September 1936) James Francis Cooke
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Oregon Cultural Trust fy2011 annual report fy2011 annual report 1 Contents Oregon Cultural Trust fy2011 annual report 4 Funds: fy2011 permanent fund, revenue and expenditures Cover photos, 6–7 A network of cultural coalitions fosters cultural participation clockwise from top left: Dancer Jonathan Krebs of BodyVox Dance; Vital collaborators – five statewide cultural agencies artist Scott Wayne 8–9 Indiana’s Horse Project on the streets of Portland; the Museum of 10–16 Cultural Development Grants Contemporary Craft, Portland; the historic Astoria Column. Oregonians drive culture Photographs by 19 Tatiana Wills. 20–39 Over 11,000 individuals contributed to the Trust in fy2011 oregon cultural trust board of directors Norm Smith, Chair, Roseburg Lyn Hennion, Vice Chair, Jacksonville Walter Frankel, Secretary/Treasurer, Corvallis Pamela Hulse Andrews, Bend Kathy Deggendorfer, Sisters Nick Fish, Portland Jon Kruse, Portland Heidi McBride, Portland Bob Speltz, Portland John Tess, Portland Lee Weinstein, The Dalles Rep. Margaret Doherty, House District 35, Tigard Senator Jackie Dingfelder, Senate District 23, Portland special advisors Howard Lavine, Portland Charlie Walker, Neskowin Virginia Willard, Portland 2 oregon cultural trust December 2011 To the supporters and partners of the Oregon Cultural Trust: Culture continues to make a difference in Oregon – activating communities, simulating the economy and inspiring us. The Cultural Trust is an important statewide partner to Oregon’s cultural groups, artists and scholars, and cultural coalitions in every county of our vast state. We are pleased to share a summary of our Fiscal Year 2011 (July 1, 2010 – June 30, 2011) activity – full of accomplishment. The Cultural Trust’s work is possible only with your support and we are pleased to report on your investments in Oregon culture. -
Wallingford Riegger
WALLINGFORD RIEGGER: Romanza — Music for Orchestra Alfredo Antonini conducting the Orchestra of the “Accademia Nazionale di Santa Cecilia-Roma” Dance Rhythms Alfredo Antonini conducting the Oslo Philharmonic Orchestra THIS RELEASE is but further evidence of the growing and gratifying tendency of recent years to recognize Wallingford Riegger as one of the leading and most influential figures in twentieth century American composition, in fact as the dean of American composers. Herbert Elwell, music critic of the Cleveland Plain Dealer, said it in April, 1956: “I am coming more and more to the conclusion that it is Riegger who has been the real leader and pathfinder in contemporary American music . not only a master of his craft but in some ways a prophet and a seer.” In the same month, in Musical America, Robert Sabin wrote: “I firmly believe that his work will outlast that of many an American composer who has enjoyed far greater momentary fame.” Riegger was born in Albany, Georgia, on April 29, 1885. Both his parents were amateur musicians and were determined to encourage their children in musical study. When the family moved to New York in 1900, the young Wallingford was enrolled at the Institute of Musical Art where he studied the cello and composition. Graduating from there in 1907 Riegger then went to Germany to study at the Hochschule für Musik in Berlin with Max Bruch. In 1915-1916 he conducted opera in Würzburg and Königsberg and the following season he led the Blüthner Orchestra in Berlin. Since his return to the United States in 1917, he has been active in many phases of our musical life. -
EXTENSIONS of REMARKS March 24, 1970 PUBLIC BILLS and RESOLUTIONS of Explosives; to the Committee on the by Mr
