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OCTOBER 2016 Welcome to October Sky! We Can’T Imagine a More Perfect Show to Give Our 2016–2017 Season a Great Launch (If You’Ll Pardon the Pun)
OCTOBER 2016 Welcome to October Sky! We can’t imagine a more perfect show to give our 2016–2017 Season a great launch (if you’ll pardon the pun). New musicals are, of course, one of The Old Globe’s specialties, and the upcoming season is filled with exactly the kind of work the Globe does best. In this very theatre, you’ll have a chance to see a revival of Steve Martin’s hilarious Picasso at the Lapin Agile; the exciting backstage drama Red Velvet; and the imaginative, fable- like musical The Old Man and The Old Moon. And of course, we’re bringing back The Grinch for its 19th year! Across the plaza in the Sheryl and Harvey White Theatre, we hope you’ll join us for work by some of the most exciting voices in the American theatre today: award-winning actor/ songwriter Benjamin Scheuer (The Lion), Globe newcomer Nick Gandiello (The Blameless), the powerful and trenchant Dominique Morisseau (Skeleton Crew), and the ingenious Fiasco Theater, with their own particular spin on Molière’s classic The Imaginary Invalid. It’s a season we’re extremely proud and excited to share with all of you. DOUGLAS GATES Managing Director Michael G. Murphy and Erna Finci Viterbi Artistic Director Barry Edelstein. We’re also proud to welcome the outstanding creative team that has made October Sky a reality. Director/choreographer Rachel Rockwell is an artist whose work we’ve long admired, whose skill in staging is matched by her deft touch with actors. She’s truly a perfect fit for this heartwarming and triumphant show. -
At Thirty-Three, My Anger Hasn't Subsided. It's Gotten
t thirty-three, my anger hasn’t subsided. It’s gotten And to all this, I don’t have a real answer. I don’t think I’m naïve. I deeper. It’s more like magma keeping me warm instead of lava don’t think I’m expecting too much, but it’s hard not to feel shat upon by AAshooting haphazardly all over the place. It’s managed. You see, the world-at-large every step of the way. There are a couple of things that I’ve been able to channel the balled-fist, I’m hitting-walls-and-breaking- temper my anger. First off, when we were doing our math, I got another knuckles anger into something of a long-burning fuse. Oh, I’m angry, but number: sixty-four. That’s how many folks help out Razorcake in some I’m probably one of the calmest angry people you’re likely to meet. I take way, shape, or form on a regular basis. Damn, that’s awesome. Sixty- all of my “fuck yous” and edit. I take my “you’ve got to be fucking kid- four people, without whom this zine would just be a hair-brained ding me”s and take pictures and write. I seek revenge by working my ass scheme. off. Anger, coupled with belief, is a powerful motivator. The second element is a little harder to explain. Recently, I was in an What do I have to be angry about? I don’t think it’s obvious, but we do adjacent town, South Pasadena. -
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PIANISTS, PSYCHIATRISTS AND PIANO CONCERTOS Sergei Rachmaninov (1873-1943) Piano Concerto No. 2 in C minor, Op. 18 “I play all the right notes, but not necessarily in the right order.” That flat-G-C-G, whereas his right could easily encompass C (2nd finger!)-E 1 Moderato 11. 21 2 Adagio sostenuto 12. 03 was how Eric Morecambe answered the taunt of conductor ‘Andrew (thumb)-G-C-E. 3 Allegro scherzando 11. 51 Preview’ (André Previn), who was questioning his rather ‘unusual’ treat- Yet although Rachmaninoff appeared to be a born pianist, he had ment of the introductory theme of Edvard Grieg’s Piano Concerto. set his heart on a career as composer and conductor. Only after fleeing Edvard Grieg (1843-1907) Nowadays, the sketch from the 1971 Christmas show of the famous from Russia following the outbreak of the revolution, did he realise that Piano Concerto in A minor, Op. 16 comedy duo Morecambe and Wise has attained cult status and can be he would not be able to earn a living as a composer, that his lack of tech- 4 Allegro molto moderato 13. 