Johnson through the fight. When the 6. Remember your “ABC’s”: hopelessly overmatched old champion finally went down for the count, a deathly silence fell over the crowd. As our bereft Jack London typed out his lead, “Once Always Be Clean. again has Johnson sent down to defeat the chosen representative of the white race…,” race riots were breaking out all over the country. P8 PERFORMANCES MAGAZINE JOE LOUIS AND SOCIAL HISTORY THE SWEET SCIENCE OF BRUISING As a resented black champion in a rabid white world, Johnson did nothing to endear himself. In a time of uptight segregation, Johnson not only consorted “Joe Louis was more than a sports legend. with white women but flaunted them, lording it around Chicago in a chauffeur- His career was an indictment of racial driven open phaeton, with two white women all over him. The entrance to his bigotry and a source of pride and inspira - tion to millions of white and black people notorious nightclub Café de Champion displayed a blowup photo of him lip- around the world.” locking with his white wife. Her suicide, partly due to his having so many other — Ronald Reagan white lovers, including a scandalous affair with his white eighteen-year-old secre - tary, provoked a lynch atmosphere with Johnson being railroaded to jail and jumping bond to escape to Europe, leaving behind the unwritten law of boxing: “Max Schmeling is my idol. When you meet this guy you can just feel this history.” never again a black heavyweight champion. —Vitali Klitschko, It may have been unwritten in the 1910s and ’20s but it was adhered to as WBA Heavyweight Champion faithfully as if it had been engraved in stone. After the gifted troublemaker Johnson held up his black middle finger to white America, there would be eight successive flour-faced champions through the 1920s to the late ’30s. The most “Everybody loved Joe. From black folks to redneck Mississippi crackers, they loved frustrating example of a top heavyweight contender being denied his deserved him. They’re all crying. That shows you. title shot because of the wrong pigmentation was Harry Wills. When Wills Howard Hughes dies, with all his billions, knocked out a brace of white contenders and clearly outclassed the “Wild Bull of not a tear. Joe Louis, everybody cried.” the Pampas,” Luis Firpo, famous for knocking Jack Dempsey out of the ring in the —Muhammad Ali, undisputed Heavyweight Champion, commenting on the death of Joe Louis first round of their celebrated fight, the New York State Athletic Commission finally made Wills its No. 1 contender, ruling that Dempsey could not defend his title until he met Wills. Dempsey’s promoter, the same old foxy Tex Rickard from “It’s hard being black. You ever been black? Johnson-Jeffries days, finessed that one by taking his champion to Philadelphia to I was black once—when I was poor.” face Gene Tunney. The white race was saved again. — Larry Holmes, WBC Heavyweight Champion As a young fight fan growing up in Los Angeles, I knew an impressive heavy - weight by the name of George Godfrey. When I asked him about fighting in “It’s like being in love with a woman. She Madison Square Garden, can be unfaithful, she can be mean, she can in those days the pot of be cruel, but it doesn’t matter. If you love gold at the end of every her, you want her, even though she can do boxer’s rainbow, he shook you all kinds of harm. It’s the same with me his head. “Only if I lost, and boxing. It can do me all kinds of harm, but I love it.” son. My color can’t win — Floyd Patterson, in the Garden.” That undisputed Heavyweight Champion was the hard truth when teenaged Joe Louis was coming out of the “Joe Louis was a great friend...the finest Bottoms, a ghetto within sportsman I ever met...I didn’t only like him; I loved him.” the ghetto in hard-times — Max Schmeling, on the death of Joe Louis Detroit.

“I ain’t fighting for nothing, I’m fighting for my country.” JOE LOUIS AND MAX SCHMELING — Joe Louis, on donating his entire purse to the war effort.

FOR MORE INFORMATION ABOUT THIS PRODUCTION , PLEASE VISIT OUR WEBSITE AT WWW .T HE OLDGLOBE .ORG

PERFORMANCES MAGAZINE P9 Program Notes continued

SPORTS WRITING IN For when the One Great Scorer comes SPORT’S GOLDEN AGE To write against your name, “He marks – not that you won or lost – The period following But how you played the Game. WWI leading to the Great Depression is known as The — Grantland Rice Golden Age of Sports : a time ” when America began cele - Money to the left of the and money to the right brating its leading sports - Money everywhere they turned from morning to the night men as national heroes, Only two things count at all from mountain to the sea and sportswriters like Part of it’s percentage, and the rest is guarantee. Grantland Rice built their As Joe Pollack, former columnist for the St. Louis Post- legends in column inches of Dispatch observed, the sportswriters of the time were akin to purple prose. It was also a drama critics: they saw the events, analyzed them, and voiced time when sport became their opinions in their coverage. They became the eyes and ears commerce: when the erst - for the millions across the country without access to the events. while orphan Babe Ruth When radio coverage of athletics began, a new immediacy earned the salary of a titan of industry, and Jack Dempsey earned was introduced to sports reporting. While still unable to see the more in one fight than Ruth did in his entire career. events literally, the “words-eye view” given by broadcasters There were no moving pictures of sport that delivered news fed the imaginations of listeners nation-wide, and delivered the in a timely fashion, so writers like Rice pumped up sport’s news as it happened. volume with a style known as “Gee Whiz!” Hyperbole and allit - The second Louis-Schmeling bout from Yankee Stadium in eration were its hallmarks: Ruth was The Sultan of Swat ; Dempsey New York was fought before 70,000 fans onsite. In an America the Manassa Mauler ; and Rice went to apocalyptic mythology to of 130 million, an estimated 70 million listened in—numbers describe Notre Dame’s backfield: The Four Horsemen . akin to the Super Bowl, the Oscars and the World Series all By the 1930s, sportswriters had created new audiences and a taken together. And millions more listened abroad. much more lucrative platform for their narratives. Newspapers At mid-century, two things changed sports writing: major and sports promoters were cashing league sports expanded to the in on the markets their stories western half of the country, bring - created, but they needed to create ing the events first-hand to that part more stories of fabled athletes to of the U.S.; and sporting events sustain it. After Dempsey, there began to be televised. were no outstanding heavyweights In 1971 sportscaster Vince Scully journalists could celebrate to capture said absolutely nothing for nearly a the boxing public’s fancy. full minute of air time following a Without Ruthian heroes, sports - crippled Kirk Gibson’s gamewin - writers turned cynical, occasionally ning World Series home run. He let mocking the athletes and the the pictures of the athletes and the patrons. Red Smith, the next great roaring crowd tell the story. By then sportswriter after Rice, tweaked a the florid language used to cover the fur-coated crowd at a Harvard-Yale sports by Rice had devolved over football game with the line, “the fans decades to a simpler style, and rose as one raccoon.” As early as the broadcasters had learned to let the 1930s, Rice spoke to the corruption event speak for itself. of sport by money, writing: — Jerry Patch JOE LOUIS AND MAX SCHMELING

P10 PERFORMANCES MAGAZINE P rofiles

Katie Barrett Theatre; Cyrano de Bergerac , Barrington Dion Graham (Reporter/Nurse/Anny/ Stage; The Winter’s Tale , SOTS; The Colossus (Joe Louis) Round Card Girl/Tutor/USO Singer) of Rhodes , ACT; Dinner with Friends, Spinning THE OLD GLOBE: THE OLD GLOBE: into Butter, Pittsburgh Public; Inexpressible Debut. Dion has Debut. THEATRE: Island, Dallas Theatre; Indian Ink, Studio performed a wide Mother Courage, Theatre; Hedda Gabler, Alley Theatre; The variety of classical Berkeley Rep and La Ruling Class , Wilma Theatre; Macbeth , Ten - and contemporary Jolla Playhouse nessee Rep; Cakewalk , Florida Studio The - roles on Broadway, (2006 Craig Noel atre; Man and Superman , Clarence Brown; off-Broadway, inter - Award for Theatrical Twelfth Night, Franklin Stage. TOURS: nationally, and on Excellence, San Taming of the Shrew, Julius Caesar, Othello, The film and television. Diego Theatre Crit - Merchant of Venice, The Comedy of Errors. He has originated roles in numerous pre - ics Circle); Black Snow, Safe in Hell , Yale Rep; FILM: Joshua, Saving Souls, Under the Bridge, mieres of works by major playwrights. Charlie Blake’s Boat , EST; Dark Yellow, The Fru - Neurotica . TV: Law & Order: CI, Law & Order: These include Tennesee Williams’ Not About gal Repast, The Sound of Silence, The Boy Next SVU, All My Children, The Guiding Light. Nightingales (London's Royal National The - Door , Eugene O’Neill Theater Center; Trudy atre/Broadway) and Kenneth Lonergan's Blue, Studio Theatre; All My Sons , Arena David Deblinger Lobby Hero (Playwright's Horizons/House - Stage; The Pajama Game, As You Like It, Cen - (Reporter/Jacobs) man Theatre) among others. He has per - ter Stage; Little Women, The Kennedy Cen - THE OLD GLOBE: formed at many leading regional theatres ter; Spain, Watbanaland, Woolly Mammoth; Debut. Co-Founder/ and worked with a diverse group of direc - Sarita, Outside the Door, Derek, Berkshire Board of Directors tors, ranging from Trevor Nunn to Spike Theatre Festival; Criminal Genius, Round of LAByrinth The - Lee, Avery Brooks to Mike Nichols. He's House Theatre; Sin, Naked Angels Lab; ater Company. also the series narrator for A & E's The First Pterodactyls, Ruthless!, Source Theatre; Fifth of REGIONAL: Moon - 48 , HDTV'S Art of the Heist, and various July, Marat/Sade , Washington Shakespeare; light and Magnolias , documentaries. He is the recipient of the Translations , Rep Stage; The White Hat , Capital Rep; Villa Ben Franklin Award and a Lucille Lortel HERE; Macbeth , Folger Shakespeare America, Williams- Award nominee ( Lobby Hero ). Most Library. FILM/TV: Law & Order , HBO’s The town Theater Festival; Caught , Berkshire recently, Dion collaborated with Kathleen Corner, The Ex, Riders, Pride and Prejudice. Theater Festival. OFF-BROADWAY: History Chalfant on Howard Barker's A Hard Heart of the Word , Vineyard Theater; SVEJK , The - off-Broadway. He currently plays State's Rufus Collins ater for a New Audience (The Duke); Dutch Attorney Rupert Bond on HBO's (Max Schmeling) Heart of Man , LAByrinth (The Public The - The Wire. THE OLD GLOBE: ater); Dirty Story , Our Lady of One Hundred Debut. BROAD - and Twenty First Street, LAByrinth, Where’s John Keabler WAY: A Day in the My Money? , LAByrinth (Manhattan Theater (The Boxer) Death of Joe Egg, An Club), The Flatted Fifth, The New Group; THE OLD GLOBE: Ideal Husband, The Romeo and Juliet , Theater for a New Audi - 2007 Summer Homecoming . OFF- ence (New Victory). TELEVISION: Dam - Shakespeare BROADWAY: ages (FX), Babylon Fields, Walker Texas Ranger Festival. THE OLD Orson’s Shadow, Bar - (CBS), Jonny Zero (FOX), Sex and the City, GLOBE/USD row Street; House & The Sopranos (HBO), Club Land (Showtime), PROFESSIONAL Garden , MTC; The Red Rose , Mint Theatre; Law & Order: SVU, Law & Order (NBC). ACTOR TRAIN - Richard II, Players Club; Price’s Right , Curri - ING PROGRAM: can Theatre; A Doll’s House, Century Center; Pericles, Marat/Sade, My Head Was a Sledgehammer, Nada; Hamlet , The Laramie Project, Much Ado About Nothing . Looking Glass Theatre. REGIONAL: Disso - REGIONAL: Crazy for You, Light up the Sky , nance, Autumn Garden, Williamstown The - atre Festival; The Real Thing , Huntington (CONTINUED ON NEXT PAGE )

