DOCSLIB.ORG

Download Program Notes

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Download Program Notes PROGRAM: SONDHEIM SONGBOOK MAY 20 / 7:30 PM BING CONCERT HALL ARTISTS PROGRAM Betsy Wolfe, vocals Love Is in the Air (Ted, Betsy, Clarke) Clarke Thorell, vocals Love I Hear (Clarke) Paul Masse, piano What More Do I Need? (Betsy) Ted Sperling, music director and piano Barcelona (Clarke, Betsy) Moments in the Woods (Betsy) What Can You Lose? (Clarke) We gratefully acknowledge the generous support The Girls of Summer (Betsy) of Bonnie and Marty Tenenbaum. Honey (Clarke, Betsy) Getting Married Today (Ted, Clarke, Betsy) Pleasant Little Kingdom/Too Many Mornings (Clarke, Betsy) INTERMISSION By the Sea (Betsy, Clarke) Not a Day Goes By (Betsy) Good Thing Going (Ted) Buddy’s Blues (Clarke) Could I Leave You? (Betsy) A Little House for Mama (Clarke) Children Will Listen (Betsy) Finishing the Hat (Clarke) There Won’t Be Trumpets (Betsy) It Takes Two (Betsy, Clarke) PROGRAM SUBJECT TO CHANGE. Please be considerate of others and turn off all phones, pagers, and watch alarms, and unwrap all lozenges prior to the performance. Photography and recording of any kind are not permitted. Thank you. 26 STANFORD LIVE MAGAZINE MAY/JUNE 2015 He has gone from cult figure to national with the New York Philharmonic and The icon. His melodies, which have been labeled King and I at the Lincoln Center Theater. “unhummable,” get under your skin and linger for days. He is perhaps the greatest English- In the opera world, Mr. Sperling has language lyricist of any age. Every brilliant conducted The Mikado, Song of Norway, lyric and crystalline melody will be audible and Ricky Gordon’s The Grapes of Wrath in Bing Concert Hall when Ted Sperling, at Carnegie Hall; Kurt Weill’s The Firebrand one of Broadway’s most in-demand music of Florence at Alice Tully Hall; and a double directors, is joined at the piano by Betsy bill for the Houston Grand Opera and Wolfe and Clarke Thorell, two of Broadway’s Audra McDonald: La voix humaine by freshest singers. Spend an evening with Francis Poulenc and the world premiere Stephen Sondheim, “the greatest living of Send (Who Are You? I Love You) by American composer after Copland.” Michael John LaChiusa. Mr. Sperling has conducted concerts with many of the major Betsy Wolfe American symphonies, including the New York Philharmonic, San Francisco Symphony, and Chicago Symphony Orchestra; soloists “There are few things that have included McDonald, Deborah Voigt, remain constant in life, but Victoria Clark, Patti LuPone, Kelli O’Hara, Nathan Gunn, and Paulo Szot. Mr. Sperling’s for me one of them is this: TV appearances include a Saturday Night Stephen Sondheim’s work Live performance with Michael Bublé. has touched me for more than half a century.” Mr. Sperling conducted the world premiere recordings of Ragtime and Dream True; songs Ted Sperling —Frank Rich, writer for the animated film Anastasia; and the film scores of The Manchurian Candidate, Everything Is Illuminated, and the recent TED SPERLING Other Josh Cohen, See What I Wanna See, The music director, conductor, actor, pianist, and Striking 12. His off-Broadway credits Sundance Award–winning 3 Backyards. He violinist, singer, director, and arranger Ted as music director include A Man of No made his film directorial debut with the short Sperling has been active in the New York theater Importance, Stephen Sondheim’s Wise musical film Love, Mom, for which he won the and concert world for 30 years. He was music Guys, Saturn Returns, Floyd Collins, A New Director’s Choice Award at the Black Maria director and conductor of the Lincoln Center Brain, and Romance in Hard Times. He has Film Festival, and he appears in the film One Theater production of South Pacific. Mr. Sperling directed many programs for the American Night Stand. won the 2005 Tony and Drama Desk Awards for Songbook series at Lincoln Center, for the his orchestrations of The Light in the Piazza, for Lyrics and Lyricists series at the 92nd Street Mr. Sperling received the 2006 Shen Family which he was also music director. Mr. Sperling Y, at Joe’s Pub, and at The Town Hall. His Foundation Award for leadership in the was music director and arranger for Guys and regional directing credits include the world musical theater, and he is the director of Dolls, Dirty Rotten Scoundrels, The Full Monty, premiere of Charlotte: Life? or Theater? and the Musical Theater Initiative at The Public and How to Succeed in Business Without Really a revival of Lady in the Dark starring Andrea Theater as well as the creative director Trying. His other Broadway credits include My Marcovicci at the Prince Music Theater in of The 24 Hour Musicals. For more Favorite Year, Kiss of the Spider Woman, Angels in Philadelphia. He has directed three gala information, please visit