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AUGUST 2014 U.K. £3.50 DOWNBEAT.COM August 2014 VOLUME 81 / NUMBER 8 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Associate Editor Davis Inman Contributing Editors Ed Enright Kathleen Costanza Art Director LoriAnne Nelson Contributing Designer Žaneta Cuntová Bookkeeper Margaret Stevens Circulation Manager Sue Mahal Circulation Associate Kevin R. Maher Circulation Assistant Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Advertising Sales Associate Pete Fenech 630-941-2030 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. Jackson, Jimmy Katz, Jim Macnie, Ken Micallef, Dan Ouellette, Ted Panken, Richard Seidel, Tom Staudter, Jack Vartoogian, Michael Weintrob; North Carolina: Robin Tolleson; Philadelphia: David Adler, Shaun Brady, Eric Fine; San Francisco: Mars Breslow, Forrest Bryant, Clayton Call, Yoshi Kato; Seattle: Paul de Barros; Tampa Bay: Philip Booth; Washington, D.C.: Willard Jenkins, John Murph, Michael Wilderman; Belgium: Jos Knaepen; Canada: Greg Buium, James Hale, Diane Moon; Denmark: Jan Persson; France: Jean Szlamowicz; Germany: Detlev Schilke, Hyou Vielz; Great Britain: Brian Priestley; Japan: Kiyoshi Koyama; Portugal: Antonio Rubio; Romania: Virgil Mihaiu; Russia: Cyril Moshkow; South Africa: Don Albert. Jack Maher, President 1970-2003 John Maher, President 1950-1969 SUBSCRIPTION INFORMATION: Send orders and address changes to: DOWNBEAT, P.O. Box 11688, St. Paul, MN 55111–0688. Inquiries: U.S.A. and Canada (877) 904-5299; Foreign (651) 251-9682. CHANGE OF ADDRESS: Please allow six weeks for your change to become effective. When notifying us of your new address, include current DOWN- BEAT label showing old address. DOWNBEAT (issn 0012-5768) Volume 81, Number 8 is published monthly by Maher Publications, 102 N. Haven, Elmhurst, IL 60126-2970. Copyright 2014 Maher Publica- tions. All rights reserved. Trademark registered U.S. Patent Office. Great Britain regis- tered trademark No. 719.407. Periodicals postage paid at Elmhurst, IL and at additional mailing offices. Subscription rates: $34.95 for one year, $59.95 for two years. Foreign subscriptions rates: $56.95 for one year, $103.95 for two years. Publisher assumes no responsibility for return of unsolicited manuscripts, photos, or artwork. Nothing may be reprinted in whole or in part without written permission from publisher. MAHER PUBLICATIONS: DOWNBEAT magazine, MUSIC INC. maga- zine, UpBeat Daily. POSTMASTER: Send change of address to: DownBeat, P.O. Box 11688, St. Paul, MN 55111–0688. CABLE ADDRESS: DownBeat (on sale July 15, 2014) Magazine Pub- lishers Association. Á AUGUST 2014 On the Cover 62nd Annual Critics Poll 20 Cécile McLorin Salvant Jazz Album, Female Vocalist, Rising Star Jazz Artist & Rising Star Female Vocalist BY ALLEN MORRISON The vocalist lands a quadruple crown of victories. Features 52 28 Top Jazz Albums Ryan Truesdell (far right) conducts his big band, the Gil Evans Project. (Photo: Marc Santos) 30 Jim Hall Hall of Fame Cover photo of Cécile McLorin Salvant shot by Jimmy and Dena Katz in New York City BY BILL MILKOWSKI 34 Dinah Wasington Veterans Committee 5-Star Review Hall of Fame +++++ BY HOWARD MANDEL 36 Bing Crosby Veterans Committee Hall of Fame BY JOHN MCDONOUGH 71 Steve Lehman Octet 76 Theo Croker 78 Melissa Aldana 84 Honest John 38 Top Historical Albums 50 Rudy Royston Rising Star Drums Departments 40 Gregory Porter BY KEN MICALLEF Jazz Artist, Male Vocalist BY GEOFFREY HIMES 52 Ryan Truesdell 8 First Take 94 Transcription Rising Star Big Band, Michael Blake 42 Maria Schneider Rising Star Arranger 10 Chords & Discords Tenor Saxophone Solo Big Band, Composer BY PHILLIP LUTZ 13 The Beat & Arranger 96 Toolshed 71 Reviews BY TED PANKEN 54 Marc Cary 102 Jazz On Rising Star Keyboard 90 Master Class Campus 46 Buddy Guy BY JEFF POTTER BY CHARLIE APICELLA Blues Artist or Group, 106 Blindfold Test Blues Album 56 Complete Critics 92 Pro Session Clarence Penn BY AARON COHEN Poll Results BY DAN WILENSKY 6 DOWNBEAT AUGUST 2014 First Take BY BOBBY REED Ed Reed ASHLEY SUMMER Stars Rise & Shine THIS IS CÉCILE’S MOMENT. The results of the DownBeat Critics Poll provide a detailed portrait of the world of jazz, and in 2014, no young star is shining more brightly than singer-songwriter Cécile McLorin Salvant. Our critics hon- ored her U.S. debut, WomanChild (Mack Avenue), as the Jazz Album of the Year. She also topped the categories Female Vocalist, Rising Star–Jazz Artist and Rising Star–Female Vocalist. Her victories in the categories Female Vocalist (which is for established art- ists) and Rising Star–Female Vocalist, illustrate that she has broad support from a wide variety of critics, some of whom feel that Salvant has quickly leapt to “the big leagues” and deserves to be praised in the same breath as veteran performers. At DownBeat, we’re very excited to watch her career develop, and we’re honored to put her on the cover. Another big winner this year is singer-songwriter Gregory Porter, who topped the categories Jazz Artist and Male Vocalist. In the 2013 Critics Poll, he took honors for Rising Star–Jazz Artist and Rising Star–Male Vocalist, so his wins this year nicely il- lustrate a typical trajectory. It’s not unusual for an artist to win a particular Rising Star category and then eventually win that same category for established artists. If you were to look at the results of the DownBeat Critics Poll over the course of 12 years, for example, you could track an artist’s ascension, from his or her first appearance toward the bottom of the Rising Star categories, climbing higher and higher until, perhaps, he or she lands at or near the top of an established artist category. But every year, DownBeat fans inevitably ask us, “What is a Rising Star, any- way?” How do we define them? We don’t. We keep the classification open to inter- pretation so that we can honor a variety of performers. One thing is clear, though: Age is not a factor. A Rising Star could be an artist in her twenties, like Salvant, whose career is still in its early stages. Or it could be a veteran performer in his forties whom our critics feel is deserving of wider recognition, such as Peter Bernstein, who topped the category Rising Star–Guitar. Or it could be an artist in his eighties, such as Ed Reed, who took the honor for Rising Star–Male Vocalist. Considering that Reed re- leased his debut album in 2007, one can easily see why critics would hail him as a Rising Star in our poll. Reed’s 2013 album, I’m A Shy Guy, includes his interpretations of songs recorded by the Nat “King” Cole Trio, and they’re terrific. We’re eager to hear what this “young” man does next. Because this is the annual Critics Poll issue, it’s our opportunity to honor new inductees in the DownBeat Hall of Fame. This year we salute three legendary artists who are no longer with us: guitarist Jim Hall (elected by our critics) and singers Dinah Washington and Bing Crosby (who were voted in by our Veterans Committee). If our efforts to enshrine them in the DownBeat Hall of Fame spur some teenage jazz student to seek out the music of these titans, then we’ve accomplished something of tremendous value. DB 8 DOWNBEAT AUGUST 2014 Chords Discords Fueling the Flame Eric Alexander Thank you for the feature on sax- ophonist Eric Alexander, “Chicago Sound,” in your June issue. I first heard Eric during his Chicago years and have kept listening ever since. It’s important to focus on musicians like him. There are a lot of us DownBeat readers who still see room for young musicians to create and explore within the bebop/hard-bop legacy. Eric’s dedication keeps the bebop flame burning brightly and reflects on how important and profound the creations of Parker, Gillespie, Powell and Monk still are more than a half-century since their origination. The music still has so much to give and, indeed, has room to grow. Moreover, Eric has brought long overdue attention to Harold Mabern, who at 78 is as profound a pianist as ever. The fact that this hard-bop master is still with us and wailing is something the entire jazz community should be thankful for each and every day. BILL BENJAMIN BILTMORE LAKE, N.C. CHRISTOPHER DRUKKER Feeling More Fillmore Stryker Guide I’m writing in regard to the review of Miles At In your June issue, I cannot believe that the The Fillmore–Miles Davis 1970: The Bootleg article on Dave Stryker, “Retro Vibe,” fails to mention his excellent book Dave Stryker’s Jazz Series Vol. 3 in your June issue. Shame on Guitar Improvisation Method, published by Columbia/Legacy for sitting on this music for Mel Bay. so long. Miles Davis At Fillmore was the first MANUEL A. TRUCCO Miles record I purchased at age 19.