PERFORMANCES MAGAZINE P11 Profiles continued

Creed Repertory; The Taming of the Shrew, Outstanding Solo Performance. Film and PLAYS: Mark Taper Forum, Intiman Romeo and Juliet, Les Liasions Dangereuses, The TV work includes Law & Order , Conviction , Theatre, Sundance Lab, Williamstown Glass Menagerie , Kentucky Repertory; the cult horror-film Brainscan, the 2007 Theatre Festival, Playwrights Horizons, Twelfth Night, Arsenic and Old Lace, Star experimental feature Horrible Child , supply - New York Theatre Workshop, South Coast Spangled Girl, Public Theatre of Kentucky. ing voices for the notorious video- Rep., others. AWARDS: Paul Green Award, games Manhunt and BioShock , as well as Alfred P. Sloan Award, Heinemann finalist, T. Ryder Smith several characters on the animated TV others. AS ACTOR: Leading roles in plays (Announcer/Hitler/Ref/Officer) series The Venture Brothers . T. was profiled directed by Anne Bogart, Maria Irene OLD GLOBE: in the September 2006 issue of American Fornes, Arnold Wesker, others. FILM Lincolnesque (2006 Theater magazine. CREDIT: East Broadway (2006). OTHER Craig Noel Award, WRITING: The New York Times, Village Outstanding Lead Al White Voice, International Herald Tribune, The Performance). T. (Blackburn/Pastor/Man) Nation, others. Former senior editor, has just finished THE OLD American Theatre. Associate Arts collaborating with GLOBE: Two Trains Professor, NYU. artist/ activist Paul Running. OTHER Chan and The THEATRE PRO - Ethan McSweeny Classical Theatre of Harlem on a site-spe - DUCTIONS: Gem (Director) cific production of Waiting for Godot in the of the Ocean, Mark THE OLD GLOBE: A Body of Water by Lee most devastated areas of New Orleans Taper Forum Blessing (San Diego Critics Circle Award (see creativetime.org for more info), as (Ovation Award, for Outstanding Director, Play, and well as appearing in Sarah Ruhl's Passion NAACP Theatre Ensemble). His New York direction Play at the Goodman Theatre in Chicago, Award); King Hedley II , Philadelphia includes the recent premieres of Kate (playing Queen Elizabeth 1, Ronald Theatre Company (Barrymore Nomina- Fodor’s 100 Saints You Should Know Reagan, and, again, Adolph Hitler). Other tion); Joe Turner’s Come and Gone, Missouri (Playwrights Horizons) and Jason Grote’s regional work includes the premiere pro - Repertory Theatre; The Piano Lesson, South 1001 (p73), the Broadway revival of Gore ductions of Charles Mee's Big Love (ATL), Coast Repertory; Peer Gynt, Street Scene, Vidal’s The Best Man (Tony Award nomina - and Jeffrey Hatcher's Stage Beauty (CATF), Richard III, The Taming of the Shrew, and tion, Drama Desk and Outer Critics Circle as well as work at the Dallas Theater Cyrano de Bergerac , American Conservatory Awards for Best Revival), Willy Holzman’s Center, the Wilma Theatre and Santa Fe Theater; The Matchmaker, Desire Under the Sabina (Primary Stages), the off-Broadway Stages. Back in his native NYC, T. shared a Elms, ACT’s Bicentennial Tour of the Soviet premiere of John Logan’s Never the Sinner 2007 Drama Desk Award for Outstanding Union. TELEVISION: CSI: Miami, JAG, (Outer Critics Circle Award for Best off- Ensemble Cast for his part in the 3- Related, Clubhouse , and NYPD Blue . FILM: Broadway Play), and Aeschylus’ The actor/50-character play Lebensraum and Red Scorpion, A Piece of My Heart, Back to the Persians in a new translation by Ellen appeared in the premiere productions of Future: Part II, and Airplane! , Airplane II: The McLaughlin for the National Actors Anne Washburn's Apparition and I Have Sequel, for which he is best remembered as Theatre. Of his more than 40 productions Loved Strangers (Clubbed Thumb), David Jive Dude #2. of new plays, musicals, revivals, and clas - Greenspan's She Stoops to Comedy, sics around the country, recent highlights (Playwrights Horizons), Lear De Steven Drukman include: the world premiere of 1001 at the Bessonet's Transfigures (Women's Project), (Playwright) Denver Center, the new musical Chasing Will Eno's Thom Pain (Daryl Roth Theatre), PRODUCED PLAYS: Going Native , Long Nicolette in Philadelphia (10 Barrymore Richard Foreman's King Cowboy Rufus Rules Wharf Theatre; Another Fine Mess (Pulitzer nominations including Best Director), a the Universe and The Gods Are Pounding My Prize Nominee), Portland Center Stage; revival of The Persians for the Shakespeare Head (The Ontological), Glen Berger's Flattery Will Get You, Connecticut Reper- Theatre Company, the world premiere of The Wooden Breeks (MCC), and Underneath tory; Snowmaiden , Bob Hope Theatre, Noah Haidle’s Mr. Marmalade at South the Lintel (Soho Playhouse), for which he Dallas; Collateral Damage, Illusion Theatre, Coast Rep (OCIE Award), and produc - received a Drama Desk nomination for Minneapolis; Fox Hollow, Linhart Theatre, tions of Romeo and Juliet and Six Degrees of NY; Youth in Asia , NYU. DEVELOPED