www.cami.com America, Falsettos, Les Misérables, Drood, Roza, evenings for The Public Theater: Cabaret, and www.tedsperling.net. and Sunday in the Park with George. Mr. Sperling starring Anne Hathaway, Linda Lavin, and was an original cast member of Titanic, playing Harvey Fierstein; The Pirates of Penzance, BETSY WOLFE bandleader Wallace Hartley. starring Kevin Kline, Glenn Close, Martin Betsy Wolfe’s Broadway credits include Short, Eric Idle, Jonathan Groff, and Anika Bullets Over Broadway; The Mystery of Off Broadway, Mr. Sperling directed the Noni Rose; and a behind-the-scenes look at Edwin Drood; Everyday Rapture with Sherie world premieres of Red Eye of Love, The the creation of A Chorus Line. Mr. Sperling’s Rene Scott, a show she also performed off upcoming projects include Show Boat Broadway; 110 in the Shade at Studio 54; The encoremediagroup.com 27 PROGRAM: SONDHEIM SONGBOOK 25th Annual Putnam County Spelling Bee; as Harry Bright; and starred opposite Megan and A Wonderful Life. Off Broadway, Ms. Hilty in the New York City Center Encores! Wolfe starred in the revival of Jason Robert production of Gentlemen Prefer Blondes. Brown’s The Last Five Years at Second Stage Mr. Thorell’s off-Broadway credits include Theatre. Prior to that, she played Beth Satellites; Lone Star Love; Sondheim’s in Merrily We Roll Along at Encores! and Saturday Night; and the New York Theatre created the role of Mary Ann Singleton in Workshop’s developmental production of the American Conservatory Theater’s world Sondheim’s Wise Guys, directed by Sam premiere of Tales of the City, a musical Mendes with musical direction by Ted based on Armistead Maupin’s novels. She Sperling. Among his regional credits are can also be heard on the 110 in the Shade Orsino in Twelfth Night, directed by Jack and Everyday Rapture recordings. She made O’Brien at The Old Globe in San Diego; her Metropolitan Opera debut in Douglas Charles in The School for Scandal, directed Carter Beane’s adaptation of Die Fledermaus. by Mark Lamos at the McCarter Theatre in Ms. Wolfe starred in the San Francisco Princeton, New Jersey; and Homer in Floyd Paul Masse and Boston companies of The 25th Annual Collins, directed by Tina Landau, with musical Putnam County Spelling Bee. Regional credits direction by Ted Sperling, in San Diego, Mr. Thorell has performed with artists such as include Tommy (Mrs. Walker) at the Dallas Philadelphia, and Chicago. Sting, Dave Brubeck, Liza Minnelli, Abba, Theater Center and Ragtime (Evelyn Nesbit) The Red Clay Ramblers, and Pete Townshend, at Paper Mill Playhouse. She has been a Film and television credits include The Knick, and he is a proud member of Michael guest artist for more than 25 symphony, House of Cards, The Good Wife, Men in Black McElroy’s Broadway Inspirational Voices. pops, and philharmonic orchestras across III, The Winning Season, Boardwalk Empire, Mr. Thorell maintains a lifelong dream of the United States and internationally. At 23, 30 Rock (“Meet The Woggels!”), NYC 22, becoming the next voice of Donald Duck. she made her concert debut at Carnegie Rescue Me, Kings, Law & Order: Special Hall as a headliner with the Cincinnati Pops Victims Unit, and The Sopranos. PAUL MASSE under maestro Erich Kunzel. Ms. Wolfe was Paul Masse’s Broadway conducting credits a guest soloist for the New York City Ballet, include The Scottsboro Boys, It Shoulda Been with which she performed at Lincoln Center Yo u , Holler If Ya Hear Me, The Gershwins’ and the London Coliseum. Recent recording Porgy and Bess, and Avenue Q. Mr. Masse releases include Stage Door Canteen, has also participated in more than 20 other 35mm: A Musical Expedition, and Merrily Broadway shows as a pianist and accordionist. We Roll Along. Ms. Wolfe will be seen in the In addition, he served as musical supervisor for upcoming film adaptation of The Last Five London’s West End premiere of The Scottsboro Years. She holds a BFA in musical theater Boys. His off-Broadway credits include Fun from the University of Cincinnati College- Home, The Landing, Inner Voices: Borrowed Conservatory of Music. Learn more at Dust, The Scottsboro Boys, and Jacques Brel www.betsywolfe.com. Is Alive and Well and Living in Paris. Regional credits include Sense and Sensibility and First CLARKE THORELL You Dream. He also participated in the first Clarke Thorell most recently welcomed boos national tour of Wicked in Los Angeles. Mr. and hisses in the role of Rooster Hannigan Masse has contributed to various film and TV Clarke Thorell in the Broadway revival of Annie. A San soundtracks and is featured on the original cast Diego native, Mr. Thorell made his Broadway albums of The Landing, The Gershwins’ Porgy debut in The Who’s Tommy, directed by and Bess, The Scottsboro Boys (the original Last fall, Mr. Thorell debuted his first New Des McAnuff.
