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Doctor Atomic
John Adams Doctor Atomic CONDUCTOR Opera in two acts Alan Gilbert Libretto by Peter Sellars, PRODUCTION adapted from original sources Penny Woolcock Saturday, November 8, 2008, 1:00–4:25pm SET DESIGNER Julian Crouch COSTUME DESIGNER New Production Catherine Zuber LIGHTING DESIGNER Brian MacDevitt CHOREOGRAPHER The production of Doctor Atomic was made Andrew Dawson possible by a generous gift from Agnes Varis VIDEO DESIGN and Karl Leichtman. Leo Warner & Mark Grimmer for Fifty Nine Productions Ltd. SOUND DESIGNER Mark Grey GENERAL MANAGER The commission of Doctor Atomic and the original San Peter Gelb Francisco Opera production were made possible by a generous gift from Roberta Bialek. MUSIC DIRECTOR James Levine Doctor Atomic is a co-production with English National Opera. 2008–09 Season The 8th Metropolitan Opera performance of John Adams’s Doctor Atomic Conductor Alan Gilbert in o r d e r o f v o c a l a p p e a r a n c e Edward Teller Richard Paul Fink J. Robert Oppenheimer Gerald Finley Robert Wilson Thomas Glenn Kitty Oppenheimer Sasha Cooke General Leslie Groves Eric Owens Frank Hubbard Earle Patriarco Captain James Nolan Roger Honeywell Pasqualita Meredith Arwady Saturday, November 8, 2008, 1:00–4:25pm This afternoon’s performance is being transmitted live in high definition to movie theaters worldwide. The Met: Live in HD series is made possible by a generous grant from the Neubauer Family Foundation. Additional support for this Live in HD transmission and subsequent broadcast on PBS is provided by the Alfred P. Sloan Foundation. Ken Howard/Metropolitan Opera Gerald Finley Chorus Master Donald Palumbo (foreground) as Musical Preparation Linda Hall, Howard Watkins, Caren Levine, J. -
Amjad Ali Khan & Sharon Isbin
SUMMER 2 0 2 1 Contents 2 Welcome to Caramoor / Letter from the CEO and Chairman 3 Summer 2021 Calendar 8 Eat, Drink, & Listen! 9 Playing to Caramoor’s Strengths by Kathy Schuman 12 Meet Caramoor’s new CEO, Edward J. Lewis III 14 Introducing in“C”, Trimpin’s new sound art sculpture 17 Updating the Rosen House for the 2021 Season by Roanne Wilcox PROGRAM PAGES 20 Highlights from Our Recent Special Events 22 Become a Member 24 Thank You to Our Donors 32 Thank You to Our Volunteers 33 Caramoor Leadership 34 Caramoor Staff Cover Photo: Gabe Palacio ©2021 Caramoor Center for Music & the Arts General Information 914.232.5035 149 Girdle Ridge Road Box Office 914.232.1252 PO Box 816 caramoor.org Katonah, NY 10536 Program Magazine Staff Caramoor Grounds & Performance Photos Laura Schiller, Publications Editor Gabe Palacio Photography, Katonah, NY Adam Neumann, aanstudio.com, Design gabepalacio.com Tahra Delfin,Vice President & Chief Marketing Officer Brittany Laughlin, Director of Marketing & Communications Roslyn Wertheimer, Marketing Manager Sean Jones, Marketing Coordinator Caramoor / 1 Dear Friends, It is with great joy and excitement that we welcome you back to Caramoor for our Summer 2021 season. We are so grateful that you have chosen to join us for the return of live concerts as we reopen our Venetian Theater and beautiful grounds to the public. We are thrilled to present a full summer of 35 live in-person performances – seven weeks of the ‘official’ season followed by two post-season concert series. This season we are proud to showcase our commitment to adventurous programming, including two Caramoor-commissioned world premieres, three U.S. -
01-11-2019 Porgy Eve.Indd
THE GERSHWINS’ porgy and bess By George Gershwin, DuBose and Dorothy Heyward, and Ira Gershwin conductor Opera in two acts David Robertson Saturday, January 11, 2020 production 7:30–10:50 PM James Robinson set designer New Production Michael Yeargan costume designer Catherine Zuber lighting designer The production of The Gershwins’ Porgy and Donald Holder Bess was made possible by a generous gift from projection designer Luke Halls The Sybil B. Harrington Endowment Fund and Douglas Dockery Thomas choreographer Camille A. Brown fight director David Leong general manager Peter Gelb Co-production of the Metropolitan Opera; jeanette lerman-neubauer