43 viewed on the Internet. Many years later, Previn let slip that taxi-drivers nique would impede a career as a conductor, and that the piano could 5 Adagio 6. 34 still regularly addressed him as ‘Mr Preview’. In fact, the sketch was not well play a much larger role in his life. The many recordings (including 6 Allegro moderato molto e marcato 10. 51 the first to parody Grieg’s indestructible concerto: that honour belongs all his piano concertos and his Paganini Rhapsody) that form a resound- to Franz Reizenstein, with his Concerto Popolare dating from 1959. -
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PROGRAM: SONDHEIM SONGBOOK MAY 20 / 7:30 PM BING CONCERT HALL ARTISTS PROGRAM Betsy Wolfe, vocals Love Is in the Air (Ted, Betsy, Clarke) Clarke Thorell, vocals Love I Hear (Clarke) Paul Masse, piano What More Do I Need? (Betsy) Ted Sperling, music director and piano Barcelona (Clarke, Betsy) Moments in the Woods (Betsy) What Can You Lose? (Clarke) We gratefully acknowledge the generous support The Girls of Summer (Betsy) of Bonnie and Marty Tenenbaum. Honey (Clarke, Betsy) Getting Married Today (Ted, Clarke, Betsy) Pleasant Little Kingdom/Too Many Mornings (Clarke, Betsy) INTERMISSION By the Sea (Betsy, Clarke) Not a Day Goes By (Betsy) Good Thing Going (Ted) Buddy’s Blues (Clarke) Could I Leave You? (Betsy) A Little House for Mama (Clarke) Children Will Listen (Betsy) Finishing the Hat (Clarke) There Won’t Be Trumpets (Betsy) It Takes Two (Betsy, Clarke) PROGRAM SUBJECT TO CHANGE. Please be considerate of others and turn off all phones, pagers, and watch alarms, and unwrap all lozenges prior to the performance. Photography and recording of any kind are not permitted. Thank you. 26 STANFORD LIVE MAGAZINE MAY/JUNE 2015 He has gone from cult figure to national with the New York Philharmonic and The icon. His melodies, which have been labeled King and I at the Lincoln Center Theater. “unhummable,” get under your skin and linger for days. He is perhaps the greatest English- In the opera world, Mr. Sperling has language lyricist of any age. Every brilliant conducted The Mikado, Song of Norway, lyric and crystalline melody will be audible and Ricky Gordon’s The Grapes of Wrath in Bing Concert Hall when Ted Sperling, at Carnegie Hall; Kurt Weill’s The Firebrand one of Broadway’s most in-demand music of Florence at Alice Tully Hall; and a double directors, is joined at the piano by Betsy bill for the Houston Grand Opera and Wolfe and Clarke Thorell, two of Broadway’s Audra McDonald: La voix humaine by freshest singers. -
Read Razorcake Issue #27 As A
t’s never been easy. On average, I put sixty to seventy hours a Yesterday, some of us had helped our friend Chris move, and before we week into Razorcake. Basically, our crew does something that’s moved his stereo, we played the Rhythm Chicken’s new 7”. In the paus- IInot supposed to happen. Our budget is tiny. We operate out of a es between furious Chicken overtures, a guy yelled, “Hooray!” We had small apartment with half of the front room and a bedroom converted adopted our battle call. into a full-time office. We all work our asses off. In the past ten years, That evening, a couple bottles of whiskey later, after great sets by I’ve learned how to fix computers, how to set up networks, how to trou- Giant Haystacks and the Abi Yoyos, after one of our crew projectile bleshoot software. Not because I want to, but because we don’t have the vomited with deft precision and another crewmember suffered a poten- money to hire anybody to do it for us. The stinky underbelly of DIY is tially broken collarbone, This Is My Fist! took to the six-inch stage at finding out that you’ve got to master mundane and difficult things when The Poison Apple in L.A. We yelled and danced so much that stiff peo- you least want to. ple with sourpusses on their faces slunk to the back. We incited under- Co-founder Sean Carswell and I went on a weeklong tour with our aged hipster dancing. -