Load more

Recommended publications
  • Amjad Ali Khan & Sharon Isbin
    SUMMER 2 0 2 1 Contents 2 Welcome to Caramoor / Letter from the CEO and Chairman 3 Summer 2021 Calendar 8 Eat, Drink, & Listen! 9 Playing to Caramoor’s Strengths by Kathy Schuman 12 Meet Caramoor’s new CEO, Edward J. Lewis III 14 Introducing in“C”, Trimpin’s new sound art sculpture 17 Updating the Rosen House for the 2021 Season by Roanne Wilcox PROGRAM PAGES 20 Highlights from Our Recent Special Events 22 Become a Member 24 Thank You to Our Donors 32 Thank You to Our Volunteers 33 Caramoor Leadership 34 Caramoor Staff Cover Photo: Gabe Palacio ©2021 Caramoor Center for Music & the Arts General Information 914.232.5035 149 Girdle Ridge Road Box Office 914.232.1252 PO Box 816 caramoor.org Katonah, NY 10536 Program Magazine Staff Caramoor Grounds & Performance Photos Laura Schiller, Publications Editor Gabe Palacio Photography, Katonah, NY Adam Neumann, aanstudio.com, Design gabepalacio.com Tahra Delfin,Vice President & Chief Marketing Officer Brittany Laughlin, Director of Marketing & Communications Roslyn Wertheimer, Marketing Manager Sean Jones, Marketing Coordinator Caramoor / 1 Dear Friends, It is with great joy and excitement that we welcome you back to Caramoor for our Summer 2021 season. We are so grateful that you have chosen to join us for the return of live concerts as we reopen our Venetian Theater and beautiful grounds to the public. We are thrilled to present a full summer of 35 live in-person performances – seven weeks of the ‘official’ season followed by two post-season concert series. This season we are proud to showcase our commitment to adventurous programming, including two Caramoor-commissioned world premieres, three U.S.
    [Show full text]
  • OCTOBER 2016 Welcome to October Sky! We Can’T Imagine a More Perfect Show to Give Our 2016–2017 Season a Great Launch (If You’Ll Pardon the Pun)
    OCTOBER 2016 Welcome to October Sky! We can’t imagine a more perfect show to give our 2016–2017 Season a great launch (if you’ll pardon the pun). New musicals are, of course, one of The Old Globe’s specialties, and the upcoming season is filled with exactly the kind of work the Globe does best. In this very theatre, you’ll have a chance to see a revival of Steve Martin’s hilarious Picasso at the Lapin Agile; the exciting backstage drama Red Velvet; and the imaginative, fable- like musical The Old Man and The Old Moon. And of course, we’re bringing back The Grinch for its 19th year! Across the plaza in the Sheryl and Harvey White Theatre, we hope you’ll join us for work by some of the most exciting voices in the American theatre today: award-winning actor/ songwriter Benjamin Scheuer (The Lion), Globe newcomer Nick Gandiello (The Blameless), the powerful and trenchant Dominique Morisseau (Skeleton Crew), and the ingenious Fiasco Theater, with their own particular spin on Molière’s classic The Imaginary Invalid. It’s a season we’re extremely proud and excited to share with all of you. DOUGLAS GATES Managing Director Michael G. Murphy and Erna Finci Viterbi Artistic Director Barry Edelstein. We’re also proud to welcome the outstanding creative team that has made October Sky a reality. Director/choreographer Rachel Rockwell is an artist whose work we’ve long admired, whose skill in staging is matched by her deft touch with actors. She’s truly a perfect fit for this heartwarming and triumphant show.