P12 PERFORMANCES MAGAZINE Separation at The Guthrie (Star-Tribune Festival. AWARDS: Connecticut Critics Theater; Carnival Knowledge, Underneath the Award for Outstanding Director and Circle Award for Best Scenic Design: The Lintel , Soho Playhouse; The Intelligent Design Production). With his partner Vivienne Intelligent Design of Jenny Chow ; The Donald of Jenny Chow, The Night Heron, Dublin Carol, Benesch, Mr. McSweeny spends his and Zorka Oenslager Travel Fellowship. Mojo , Atlantic Theater; Refuge, Playwrights summers as the Artistic Director of the AFFILIATIONS: Wingspace Theatrical Horizons. Regional designs for Trinity Rep, Chautauqua Theater Company and Design Group. TRAINING: Yale School of Wilma Theater, Delaware Theater Co., Conservatory in western NY, where he has Drama: MFA; Rhode Island School of Prince Music Theater, Hangar Theatre, directed revivals of All My Sons, The Cherry Design: BFA. Syracuse Stage Co., Portland Center Stage, Orchard , and Albert Camus’ The Just in a Portland Stage Co., Madison Rep, Shake - new translation by Anthony Clarvoe. In Tracy Christensen speare Theater, Cornerstone Theater and January he will return to DC to stage Major (Costume Design) Long Wharf Theater. International design Barbara for the Shakespeare Theatre Recent design projects include The Cherry credits include Dan Hurlin's Everyday Uses Company. He has served as Associate Orchard and All My Sons with Ethan for Sight Nos. 3 & 7 (Australia, England); Artistic Director of the George Street McSweeny at the Chautauqua Theater 78th Street Theatre Lab's The Man in the Fly - Playhouse, an Associate Artist of the Company, the Broadway production of Sou - ing Lawnchair (Scotland); WaxFactory's Lulu National Actor’s Theatre, Resident venir at the Lyceum, Meet Me in St. Louis at (France, Portugal, Italy, Croatia). Fine art Director at New Dramatists, and Associate Irish Rep, Kismet at City Center for installation projects include Åhus Sommaren Director of the Shakespeare Theatre Encores!, Lady Day… at Long Wharf The - 1974 (Bellwether Galleries, Chelsea NYC), Company. Mr. McSweeny received the atre, and Gypsy at Chicago’s Ravinia Festi - Beneath the Floorboards (Ohio first ever undergraduate degree in theatre val, starring Patti LuPone. ELSEWHERE: Theater Gallery, Soho NYC). Tyler teaches from Columbia University and proudly Stopping Traffic at The Vineyard; Blue lighting design for dancers and choreogra - serves on the Executive Board of the Horizons , the new whale and dolphin show phers at Sarah Lawrence College Society of Stage Directors and for Sea World in Orlando; Macbeth for the Department of Dance. Choreographers . Shakespeare Festival of St. Louis; Regina at The Kennedy Center; Candide at Avery Lindsay Jones Lee Savage Fisher Hall with the New York Philhar - (Sound Design) (Scenic Design) monic, and Quartet at Baystreet Theater. THE OLD GLOBE: Oscar and the Pink Lady, NEW YORK: The Private Lives of Eskimos, I www.tracychristensen.com. Lincolnesque, Sky Girls, Much Ado About (Heart) Kant; Committee Theatre Company; Nothing, Beyond Therapy. OFF-BROADWAY: Harvest, La Mama; Go-Go Kitty Go! (Fringe Tyler Micoleau The world premiere of Sam Shepard’s The (Lighting Design) NYC Best Play Award), New York Interna - God of Hell, Dedication or the Stuff of Dreams, Tyler has designed the lighting for over 300 tional Fringe Festival; Frag, HERE. In the Continuum, Luminescence Dating, O live productions, including plays, dance, REGIONAL: Tamburlaine, Edward II, Richard Jerusalem, Beautiful Thing and Closet Land . movement-theatre, multi-media perfor - III, Shakespeare Theatre Company; The Just, REGIONAL: Center Stage, American mance, and puppetry. He is the recipient of Chautauqua Theater Company; Driving Miss Conservatory Theatre, Hartford Stage, an off-Broadway Lucille Lortel Award, a Vil - Daisy, Delaware Theatre Company; Peter South Coast Rep, Alliance Theatre, Ford’s lage Voice OBIE, and the National Pan, Cyrano de Bergerac, University of Theatre, Goodman Theatre, Actors’ Endow ment for the Arts/Theatre Commu - Delaware PTTP ; I Am My Own Wife, Dallas Theatre of Louisville, Chicago nications Group Career Development Pro - Theater Center; The Intelligent Design of Jenny Shakespeare, Pasadena Playhouse, gram. Off-Broadway design credits include Chow, Yale Repertory Theatre; School for Steppenwolf, as well as many others. The Screwtape Letters , Theater at St. Scandal, Trinity Repertory Company; The INTERNATIONAL CREDITS: produc - Clement’s; God’s Ear , New Georges; A Very Servant of Two Masters, Pittsburgh Public tions in Austria, Zimbabwe, South Africa, Common Procedure, MCC; Gutenberg! The Theater; Intimate Apparel, Philadelphia The - Scotland and The Royal Shakespeare Musical! , Actors Playhouse; Hell House, atre Company; Love’s Labour’s Lost, Uncle Company of England. Lindsay has received Hiroshima Maiden , St. Ann’s Warehouse; The Vanya, Orpheus Descending, Yale School of four Joseph Jefferson Awards and twelve God Committee , Lamb's Theatre; Orson's Drama. INTERNATIONAL: The Jammer nominations, an Ovation Award, two Shadow, Eat The Taste, Bug , Barrow Street (Fringe First award), Edinburgh Fringe ASCAP Plus Awards, nominations for a (CONTINUED ON NEXT PAGE )

PERFORMANCES MAGAZINE P13 Profiles continued

Barrymore Award, NAACP Theatre Award, Jan Gist Diana Moser Connecticut Critics Award and Austin (Voice and Dialect Coach) (Stage Manager) Critics Table Award, and was the first Jan Gist has been resident Voice, Speech, THE OLD GLOBE: 2007 Summer sound designer to win the Michael Maggio and Dialect Coach for The Old Globe Shakespeare Festival , Restoration Comedy, Emerging Designer Award. Recent film/tv since 2002. Previously she was Head of Christmas on Mars, A Body of Water, Lobby scoring work include the pilot for Family Voice and Speech for the Alabama Hero, Fiction, The Intelligent Design of Jenny Practice for Sony Pictures/Lifetime Shakespeare Festival for nine years and Chow . REGIONAL: La Jolla Playhouse, San Television and A Note of Triumph (2006 140 productions. She has coached many Diego Rep, Arena Stage, Repertory Theatre Academy Award winner, Best Short productions at theatres around the of St. Louis, New York Theatre Workshop, Documentary) for HBO Films. country including: The Royal Family, Berkshire Theatre Festival, Children’s Ahmanson Theatre; The Country, La Jolla Theatre Company of Minneapolis, and Steve Rankin ASSOCIATE ARTIST Playhouse; Continental Divide, Major Arizona Theatre Company. EDUCATION: (Fight Director) Barbara, Oregon Shakespeare Festival; MFA in directing from Purdue University. THE OLD GLOBE: Mr. Rankin is an Romeo and Juliet, The Shakespeare Theatre, When not doing theatre, Diana lives and Associate Artist of The Old Globe as an DC; Hobson’s Choice, Season’s Greetings, travels aboard the classic wooden sailboat actor and fight director. He has been Milwaukee Rep; A Perfect Ganesh, Arena “Simba I” with her beloved captain, Paul. staging fights for The Old Globe for over Stage; The Taming of the Shrew, PlayMakers Proud member of Actors’ Equity. two decades including the 2004- 2007 Rep; Pride and Prejudice, Indiana Rep; and Summer Shakespeare Festivals, Pig Farm, five full seasons at Utah Shakespearean Pentecost, Compleat Female Stage Beauty, Festival. Gist has been a guest on KPBS Twelfth Night, Cymbeline, Romeo and Juliet, As Radio’s A Way with Words and is the narra - You Like it, The Two Noble Kinsmen, Antony and tor for the San Diego Museum of Art’s Cleopatra, Othello, The Taming of the Shrew, documentaries on Degas and the Retratos ADDITIONAL STAFF FOR King Lear, Hamlet, White Linen, Julius Caesar, exhibit. She coached dialects on the film THIS PRODUCTION Henry V and Richard II . BROADWAY: The The Rosa Parks Story and has recorded Farnsworth Invention, Henry IV, Parts 1 & 2 dozens of Books to Listen To. Gist is a Assistant Director ...... Alexander Burns (directed by Jack O'Brien), Jersey Boys, founding and published member of The Production Assistant ...... Marie Natoli Twelfth Night, Getting Away with Murder, Voice and Speech Trainers Association Dracula the Musical, The Who's Tommy, Anna and has presented at many conference Christie, The Real Inspector Hound, Two workshops internationally, such as Shakespearean Actors . OFF-BROADWAY: “Shakespeare’s Shapely Language,” The Night Hank Williams Died and Richard “Rotating Repertory,” and The Voice Dresser's Below the Belt . REGIONAL: La Foundation Symposium on “Filling the This theatre operates under an agreement between the Jolla Playhouse, Mark Taper Forum, League of Resident Theatres and Actors’ Equity House with Ease.” She teaches in The Association, the union of professional actors and stage Ahmanson, Geffen Playhouse, Center Old Globe/USD Professional Actor managers in the United States. Stage, Geva, Asolo, Philadelphia Drama Training Program. This year she was Guild, Virginia Stage Company and the invited to teach in the International Actors Theatre of Louisville. FILM: The Directors are members of the Society of Stage Voice Teachers Exchange at The Moscow Directors and Choreographers, an independent national Renaissance Man, Human Error, Tumbleweeds. Art Theatre and London’s Central School labor union. OPERA: San Diego Opera, the Seattle of Speech & Drama,brought her in to Opera and Metropolitan Opera. teach Shakespeare and Pinter workshops. The Scenic, Costume, Lighting and Sound Designers in LORT Theatres are represented by United Scenic Artists Gist has been published in VASTA Local USA-826, IATSE. Journals, in the Complete Vocal Warm-Up, More Stage Dialects .

This Theatre operates under an Agreement with the International Alliance of Theatrical Stage Employees Local No. 122.

P14 PERFORMANCES MAGAZINE Education Experiences

EDUCATION PARTNERS: schools give their stu - Giving Schools The Extra Edge dents excellent opportu - nities to participate in Public schools that strive to provide quality theatre training theatre in all capacities. for their students must struggle for resources that will help them Through solid training to reach their goals. How will they give their students opportu - in the performance and nities to see great plays when they don’t have the funding to buy technical aspects of tickets? How will their teachers learn new techniques and theatre, students are enhance their skills when they don’t have time to take more preparing for possible college course work? How will they give their students opportu - higher education or nities to meet and learn from professional theatre artists? careers in professional For five San Diego area schools those questions can be theatre. High schools answered with one name: The Old Globe. Over the years The gain special benefits as Old Globe has partnered with a variety of schools to provide Old Globe partners: much-needed support and programming. The Education Theatre students attend A PARTNER HIGH SCHOOL STUDENT ENJOYS AN AUTOGRAPH SESSION WITH ACTOR , MATT Department has long been committed to helping teachers to all of the free student CAVENAUGH , AFTER A FREE STUDENT MATINEE reach their instructional goals and to encourage their students to matinees that the Theatre OF A CATERED AFFAIR . attend plays and learn more about possible careers in profession - offers. They participate in pre and post show workshops that, al theatre. over the course of the school year, amount to a free artist residen - Starting with our youngest constituents, The Old Globe has cy in their school that will enhance the standards for theatre edu - entered into a partnership with Valencia Park Center for cation that their teacher is trying to meet. Academics, Drama and Dance in Southeast San Diego. This These schools will benefit from teacher seminars held at the magnet school is one of the very few primary schools with a real theatre with various Globe staff members. These seminars will focus on the perform - provide an opportunity for teachers to learn from theatre profes - ing arts. Imagine a sionals and to ask questions and glean information that will public elementary support their professional growth. The Old Globe stands ready school with not one, to support the growth and integrity of our partner schools. but two full-time Partnerships are a commitment that two entities make to one theatre teachers who another. The Old Globe has been a part of the San Diego theatre are committed to scene for over 70 years but many people in San Diego have never providing excellent set foot in any of its spaces. School partnerships can serve to classes and produc - change that. When children come home from a free matinee, or tions with their regale their families with stories of the great theatre workshop young students. The they had in their classroom, they are sharing the great news that Old Globe supports there is an amazing and worthwhile arts organization that is Valencia Park’s efforts worthy of notice. The Old Globe constantly seeks to expand its and will be working audiences and to attract them to its shows. Through outreach THEATRE TEACHERS PARTICIPATE IN AN OLD GLOBE with the teachers to programs such as the Partners in Education Initiatives, The Old PROFESSIONAL DEVELOPMENT SEMINAR . provide technical Globe is working to welcome new audiences through service to support, training seminars, in-classroom workshops, and oppor - the community as well as the high quality theatre for which it is tunities for students to attend age-appropriate shows and known. behind- the-scenes tours of the theatre. — Roberta Wells-Famula Director of Education San Diego High School’s School of the Arts, Coronado School of the Arts, School for the Creative and Performing Arts and the brand new Lincoln High School Center for the Arts are four institutions that have a strong focus on theatre. These