Marvin Hamlisch
tHE iRA AND lEONORE gERSHWIN fUND IN THE lIBRARY OF cONGRESS AN EVENING WITH THE MUSIC OF MARVIN HAMLISCH Monday, October 19, 2015 ~ 8 pm Coolidge Auditorium Library of Congress, Thomas Jefferson Building The Ira and Leonore Gershwin Fund in the Library of Congress was established in 1992 by a bequest from Mrs. Gershwin to perpetuate the name and works of her husband, Ira, and his brother, George, and to provide support for worthy related music and literary projects. "LIKE" us at facebook.com/libraryofcongressperformingarts loc.gov/concerts Please request ASL and ADA accommodations five days in advance of the concert at 202-707-6362 or [email protected]. Latecomers will be seated at a time determined by the artists for each concert. Children must be at least seven years old for admittance to the concerts. Other events are open to all ages. • Please take note: Unauthorized use of photographic and sound recording equipment is strictly prohibited. Patrons are requested to turn off their cellular phones, alarm watches, and any other noise-making devices that would disrupt the performance. Reserved tickets not claimed by five minutes before the beginning of the event will be distributed to stand-by patrons. Please recycle your programs at the conclusion of the concert. The Library of Congress Coolidge Auditorium Monday, October 19, 2015 — 8 pm tHE iRA AND lEONORE gERSHWIN fUND IN THE lIBRARY OF cONGRESS AN EVENING WITH THE mUSIC OF MARVIN hAMLISCH WHITNEY BASHOR, VOCALIST | CAPATHIA JENKINS, VOCALIST LINDSAY MENDEZ, VOCALIST | BRYCE PINKHAM, VOCALIST -
Mjerač Pića Za Ugostitelje, Novo, Grad Zagreb
UGOSTITELJSKA BURZA http://www.ugostiteljskaburza.hr/ Mjerač pića za ugostitelje, Novo, Grad Zagreb Informacije Ime: Max Maximilijan E-mail: [email protected] Ime: Max Prezime: Maximilijan Spol: Muško Datum rođenja: 13 Županija: Zagrebačka županija Grad/Mjesto: Dubrava Adresa: Hondlova Poštanski broj: 100000 Broj mobilnog (091) 562-0029 uređaja: E-mail adresa: [email protected] Detalji oglasa Šifra oglasa: 3434 Naslov oglasa: Mjerač pića za ugostitelje Cijena: 37 HRK Opis: Mjerač pića za ugostitelje Stanje opreme: Novo Dodatne informacije: Mjerač pića za ugostitelje Popis mjerača koja imamo : 1. CHIVAS REGAL 1L 080432400432 2. JAGERMEISTER 1 L 4067700015013 3. VILJAMOVKA Badel 1 L Williams 4. VILJAMOVKA PRIOR Fructal 0,70 L 3838945669580 5. Viljamovka 0,70 Lit VINO ŽUPA 8600133110304 6. Šljivovica Žuta Osa 0,70 Lit. page 1 / 16 UGOSTITELJSKA BURZA http://www.ugostiteljskaburza.hr/ 7. Vodka 1906 1 Lit. 5902573004964 8. Vodka Moskva 1 L 3850129056061 9. VODKA SMIRNOFF 1 L 5410316994026 10. VODKA TROJKA Segestica 1 L 3858889640131 11. VODKA VIGOR 1L 3850112142016 12. Absinthe 0,70 L Black 8413425005628 13. Absinthe blue 0,70 L 8413425010349 14. ABSINTHE Boombar 0,70 L 3859892536039 15. Absinthe Green 0,70 L 8413425005611 16. Absinthe red 0,70 L 8413425005604 17. Vodka Absolut 0,70 Lit. 18. Vodka Absolut 1 Lit. 19. AMARENA Liquer 1L 3859892536077 20. Amaretto Barone 0,70 L 9100000109169 21. AMARETTO DI ANTONIO 8712436103799 22. AMARO 1 L MARASKA Zara 1886 3850158400002 23. AMARO 1L BADEL 1862 3850112111098 24. AMARO 18 ISOLABELLA 0,70 L 8001110017034 25. AMARO 18 ISOLABELLA 1 L 8001110017058 26. AMARO AVERNA 1 L 8000400203799 27. -
See What I Wanna See) (A Major) # # & # C ∑