    [Show full text]
  • Brooklyn Boy
    41st Season • 392nd Production SEGERSTROM STAGE / SEPTEMBER 3 - OCTOBER 10, 2004 David Emmes Martin Benson PRODUCING ARTISTIC DIRECTOR ARTISTIC DIRECTOR IN ASSOCIATION WITH Manhattan Theatre Club presents the world premiere of BROOKLYN BOY BY Donald Margulies SCENIC DESIGN COSTUME DESIGN LIGHTING DESIGN ORIGINAL MUSIC AND SOUND DESIGN Ralph Funicello Jess Goldstein Chris Parry Michael Roth DRAMATURG PRODUCTION MANAGER STAGE MANAGER Jerry Patch Tom Aberger *Scott Harrison DIRECTED BY Daniel Sullivan HONORARY PRODUCERS CORPORATE PRODUCER Elaine and Martin Weinberg The Citigroup Private Bank Brooklyn Boy was commissioned and developed by South Coast Repertory Brooklyn Boy • SOUTH COAST REPERTORY P1 CAST OF CHARACTERS (In order of appearance) Eric Weiss .................................................................................... Adam Arkin* Manny Weiss ................................................................................ Allan Miller* Ira Zimmer ...................................................................................... Arye Gross* Nina .............................................................................................. Dana Reeve* Alison .......................................................................................... Ari Graynor* Melanie Fine ................................................................................ Mimi Lieber* Tyler Shaw .................................................................................... Kevin Isola* SETTING All scenes are set in the present in Brooklyn,
    [Show full text]
  • 2018 Annual Report
    Annual Report 2018 Dear Friends, welcome anyone, whether they have worked in performing arts and In 2018, The Actors Fund entertainment or not, who may need our world-class short-stay helped 17,352 people Thanks to your generous support, The Actors Fund is here for rehabilitation therapies (physical, occupational and speech)—all with everyone in performing arts and entertainment throughout their the goal of a safe return home after a hospital stay (p. 14). nationally. lives and careers, and especially at times of great distress. Thanks to your generous support, The Actors Fund continues, Our programs and services Last year overall we provided $1,970,360 in emergency financial stronger than ever and is here for those who need us most. Our offer social and health services, work would not be possible without an engaged Board as well as ANNUAL REPORT assistance for crucial needs such as preventing evictions and employment and training the efforts of our top notch staff and volunteers. paying for essential medications. We were devastated to see programs, emergency financial the destruction and loss of life caused by last year’s wildfires in assistance, affordable housing, 2018 California—the most deadly in history, and nearly $134,000 went In addition, Broadway Cares/Equity Fights AIDS continues to be our and more. to those in our community affected by the fires and other natural steadfast partner, assuring help is there in these uncertain times. disasters (p. 7). Your support is part of a grand tradition of caring for our entertainment and performing arts community. Thank you Mission As a national organization, we’re building awareness of how our CENTS OF for helping to assure that the show will go on, and on.