9194 EXTENSIONS OF REMARKS March 24, 1970 PUBLIC BILLS AND RESOLUTIONS of explosives; to the Committee on the By Mr. WHALLEY: Judiciary. H.R. 16640. A bill to provide for the is Under clause 4 of rule XXII, public H .R. 16631. A bill to amend the Internal suance of a special postage stamp in memory bills and resolutions were introduced and Revenue Code of 1954 by imposing a tax on of Ernie Pyle; to the Committee on Post severally referred as follows: the transfer of explosives to persons who Office and Civil Service. By Mr. BEVILL (for himself, Mr. may lawfully possess them and to prohibit By Mr. WIDNALL: ANDREWS of Alabama, Mr. BUCHANAN, possession of explosives by certain persons; H.R. 16641. A bill to provide for a U.S. Mr. EDWARDS of Alabama, Mr. to the Committee on Ways and Means. contribution to the Special Funds of the NICHOLS, and Mr. FLOWERS) : By Mr. RHODES (for himself, Mr. Mc Asian Development Bank, and for other H .R. 16620. A bill to amend section 32 (e) CULLOCH, Mr. GooDLING, Mr. Lu purposes; to the Committee on Banking and of title III of the Bankhead-Janes Farm KENS, Mr. MIZE, Mr. RoBISON, and Currency. Tenant Act, as amended, to authorize the Mr. STEIGER of· Arizona): H.R. 16642. A bill to create a Federal Home Secretary of Agriculture to furnish financial H.R. 16632. A bill to provide for the estab Loan Mortgage Corporation, and for other assistance in carrying out pla.ns for works lishment of a U.S. -
The John and Anna Gillespie Papers an Inventory of Holdings at the American Music Research Center
The John and Anna Gillespie papers An inventory of holdings at the American Music Research Center American Music Research Center, University of Colorado at Boulder The John and Anna Gillespie papers Descriptive summary ID COU-AMRC-37 Title John and Anna Gillespie papers Date(s) Creator(s) Repository The American Music Research Center University of Colorado at Boulder 288 UCB Boulder, CO 80309 Location Housed in the American Music Research Center Physical Description 48 linear feet Scope and Contents Papers of John E. "Jack" Gillespie (1921—2003), Professor of music, University of California at Santa Barbara, author, musicologist and organist, including more than five thousand pieces of photocopied sheet music collected by Dr. Gillespie and his wife Anna Gillespie, used for researching their Bibliography of Nineteenth Century American Piano Music. Administrative Information Arrangement Sheet music arranged alphabetically by composer and then by title Access Open Publication Rights All requests for permission to publish or quote from manuscripts must be submitted in writing to the American Music Research Center. Preferred Citation [Identification of item], John and Anna Gillespie papers, University of Colorado, Boulder Index Terms Access points related to this collection: Corporate names American Music Research Center - Page 2 - The John and Anna Gillespie papers Detailed Description Bibliography of Nineteenth-Century American Piano Music Music for Solo Piano Box Folder 1 1 Alden-Ambrose 1 2 Anderson-Ayers 1 3 Baerman-Barnes 2 1 Homer N. Bartlett 2 2 Homer N. Bartlett 2 3 W.K. Bassford 2 4 H.H. Amy Beach 3 1 John Beach-Arthur Bergh 3 2 Blind Tom 3 3 Arthur Bird-Henry R. -
Giuseppe Verdi
Giuseppe Verdi Rigoletto Libretto: Francesco Maria Piave Literarische Vorlage: Victor Hugo: Le roi s’amuse Ort und Zeit der Handlung: 16. Jahrhundert in Mantua, Italien Uraufführung: 11. März 1851 im Teatro La Fenice, Venedig Medien der Stadtbibliothek – Ebene Musik zusammengestellt von Jasmin Salzer Stand Mai 2015 Stadtbibliothek Stuttgart Mailänder Platz 1 70173 Stuttgart +49 (0) 711/216-91100 Öffnungszeiten Montag bis Samstag 9 bis 21 Uhr Allgemeine Informationen zur Oper – online http://www.opera-guide.ch/opera.php?id=394&uilang=de http://www.operone.de/opern/rigoletto.html Libretto Online: http://www.opera-guide.ch/opera.php?id=394&uilang=de Verdi, Giuseppe: Rigoletto : Melodramma in tre atti. Oper in drei Akten. Textbuch italienisch - deutsch / Übers. von Elena Sterbini. Nachwort von Albert Gier. - Stuttgart : Reclam, 1998. - 119 S. - (Universal-Bibliothek ; Nr. 9704) ISBN 3-15-009704-5 Systematik: Sbt 2 Ver (1.OGC34) Literatur über Giuseppe Verdi bzw. sein Opernwerk: Brandenburg, Daniel: Verdi, Rigoletto. - Kassel : Bärenreiter, 2012. - 135 S. (Opernführer kompakt) ISBN 978-3-7618-2225-8 Systematik: Sbm 82 Verdi, G. Bra (1.OGC36) Henze-Döhring, Sabine: Verdis Opern : ein musikalischer Werkführer. - Orig.