SEE WHAT I WANNA SEE This score has been downloaded from www.dramatists.comWords and and Music is for perusal by only. Michael John LaChiusa No performance or use of this score is allowed without written authorization Piano/Vocal from Dramatists Play Service, Inc. 0. Opening Michael John LaChiusa Cue 1 Cue 2 Cue 3Ad lib Japanese flute U U j jU œ œ œ œ œ ˙ & c Œ œ œ œ ˙. œ œ œ ˙. Piano > > Rainstick cym. roll f Kabuki blocks Segue U ‹ ‹ U U > > o ? cThis@ score hasŒ Óbeen downloadedŒ Œ Œ ‰ from‹ ‹ f www.dramatists.com and is for perusal only. No performance or use of this score is allowed without written authorization from Dramatists Play Service, Inc. 2005 2 1.Kesa and Morito (Kesa) Michael John LaChiusa # # & # c ∑ ∑ ∑ Moderato This score90 has been downloaded from ? # # Ú # c Œ œ. œ œ œ œ ≈ œ ≈ œ Œ œ. œ œ œ œ ≈ œ ≈ œ Œ œ. œ œ œ œ ≈ œ ≈ œ Piano sensual> > . > > . > > . www.dramatists.comP and is for perusal only. ? ### c Œ. j . Œ. j . œ Œ. j . œ œ w œ œ œ œ œ œ œ ˙ œ œ œ ‰ œ œ œ ˙ œ œ œ > > J . > > . > > > KESA 4 # # No performance or use of this score is & # ∑ ∑ Ó Œ ‰ j Toœ - 4 allowedœ œ œ œ œ withoutœ œ writtenœ œ œ œ œauthorizationœ œ œ œ œ œ œ œ œ ? # # œ. œ œ œ œ œ œ œ. œ œ œ œ œ. œ œ œ œ œ œ # Œ œ. œ œ œ œ ≈ œ ≈œ Œ ≈ œ ≈ œ Œ œ. -
Execs? BILLBOARD INVESTIGATES >P.24 WATCH out DVD! VI I)EO on DEMANI) IS IERI: >P29
SIZZLERS 2005 THE ULTIMATE GUIDE TO HOT SUMMER HITS >P.31 4E.XNCTCC ;^}'. 3-DICIT 90"I IIIIIIIIIYIIIIIIIIIIIIIIII IIIIIIIIII I I II 4eL2408043# APR06 A04 30C38 CCNTY GREENLY 740 ELM AVE # F L7['.G BEACH CA 50807 -34:2 JJ Y FOR MORE THAN 110 YEARS 30 2005 HOT TECH TOYS FOR GIFT SEASON >R26 WHERE AM= THI: 13LACI( ExECS? BILLBOARD INVESTIGATES >P.24 WATCH OUT DVD! VI I)EO ON DEMANI) IS IERI: >P29 66.94JS 68.99CAN 1> i 11 o 1744'0 0255255 UK E5.50, EUROPE 8.95, JAPAN Y2,500 oard. www.billboard.biz www.americanradiohistory.com Your potential. Our passion." playsforsu re Windows Media Choose your music. Choose your device. Know it's going to work. When your device and music service are compatible with each other, all you have to do is choose the music that's compatible with you. Look for the PlaysForSure logo on a wide range of devices and music services. For a complete list go to playsforsure.com C 2005 Microsoft Corporation. Ah rights reserved Microsoft, MSN, the MSN logo. the PlaysForSure logo. the Windows logo, Windows Media, and Your potential. Our passion ' are either registered trademarks or trademarks of Microsoft Corporation in the United States and /or other countries. The names of actual companies and products mentioned herein may be the trademarks of their respective owners. www.americanradiohistory.com BiIlbNnl JULY 30, 2005 VOLUME 117, NO. 31 Sept. 26, San Francisco billboardevents.com ON THE CHARTS [ORI i &II UPFRONT ALBUMS PAGE ARTIST / TIRE R. KELLY / 7 News TOP BILLBOARD 200 44 TP3 RELOADED 14 Making The Brand KRAUSS + UNION STATION/ TOP BLUEGRASS 52 ALISON LONELY RUNS BOTH WAYS 15 The Indies, Retail Track GEORGE THOR0G00D & THE DESTROYERS / TOP BLUES 49 GREATEST HITS: 30 YEARS OF ROCK 16 Retail RELIENT K / 18 TOP CHRISTIAN 57 MMHMM Global GEORGE STRAK / 18 The Publishers' Place TOP COUNTRY 57 SOMEWHERE DOWN IN TEXAS BONNIE MCCLURKIN? 20 Digital Entertainment TOP GOSPEL = 52 PSALMS. -
06-22-2010 Cincinnati Game Notes
Media Relations . Great American Ball Park . 100 Joe Nuxhall Way . Cincinnati, OH 45202 . ramsey.mlblogs.com . reds.com Game 72, Road 32 (15-16) PROBABLE STARTING PITCHERS Cincinnati Reds (38-33) Tue at Oak: RHP Bronson Arroyo (6-3, 4.53) vs LHP Dallas Braden (4-6, 3.78) 700 wlw/fso, 10:07et RHP Bronson Arroyo (6-3, 4.53) Wed at Oak: RHP Johnny Cueto (6-2, 4.30) vs RHP Vin Mazzaro (2-1, 5.22) 700 wlw/mlbn, 3:37et at Thursday: Off day in Cincinnati Oakland Athletics (34-38) Fri vs Cle: RHP Sam LeCure (1-4, 4.50) vs TBA 700wlw/fso, 7:10et LHP Dallas Braden (4-6, 3.78) Sat vs Cle: RHP Aaron Harang (5-7, 5.17) vs RHP Justin Masterson (2-6, 4.87) 700 wlw, 7:10et Tuesday, June 22, 2010 Sun vs Cle: RHP Mike Leake (5-1, 2.92) vs RHP Mitch Talbot (7-5, 