    [Show full text]
  • Marvin Hamlisch
    tHE iRA AND lEONORE gERSHWIN fUND IN THE lIBRARY OF cONGRESS AN EVENING WITH THE MUSIC OF MARVIN HAMLISCH Monday, October 19, 2015 ~ 8 pm Coolidge Auditorium Library of Congress, Thomas Jefferson Building The Ira and Leonore Gershwin Fund in the Library of Congress was established in 1992 by a bequest from Mrs. Gershwin to perpetuate the name and works of her husband, Ira, and his brother, George, and to provide support for worthy related music and literary projects. "LIKE" us at facebook.com/libraryofcongressperformingarts loc.gov/concerts Please request ASL and ADA accommodations five days in advance of the concert at 202-707-6362 or [email protected]. Latecomers will be seated at a time determined by the artists for each concert. Children must be at least seven years old for admittance to the concerts. Other events are open to all ages. • Please take note: Unauthorized use of photographic and sound recording equipment is strictly prohibited. Patrons are requested to turn off their cellular phones, alarm watches, and any other noise-making devices that would disrupt the performance. Reserved tickets not claimed by five minutes before the beginning of the event will be distributed to stand-by patrons. Please recycle your programs at the conclusion of the concert. The Library of Congress Coolidge Auditorium Monday, October 19, 2015 — 8 pm tHE iRA AND lEONORE gERSHWIN fUND IN THE lIBRARY OF cONGRESS AN EVENING WITH THE mUSIC OF MARVIN hAMLISCH WHITNEY BASHOR, VOCALIST | CAPATHIA JENKINS, VOCALIST LINDSAY MENDEZ, VOCALIST | BRYCE PINKHAM, VOCALIST
    [Show full text]
  • P R E S S R E L E A
    P R E S S R E L E A S E Contact: Tara Wibrew, OCT associate producer [email protected] 541.953.1038 (cell) For Immediate Release: November 30, 2020 From the Tony and Olivier Award-Winning Director of Les Misérables and Nicholas Nickleby John Caird and the Tony Nominated Composer of Jane Eyre Paul Gordon: A World Premiere Streaming Holiday Musical that Uniquely Blends Theatre, Film and Cutting-Edge Animation For a first look at the Trailer, click here: Estella Scrooge EUGENE, OR – Just in time for the holidays, Oregon Contemporary Theatre brings audiences a magical musical created with new cutting-edge technology that is sure to become new a holiday tradition – the World Premiere of Estella Scrooge: A Christmas Carol with a Twist! Estella Scrooge is now available for streaming through the holidays. Tickets are now on sale and may be purchased at https://bit.ly/OCTEstellaScrooge, or visit OCT’s website at octheatre.org. The production features a cast of 24 award-winning Broadway notables, and is the creation of John Caird, (the Tony and Olivier Award-winning director of Les Misérables and Nicholas Nickleby), and Tony Award nominee Paul Gordon (Jane Eyre, Pride and Prejudice). Caird and Gordon also paired to create Daddy Long Legs, which played at numerous regional theatres throughout the country and in four countries before enjoying a successful Off-Broadway run where Caird received a Drama Desk. The story follows Estella Scrooge, a modern-day Wall Street tycoon with a penchant for foreclosing. A hotelier in her hometown of Pickwick, Ohio has defaulted on his mortgage and Estella fancies the idea of lowering the boom personally.
    [Show full text]
  • A Season of Thrilling Intrigue and Grand Spectacle –
    A Season of Thrilling Intrigue and Grand Spectacle – Angel Blue as MimÌ in La bohème Fidelio Rigoletto Love fuels a revolution in Beethoven’s The revenger becomes the revenged in Verdi’s monumental masterpiece. captivating drama. Greetings and welcome to our 2020–2021 season, which we are so excited to present. We always begin our planning process with our dreams, which you might say is a uniquely American Nixon in China Così fan tutte way of thinking. This season, our dreams have come true in Step behind “the week that changed the world” in Fidelity is frivolous—or is it?—in Mozart’s what we’re able to offer: John Adams’s opera ripped from the headlines. rom-com. Fidelio, to celebrate the 250th anniversary of Beethoven’s birth. Nixon in China by John Adams—the first time WNO is producing an opera by one of America’s foremost composers. A return to Russian music with Musorgsky’s epic, sweeping, spectacular Boris Godunov. Mozart’s gorgeous, complex, and Boris Godunov La bohème spiky view of love with Così fan tutte. Verdi’s masterpiece of The tapestry of Russia's history unfurls in Puccini’s tribute to young love soars with joy a family drama and revenge gone wrong in Rigoletto. And an Musorgsky’s tale of a tsar plagued by guilt. and heartbreak. audience favorite in our lavish production of La bohème, with two tremendous casts. Alongside all of this will continue our American Opera Initiative 20-minute operas in its 9th year. Our lineup of artists includes major stars, some of whom SPECIAL PRESENTATIONS we’re thrilled to bring to Washington for the first time, as well as emerging talents.