-Ausg. - München : Beck, 2013. - 128 S. - (Beck'sche Reihe ; 2221 : Wissen - Musik) ISBN 978-3-406-64606-5 Systematik: Sbm 82 Verdi, G. Hen (1.OGC36) Schwandt, Christoph: Giuseppe Verdi : die Biographie. - Aktualisierte Neuausg., 1. Aufl. - Frankfurt am Main : Insel-Verl., 2013. - 303 S. (Insel-Taschenbuch ; 4211) ISBN 978-3-458-35911-1 Systematik: Sbm 82 Verdi, G. Schwa (1.OGC38) Stegemann, Benedikt: Orpheus [Hörbuch] : der klingende Opernführer / Sprecher: Peter Lerchbaumer. - München : Ricordi, 2007 Bd. -
Staged Treasures
Italian opera. Staged treasures. Gaetano Donizetti, Giuseppe Verdi, Giacomo Puccini and Gioacchino Rossini © HNH International Ltd CATALOGUE # COMPOSER TITLE FEATURED ARTISTS FORMAT UPC Naxos Itxaro Mentxaka, Sondra Radvanovsky, Silvia Vázquez, Soprano / 2.110270 Arturo Chacon-Cruz, Plácido Domingo, Tenor / Roberto Accurso, DVD ALFANO, Franco Carmelo Corrado Caruso, Rodney Gilfry, Baritone / Juan Jose 7 47313 52705 2 Cyrano de Bergerac (1875–1954) Navarro Bass-baritone / Javier Franco, Nahuel di Pierro, Miguel Sola, Bass / Valencia Regional Government Choir / NBD0005 Valencian Community Orchestra / Patrick Fournillier Blu-ray 7 30099 00056 7 Silvia Dalla Benetta, Soprano / Maxim Mironov, Gheorghe Vlad, Tenor / Luca Dall’Amico, Zong Shi, Bass / Vittorio Prato, Baritone / 8.660417-18 Bianca e Gernando 2 Discs Marina Viotti, Mar Campo, Mezzo-soprano / Poznan Camerata Bach 7 30099 04177 5 Choir / Virtuosi Brunensis / Antonino Fogliani 8.550605 Favourite Soprano Arias Luba Orgonášová, Soprano / Slovak RSO / Will Humburg Disc 0 730099 560528 Maria Callas, Rina Cavallari, Gina Cigna, Rosa Ponselle, Soprano / Irene Minghini-Cattaneo, Ebe Stignani, Mezzo-soprano / Marion Telva, Contralto / Giovanni Breviario, Paolo Caroli, Mario Filippeschi, Francesco Merli, Tenor / Tancredi Pasero, 8.110325-27 Norma [3 Discs] 3 Discs Ezio Pinza, Nicola Rossi-Lemeni, Bass / Italian Broadcasting Authority Chorus and Orchestra, Turin / Milan La Scala Chorus and 0 636943 132524 Orchestra / New York Metropolitan Opera Chorus and Orchestra / BELLINI, Vincenzo Vittorio -
Volume 65, Number 08 (August 1947) James Francis Cooke
Gardner-Webb University Digital Commons @ Gardner-Webb University The tudeE Magazine: 1883-1957 John R. Dover Memorial Library 8-1-1947 Volume 65, Number 08 (August 1947) James Francis Cooke Follow this and additional works at: https://digitalcommons.gardner-webb.edu/etude Part of the Composition Commons, Music Pedagogy Commons, and the Music Performance Commons Recommended Citation Cooke, James Francis. "Volume 65, Number 08 (August 1947)." , (1947). https://digitalcommons.gardner-webb.edu/etude/181 This Book is brought to you for free and open access by the John R. Dover Memorial Library at Digital Commons @ Gardner-Webb University. It has been accepted for inclusion in The tudeE Magazine: 1883-1957 by an authorized administrator of Digital Commons @ Gardner-Webb University. For more information, please contact [email protected]. XUQfr JNftr o 10 I s vation Army Band, has retired, after an AARON COPLAND’S Third Symphony unbroken record of sixty-four years’ serv- and Ernest Bloch’s Second Quartet have ice as Bandmaster in the Salvation Army. won the Award of the Music Critics Cir- cle of New York as the outstanding music American orchestral and chamber THE SALZBURG FESTI- BEGINNERS heard for the first time in New York VAL, which opened on PIANO during the past season. YOUNG July 31, witnessed an im- FOB portant break with tra- JOHN ALDEN CARPEN- dition when on August TER, widely known con- 6 the world premiere of KEYBOARD TOWN temporary American Gottfried von Einem’s composer, has been opera, “Danton’s Tod,” By Louise Robyn awarded the 1947 Gold was produced. -
