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See What I Wanna See) (A Major) # # & # C ∑ SEE WHAT I WANNA SEE This score has been downloaded from www.dramatists.comWords and and Music is for perusal by only. Michael John LaChiusa No performance or use of this score is allowed without written authorization Piano/Vocal from Dramatists Play Service, Inc. 0. Opening Michael John LaChiusa Cue 1 Cue 2 Cue 3Ad lib Japanese flute U U j jU œ œ œ œ œ ˙ & c Œ œ œ œ ˙. œ œ œ ˙. Piano > > Rainstick cym. roll f Kabuki blocks Segue U ‹ ‹ U U > > o ? cThis@ score hasŒ Óbeen downloadedŒ Œ Œ ‰ from‹ ‹ f www.dramatists.com and is for perusal only. No performance or use of this score is allowed without written authorization from Dramatists Play Service, Inc. 2005 2 1.Kesa and Morito (Kesa) Michael John LaChiusa # # & # c ∑ ∑ ∑ Moderato This score90 has been downloaded from ? # # Ú # c Œ œ. œ œ œ œ ≈ œ ≈ œ Œ œ. œ œ œ œ ≈ œ ≈ œ Œ œ. œ œ œ œ ≈ œ ≈ œ Piano sensual> > . > > . > > . www.dramatists.comP and is for perusal only. ? ### c Œ. j . 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Œ. j . œ Œ. j . œ œ w œ œ œ œ œ œ œ ˙ œ œ œ ‰ œ œ œ ˙ œ œ œ >No> performance or use> of thisJ score.> is > > > > > 16 . ### allowed without written authorizationj & nœ œ œ œ œ. œ œ nœ œ œ œ œ. œ nœ œ œ œ œ œ knifes in to my bo - dy; For-ci-bly and proud (My lo-ver is in - cre - di-nblyœ enœ - 16 . ### from Dramatist? nœ. œ. œ œ. s Play Service,? nœ. œ. œ œ. Inc. ? nœ. œ. œ œ. & Œ nœœ. j œœ ≈ ≈œ & Œ nœœ. j œœ≈ ≈œ & Œ nœœ. j œœ≈ ≈œ œœ.nœœ œœ œœ.nœœ œœ œœ.nœœ œœ > . > . > . ? ### Œ. j . Œ. j . nœ Œ. j . nœ œ w œ œ œ œ œ œ œ ˙ œ œ œ ‰ œ œ œ ˙ œ œ œ > > J . 19 20A # # & # j Œ Ó Œ ‰ j dowed.œ. Thick#œ œ nerœ thanœ myœ husœ band.)˙ Andœ 19 # >œ # œœ. ? ## Œ ≈ ≈ & œ ˙ œ ˙ œ œ œ. œ. œ. œ. Œ œ . ‹#œœ œœ œ œ œ œ œ Œ œ . ‹#œœ œœ œ œ œ œ œ œœ. > œ œ œ œ œ œœ. > œ œ œ œ œ # ? ## Œ. j Œ. j œ Œ. j œ #œ œ œ. œ œ #œ œ œ. œ #œ œ œ. œ w œ œ ˙. œ œ ˙. 4 1. Kesa and Morito (Kesa) 21 ### & œ œ œ œ œ ‰ j œ as œI kiss my lo - verœ for #theœ lastœ time.˙ - Theœ room #disœ -solvesœ a - roundœ me;œ œ # # # œ œ œ. œ œ œ œ #œ œœ œœ œ & Œ œ œ œ #œ œ œ. œ œ œ œ œ œ #œ œœ. œ œ œ œ > œœ. œ œ œ œ P > > # ? ## Œ. j Œ. j Œ. j œ. œ œ œ. œ œ. œ œ w #œ œ œ œ ˙# œ œ ‰ œ w #œ œ J 24 ### Nœ œ aœ œ & œ This#œ œ scoreœ hasœ beenœ œ downloaded fromœ ˙ Œ I de - sert myœ bo - dy; All of time is gone. 24 > www.dramatists.com### œ œ #œ Nœ and. is for perusal œonly.. & œ œ. œ œ œ œ œœ œœ œœ. œ œ œ. œ œ œ œ œ. > œ #œ . œ œ œ œ œ œ . #œ œ œ œ œ f œ œ œ œ # Œ. j Œ. j ? ## . #œ. œ œ #œ. œ Œ j . œ w œ œ œ œ ˙.