Councilmembers Seek Renomination. 2Nd Ward Contest
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The John and Anna Gillespie Papers an Inventory of Holdings at the American Music Research Center
The John and Anna Gillespie papers An inventory of holdings at the American Music Research Center American Music Research Center, University of Colorado at Boulder The John and Anna Gillespie papers Descriptive summary ID COU-AMRC-37 Title John and Anna Gillespie papers Date(s) Creator(s) Repository The American Music Research Center University of Colorado at Boulder 288 UCB Boulder, CO 80309 Location Housed in the American Music Research Center Physical Description 48 linear feet Scope and Contents Papers of John E. "Jack" Gillespie (1921—2003), Professor of music, University of California at Santa Barbara, author, musicologist and organist, including more than five thousand pieces of photocopied sheet music collected by Dr. Gillespie and his wife Anna Gillespie, used for researching their Bibliography of Nineteenth Century American Piano Music. Administrative Information Arrangement Sheet music arranged alphabetically by composer and then by title Access Open Publication Rights All requests for permission to publish or quote from manuscripts must be submitted in writing to the American Music Research Center. Preferred Citation [Identification of item], John and Anna Gillespie papers, University of Colorado, Boulder Index Terms Access points related to this collection: Corporate names American Music Research Center - Page 2 - The John and Anna Gillespie papers Detailed Description Bibliography of Nineteenth-Century American Piano Music Music for Solo Piano Box Folder 1 1 Alden-Ambrose 1 2 Anderson-Ayers 1 3 Baerman-Barnes 2 1 Homer N. Bartlett 2 2 Homer N. Bartlett 2 3 W.K. Bassford 2 4 H.H. Amy Beach 3 1 John Beach-Arthur Bergh 3 2 Blind Tom 3 3 Arthur Bird-Henry R. -
Volume 65, Number 08 (August 1947) James Francis Cooke
Gardner-Webb University Digital Commons @ Gardner-Webb University The tudeE Magazine: 1883-1957 John R. Dover Memorial Library 8-1-1947 Volume 65, Number 08 (August 1947) James Francis Cooke Follow this and additional works at: https://digitalcommons.gardner-webb.edu/etude Part of the Composition Commons, Music Pedagogy Commons, and the Music Performance Commons Recommended Citation Cooke, James Francis. "Volume 65, Number 08 (August 1947)." , (1947). https://digitalcommons.gardner-webb.edu/etude/181 This Book is brought to you for free and open access by the John R. Dover Memorial Library at Digital Commons @ Gardner-Webb University. It has been accepted for inclusion in The tudeE Magazine: 1883-1957 by an authorized administrator of Digital Commons @ Gardner-Webb University. For more information, please contact [email protected]. XUQfr JNftr o 10 I s vation Army Band, has retired, after an AARON COPLAND’S Third Symphony unbroken record of sixty-four years’ serv- and Ernest Bloch’s Second Quartet have ice as Bandmaster in the Salvation Army. won the Award of the Music Critics Cir- cle of New York as the outstanding music American orchestral and chamber THE SALZBURG FESTI- BEGINNERS heard for the first time in New York VAL, which opened on PIANO during the past season. YOUNG July 31, witnessed an im- FOB portant break with tra- JOHN ALDEN CARPEN- dition when on August TER, widely known con- 6 the world premiere of KEYBOARD TOWN temporary American Gottfried von Einem’s composer, has been opera, “Danton’s Tod,” By Louise Robyn awarded the 1947 Gold was produced. -
Native American Elements in Piano Repertoire by the Indianist And