PERFORMANCES MAGAZINE P15 Annual Fund Donors

The Old Globe’s ability to maintain the highest standard of excellence, while keeping ticket prices affordable, is due in large part to the financial support of more than 3,500 individuals, businesses, foundations and government agencies. Please join us in giving a warm thanks and recognition to these leaders who have made tonight and our 625 other performances possible. The Old Globe appreciates the support of those who have stepped into the spotlight. Benefactor s ($100,000 and above) City of San Diego, Commission for Irving Hughes Donald & Darlene Shiley Arts & Culture The James Irvine Foundation The Shubert Foundation Audrey S. Geisel/The San Diego Microsoft Supervisor Pam Slater-Price Foundation Dr. Seuss Fund The San Diego Union-Tribune and the County of San Diego

Season Sponsors ($50,000 to $99,999) American Express Valerie & Harry Cooper Conrad Prebys The Legler Benbough Foundation Globe Guilders QUALCOMM, INC. California Bank & Trust Joan & Irwin Jacobs Wells Fargo J. Dallas & Mary H. Clark Fund at Las Patronas Sheryl & Harvey P. White The San Diego Foundation Sheila and Jeffrey Lipinsky Karen & Donald Cohn Production Sponsors ($25,000 to $49,999) Mary Beth Adderley-Wright, Bombardier Flexjet Nokia Richard Wright & Elizabeth Adderley Cohn Restaurant Group/Prado Restaurant Sempra Energy American Airlines Continental Airlines Sheraton San Diego Hotel & Marina AT&T Danah H. Fayman Patsy & Forrest Shumway Bank of America Jake & Todd Figi Starbucks Coffee Alan Benaroya Kathryn & John Hattox Union Bank of California John A. Berol HM Electronics, Inc. U.S. Bank Mary Ann Blair Fund Deni & Jeff Jacobs Mandell Weiss Charitable Trust at The San Diego Foundation Director Circle ($10,000 to $24,999) Lawrence G. Allredge & Dawn Moore Pamela A. Farr Sandra & Allen Redman Anonymous (1) Hal & Pam Fuson Chris Skillern Charles & Molly Brazell Lee & Frank Goldberg Nancy & Alan Spector and Family Arthur & Sophie Brody Fund of the Martin Goodman Ms. Jeanette Stevens Jewish Community Foundation Dr. & Mrs. Harry F. Hixson, Jr. Anne Taubman & David Boyle Dale Burgett & F. George Gilman Supervisor Bill Horn Gillian & Tony Thornley The Louis Yager Cantwell Private and the County of San Diego Evelyn Mack Truitt Foundation Mr. & Mrs. Neil Kjos Erna & Andrew Viterbi Deni & Ken Carpenter Dr. Ronald & Mrs. Ruth Leonardi Weingart-Price Fund at Peter Cooper & Norman Blachford Jacquelyn Littlefield The San Diego Foundation Advised Fund at the San Diego Human Sue & John Major Stewart & Brenda Weissman Dignity Foundation Dr. Patricia Montalbano Brent V. Woods & Laurie C. Mitchell Elaine & Dave Darwin Hank & Robin Nordhoff June E. Yoder Mr. & Mrs. Brian Devine The Kenneth T. & Eileen L. Norris Carolyn W. Yorston Dr. & Mrs. Robert Epsten Foundation Robert & Deborah Young Allison & Robert Price P16 PERFORMANCES MAGAZINE FOUNDER CIRCLE Dr. & Mrs. Richard L. Kahler Bill & Judy Garrett ($5,000 to $9,999) William Karatz Drs. Thomas H. & Jane D. Gawronski Dr. & Mrs. Wayne Akeson Bob & Gladys King Mr. & Mrs. Daniel Genis Anonymous (1) Rosalie Kostanzer & Mike Keefe Teresa C. George Ken & Ginger Baldwin Bob & Laura Kyle Martin & Enid Gleich Jane Smisor Bastien James & Pamela Lester Tom & Sheila Gorey The Colwell Family Fund at The San Diego Foundation Merriel F. Mandell, Ph.D. Drs. Barbara & Leonard Gosink R. Patrick & Sharon Connell Dr. Marianne McDonald Jay & Mary Hanson Ann & John Davies Judy & George Miller Norm Hapke & Valerie Jacobs Hapke Nina & Robert Doede David & Noreen Mulliken Drs. Patrick Harrison & Eleanor Lynch Bernard J. Eggertsen & Florence Nemkov Tom & Lisa Pierce Salah M. Hassanein Carol Spielman-Ewan & Joel Ewan Dolly* & Jim Poet Dr. & Mrs. Peter K. Hellwig Alan & Pauline Fatayerji Mr. & Mrs. Matthew Pollack Rhonda Heth & Thomas Mabie Martha & George Gafford John & Marcia Price Family Foundation Michael & Jill Holmes Mary Ann & Arnold Ginnow Brenda Marsh-Rebelo & John G. Rebelo Dr. David K. Hostetler Robert Gleason & Marc Matys Dr. H. Warren Ross Gary & Carrie Huckell Leo S. Guthman Fund Roberta J. Simpson Roberta Hussey Melissa & James Hoffmann Marisa SorBello & Peter Czipott Al Isenberg & Regina Kurtz Carol & George Lattimer Julie & Bob Sullivan Jerri-Ann & Gary Jacobs Peter & Inge Manes Jay & Diane Sweeney Daphne Jameson Bob Martinet Marilyn Elizabeth Thompson Mr. & Mrs. David J. Johnson Paul I. & Margaret W. Meyer Carol Vassiliadis Marge & Jerry Katleman Money/Arenz Foundation, Inc. Doris & Lou Vettese William & Edythe Kenton Harle Garth Montgomery Jordine Von Wantoch Ken & Sheryl King Arthur & Marilyn Neumann Patricia & Christopher Weil Family Foundation Webster & Helen Kinnaird Charles Noell & Barbara Voss Helene & Allan Ziman Dr. & Mrs. Ara S. Klijian Mike & Elizabeth Rabbitt Sherry & Larry Kline Ellen C. Revelle CRAIG NOEL CIRCLE Dr. & Mrs. R.W. Klofkorn Jeannie & Arthur Rivkin ($1,500 to $2,499) Brooke & Dan Koehler Deborah Szekely The Family of Richard & Mary Adams Ledford Enterprises Inc. Dixie & Ken Unruh Richard Addesso Terry & Mary Lehr Jean & Tim Weiss Anonymous (3) Ms. Sherrill Leist Pamela & Marty Wygod Edwin Bacher Sandy & Arthur Levinson Diana Barliant & Nowell Wisch Jerry & Elsa Lewis PLAYWRIGHT CIRCLE Mrs. Inge Lehman Barta Robin J. Lipman & Miro Stano ($2,500 to $4,999) Mrs. Lazare F. Bernhard Mathew & Barbara Loonin Gail, John & Jennifer Andrade Sally & John Berry Maday/O’Donnell Design Collective — Dr. Bob & Jill Andres Charles & Charlotte Bird Dimitri J. Callian III & Lauren Zarobinski Mr. & Mrs. Richard Baldwin Cynthia Bolker & Greg Rizzi Charlie & Jackie Mann Melissa Garfield Bartell & Michael Bartell Ronda & Stanley Breitbard F. Dale & Lois Marriott Joan & Jeremy Berg Terry & Bill Burd R.J. Maus, Architects Perry S. Binder, MD Clint & Susie Burdett Tony & Nancy McCune Paul Black Anita Busquets & William Ladd Bill & Jeri McGaw Dr. & Mrs. Edgar D. Canada Dr. & Mrs. Robert M. Callicott Elizabeth & Edward McIntyre Cecilia Carrick & Stan Nadel Ruth Mary Campbell Harold O. McNeil Carol & Rudy Cesena Ellen Casey Elizabeth Meyer Carol & Jeff Chang Pam & Jerry Cesak Joel & Deirdre Mick Garet & Wendy Clark Dolores Clark Estelle & Jim Milch Jack & Carol Clark Hon. Arthur J. Collingsworth & Brian R. Simmons Rena Minisi & Rich Paul Ms. Heidi Conlan/The Sahan Daywi Foundation Mike Conley & Sue Steele Judith & Neil Morgan Susan B. Cowell Roger Cornell, M.D. Coralee Ann Morris Gigi & Ed Cramer Richard & Stephanie Coutts Jan & David Mullin Darlene G. Davies in memory of Lowell Davies Sally & Pat Crahan Ruth & Jim Mulvaney Mrs. Philip H. Dickinson Mrs. Willard T. Cudney Josiah & Rita Neeper Noddy & Ira Epstein Dr. & Mrs. Francis C. Cushing, Jr. Bob Nelson & Murray Olson Samuel I. & John Henry Fox Foundation at Fran & Matt Dalton Eileen & Lawrence Newmark Union Bank of California Mrs. Gail Powell Davis Nordstrom Millicent & Charles Froehlich Pat & Dan Derbes Mr. & Mrs. Victor H. Ottenstein Barbara & Albert Garlinghouse Dean & Mrs. Michael H. Dessent Sigrid Pate & Glenn Butler GSG Capital Advistors, LLC/Laura & Glenn Goodstein Marion Eggertsen Marcia & Jim Piper Ms. Cheryl Haimsohn Peter & Doris Ellsworth Martha Meade Pitzer Fred & Alicia Hallett Carol Fink Mo & Bill Popp Susan & Dr. Ronald Heller Dieter & Susan Fischer/Dieter’s Mercedes Service Dr. & Mrs. Daniel Porte Alexa Kirkwood Hirsch Mary & David Fitz Joanne Powers Leonard & Elaine Hirsch Susanna & Michael Flaster Jim & Claudia Prescott Tish & Jere Horsley Mr. & Mrs. Richard Ford Peggy Wynn Price Richard & Janet Hunter Sid & Jean Fox Don & Marie Prisby Hutcheson Family Fund at The San Diego Foundation Karen & Orrin Gabsch Joseph & Jane Rascoff Al & Pat JaCoby Deede Gales Mrs. Charlotte Rees Mary & Russell Johnson Elaine & Murray Galinson Edward H. Richard & Warren P. Kendrick Mr. & Mrs. Roger Roberts