Dutch National Opera, Amsterdam; and music director Yannick Nézet-Séguin English National Opera 2019–20 SEASON The 63rd Metropolitan Opera performance of THE GERSHWINS’ porgy and bess conductor David Robertson in order of vocal appearance cl ar a a detective Janai Brugger Grant Neale mingo lily Errin Duane Brooks Tichina Vaughn* sportin’ life a policeman Frederick Ballentine Bobby Mittelstadt jake an undertaker Donovan Singletary* Damien Geter serena annie Latonia Moore Chanáe Curtis robbins “l aw yer” fr a zier Chauncey Packer Arthur Woodley jim nel son Norman Garrett Jonathan Tuzo peter str awberry woman Jamez McCorkle Aundi Marie Moore maria cr ab man Denyce Graves Chauncey Packer porgy a coroner Kevin Short Michael Lewis crown scipio Alfred Walker* Neo Randall bess Angel Blue Saturday, January 11, 2020, 7:30–10:50PM The worldwide copyrights in the works of George Gershwin and Ira Gershwin for this presentation are licensed by the Gershwin family. GERSHWIN is a registered trademark of Gershwin Enterprises. Porgy and Bess is a registered trademark of Porgy and Bess Enterprises. -
Download Program Notes
PROGRAM: SONDHEIM SONGBOOK MAY 20 / 7:30 PM BING CONCERT HALL ARTISTS PROGRAM Betsy Wolfe, vocals Love Is in the Air (Ted, Betsy, Clarke) Clarke Thorell, vocals Love I Hear (Clarke) Paul Masse, piano What More Do I Need? (Betsy) Ted Sperling, music director and piano Barcelona (Clarke, Betsy) Moments in the Woods (Betsy) What Can You Lose? (Clarke) We gratefully acknowledge the generous support The Girls of Summer (Betsy) of Bonnie and Marty Tenenbaum. Honey (Clarke, Betsy) Getting Married Today (Ted, Clarke, Betsy) Pleasant Little Kingdom/Too Many Mornings (Clarke, Betsy) INTERMISSION By the Sea (Betsy, Clarke) Not a Day Goes By (Betsy) Good Thing Going (Ted) Buddy’s Blues (Clarke) Could I Leave You? (Betsy) A Little House for Mama (Clarke) Children Will Listen (Betsy) Finishing the Hat (Clarke) There Won’t Be Trumpets (Betsy) It Takes Two (Betsy, Clarke) PROGRAM SUBJECT TO CHANGE. Please be considerate of others and turn off all phones, pagers, and watch alarms, and unwrap all lozenges prior to the performance. Photography and recording of any kind are not permitted. Thank you. 26 STANFORD LIVE MAGAZINE MAY/JUNE 2015 He has gone from cult figure to national with the New York Philharmonic and The icon. His melodies, which have been labeled King and I at the Lincoln Center Theater. “unhummable,” get under your skin and linger for days. He is perhaps the greatest English- In the opera world, Mr. Sperling has language lyricist of any age. Every brilliant conducted The Mikado, Song of Norway, lyric and crystalline melody will be audible and Ricky Gordon’s The Grapes of Wrath in Bing Concert Hall when Ted Sperling, at Carnegie Hall; Kurt Weill’s The Firebrand one of Broadway’s most in-demand music of Florence at Alice Tully Hall; and a double directors, is joined at the piano by Betsy bill for the Houston Grand Opera and Wolfe and Clarke Thorell, two of Broadway’s Audra McDonald: La voix humaine by freshest singers. -
Marvin Hamlisch
tHE iRA AND lEONORE gERSHWIN fUND IN THE lIBRARY OF cONGRESS AN EVENING WITH THE MUSIC OF MARVIN HAMLISCH Monday, October 19, 2015 ~ 8 pm Coolidge Auditorium Library of Congress, Thomas Jefferson Building The Ira and Leonore Gershwin Fund in the Library of Congress was established in 1992 by a bequest from Mrs. Gershwin to perpetuate the name and works of her husband, Ira, and his brother, George, and to provide support for worthy related music and literary projects. "LIKE" us at facebook.com/libraryofcongressperformingarts loc.gov/concerts Please request ASL and ADA accommodations five days in advance of the concert at 202-707-6362 or [email protected]. Latecomers will be seated at a time determined by the artists for each concert. Children must be at least seven years old for admittance to the concerts. Other events are open to all ages. • Please take note: Unauthorized use of photographic and sound recording equipment is strictly prohibited. Patrons are requested to turn off their cellular phones, alarm watches, and any other noise-making devices that would disrupt the performance. Reserved tickets not claimed by five minutes before the beginning of the event will be distributed to stand-by patrons. Please recycle your programs at the conclusion of the concert. The Library of Congress Coolidge Auditorium Monday, October 19, 2015 — 8 pm tHE iRA AND lEONORE gERSHWIN fUND IN THE lIBRARY OF cONGRESS AN EVENING WITH THE mUSIC OF MARVIN hAMLISCH WHITNEY BASHOR, VOCALIST | CAPATHIA JENKINS, VOCALIST LINDSAY MENDEZ, VOCALIST | BRYCE PINKHAM, VOCALIST -