NATIVE AMERICAN ELEMENTS IN PIANO REPERTOIRE BY THE INDIANIST AND PRESENT-DAY NATIVE AMERICAN COMPOSERS Lisa Cheryl Thomas, B.M.E., M.M. Dissertation Prepared for the Degree of DOCTOR OF MUSICAL ARTS UNIVERSITY OF NORTH TEXAS May 2010 APPROVED: Adam Wodnicki, Major Professor Steven Friedson, Minor Professor Joseph Banowetz, Committee Member Jesse Eschbach, Chair of the Division of Keyboard Studies Graham Phipps, Director of Graduate Studies in the College of Music James C. Scott, Dean of the College of Music Michael Monticino, Dean of the Robert B. Toulouse School of Graduate Studies Thomas, Lisa Cheryl. Native American Elements in Piano Repertoire by the Indianist and Present-Day Native American Composers. Doctor of Musical Arts (Performance), May 2010, 78 pp., 25 musical examples, 6 illustrations, references, 66 titles. My paper defines and analyzes the use of Native American elements in classical piano repertoire that has been composed based on Native American tribal melodies, rhythms, and motifs. First, a historical background and survey of scholarly transcriptions of many tribal melodies, in chapter 1, explains the interest generated in American indigenous music by music scholars and composers. Chapter 2 defines and illustrates prominent Native American musical elements. Chapter 3 outlines the timing of seven factors that led to the beginning of a truly American concert idiom, music based on its own indigenous folk material. Chapter 4 analyzes examples of Native American inspired piano repertoire by the “Indianist” composers between 1890-1920 and other composers known primarily as “mainstream” composers. Chapter 5 proves that the interest in Native American elements as compositional material did not die out with the end of the “Indianist” movement around 1920, but has enjoyed a new creative activity in the area called “Classical Native” by current day Native American composers. -
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California Letters of Lucius Fairchild
California letters of Lucius Fairchild PUBLICATIONS OF THE STATE HISTORICAL SOCIETY OF WISCONSIN EDITED BY JOSEPH SCHAFER SUPERINTENDENT OF THE SOCIETY CALIFORNIA LETTERS OF LUCIUS FAIRCHILD WISCONSIN HISTORICAL PUBLICATIONS COLLECTIONS VOLUME XXXI SARGENT's PORTRAIT OF GENERAL LUCIUS FAIRCHILD (Original in the State Historical Museum, Madison) CONSIN HISTORICAL PUBLICATIONS COLLECTIONS VOLUME XXXI CALIFORNIA LETTERS OF LUCIUS FAIRCHILD EDITED WITH NOTES AND INTRODUCTION BY JOSEPH SCHAFER SUPERINTENDENT OF THE STATE HISTORICAL SOCIETY OF WISCONSIN PUBLISHED BY THE STATE HISTORICAL SOCIETY OF WISCONSIN MADISON, 1931 COPYRIGHT, 1931, BY THE STATE HISTORICAL SOCIETY OF WISCONSIN California letters of Lucius Fairchild http://www.loc.gov/resource/calbk.004 THE ANTES PRESS EVANSVILLE, WISCONSIN v INTRODUCTION The letters herewith presented have a two-fold significance. On the one hand, as readers will be quick to discern, they constitute a new and vivid commentary upon the perennially interesting history of the gold rush and life in the California mines. To be sure their author, like nearly all of those upon whose narratives our knowledge of conditions in the gulches and on the river bars of the Golden State depends, wrote as an eager gold seeker busily panning, rocking, or sluicing the sands of some hundred foot mining claim. His picture of California, at any given moment, had to be generalized, so to speak, from the “color” at the bottom of his testing pan. His particular camp, company, or environmental coup symbolized for him the prevailing conditions social, economic, and moral. While this was inevitable, it was by no means a misfortune, for a certain uniformity prevailed throughout the mining field and the witness who by intensive living gained a true insight into a given unit had qualifications for interpreting the entire gold digging society. -