PERFORMANCES MAGAZINE P17 Annual Fund Donors continued

Nancy J. Robertson Marvin M. Kripps, M.D. Rachel A. Rosenthal & Michael Liersch Alice & Lewis Silverberg LABS, Inc./Silvia Dreyfuss Mr. & Mrs. Charles P. Royce John & Margery Swanson John Q. Lalas, Jr. Warren & Beverly Sanborn Stan & Anita Ulrich Janet & Dan La Marche Sanderson Family Donor Advised Fund at the Pat & Allen Weckerly Thomas Leighty Rancho Santa Fe Foundation Brendan M. & Kaye I. Wynne Mr. Richard Levi Mrs. Hermeen Scharaga Dr. Joseph Yedid & Susan Sincoff Sherry & Rick Levin Sherry & C.A. Sheppard Christy & Howard Zatkin Dr. & Mrs. David D. Lynn Drs. Joseph & Gloria Shurman Edward H. & Nancy B. Lyon Dee E. Silver, M.D. GOLD Carl Maguire & Margaret Sheehan Alan & Esther Siman ($500 to $999) Dr. Robert & Marcia Malkus Dotti & Joel Sollender Tony & Margaret Acampora Jeanne Maltese Herbert & Elene Solomon Anonymous (4) Ron & Mercy Mandelbaum N.L. Stanworth in loving memory of Scott Rhoda & Mike Auer Martin & Passante AAL Nancy Steinhart & Rebecca Goodpasture Mr. & Mrs. David A. Baer Christopher Maxin & Stephanie Buttell-Maxin Eugene L. & Hannah Step Shawn & Jennifer Baker Dr. & Mrs. M. Joseph McGreevy Mickey Stern Ina S. Bartell Keith & Lesley McKenzie The Tarlov Family Jack & Dorothy Baser Foundation Mr. & Mrs. William McKenzie Mr. & Mrs. Donald Tartre Richard & Linda Basinger Carole S. Miller Mr. & Mrs. Charles Taubman Lee & Amnon Ben-Yehuda Joel, Annette & Arianna Millman Pat & Jack Thomas Joyce & Bob Blumberg Tom & Doris Neuman Cherie Halladay Tirschwell Mrs. Suzanne I. Bond Katherine Newton Ed Torres & Mark VonderHaar Mrs. Wyloma Bradshaw Mark Niblack Gene & Celeste Trepte Mrs. Henri Brandais Jack & Virginia Oliver Pamela J. Wagner Mr. & Mrs. Blaine A. Briggs Mr. & Mrs. David J. Pettitt Merle & Phil Wahl Dr. & Mrs. Simon C. Brumbaugh, Jr. Dr. Ken Pischel & Dr. Katherine Ozanich Jan Harden Webster & Raul Ortega Beth & Tim Cann Dr. Julie Prazich & Dr. Sara Rosenthal James & Ellen Weil Greg & Loretta Cass Mr. & Mrs. Kedar Pyatt Shirli Fabbri Weiss Ray & Shelley Chalupsky Elaine Rendon The Grey White Family Fund Lynne Champagne & Wilfred Kearse Joseph W. Robinson Michael & Penny Wilkes Doug & Elisabeth Clark Stuart & Linda Robinson Mr. & Mrs. Harold B. Williams Steve & Carolyn Conner Mr. Joseph Rusche Keith J. Wong Ronald D. Culbertson Dr. Joseph & Carol Sabatini Wes & Elaine Dillon The Sapp Family PLATINUM Dr. Donald & Eilene Dose Barbara A. Sawrey ($1,000 to $1,499) Patricia Eichelberger John & Patricia Seiber Anonymous (1) William Eiffert & Leslie Hodge Ms. Debbie Seid Mr. & Mrs. Robert Beck Peggy Elliott Drs. Lawrence & Miriam Sherman Judy & Larry Belinsky Dr. Susan Dersnah Fee Mr. & Mrs. Randall Silvia Nicholas B. Binkley Richard & Beverly Fink Family Foundation Rodney & Dolores Smith Fund at Drs. Gary & Barbara Blake Dr. & Mrs. Frederick A. Frye The San Diego Foundation H.L. & Irene Boschken Sally Fuller Gloria Penner Snyder & Bill Snyder Sandra & Harry Carter Theresa & Craig Georgi Sharon S. Storey & Theodore A. Milby Jane Cowgill Arthur & Judy Getis Helga & Sam Strong Dan & Sue Donovan The Golemb Family Ron & Susan Styn Ron & Devora Eisenberg–Great News! Louise & Doug Goodman Edward D.S. Sullivan Earl N. Feldman Drs. Thomas L. & Cynthia L. Goodman John & Linda Sunkel Peter & Christine Gault Chris Graham & Michael Albo Clifford & Kay Sweet Robert & Edry Goot Carol & Don Green Tracy Tajbl & Neil Kent Jones Sandra Gulden & Leon J. Goldberger Suzanne and Charles Grimshaw Mrs. Terry Tidmore Gulden Private Foundation Mr. George Guerra Mr. & Mrs. Jeffrey C. Truesdell Mr. & Mrs. Thomas M. Henry Richard & Candace Haden Ms. C. Anne Turhollow & Mr. Michael Perkins Suzanne & Lawrence Hess Linda E. Hanson Natalie C. Venezia & Paul A. Sager Jackie Johnston-Schoell Alex & Mary Hart Jo & Harold Weiner Warren & Karen Kessler Fund of the Stephanie & Scott Herman Janice L. Weinrick Jewish Community Foundation Arnie & Barbara Hess Mr. & Mrs. David Weinrieb Dr. Eric Lasley Mr. Stephen Hopkins & Dr. Carey Pratt Katherine White Dr. & Mrs. James E. Lasry Steven & Nancy Howard Ross & Barbara White Mr. & Mrs. James Lim Viviana Ibanez Dennis & Carol Wilson Don & Mary Jane Lincoln Isabella Fund at The San Diego Foundation M.J. Zahnle Joy & Ronald Mankoff Dr. Clyde W. Jones Elizabeth Zeigler & Bernard Kuchta Jasna Markovac & Gary Miller Kathy & Rob Jones Akiko Charlene Morimoto & Kenneth & Marilyn Jones SILVER Hubert Frank Hamilton,Jr. Andrew & Denise Kaplan ($250 to $499) Rod & Barbara Orth Patricia & Alexander Kelley Ben Abate Parker & Crosland, LLP Mr. & Mrs. Kevin Kiernan Mr. Gale Acker & Dr. Nancy Acker Susan Parker Gayle & Jerry Klusky Sybil & B.J. Adelson Deborah B. Pettry Jo Ann & Lee Knutson Mr. & Mrs. Donald Allison William & Susane Roberts Bill & Linda Kolb George Amerault Don & Darlene Russell Jeri Koltun Mr. & Mrs. Thomas Anderson