Do You Think You're What They Say You Are? Reflections on Jesus Christ Superstar
Journal of Religion & Film Volume 3 Issue 2 October 1999 Article 2 October 1999 Do You Think You're What They Say You Are? Reflections on Jesus Christ Superstar Mark Goodacre University of Birmingham, [email protected] Follow this and additional works at: https://digitalcommons.unomaha.edu/jrf Recommended Citation Goodacre, Mark (1999) "Do You Think You're What They Say You Are? Reflections on Jesus Christ Superstar," Journal of Religion & Film: Vol. 3 : Iss. 2 , Article 2. Available at: https://digitalcommons.unomaha.edu/jrf/vol3/iss2/2 This Article is brought to you for free and open access by DigitalCommons@UNO. It has been accepted for inclusion in Journal of Religion & Film by an authorized editor of DigitalCommons@UNO. For more information, please contact [email protected]. Do You Think You're What They Say You Are? Reflections on Jesus Christ Superstar Abstract Jesus Christ Superstar (dir. Norman Jewison, 1973) is a hybrid which, though influenced yb Jesus films, also transcends them. Its rock opera format and its focus on Holy Week make it congenial to the adaptation of the Gospels and its characterization of a plausible, non-stereotypical Jesus capable of change sets it apart from the traditional films and aligns it with The Last Temptation of Christ and Jesus of Montreal. It uses its depiction of Jesus as a means not of reverence but of interrogation, asking him questions by placing him in a context full of overtones of the culture of the early 1970s, English-speaking West, attempting to understand him by converting him into a pop-idol, with adoring groupies among whom Jesus struggles, out of context, in an alien culture that ultimately crushes him, crucifies him and leaves him behind. -
BFI Statistical Yearbook 2016 1
BFI RESEARCH AND STATISTICS BFI RESEARCH AND STATISTICS BFI RESEARCH AND STATISTICS BFI RESEARCH AND STATISTICS BFI RESEARCH AND STATISTICS BFI RESEARCH AND STATISTICS BFI RESEARCH AND STATISTICS BFI RESEARCH AND STATISTICS BFI RESEARCH AND STATISTICS BFI RESEARCH AND STATISTICS PUBLISHED JUNE PRELIMS PRELIMS 2016 PUBLISHED APRIL PUBLISHED APRIL PUBLISHED APRIL PUBLISHED APRIL 2016 2016 BFI RESEARCH AND STATISTICS BFI RESEARCH AND STATISTICS 2016 BFI RESEARCH AND STATISTICS BFI RESEARCH AND STATISTICS BFI RESEARCH AND STATISTICS BFI RESEARCH AND STATISTICS BFI RESEARCH AND STATISTICS 2016 BFI RESEARCH AND STATISTICS BFI RESEARCH AND STATISTICS DISTRIBUTION T O P F I L M S O F Image: Jurassic World ©2015 Universal Pictures. Courtesy of Universal Studios Licensing LLC ALL TIME AT THE SCREEN SECTORUK BOX OFFICE SCREEN SECTOR PRODUCTIONSImage: Star Wars: The Force Awakens ©2015 Lucasfilm Ltd. & TM. All Rights Reserved. PRODUCTION CERTIFIED AS T O P F I L M S PUBLISHED JUNE IN 2015 PUBLISHED APRIL PUBLISHED JUNE BRITISH, Image: A United Kingdom courtesy of Pathé UK PUBLISHED JUNE IN 2015 PUBLISHED JUNE Image: Legend courtesy of StudioCanal BFI RESEARCH AND STATISTICS BFI RESEARCH AND STATISTICS 2006-2015 Image: Brooklyn courtesy of Lionsgate Films BFI RESEARCH AND STATISTICS BFI RESEARCH AND STATISTICS BFI RESEARCH AND STATISTICS BFI RESEARCH AND STATISTICS 2016 2016 2016 2016 BFI RESEARCH AND STATISTICS BFI RESEARCH AND STATISTICS 2016 BFI RESEARCH AND STATISTICS BFI RESEARCH AND STATISTICS PUBLISHED JUNE EMPLOYMENT PUBLISHED JUNE THE BOX FILM INDUSTRYTHE UK FILM IN THE FILM PUBLISHED JUNE PUBLISHED JUNE STATISTICALPUBLISHED JUNE ECONOMY YEARBOOK 2016 OFFICE 2015COMPANIESImage: The Martian courtesy of Twentieth Century Fox. -
Date Production Name Venue / Production Designer / Stylist Design