Doctor of Musical Arts
In the Fingertips: A Discussion of Stravinsky’s Violin Writing in His Ballet Transcriptions for Violin and Piano A document submitted to the Graduate school of the University of Cincinnati in partial fulfillment of the requirements for the degree of DOCTOR OF MUSICAL ARTS in the Division of Performance Studies of the College-Conservatory of Music May 2012 by Kuan-Chang Tu B.F.A. Taipei National University of the Arts, 2001 M.M., University of Cincinnati, College-Conservatory of Music, 2005 Advisor: Piotr Milewski, D.M.A. Abstract Igor Stravinsky always embraced the opportunity to cast his music in a different light. This is nowhere more evident than in the nine pieces for violin and piano extracted from his early ballets. In the 1920s, the composer rendered three of these himself; in the 1930s, he collaborated on five of them with Polish-American violinist Samuel Dushkin; and in 1947, he wrote his final one for French violinist Jeanne Gautier. In the process, Stravinsky took an approach that deviated from traditional recasting. Instead of writing thoroughly playable music, Stravinsky chose to recreate in the spirit of the instrument, and the results are mixed. The three transcriptions from the 1920s are extremely awkward and difficult to play, and thus rarely performed. The six later transcriptions, by contrast, apply much more logically to the instrument and remain popular in the violin literature. While the history of these transcriptions is fascinating and vital for a fuller understanding, this document has a more pedagogical aim. That is, it intends to use Stravinsky and these transcriptions as guidance and advice for future composers who write or arrange for the violin. -
Ne\\- Society Initiates to Wear Flowers American Soprano Will Sing Concert at First Wellesley
elleGtcn «allege News XLV 2 3 1 1 WELLESLEY, MASS., OCTOBER 16, 1941 No. 4 Ne\\- Society Mr s. Vera M. Dean Mr. Hogan 'fo Give American Soprano Will Sing Initiates To T o Give Lectures Econo1nic Report At First Wellesley Concert In History Forum Professor Will Comment Wear Flowers An objective view of the strate On Industr ial Future Mme. Helen Traube! P lans gic points of the world situation Of New England Recital of Classics, Six Societies Give Roses will be presented by the History "Will New England lose the Spiritual Songs To Newest Members From Department in the form of a His woolen and worsted industries in Familiar to all members of the tory Forum, October 27, 28, and 29, the post-war period?" is the ques musical world, Mme. Helen Trau Classes of 1942-1343 be! will sing for her first Welles under the leadership of Mrs. Vera tion which Mr . John Hogan, New members of Vlellesley's six Professor of Labor Economics at ley audience at 8:30 p.m. this eve societies r eceived early this morn Micheles Dean, director of the Radcliffe College will answer at the ning in Alumnae Hall at the ini ing roses signifying their election, Foreign Policy Association research Economics Department dinner, Oc tial concert of the college series. along with a picture of their society department and editor of its pub tober 21, at 6 :30 p. m . in the small Mme. Traubel, who made her debut two years ago in New York, is a house and their society "family lications. -
Career Networking Directory