P18 PERFORMANCES MAGAZINE Anonymous (6) Kendyl & Merri Houdyshell Peter & Donna Russell Drs. Michael & Gabriela Antos In Memory of Ray Howard Fran & Tom Ryan Robert W. Arnhym Robert Hyman George & Karen Sachs Earl Asbury Joseph & Donna Hynes Patrick Sammon & Mark Munsey John & Elizabeth Bagby Susan D. Inot Josiah & Abigail Sand Mr. Allen & Mrs. Nancy Bailey Nancy B. & David A. James James M. Santora & Dr. Daniel D. Sewell Beverly Bartlett & Barbara Sailors Edward & Linda Janon Simon & Ruth Sayre James & Ruth Batman Lucy & Jones Jaworski Dr. & Mrs. Roger H. Schmitt Sharon & Bill Beamer Cameron Jay & Kathleen Rains Martin & Connie Schroeder Bruce & Patricia Becker In Memory of Donald Jenkins RAdm. & Mrs. H. James T. Sears Edgar & Julie Berner Judge & Mrs. Anthony C. Joseph Linda J. Seifert Armand Bernheim, Jr. James & Sharon Justeson Lori Severson & Eric Longstreet Joan Bernstein Michel Karp Glenda Allen Shekell Thomas Bilotta & Family Gail Kendall Dr. & Mrs. Hano Siegel Mr. & Mrs. Stanley Birstein Remik Kolodziej & Steven Daris Jerry & Beth Silverman Daniel & Barbara Black Mr. & Mrs. Jay Kranzler Eunice M. Simmons, M.D. Bruce & Linda Blakley Mr. & Mrs. Albert W. Krasnoff Anne & Ronald Simon Robert Blanton & Ann Clark Lou Krueger Christopher & Carmen Skipworth Joann Boone & Nancy Danniger Janay Kruger Kathryn & Terrence Slavin Perla Brownlie Betty & Richard Kuhn Patti Sloan in honor of Jack Sloan Beth Bruton Elizabeth Lasley Charles & Julie Smith Barbara Bry & Neil Senturia Elliott & Phyllis Lasser Lance & Arlene Smith Helen M. Caldwell Dixon & Pat Lee Malcolm E. Smith Jane Carrigan Tom & Terry Lewis Norman & Judith Solomon William & Shirley Carrington Roy & Carol Long Bill & Barbara Sperling Luc & Ann Marie Cayet-Pleska Sally & Bill Luster Fred & Christine Stalder Chateau du Meow Judge & Mrs. Frederick Mandabach Alan M. Stall Barbara Mistler Crew Patricia Manning Paul & Janet Stannard Glenn Currie Photography Kathleen Markham Mark & Dale Steele John Davis & Bill Hughes Harold & Beverly Martyn Ann & Robert Steiner Dutch & Dawn Dershem Bruce & Brenda Mason James K. Stenderup Wally & Linda Dieckmann Cdr. & Mrs. John C. Mathews III Wootsie Stockton Patricia & Glen Doughty Gene & Donna McAllister Dave & Jan Stormoen Sean & Kellie Doyle Ronald McCaskill & Robyn Rogers Abbe Wolfsheimer Stutz Stephen & Sandra Drew Oliver McElroy & Karen Delaurier Mrs. J.B. Swedelius Lizbeth Ecke & David Meyer Teresa McEuen Donald & Margaret Sweimler Barbara & Dick Enberg John Paul McHugh Dr. Blake S. & Mrs. Peggy Jean Talbot Richard & Donna Ferrier Steve McIntee Dr. Terry & Naomi Tanaka Larry & Jan Ford Charles & Billie McKnight Mr. Harold S. Taxel Clare & Paul Friedman Drs. John Meyers & Betty Joan Maly Dr. Marshall & Leila Taylor Randee & Richard Friedman Dr. & Mrs. Paul E. Michelson Linda Terramagra Charles & Jeanne Gahagan James & Dorothy Mildice Mr. & Mrs. Jack E. Timmons Estephan A.G. Gargost Dr. James & Mrs. Nancy Miller Ned A. Titlow Ferdinand Gasang Charles W. Mills, Jr. Douglas & Lynn Todd Thomas Gass, DDS & Chester McLemore Dr. Isaac & Mrs. Nancy Mizrahi Mr. & Mrs. John Torell David & Marcia Gill Dr. & Mrs. Robert Morrison Robert C. & Melesse W. Traylor Norman & Patricia Gillespie Susan & Charles Muha Bill & Barbara Ward Dr. & Mrs. Michael Goldbaum Michael & Danna Murphy Kathy & Jim Waring Howard & Carole Goldfeder Joyce & Martin Nash Mr. & Mrs. James Welterlen Euvoughn L. Greenan Harvey & Marsha Netzer Ross & Barbara White Mr. & Mrs. Arthur A. Greenberg Jack & Judy Nichols Sandy Wichelecki Theodore Gryga Mr. & Mrs. J. Gregory Noel Cass Witkowski Family Jerome & Anita Gutkin Floyd T. Olson Mr. & Mrs. John W. Witt Margaret Hall Larry & Marcia Osterink Dr. Perri L. Wittgrove Helen M. Hammond Dr. David & Elizabeth Ostrander Janet Wolf Robert M. & Helen M. Hansen Carolann Pagliuso Mr. & Mrs. H.D. Wolpert C. Harbordt Ed & Carolyn Parrish David Workman Joel Harms Julius J. Pearl Fund at The San Diego Foundation Paul & Claudia Zimmer James & Ruth Harris of the In Memory of Margaret Peninger Vicky Zollweg & J. Michael Dunteman Jewish Community Foundation Clifford T. Pentrack & Mary E. Giovaniello Mrs. Corrine M. Harvey Lawrence Roy Perrin This list is current as of December 1, 2007 Joan Henkelmann Barbara Pricola To learn more about supporting The Old Globe’s Donald J. Hickey Mr. & Mrs. Leslie D. Reed performances and education and outreach Christine B. Hickman & Dennis A. Ragen Robert & Doris Reed programs, please visit our website at Mr. & Mrs. Thomas O. Hippie Daniel & Lynn Reisfeld www.TheOldGlobe.org or call John & Peggy Holl Brent & Bev Robinson Courtney Quinn at (619) 231-1941 x2311. Paul & Barbara Holz Clarice & Irl Robinson Nancy & Bill Homeyer Milton & Dorothy Roll Bonnie & Cecil Hornbeck Gerald & Ruth Rosenbaum Mr. & Mrs. Lee Horowitt Ursula R. Roth Dr. Norman & Barbara Rozansky

PERFORMANCES MAGAZINE P19 Globe Ambassadors

Lawrence G. Alldredge and Dawn Moore Leonard and Elaine Hirsch Dixie and Ken Unruh Perry S. Binder, M.D. Al and Pat Jacoby Doris and Lou Vettese Paul Black Mary and Russell Johnson Jordine Von Wantoch Dr. and Mrs. Edgar D. Canada Bob and Gladys King June E. Yoder Carol and Rudy Cesena Rosalie Kostanzer and Mike Keefe Jack and Carol Clark Bob and Laura Kyle Globe Ambassadors are generous supporters of The Old Mary H. Clark James & Pamela Lester Globe who attend special presentations about activities at Steven J. Cologne Merriel F. Mandell, Ph.D. the Globe and serve as the Theatre’s Ambassadors in the R. Patrick and Sharon Connell Peter and Inge Manes community. Susan B. Cowell Bob Martinet Gigi and Ed Cramer Dr. Marianne McDonald For more information please Darlene G. Davies Paul I. and Margaret W. Meyer contact Marilyn McAvoy at Mrs. Philip H. Dickinson David and Noreen Mulliken (619) 231-1941 x230 9. Nina and Robert Doede Charles Noell and Barbara Voss Marion Eggertsen Jeannie and Arthur Rivkin Bernard J. Eggertsen and Florence Nemkov Dr. H. Warren Ross Danah H. Fayman Donald and Darlene Shiley Susanna and Michael Flaster Roberta J. Simpson Mary Ann and Arnold Ginnow Ms. Jeanette Stevens Alexa Kirkwood Hirsch Jay and Diane Sweeney

Craig Noel League Members Planned Giving Society of The Old Globe

Anonymous (14) Joseph E. Jessop* Velda Pirtle* Merle and Phil Wahl Robert S. Albritton* J. Robert and Gladys H. King Florence Borgeson Plunkert* Holly J.B. Ward Diana Barliant Marilyn Kneeland Dolly* and Jim Poet Sheryl and Harvey P. White Nancine Belfiore Jean and David Laing Dorothy Shorb Prough* Mrs. Jack Galen Whitney Alan Benaryoa Jerry Lester Foundation Brenda Marsh-Rebelo and John Rebelo Stanley E. Willis II* Dr. and Mrs. Edgar D. Canada Dr. Bernard Lipinsky* Donald and Darlene Shiley Julie Meier Wright Garet and Wendy Clark Heather Manion Patsy and Forrest Shumway Carolyn Yorston J. Dallas* and Mary H. Clark Calvin Manning B. Sy and Ruth Ann Silver *Deceased R. Patrick and Sharon Connell Chris and Jill Metcalf Stephen M. Silverman Patricia W. Crigler, Ph.D., CAPT/USN/Ret. Paul I. and Margaret W. Meyer Roberta Simpson Craig Noel League members are leaving Carlos and Patricia Cuellar Judy and George Miller Dolores and Rod Smith lasting gifts to the theatre through planned Patricia and Donn DeMarce* Steve Miller John and Cindy Sorensen gifts, cash contributions, bequests and other Mrs. Philip H. Dickinson Dr. Robert W. Miner Marje Spear estate planning options. Dr. and Mrs. Robert Epsten Shirley Mulcahy Nancy A. Spector and Alan R. Spector Frank A. Frye, III Laurie Dale Munday Jeanette Stevens For more information, please contact Nancy Reed Gibson Stanley Nadel and Cecilia Carrick Eric Leighton Swenson Director of Development, Todd R. Schultz Robert Gleason and Marc Matys Alice B. Nesnow Anne C. Taubman (619) 231-1941, x2310 or TSchultz@The Marcy Goldstone Arthur and Marilyn Neumann Cherie Halladay Tirschwell OldGlobe.org. Kathryn Crippen Hattox Craig Noel Marian Trevor (Mrs. Walter M.)* David and Debbie Hawkins Greg and Polly Noel Evelyn Mack Truitt Craig and Mary Hunter PACEM (Pacific Academy of Ginny Unanue Barbara Iredale* Ecclesiastical Music) Carol and Lawrence Veit Bob Jacobs Mrs. Margaret F. Peninger* Harvey* and Jordine Von Wantoch

P20 PERFORMANCES MAGAZINE Special Thanks to our Corporate Donors SEASON SPONSORS ($50,000 and more)

PRODUCTION SPONSORS ($25,000-$49,999)

DIRECTOR CIRCLE ($10,000-$24,999) Break-Away Tours Fashion Valley Neiman Marcus Cyberknife Centers of San Diego, Inc./ Higgs, Fletcher & Mack, LLP ResMed Foundation Radiation Medical Group KPMG, LLP Torrey Pines Bank Mercer Vistage

FOUNDER CIRCLE PLAYWRIGHT CIRCLE ($5,000-$9,999) ($2,500-$4,999) Citigroup Foundation/Smith Barney Cush Family Foundation Northern Trust GSG Capital Advisors, LLC San Diego Business Journal Nicholas-Applegate Sycuan Resort & Casino Seltzer Caplan McMahon Vitek The Westgate Hotel WD-40 Company

Corporate Partners enjoy exclusive benefits and recognition, especially the opportunity to entertain clients and employees with exclusive receptions in our Patron and Lipinsky Family Suites, behind-the-scenes tours, and preferred seating at our shows. For information, please contact Todd Schultz at (619) 231-1941 x2310.

