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756 La Carga Ciclo de Otoño 2020 Sesión 774 Teatro Apolo lafactoria-almeria.com facebook.com/factoriaVO35 [email protected] La Strada una película de Federico Fellini Ficha Título La strada original Dirección Federico Guión Federico Fellini Productora Ponti de Laurentiis Fellini Ennio Flaiano Tullio Pinelli Montaje Nino Baragli Fotografía Otello Martelli Música Nino Rota País Italia Año 1954 Duración 103 minutos Idioma Italiano Estreno 21 abril 1957 Calificación Mayores de 12 años en España Reparto Anthony Quinn, Giulietta Masina, Richard Basehart, Aldo Silvani, Marcella Rovere, Livia Venturini Sinopsis Una niña sin preocupaciones es vendida a un artista ambulante, y sufre física y emocionalmente este cambio de circunstancias. Premios 1956: Oscar: Mejor película de habla no inglesa. 2 nominaciones 1956: Círculo de Críticos de Nueva York: Mejor película extranjera 1956: National Board of Review: Top mejores películas extranjeras 1955: Premios BAFTA: Nominada a mejor película y actriz extranjera (Masina) 1954: Festival de Venecia: León de Plata (mejor director) 2020 La Factoría-Almería Federico Fellini (Italia,1920) fue un director de cine y guionista italiano; considerado el cineasta de la posguerra más importante de su país a nivel mundial. Ganador de cuatro premios Óscar a la mejor película extranjera, en 1993 fue galardonado con un Óscar honorífico por su carrera. A lo largo de su carrera dio vida a personajes y escenas que se han incorporado al imaginario colectivo cinematográfico. De sí mismo decía que era «un artesano que no tiene nada que decir, pero sabe cómo decirlo».3 Más allá de los aportes estéticos de su obra en general, y esos personajes y ambientes extraños a los que se han etiquetados como «fellinezcos», una de sus películas, La Dolce Vita, tiene un impacto palpable y duradero en la cultura internacional al dar nombre a la figura de los paparazzi, esto basado en el nombre de uno de sus protagonistas, Paparazzo. “Edificios herrumbrosos con maderas gastadas e invadidos por polvo de ladrillo (y yeso) son el escenario de esta singular obra de Fellini. “La strada” bien lleva su nombre por el espectáculo itinerante que Zampanó (Anthony Quinn) monta a cuestas de su triciclo motorizado y exhibe por toda Italia. Este hombre de rústico trato vuelve al pueblo de Rosa, su mujer fallecida, para pedirle a la madre de esta que le venda a su otra hija Gelsomina (Giulietta Masina) por diez mil liras. Como pasaban penurias por su pobreza, la mujer acepta para darle de comer al resto de sus hijos. Suele tildarse erróneamente a “La strada” como parte del movimiento neorrealista italiano por exhibir la situación social de la Italia de Posguerra. La película no es un muestrario objetivo de aquella realidad triste y sangrante, sino, más bien, de la realidad que proviene de las ensoñaciones poéticas de Fellini. Entonces, la desolación que emana la cinta no la proyectan los edificios en ruinas y la condición de vida de los italianos desclasados, su verdadero núcleo surge de la relación que ambos protagonistas tienen con ese mundo, entre sí y consigo mismos. La bondad e ingenuidad de Gelsomina y la fuerza bruta y egoísmo de Zampanó son, a la vez, los motores que permeabilizan sus experiencias y las barreras que les impiden congeniar. Sin embargo, aunque la hosquedad del protagonista y la alegría de su compañera los hagan pelear indefinidamente, ellos conviven porque se necesitan. La soledad de Zampanó es más grande que su ego, siempre rudo y pendenciero no puede dejar ir a Gelsomina cuando ella se harta de él. Ahora, ella -que tiene una indudable gestualidad y gracia chaplinescas- tiene oportunidades para dejar de padecer el mal genio de Zampanó, pero se queda por todo lo que aprendió gracias a él. Es evidente, la afección mutua existe, entreverada en sus discusiones, pero existe: sus emociones como burbujas salen de su interior y explotan en minúsculos gestos. Tanto camino recorrido no en vano genera en ellos un vínculo movilizador. Con “La Strada” Fellini logró el reconocimiento del público y de la crítica a nivel internacional. Ganó el Oscar a Mejor película de habla no inglesa y se alzó con el León de Plata en el Festival de Venecia. Incluso, la Asociación de cronistas de la Argentina (ACCA) la premió como Mejor Película Extranjera. Con el paso del tiempo las premiaciones tan solo se vuelven una anécdota, pero, no obstante, “La Strada” en la actualidad no solo es una de las mejores películas de Fellini o de la cinematografía italiana, es considerada una de las más grandes filmadas en la historia del cine.” *Extraído de Cinefilioserial 2020 La Factoría-Almería.
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