CAREER NETWORKING DIRECTORY ACCESSORIES HEFFERN,Acquisition Mgmt MAJ Thomas Vernon; VA OELRICH, Michael Howard; FL NORRIS, Jeffery (Jeff) David; NE AMOS, John (Rudy) Rudolph; VA HESSON,Acquisition Mgmt Thomas Bennett; GA OSTLUND,Aeronautics Isaac Graham; FL O’NEIL,Airline Kevin (K C) Christopher; MD ANDREWS,Attorney/lawyer Jackson (Jack) Montgom- BERTSCH, MAJ Matthew James; AE STUBBS,Acquisition Mgmt Michael (Spike) Timothy; VA PELOQUIN,Aeronautics Keith Andrew; FL OLIVER,Airline Cmdr. Shawn Preston; VA ery IV; KY Accessories JOHNSON, James (Jim) Roland; GA TROSSBACH,Acquisition Mgmt John (Jack) Mattison ROCHA,Aeronautics MAJ Paulo Heinzelmann; OK PEEDERS,Airline Hans Christopher; MD ARNAIZ,Attorney/lawyer Jeremy Ouano; CA Accessories MCLEAN, Mark Vitter; FL Jr.; FL RUSH,Aeronautics Bruce Arthur; VA PEELE,Airline LTC Clarke (Frog); AZ BALASSA,Attorney/lawyer Paul Cipriano; MD Accessories WILLIAMS,Acquisition Mgmt Alexander Garth; VA WORMAN,Aeronautics Wayne Edward; NJ PHILLIPS,Airline Glenn Paul; CA BARRA,Attorney/lawyer Joseph (Joe) Anthony; MA ACCOUNTING WILLIAMS,Acquisition Mgmt George Bruce; VA Aeronautics PILEGGI,Airline MAJ Anthony (Tony); MD BAUER,Attorney/lawyer Fred L.; VA Acquisition Mgmt AGRICULTURE ROSE,Airline Kim Newton; WA BAUMGARDNER,Attorney/lawyer Douglas (Doug) BARNUM, Patrick (PT) Hansen; VA Airline Kirkwood; VA Accounting ADMINISTRATION SMITH, Thomas (Tommy) Albert; TX BARROW, Wesley (Wes) Allen; VA BAGBY, Cmdr. James (Jim) Lovelace Airline Attorney/lawyer Accounting TEU, Michael (Mike) David; VA BEALL, Clarence (Buddy) William III; BEYER, Christopher Allen; VA ARCHER, CPT John-Michael Bentle; Jr.; SC Airline Accounting THOMAS, Stephen (Steve) Bennett; MD Agriculture BRANKAMP, Adam Michael; OH PA BATTS, Claude Terrence; NC Attorney/lawyer Accounting FL BERKHIMER, Kirk David P.E.; VA Administration Agriculture BREWSTER, Thomas Allen; MI ARTHUR, William Kip; VA BOND, Daniel III; TX Airline Attorney/lawyer Accounting TRIDER, Marc William; MD BERRY, William (Bill) Godwin; CA Administration Agriculture BROWN, Ernest (Butch) Leland; GA BOLT, Capt. -
Toccata Classics TOCC 0126 Notes
ARTHUR FARWELL: PIANO MUSIC, VOLUME ONE by Lisa Cheryl Thomas ‘he evil that men do lives ater them’, says Mark Antony in Shakespeare’s Julius Caesar; ‘he good is ot interred with their bones.’ Luckily, that isn’t true of composers: Schubert’s bones had been in the ground for over six decades when the young Arthur Farwell, studying electrical engineering at the Massachusetts Institute of Technology, heard the ‘Uninished’ Symphony for the irst time and decided that he was going to be not an engineer but a composer. Farwell, born in St Paul, Minnesota, on 23 March 1872,1 was already an accomplished musician: he had learned the violin as a child and oten performed in a duo with his pianist elder brother Sidney, in public as well as at home; indeed, he supported himself at college by playing in a sextet. His encounter with Schubert proved detrimental to his engineering studies – he had to take remedial classes in the summer to be able to pass his exams and graduated in 1893 – but his musical awareness expanded rapidly, not least through his friendship with an eccentric Boston violin prodigy, Rudolph Rheinwald Gott, and frequent attendance at Boston Symphony Orchestra concerts (as P a ‘standee’: he couldn’t aford a seat). Charles Whiteield Chadwick (1854–1931), one of the most prominent of the New England school of composers, ofered compositional advice, suggesting, too, that Farwell learn to play the piano as soon as possible. Edward MacDowell (1860–1908), perhaps the leading American Romantic composer of the time, looked over his work from time to time – Farwell’s inances forbade regular study with such an eminent igure, but he could aford counterpoint lessons with the organist Homer Albert Norris (1860–1920), who had studied in Paris with Dubois, Gigout and Guilmant, and piano lessons with homas P. -