PERFORMANCES MAGAZINE P21 Associate Artists of The Old Globe

In recognition of their unique contribution to the growth of The Old Globe and their special talent, we take great pride and pleasure in acknowledging as ASSOCIATE ARTISTS OF THE OLD GLOBE , the following who have repeatedly demonstrated by their active presence on our stages and in our shops, that wherever else they may work, they remain the heart and soul of this theatre.

Louis G. Spisto, CEO/ Executive Producer Jerry Patch , Co-Artistic Director Darko Tresnjak, Co-Artistic Director William Anton Tim Donoghue Joseph Hardy Katherine McGrath Marion Ross David Ogden Stiers Jacqueline Brooks Richard Easton Mark Harelik John McLain Steven Rubin Conrad Susa Lewis Brown Tovah Feldshuh Bob James Jonathan McMurtry Ken Ruta Deborah Taylor * Victor Buono Monique Fowler * Peggy Kellner Stephen Metcalfe Douglas W. Schmidt * Irene Tedrow * Wayland Capwell Ralph Funicello Tom Lacy Robert Morgan Seret Scott Sada Thompson Kandis Chappell Lillian Garrett-Groag Diana Maddox * Ellis Rabb David F. Segal Paxton Whitehead * Eric Christmas Harry Groener Dakin Matthews Steve Rankin Richard Seger James Winker George Deloy A.R. Gurney Deborah May Robin Pearson Rose Diane Sinor Robert Wojewodski Don Lee Sparks * G Wood * in memoriam Patron Information TICKET SERVICES HOURS SEATING OF LATECOMERS Monday: noon – 6pm Although we understand parking is often at a premium, the seating Tuesday - Sunday: noon – last curtain of latecomers is extremely disruptive. Latecomers may be given Hours subject to change. Please call ahead. alternative seating and will be seated at an appropriate interval. Phone (619) 23-GLOBE or (619) 234-5623 FAX (619) 231-6752 YOUNG CHILDREN Email [email protected] Children five years of age and under will not be admitted to performances. ADMINISTRATION HOURS Monday - Friday : 9am – 5pm PHONE (619) 231-1941 ELECTRONIC DEVICES AND CAMERAS WEBSITE www.TheOldGlobe.org Use of recording devices and cameras is not permitted. If you are ADDRESS The Old Globe wearing a digital watch or pager, or if you are carrying a cellular P.O. Box 122171 phone, please silence it prior to entering the theatre. San Diego, CA 92112-2171 SENNHEISER® LISTENING SYSTEM ORDERING TICKETS/CHANGE OF ADDRESS For the convenience of the hearing impaired, the Sennheiser® The Old Globe accepts Visa, Discover, Master Card, or American Listening System is available in the Old Globe Theatre. Lightweight Express. Phone orders for non-subscribers are subject to a $3 per headsets may be obtained from the house manager prior to perfor - ticket service charge, not to exceed $12. Ticket exchanges are subject mances, free of charge. to a service charge for non-subscribers. If you have moved, please notify the Ticket Services Office to update our records. Call (619) PUBLIC TOURS 234-5623 during Ticket Services hours, mail your change of address Go behind the scenes at The Old Globe to learn about the history, to the Ticket Services Office, or email us at [email protected]. three stages, shop and craft areas. Open tours: most Saturdays and Sundays at 10:30am. Groups by reservation. $5 adults; $3 seniors UNABLE TO ATTEND? and students. Phone (619) 231-1941 x2142 for information/reserva - If you find you are unable to use your tickets, please give them to a tions. friend, or turn them in to the Ticket Serivces Office and receive a tax receipt for your donation. Tickets must be received by show time. LOST AND FOUND If you have misplaced a personal item while at the theatre, please RESTROOMS AND TELEPHONES contact the Ticket Services Office or Security as soon as possible. If Restrooms are located in the lower lobby of the Old Globe Theatre we are unable to locate your item, we’ll happily take down your and adjacent to the Festival Theatre; pay phones may be found in the contact information as well as a description of the item and contact lower Globe Theatre lobby and next to the Gift Shop. you if it is found. The Old Globe does not assume liability for items left behind on premises.

Natural Herb Cough Drops - Courtesy of Ricola USA, Inc. available upon request. Please ask an usher. P22 PERFORMANCES MAGAZINE Director Profiles

LOUIS G. SPISTO JERRY PATCH DARKO TRESNJAK CEO/Executive Producer Co-Artistic Director Co-Artistic Director Louis G. Spisto has led The Old Globe since Jerry Patch was appointed Resident Artistic Director Artistic Director of the Globe’s 2004-2007 October, 2002. During his tenure, Spisto spear - of The Old Globe in February 2005, during which Shakespeare Festivals, Darko Tresnjak's directorial headed the return of the Shakespeare Repertory time he brought to the Theatre works by such credits at the Globe include: Pericles, The Winter's Tale, Season and brought to the Globe several new musi - renowned playwrights as Amy Freed, Richard Hamlet, A Midsummer Night’s Dream, Titus Andronicus, cals, including the critically-acclaimed A Catered Greenberg and Donald Margulies. In the past three The Comedy of Errors, The Two Noble Kinsmen, Antony Affair , the launch of the national tour of the Tony seasons, eleven world premieres and two second and Cleopatra and Bell, Book and Candle . Earlier this Award-winning Avenue Q and the Broadway transfers productions of new works have been presented, year he directed The Merchant of Venice at Theatre for a of Chita Rivera: The Dancer’s Life, and the Twyla including A Body of Water , winner of the 2006 Best New Audience, a production that traveled to the Tharp/Bob Dylan musical , THE TIMES THEY ARE A- New American Play Award. He previously served as Royal Shakespeare Company’s Complete Works CHANGIN’ . He has produced over 75 plays and the Dramaturge and a member of the longstanding Festival. Other credits include All's Well That Ends musicals, including Dirty Rotten Scoundrels , the west artistic team at the Tony Award-winning South Well at Theatre for a New Audience; The Two Noble coast premiere of the Tony-winning play Take Me Out Coast Repertory (SCR), where he coordinated the Kinsmen at The Public Theatre; Princess Turandot and and the annual holiday favorite, Dr. Seuss’ How the development of 150 new plays, including two Hotel Universe at Blue Light Theater Company; More Grinch Stole Christmas! . Spisto has managed the Pulitzer Prize winners and numerous other Pulitzer Lies About Jerzy at the Vineyard Theater Company; The Globe’s Capital Campaign to raise $75 million by the finalists. While at SCR, Patch worked as Dramaturg Skin of Our Teeth, Rosencrantz and Guildenstern Are Theatre’s 75th anniversary in 2010. Launched in on numerous new works, including Donald Dead, The Winter's Tale, Under Milk Wood, Moving March 2006, the campaign has reached 75% of its Margulies’ Sight Unseen and Brooklyn Boy , which Picture, The Blue Demon, Princess Turandot and The Love goal to date. During the past four seasons, the Globe recently opened to critical acclaim on Broadway, of Three Oranges at Williamstown Theatre Festival; has grown its subscription audience an unprece - Margaret Edson’s Pulitzer Prize-winning Wit , Heartbreak House, What the Butler Saw, Amphitryon and dented amount, resulting in the highest level of Howard Korder’s Search and Destroy, Amy Freed’s The The Blue Demon at the Huntington Theatre; Hay Fever attendance in over a decade. The Globe was also rec - Beard of Avon , as well as Intimate Apparel, Freedomland and Princess Turandot at Westport Country Playhouse; ognized by Charity Navigator, America’s premiere and world-premieres of several plays by Richard Rosencrantz and Guildenstern Are Dead at Long Wharf charity evaluator, which recently gave the Globe its Greenberg, including Three Days of Rain, Hurrah at Theater Company; A Little Night Music, Amour at third consecutive 4-Star rating. A strong advocate of Last!, The Violet Hour and Everett Beekin. In addition, Goodspeed Opera House; and La Dispute , UCSD. arts education, Spisto initiated several new pro - he co-conceived The Education of Randy Newman with Other directing credits include productions at grams including an innovative cross-border project Michael Roth and Mr. Newman. Patch also served as Florida Grand Opera, Opera Theater of St. Louis, involving students from both San Diego and Tijuana the founding project director of SCR’s Pacific Virginia Opera, Florentine Opera Company, and the in a unique bilingual production of Romeo and Juliet . Playwrights Festival, which annually introduces American premiere of Rimsky-Korsakov’s May Night He also launched a free matinee series which brings seven new plays to Orange County audiences and at Sarasota Opera. Upcoming projects include The thousands of students to the Globe’s productions. national theatre leaders. Typically, more than 75% of Dwarf and The Broken Jug for Los Angeles Opera’s Spisto established a reputation as a superb arts the festival plays presented receive multiple produc - “Recovered Voices” series and Antony and Cleopatra at executive here in California, where he spent over ten tions in theatres across the country. During his Theatre for a New Audience. He is the recipient of years as the Executive Director of the Pacific tenure at SCR, Patch also held the position of the Alan Schneider Award for Directing Excellence, Symphony Orchestra in Orange County. During his Artistic Director (1990-1997) of The Sundance TCG National Theater Artist Residency Award, Boris tenure there, he tripled the orchestra’s annual Theatre Program, which included the Sundance Sagal Directing Fellowship, NEA New Forms Grant, budget, while eliminating a prior deficit and success - Playwrights Laboratory, one of the nation’s leading two Pennsylvania Council on the Arts Individual fully completing the orchestra’s first endowment new play development programs. Additionally, he Artist Fellowships, San Diego Critics Circle Awards campaign. In addition, he established a series of ran the Sundance Summer Theatre, a repertory of 2-3 for his direction of Pericles and The Winter's Tale , and innovative recording projects with Sony Classical productions staged outdoors for Utah audiences and Patté Awards for his direction of The Winter’s Tale and and oversaw a number of nationally recognized The Sundance Children’s Theatre, which was dedi - Titus Andronicus . He has performed with numerous commissioning projects. He also served as the chief cated to the development and presentation of new Philadelphia dance and theater companies and executive at both American Ballet Theatre and The works for family audiences by leading American toured across the United States and Japan with the Detroit Symphony. He holds a Masters degree from playwrights. He has also served as a consulting dra - UNIMA Award-winning Mum Puppettheatre. He the University of Wisconsin in Arts Administration maturge for New York’s Roundabout Theatre was educated at Swarthmore College and Columbia and a Bachelors of Business Administration from Company, one of two of the largest theatre compa - University. the University of Notre Dame, and spent many years nies in the country. directing, producing and as an actor in plays and musicals throughout his college and graduate school years, as well as in professional summer theatre.