Date ProductionVenue Name / Production Designer / Stylist Design Talent 2015 Opera Komachi atOpera Sekidrera America Camilla Huey Designer 3 dresses, 3 wigs 2014 Opera Concert Alice Tully Hall Opera Camilla Huey Designer 1 Gown Rebecca Ringle 2014 Opera Concert Carnegie Hall Opera Camilla Huey Designer 1 Gown Rebecca Ringle 2014 Opera Concert Carnegie Hall Opera Camilla Huey Designer 1 Gown Sara Jakubiak 2013 Opera Concert Bard University Opera Camilla Huey Designer 1 Gown Rebecca Ringle 1996 Opera Carmen Metropolitan Opera Leather Costumes 1996 Opera Midsummer'sMetropolitan Night's Dream Opera Leslie Weston / Izquierdo Human Pillar Set Piece 1997 Opera Samson & MetropolitanDelilah Opera Leslie Weston / Izquierdo Dyeing Costumes 1997 Opera Cerentola Metropolitan Opera Leslie Weston / Izquierdo Mechanical Wings 1997 Opera Madame ButterflyHouston Grand Opera Anita Yavich / Izquierdo Kimonos Hand Painted 1997 Opera Lillith Tisch Center for the Arts OperaCatherine Heraty / Izquierdo Costumes 1996 Opera Bartered BrideMetropolitan Opera Sylvia Nolan / Izquierdo Dancing Couple + Muscle Shirt 1996 Opera Four SaintsMetropolitan In Three Acts Opera Francesco Clemente/ Izquierdo FC Asssitant 1996 Opera Atilla New York City Opera Hal George / Izquierdo Refurbishment 1995 Opera Four SaintsHouston In Three Grand Acts Opera Francesco Clemente / Izquierdo FC Assistant 1994 Opera Requiem VariationsOpera Omaha Izquierdo 1994 Opera Countess MaritzaSanta Fe Opera Allison Chitty / Izquierdo 1994 Opera Street SceneHouston Grand Opera Francesca Zambello/ Izquierdo -
Jesus Was a Palestinian Jew by Robert C
Study guide Jesus was a Palestinian Jew By Robert C. Blezard God came and dwelled among us, Emmanuel, incarnated as Jesus for the salvation of all of humanity in all our wonderful diversity. Though all humans may lay claim to Jesus as their “brother” and savior, he came into the world with a specific identity as a Jewish man from Palestine. Depicting Jesus as a Related articles: white European is not merely inaccurate, it may subtly reinforce racism by Perspective: Jesus was implying that white culture is superior to others. a Palestinian Jew—not white (page 14) Exercise 1: Jesus, for all Living Lutheran, Jesus lived as a Palestinian Jew who, scholars believe, undoubtedly had physical and March 2021 facial characteristics similar to Palestinians today—dark skin, dark eyes and hair. That Jesus—God incarnate—was executed by crucifixion but rose again in three days in triumph over death and the grave. Through our faith in Jesus the Christ, we also live in triumph over death. • God came to us in the person of a Palestinian Jew. Does this mean that God identifies with Palestinian Jews more than people of other cultures? Does it mean that Jesus the man and Christ the risen Lord are in solidarity more with Palestinians and Jews than people of other races, nationalities and cultures? Explain. • Does Jesus’ identity indicate that Palestinian Jewish culture is superior to other world cultures? Explain. • As far as our faith is concerned, which is the more important fact: that the fullness of God was incarnated as a human being or that the fullness of God was incarnated as a Palestinian Jew? • How relevant to our salvation is it that God came to us in the person of a Palestinian Jew in the ancient Near East? • Would it have made a difference to our faith and salvation if God had chosen instead to live, die and rise again in Asia, Africa, South America or Europe? Reprints: • Jesus is God-made-flesh. -
Historical Theater Programs Collection MS-87 Wright State