DAVID ABBOTT Tank Abbott RICHARD ACELINGER
DAVID ABBOTT Tank Abbott RICHARD ACELINGER Richard Slinger ANGEL ACEVEDO Cuban Assassin GABRIEL ACOCELLA Jack Britton DONNA ADAMO Elektra BROOKE ADAMS Brooke (ECW) BRYAN ADAMS Crush CHRIS ADAMS Gentleman Chris Adams Masked Avenger TONI ADAMS Nancy Simpson Toni the Tigress JOSH ADAMSON Johnny Spade DON ADELBERG Don E. Allen JONAH ADELMAN Jonah JOSEPH ADKINS Malachi STEVEN ADKINS Seth Skyfire CHRIS ADKISSON Chris Von Erich DAVID ADKISSON David Von Erich JACK ADKISSON Fritz Von Erich KERRY ADKISSON Texas Tornado Kerry Von Erich KEVIN ADKISSON Kevin Von Erich LACEY ADKISSON Lacy Von Erich MIKE ADKISSON Mike Von Erich MILTON ADOMO El Nene RICHARD AFFLIS Dick the Bruiser FRANCISCO AGUAYO Charro Aguayo PEDRO AGUAYO Perro Aguayo AARON AGUILERA Jesus Aguilera Hardkore Kid Conquistador Uno JASON AHRNDT Venom Joey Abs SUSAN AITCHISON Duchess of Queensberry TAKESHI AKABANE Little Tokyo SHOJI AKIYOSHI Coolie S.Z. Punish Jado LOUIS ALBANO Captain Lou Albano ACHIM ALBRECHT Brakus BRENT ALBRIGHT Gunner Scott GARY ALBRIGHT Gary Albright Volkan Singh BEN ALCORN Dudeman NICK ALDIS Brutus Magnus MODESTO ALEDO Kamikaze MICHELLE ALEXANDER Michelle McCool MICHAEL ALFONSO Mike Awesome That 70's Guy KAZEM ALI Armando Alejandro Estrada JEFFERSON ALLEN Nikita Allenov RICK ALLEN Sonny Beach TERRY ALLEN Magnum T.A. MICHAEL ALTIERI Mikey Batts AL AMEZCUA Golden Terror ALFONSO AMEZOUA Alfonso Dantes CHAE AN Nitro Girl Chae ANDY ANDERSON Andy Anderson BILL ANDERSON Bill Laster CHIQUITA ANDERSON Nitro Girl Chiquita EUGENE ANDERSON Gene Anderson KEN ANDERSON Ken Kennedy MELISSA ANDERSON Raisha Saeed RANDY ANDERSON Randy "Pee Wee" Anderson WCW Referee ERIC ANGLE Eric Angle KURT ANGLE Kurt Angle TED ANNIS Teddy Hart ARTHUR ANOIA Wild Samoan Afa ARTHUR ANOIA JR. -
September 1936) James Francis Cooke
Gardner-Webb University Digital Commons @ Gardner-Webb University The tudeE Magazine: 1883-1957 John R. Dover Memorial Library 9-1-1936 Volume 54, Number 09 (September 1936) James Francis Cooke Follow this and additional works at: https://digitalcommons.gardner-webb.edu/etude Part of the Composition Commons, Ethnomusicology Commons, Fine Arts Commons, History Commons, Liturgy and Worship Commons, Music Education Commons, Musicology Commons, Music Pedagogy Commons, Music Performance Commons, Music Practice Commons, and the Music Theory Commons Recommended Citation Cooke, James Francis. "Volume 54, Number 09 (September 1936)." , (1936). https://digitalcommons.gardner-webb.edu/etude/848 This Book is brought to you for free and open access by the John R. Dover Memorial Library at Digital Commons @ Gardner-Webb University. It has been accepted for inclusion in The tudeE Magazine: 1883-1957 by an authorized administrator of Digital Commons @ Gardner-Webb University. For more information, please contact [email protected]. THE ETUDE <^hCusic (JXCagazine September 1936 Price 25 Cents NEW DITSON PUBLICATIONS For Your Convenience PIANO METHODS AND STUDY BOOKS when you want to discover a song FOR PRE-SCHOOL, PRIVATE OR CLASS INSTRUCTION that truly appeals THE THE EIGHT CHORDAL JCet us send you a Free copy ROBYN HARMONY ATTACKS of either one or both of In the Publications of The John Church Co. these booklets— BOOK ONE BOOK TWO WITH ILLUSTRATIVE PIECES by There Are Works of Unusual Interest to Contains liberal by music portions of ex¬ cellent songs by such LOUISE ROBYN and HOWARD HANKS PIANO TEACHERS composers as CHAS. GILBERT SPROSS, BERNARD WAGNESS MELODY PICTURES DAILY EXERCISES MANA-ZUCCA, Songs for HigkVoic 75 cents each FINGER PLAYS OLEY SPEAKS, By JESSIE L. -
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