PERFORMANCES MAGAZINE P23 Louis G. Spisto Jerry Patch Darko Tresnjak Staff CEO/Executive Producer Co-Artistic Director Co-Artistic Director

Michael G. Murphy ...... General Manager Lighting Donor Services Dave Henson ...... Director of Marketing Chris Rynne ...... Lighting Director Babs Behling, Michelle Kareiva, Barbara Lekes, Richard Navarro, and Communications Megan Fonseca ...... Lighting Assistant Stephanie Reed, Judy Zimmerman ...... Suite Concierges Todd Schultz ...... Director of Development Tonnie Ficken ...... Master Electrician, Globe Mark Somers ...... Director of Finance Jim Dodd ...... Master Electrician, Carter MARKETING Richard Seer ...... Director of Professional Training Kevin Liddell ...... Master Electrician, Festival Becky Biegelsen ...... Public Relations Director Robert Drake ...... Director of Production Todd Adams, Elizabeth Burress, Jason Bieber, Bonnie Ed Hofmeister ...... Audience Development Manager Roberta Wells-Famula ...... Director of Education Breckenridge, Michelle Echeverria, Kristen Flores, Maureen Jackie Anderson ...... Publications Coordinator Hanratty, Justin Hobson, Jennifer Horowitz, Shawna Kyees, Claire Kennelly ...... Marketing Assistant ARTISTIC Molly Mande, Michael Paolini, Katie Reynolds, Chris Walsh, Samantha Haskins ...... Public Relations Assistant Samantha Barrie ...... Artistic Coordinator Amanda Zieve ...... Electricians Judy Zimmerman ...... Marketing/Events Assistant Kim Montelibano Heil ...... Literary Associate Sound Erica Dei ...... Graphic Designer Jan Gist ...... Voice and Speech Coach Paul Peterson ...... Sound Director Craig Schwartz ...... Production Photographer Erik Carstensen ...... Master Sound Technician, Globe Bernadette Hobson ...... Artistic Assistant Subscription Sales Stage Management Rachel Eaves ...... Master Sound Technician, Carter Scott Cooke ...... Subscription Sales Manager Leila Knox ...... Production Stage Manager ADMINISTRATION Russ Allen, Anna Bowen-Davies, Arthur Faro, Andy Fink, Tracy Skoczelas ...... Assistant Stage Manager Darla Lopez ...... Executive Assistant Randi Hawkins, Steven Huffman, Pamela Malone, Jessica Brian Ulery ...... Assistant to the General Manager Morrow, Ken Seper, Cassandra Shepard, Grant Walpole, PRODUCTION Information Technology Andrea Leigh Walsh ...... Subscription Sales Debra Pratt Ballard ...... Associate Director of Production Dean Yager ...... Information Technology Manager Representatives Ellen Dieter ...... Company Manager Thad Steffen ...... Information Technology Asst. Mgr. Ticket Services Carol Donahue ...... Production Coordinator J. Adam Latham ...... Information Technology Assistant Shari Ressel ...... Ticket Services Manager Technical Human Resources Marsi Roche ...... Ticket Operations Manager Benjamin Thoron ...... Technical Director Sandra Parde ...... Human Resources Director Lyle Wilson ...... Ticket Services Supervisor/ Training Coordinator Wendy Berzansky ...... Assistant Technical Director Maintenance Kacie Lyn Hultgren ...... Resident Design Assistant Randy McWilliams ...... Facilities Manager Josh Martinez-Nelson ...... Group Sales Coordinator/ Eliza Korshin ...... Technical Assistant/Buyer Violanda Corona, Ismael Delgado, Miguel Gaspar, Roberto Ticket Services Supervisor Christian Thorsen ...... Stage Carpenter/Flyman, Globe Gonzalez, Reyna Huerta, Margarita Meza, Jose Morales, Albert Shouna Shoemake . . . . . Lead Ticket Services Representative Carole Payette ...... Charge Scenic Artist Rios, Maria Rios, Nicolas Torres ...... Building Staff Brian Adams, Kevin Armento, Elizabeth Brown, Tony Dixon, Adam Bernard ...... Scenic Artists Alicia Lerner, Jenna Long, Cassie Lopez, Caryn Morgan, Carlos Mike Harris ...... Master Carpenter PROFESSIONAL TRAINING Quezada, Gary Rachac, Jessica Seaman, Natalie Weinstein,Haley Robert Dougherty ...... Master Carpenter, Festival Llance Bower ...... Program Coordinator White, Molly Wilmot ...... Ticket Services Representatives William Barron, Sheldon Goff, Gillian Kelleher, Jason McIntyre, Maria Carrera, Cynthia Caywood, Sabin Epstein, Robert Laura McEntyre, Mongo Moglia, Mason Petersen . . Carpenters Barry Fleming, Gerhard Gessner, Jan Gist, Peter Kanelos, Fred PATRON SERVICES Costumes Robinson, Liz Shipman ...... MFA Faculty Mike Callaway ...... Theatre Manager Stacy Sutton ...... Costume Director Corey Johnston, Robin Sanford Roberts, Danielle Burnett ...... Front of House Assistant Charlotte Devaux ...... Resident Design Assistant Ben Seibert, George Yé ...... MFA Production Staff Merlin D. “Tommy” Thompson ...... Patron Services Rep . Maureen Mac Niallais ...... Assistant to the Director Rob Novak, Ashley Roberts ...... House Managers Shelly Williams ...... Design Assistant/Shopper EDUCATION Dana Juhl ...... Food and Beverage Manager Gwen Dunham, Louise M. Herman ...... Drapers Raúl Moncada ...... Education Associate Haydee Aldas ...... Food and Beverage Assistant Manager Babs Behling, Gloria Bradford, Holly Ward ...... Tour Coordinator Michelle Elliott, Brandi Mahan, Anne-Marie Shafer, Anne Glidden Grace ...... Assistant Cutters Carol Green ...... Speakers Bureau Coordinator Tess Thompson, Chris Thomas, Felicia Tobias ...... Pub Staff Mary Miller ...... Costume Assistant Matt Biedel, Marisela De la Parra, Kimberly Parker Green, Babs Behling, Rose Espiritu, Stephanie Rakowski, Nancy Liu ...... Stitchers Janet Hayatshahi, Sarah Price, David Sievit, Stephanie Reed ...... Gift Shop Supervisors Judith Craigo ...... Dyer/Painter/Crafts Artisan David Tierney ...... Teaching Artists Security/Parking Services Molly O’Connor ...... Wig and Makeup Supervisor Rachel “Beahr” Garcia ...... Security/Parking Kim Parker ...... Asst. to Wig and Makeup Supervisor FINANCE Services Supervisor Erin Schindler ...... Wardrobe Supervisor Paula Nickodemus ...... Senior Accountant Irene Herrig ...... Associate Supervisor of Security Jasmin Mellado ...... Crew Chief, Carter Dana M. Bryant . . . . Accounts Payable/Accounting Assistant Sherisa Eselin, Janet Larson, Michael Moran, Jeffrey Neitzel, Kristin Bongiovanni ...... Wigs Run Crew Angela Yoshida . . Payroll Coordinator/Accounting Assistant Sonia Paul ...... Security Officers Marie Jezbera ...... Rental Agent Tim Cole ...... Receptionist Alex Chacona, Deborah Elliott, Nicole Hagemeyer, Lou Hicks, Properties Jacynth Pohl, Frank Vasquez ...... Parking Lot Attendants Neil A. Holmes ...... Properties Director DEVELOPMENT Mark Brickman, David Nguyen ...... V.I.P. Valet Attendants Amy Reams ...... Properties Buyer Annamarie Maricle ...... Associate Director, Pat Cain ...... Property Master, Globe Institutional Grants David Buess ...... Property Master, Carter Marilyn McAvoy ...... Associate Director, M.H. Schrenkeisen ...... Shop Foreman Major Gifts Rory Murphy ...... Lead Craftsman Eileen A. Prisby ...... Events Manager Ryan Buckalew, Kristin Steva Campbell, Jack O’Brien Courtney Quinn ...... Development Coordinator, Patricia Rutter ...... Craftspersons Individual Annual Giving Artistic Director Emeritus Diane Addis ...... Membership Administrator Diana Steffen ...... Development Assistant Craig Noel Founding Director

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