Historical Theater Programs Collection (MS-87) Guide This finding aid was produced using ArchivesSpace on September 21, 2021. Description is written in: English. Describing Archives: A Content Standard Wright State University Libraries, Special Collections and Archives Special Collections and Archives 3640 Colonel Glenn Hwy Dayton, OH 45435-0001 [email protected] URL: http://www.libraries.wright.edu/special Historical Theater Programs Collection (MS-87) Guide Table of Contents Summary Information .................................................................................................................. 3 Scope and Contents ...................................................................................................................... 3 Arrangement ............................................................... .................................................................. 3 Administrative Information .......................................................................................................... 4 Collection Inventory ............................................................... ...................................................... 4 Series 1: Plays and Musicals ............................................................... ....................................... 4 Series 2: Animal Shows & Races ............................................................................................. 29 Series 3: Concerts ............................................................... ..................................................... -
Enter Laughing Repair Shop and His Parents Have Plans for • Enter Laughing by Jospeh Stein
“From raw experimental to the classics” Since 1994! whose ambition and exuberance for an In this Issue: A Review of acting career far exceeds his talent. He What’s Theatre In the Raw been up to...? already has a job in a sewing machine Enter Laughing repair shop and his parents have plans for • Enter Laughing by Jospeh Stein ..... 1 him to attend college to pursue a career by John Jane published by • A Review of TITR’s ‘Enter Laughing’ in pharmacy. Notwithstanding our hero’s Review Vancouver (May 2019) lack of skill or experience, he manages to by Joseph Stein............................. 1 & 3 Set in New York City in the nineteen- land a part in his first play – albeit for no •Wound Up in One-Acts - a one-act thirties, Enter Laughing is a two-act pay. Young Kolowitz’s other problem – if mini-fest at Spartacus Books ............ 2 comedy written by Joseph Stein, based it really is one – is that he seems unable to on Carl Reiner’s semi-autobiographical •12th Biennial One-Act Playwriting meet a woman he isn’t sexually attractive novel. The odd title comes from a to – or them to him. The play becomes Contest is open! ................................ 4 personal direction note, sometimes called somewhat farcical when his leading lady, a parenthetical, in the script from a play the producer’s daughter Angela (Lisa within the play. Carl Reiner, who was a Robertson) wants to take their onstage producer, writer and actor on The Dick chemistry into reality. Van Dyke Show, is still alive at the age of ninety-seven. -
Enter Laughing by Joseph Stein One More Step
Read Ebook {PDF EPUB} Enter Laughing by Joseph Stein One more step. Please complete the security check to access www.broadwayworld.com. Why do I have to complete a CAPTCHA? Completing the CAPTCHA proves you are a human and gives you temporary access to the web property. What can I do to prevent this in the future? If you are on a personal connection, like at home, you can run an anti-virus scan on your device to make sure it is not infected with malware. If you are at an office or shared network, you can ask the network administrator to run a scan across the network looking for misconfigured or infected devices. Another way to prevent getting this page in the future is to use Privacy Pass. You may need to download version 2.0 now from the Chrome Web Store. Cloudflare Ray ID: 6564fb68fdf0c40b • Your IP : 188.246.226.140 • Performance & security by Cloudflare. Enter Laughing (film) Enter Laughing is a 1967 comedy film, directed by Carl Reiner, based on his autobiographical novel and the 1963 stage play of the same name. [1] It was Reiner's directorial debut. Contents. Plot summary Cast Musical score and soundtrack Track listing Personnel See also References External links. The film stars Jose Ferrer, Shelley Winters, Elaine May, Jack Gilford, Janet Margolin and newcomer Reni Santoni. It tells the story of a young Jewish man from the Bronx trying to break into the theater and launch a career in acting. The film has never been released on DVD or Blu-Ray.