4.21, +tonite at Phi) 700 wlw/fso, 1:10et Oak-Alameda County Coliseum RED HOTS Interleague Play Major League Baseball's 14th season of interleague play continues for the Reds this week...their interleague National League Central Standings schedule concludes with a home series vs Cle this upcoming weekend...all-time vs AL teams, the Reds are 87-110 Team W L Pct. GA/B (.442), including 4-6 this season (2-1 at Cle, 1-2 vs KC, 0-3 at Sea, 1-0 at Oak)...only 3 times in the previous 13 Cardinals 38 31 .551 - seasons has Cin produced a winning record in interleague play (9-6 in 1997, 7-5 in 2003, 9-6 in 2008)...the Reds' Reds 38 33 .535 -1.0 all-time results vs AL teams can be found on page 305 of the media guide. -
Tony Award® Winners, Nominees and Critically Acclaimed Actresses Join Loretta Swit in Love, Loss, and What I Wore
For Immediate Release: June 5, 2012 Media Contact: Steph Gray, Public Relations Coordinator 941.351.9010 ext. 4800; [email protected] Tony Award® Winners, Nominees and Critically Acclaimed Actresses join Loretta Swit in Love, Loss, and What I Wore (SARASOTA, Fla.)- Asolo Rep is proud to announce the full cast of the Ephron Sisters’ Love, Loss, and What I Wore, opening June 22nd in the Mertz theatre. Joining Emmy® Award winner Loretta Swit on stage is Tony Award® winner Donna McKecknie, two-time Tony Award® nominee Mary Testa, Love, Loss, and What I Wore veteran Roni Geva, and New York actor and director Rosalyn Coleman. Swit, McKechnie, Testa, and Geva have all been previously featured in Love, Loss, and What I Wore. This will be Coleman’s first time with the production. McKechnie earned her Tony Award® by originating the role of “Cassie” in A Chorus Line and has been featured in Broadway productions of How to Succeed in Business Without Really Trying and Company. Broadway audiences will recognize Testa from her Tony® nominated performance in 42nd Street, Xanadu, and Chicago. Geva is an avid performer in Chicago and was featured in Broadway in Chicago’s performance of Love, Loss, and What I Wore. New York actress and director Coleman’s Broadway credits include Seven Guitars, Radio Golf and Angela Bassett’s understudy in The Mountaintop, opposite Samuel L. Jackson. The five actresses will present 28 hilarious and poignant vignettes about life’s journey and the clothes we wear along the way. From purses and prom dresses, bra fittings, what was I thinking? purchases and struggles with our mothers; connections are drawn between what we wear and who we are. -
Razorcake Issue #25 As A
ot too long ago, I went to visit some relatives back in Radon, the Bassholes, or Teengenerate, during every spare moment of Alabama. At first, everybody just asked me how I was my time, even at 3 A.M., was often the only thing that made me feel N doing, how I liked it out in California, why I’m not mar- like I could make something positive out of my life and not just spend N it mopping floors. ried yet, that sort of thing. You know, just the usual small talk ques- tions that people feel compelled to ask, not because they’re really For a long time, records, particularly punk rock records, were my interested but because they’ll feel rude if they don’t. Later on in the only tether to any semblance of hope. Growing up, I was always out of day, my aunt started talking to me about Razorcake, and at one point place even among people who were sort of into the same things as me. she asked me if I got benefits. It’s probably a pretty lame thing to say, but sitting in my room listen- I figured that it was pretty safe to assume that she didn’t mean free ing to Dillinger Four or Panthro UK United 13 was probably the only records and the occasional pizza. “You mean like health insurance?” time that I ever felt like I wasn’t alone. “Yeah,” she said. “Paid vacation, sick days, all that stuff. But listening to music is kind of an abstract.