œ œ œ œ œ ˙ #œ œ œ ‰ œ No performanceJ w or use of this scoreœ œ ˙is. 27 # > > ## œ N˙ œ œ j j œ N˙ & œ J œ œ œ. œ Duskallowedis dawn; withoutDawn writtenis noon; authorizationLate is now; 27 # ## Nœ ˙ Nœ ˙ . œ ˙ & œ œ. œ ˙ œ Œ œ. œ ˙ œ Œ #œœ. œ ˙ œ œ from#œ . > Dramatistœ s#œ Play. ‰ Service,œ Inc. > ‰ œ F ‰ œ œ œ œ ˙ œ œ œ œ ˙ œ œ œ œ Œ. j Œ. j Œ. j ? # # œ. œ œ œ. œ œ œ. œ # œ œ ˙.#œ œ w #œ œ œ œ ˙.#œ œ œ œ œ ˙. w œ œ ˙. 30 > > > # # œ j j & # J œ œ œ œ. œ ‹œ œ ˙ ˙ ‹œ Now is soon; This is what#œ it's like to #beœ 30 # # œ ˙ Œ œ œ ‹ #>œ œ # #œœ. œ ˙ #œœ. œ œ Œ #œœ. # œ œ & Œ œœ. œ ˙ œ w ‹ œœ. œ ‹ œœ. œ ˙ > ‰ œ œ œ œ œ w > œ œ œ œ œ œ œ œ œ œ F j ? # # j œ œ Œ. ‹œœ œœ œ. 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I 3 6 33 7 > > > # # #œ. ≈ ? œ #œ œ œ œ # œ. #œ ˙ ‹œ #œ œ œ & Œ #œ. œ œ œ œ & Œ ‹# œ ˙ œ #œ ‹œ œ œ. œ œ ‹œ œ #œ j # Œ. œ œ Œ. #œ œ. œ œ œ. ? ## #‹œ œ ‹# œ œ. œ œ œ. œ œ ˙. ‹œ œ w J œ œ ˙. #œ w > > > 35 # # & # œThis scorenœ hasœ beenœ downloadedœ n œfrom˙ watch myœ. - self out - side myœ. - self Meno (in 2) lightly percussive, rapid triplets 35 w www.dramatists.com### ww œ œ nœ œ and is for perusal œonly.œ nœœ œœ œ œ & w œ œ œ œ œ œ n œ œ œ œ œ œ ‰ œ œ ‰ œ œ ‰ œ œ ‰ œ œ ‰ ‰ nœ œ ‰ œ œ ‰ œ œ ‰ ‰ ‰ ‰ œ œ nœ œ œ œ œ œ Í 3 3 3 # w ? ## w & Œ œ3 œ nœ œ œ œ œ œ nœ œ œ sustained œ œ n œ œ œ œ œ œ n œ œ œ No performance or use of this score is 37 # # & # œ nœ œ œ œ œ. œ ˙ Sleepallowedand withoutbreathe writtenand wake authorizationand sigh 37 œ œ # # œ œ nœ œ œœ œœ œ œ œ œ œ œ œ œ & # ‰ œ œ ‰ nœ œ ‰ ‰ œ œ ‰n œ œ ‰ ‰ nœ œ ‰ nœ œ ‰ œ œ ‰ ‰ œ œ ‰ œœ œœ œ fromœ œ œ Dramatistœ œ s Play Service, Inc. # 3 3 3 3 ## ? & œ œ œ nœ œ œ œ œ nœ œ œœ œ œ œ n œ œ œ œ œ œ n œ œ 39 # # & # œ œ œ œ œ œ ˙ 42 œ œ œ œ c Laugh and kiss and fuck and lie, My god, it's poco ritard 39 # # œ œ nœ œ nœ œ #œ œ # ‰ œ œ ‰ œ œ ‰ œ œ ‰ œ œ ‰ œ œ ‰ œ œ ‰ œ œ ‰ œ œ ‰ œ œ ‰ œ œ ‰ œ œ ‰ œ œ 2 ‰ œ œ ‰ ‰ œ œ c & œ œ œ œ œ œ œ œ œ œ moltonœ crescendoœ nœ œ œ œ œ œ œ œ 4 œ œ 3 œ œ œ œ 3 3 3 3 #œ œ Œ œ œ œ œ œ œ œ œ ? # # ˙ œ œ œ nœ œ œ 2 œ c # ˙œ nw œ œ 4 œ œ nw > n R Shomon Transition 1A 10 Michael John LaChiusa Fast Swing (edgy, urban---50's noir) q»™™º b & c ∑ .
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