    [Show full text]
  • Akhnaten 12:55Pm | November 23
    AKHNATEN 12:55PM | NOVEMBER 23 2019-2020 RICHARD HUBERT SMITH / ENGLISH NATIONAL OPERA NATIONAL ENGLISH / SMITH HUBERT RICHARD Met Opera AT THE PARAMOUNT THEATER The Paramount Theater is pleased to bring the award-winning 2019-2020 Met Opera Live in HD season, in its 14th year, to Charlottesville. This season will feature ten transmissions from the Met’s stage, including three new productions and two Met premieres. Pre-opera lectures will be held again this season and will take place in the auditorium (see website for lecture times and details). Doors to the auditorium will close during the lecture and will re-open for audience seating prior to the start of the broadcast. NEW PRODUCTIONS Wozzeck* • The Gershwins’ Porgy and Bess* Der Fliegende Holländer* REVIVALS Turandot • Manon • Madama Butterfly Tosca • Maria Stuarda MET PREMIERES Akhnaten* • Agrippina* *First Time in HD TICKETING & SUBSCRIPTIONS July 11 - On Sale to Met Members July 15 - On Sale to Paramount Star Circle Members July 17 - On Sale to all Paramount Members July 19 - On Sale to General Public Single Event Pricing $25 Adult, $23 Senior, $18 Student Subscription Pricing Reserved seats for all performances. $225 Adult, $207 Senior, $162 Student Box Office 215 East Main Street, Charlottesville, VA 22902 Monday - Friday 10AM - 2PM 434-979-1333 www.theparamount.net All tickets go on sale at 10:00AM on the dates specified above. Subscribers from previous seasons will have their preferred seat locations held throughout the duration of the pre-sale. If not renewed, seat locations will be released at 10:00AM on July 19, 2019.
    [Show full text]
  • Programming and Award-Winning Work in the Community
    We l c o m e t o Welcome – it’s so good to have you What an exciting time to be at The Old here! Globe! We’re wrapping up an enormously suc- It’s “one from column A, and one cessful 2004 Winter Season, during which we from column B” for this last round of hosted the great American playwright Arthur Season 2004, and they couldn’t be Miller for his incredible production of more polar opposites, nor more beauti- Resurrection Blues, and presented William Inge’s fully yoked together. classic Bus Stop, plus Pulitzer Prize-winner Nilo In the Globe, Stephen Wadsworth Cruz’s Two Sisters and a Piano. We’re now getting returns with his celebrated Don Juan, one of the great and into gear for summer, highlighted by the much-anticipated challenging classics of Moliere, no where as farcical as the Shakespeare Festival, alongside the delightful new musical Lucky Duck, more familiar productions we’ve hosted over the years, but a directed by 2002 Tony Award®-winner John Rando, and a contempo- great, probing, and fascinating take on the life of the famous rary comedy, The Intelligent Design of Jenny Chow. reprobate that stands with Mozart’s Don Giovanni in its repu- We’ve just announced our 2004/2005 Winter Season as well, tation. Wadsworth is one of the true originals directing these continuing the Globe’s tradition of artistic excellence with an ambi- days, whose intense mastery of the works of the 17th and tious line-up of some of the most significant work being produced in 18th Centuries – whether it be Handel’s opera, Xerxes or the the theatre today.
    [Show full text]
  • See What I Wanna See) (A Major) # # & # C ∑
    SEE WHAT I WANNA SEE This score has been downloaded from www.dramatists.comWords and and Music is for perusal by only. Michael John LaChiusa No performance or use of this score is allowed without written authorization Piano/Vocal from Dramatists Play Service, Inc. 0. Opening Michael John LaChiusa Cue 1 Cue 2 Cue 3Ad lib Japanese flute U U j jU œ œ œ œ œ ˙ & c Œ œ œ œ ˙. œ œ œ ˙. Piano > > Rainstick cym. roll f Kabuki blocks Segue U ‹ ‹ U U > > o ? cThis@ score hasŒ Óbeen downloadedŒ Œ Œ ‰ from‹ ‹ f www.dramatists.com and is for perusal only. No performance or use of this score is allowed without written authorization from Dramatists Play Service, Inc. 2005 2 1.Kesa and Morito (Kesa) Michael John LaChiusa # # & # c ∑ ∑ ∑ Moderato This score90 has been downloaded from ? # # Ú # c Œ œ. œ œ œ œ ≈ œ ≈ œ Œ œ. œ œ œ œ ≈ œ ≈ œ Œ œ. œ œ œ œ ≈ œ ≈ œ Piano sensual> > . > > . > > . www.dramatists.comP and is for perusal only. ? ### c Œ. j . Œ. j . œ Œ. j . œ œ w œ œ œ œ œ œ œ ˙ œ œ œ ‰ œ œ œ ˙ œ œ œ > > J . > > . > > > KESA 4 # # No performance or use of this score is & # ∑ ∑ Ó Œ ‰ j Toœ - 4 allowedœ œ œ œ œ withoutœ œ writtenœ œ œ œ œauthorizationœ œ œ œ œ œ œ œ œ ? # # œ. œ œ œ œ œ œ œ. œ œ œ œ œ. œ œ œ œ œ œ # Œ œ. œ œ œ œ ≈ œ ≈œ Œ ≈ œ ≈ œ Œ œ.
    [Show full text]
  • Ellen Winter Wants to Hug You but She Can't So How About
    ONE NIGHT STAND ELLEN WINTER WANTS TO HUG YOU BUT SHE CAN’T SO HOW ABOUT SHE SINGS YOU SOME SONGS INSTEAD APRIL 23 @ 7PM ET Composed, Performed & Co-Produced by ELLEN WINTER Directed & Co-Produced by MACHEL ROSS ELLEN WINTER WANTS TO HUG YOU BUT SHE CAN’T SO HOW ABOUT SHE SINGS YOU SOME SONGS INSTEAD APRIL 23 @ 7PM ET THE TEAM Composed, Performed & Co-Produced by ELLEN WINTER Directed & Co-Produced by MACHEL ROSS Set Design & Camera Operation by SIMON BAN Music Produced by ELLEN WINTER, CHRIS LITTLER & CHARLES WANLESS THE ARTISTS WOULD LIKE TO THANK Frankie Oliva, Cheyenne Sykes, Kelly Tieger, Sam Monaco, Anthony P. Cerretani, A. Sarr, Sydney Shepherd, Lily Desmond, Katrina Yaukey, Chris Atkins, Eric Tait, Stephen Rhodes Chen, Matt Appleton, Madi Andrews-Moreno, Bri Clarke, Lexi Correa, Bella Exum, Samantha Hallenberg, Kate Herlihy, Leah Hohauser, Sara LiBrandi, Maya Owens, Caitlyn Primous, Virginia Richardson, Kat Rodriguez, Annie Shouse, Kristen Wisneski, Alison Grasso, Colin Miller. Ars Nova operates on the unceded land of the Lenape peoples on the island of Manhahtaan (Mannahatta) in Lenapehoking, the Lenape Homeland. We acknowledge the brutal history of this stolen land and the displacement and dispossession of its Indigenous people. We also acknowledge that after there were stolen lands, there were stolen people. We honor the generations of displaced and enslaved people that built, and continue to build, the country that we occupy today. We gathered together in virtual space to watch this performance. We encourage you to consider the legacies of colonization embedded within the technology and structures we use and to acknowledge its disproportionate impact on communities of color and Indigenous peoples worldwide.
    [Show full text]
  • Jules Massenet Manon Live Broadcast: April 7, 2012
    Jules Massenet MAnOn Live Broadcast: April 7, 2012 CONDUCTOR Act I Fabio Luisi France, the end of the 19th century. In the courtyard of an inn at Amiens the noblemen de Brétigny and Guillot de Morfontaine are having dinner with three young women, Poussette, Javotte, and Production & Rosette. People gather for the arrival of the coach to Paris, among them Lescaut. He is waiting for COstume DesigNeR his young cousin Manon, who is on her way to enter a convent. The coach arrives and Manon Laurent Pelly expresses her exuberant joy about her first journey away from home. Enchanted by her, Guillot seT DesigNeR offers to take Manon to Paris, but she and his companions laugh at him. Lescaut reproaches Manon Chantal Thomas for her behavior that could shame their family. Manon gazes with envy at the elegant clothes of the other girls. The young Chevalier des Grieux arrives too late to catch the coach, which has already LighTiNg DesigNeR left for Paris. He falls in love with Manon at first sight, and when she tells him that it is her fondness Joël Adam for pleasure that has led her family to send her to a convent, he is determined to rescue her from ChoreOgRaPheR such a fate. They escape together in Guillot’s coach. The returning Lescaut furiously accuses Guillot Lionel Hoche of having kidnapped his cousin, but then learns from the innkeeper that Manon went off with a young man. Guillot, mocked by everyone, swears revenge on the eloping couple. Anna Netrebko manon Act II Piotr Beczala In their apartment in Paris, des Grieux writes to his father for permission to marry Manon.
    [Show full text]