Toscanini in Stereo a Report on RCA's "Electronic Reprocessing"
Toscanini in Stereo a report on RCA's "electronic reprocessing" MARCH ERS 60 CENTS FOR STEREO FANS! Three immortal recordings by Arturo Toscanini and the NBC Symphony have been given new tonal beauty and realism by means of a new RCA Victor engineering development, Electronic Stereo characteristics electronically, Reprocessing ( ESR ) . As a result of this technique, which creates stereo the Toscanini masterpieces emerge more moving, more impressive than ever before. With rigid supervision, all the artistic values have been scrupulously preserved. The performances are musically unaffected, but enhanced by the added spaciousness of ESR. Hear these historic Toscanini ESR albums at your dealer's soon. They cost no more than the original Toscanini monaural albums, which are still available. Note: ESR is for stereo phonographs only. A T ACTOR records, on the 33, newest idea in lei RACRO Or AMERICA Ask your dealer about Compact /1 CORPORATION M..00I sun.) . ., VINO .IMCMitmt Menem ILLCr sí1.10 ttitis I,M MT,oMC Mc0001.4 M , mi1MM MCRtmM M nm Simniind MOMSOMMC M Dvoìtk . Rn.psthI SYMPHONY Reemergáy Ravel RRntun. of Rome Plue. of Rome "FROM THE NEW WORLD" Pictures at an Exhibition TOSCANINI ARTURO TOSCANINI Toscanini NBC Symphony Orchestra Arturo It's all Empire -from the remarkable 208 belt- driven 3 -speed turntable -so quiet that only the sound of the music distinguishes between the turntable at rest and the turntable in motion ... to the famed Empire 98 transcription arm, so perfectly balanced that it will track a record with stylus forces well below those recommended by cartridge manufacturers. A. handsome matching walnut base is pro- vided. -
Native American Elements in Piano Repertoire by the Indianist And
NATIVE AMERICAN ELEMENTS IN PIANO REPERTOIRE BY THE INDIANIST AND PRESENT-DAY NATIVE AMERICAN COMPOSERS Lisa Cheryl Thomas, B.M.E., M.M. Dissertation Prepared for the Degree of DOCTOR OF MUSICAL ARTS UNIVERSITY OF NORTH TEXAS May 2010 APPROVED: Adam Wodnicki, Major Professor Steven Friedson, Minor Professor Joseph Banowetz, Committee Member Jesse Eschbach, Chair of the Division of Keyboard Studies Graham Phipps, Director of Graduate Studies in the College of Music James C. Scott, Dean of the College of Music Michael Monticino, Dean of the Robert B. Toulouse School of Graduate Studies Thomas, Lisa Cheryl. Native American Elements in Piano Repertoire by the Indianist and Present-Day Native American Composers. Doctor of Musical Arts (Performance), May 2010, 78 pp., 25 musical examples, 6 illustrations, references, 66 titles. My paper defines and analyzes the use of Native American elements in classical piano repertoire that has been composed based on Native American tribal melodies, rhythms, and motifs. First, a historical background and survey of scholarly transcriptions of many tribal melodies, in chapter 1, explains the interest generated in American indigenous music by music scholars and composers. Chapter 2 defines and illustrates prominent Native American musical elements. Chapter 3 outlines the timing of seven factors that led to the beginning of a truly American concert idiom, music based on its own indigenous folk material. Chapter 4 analyzes examples of Native American inspired piano repertoire by the “Indianist” composers between 1890-1920 and other composers known primarily as “mainstream” composers. Chapter 5 proves that the interest in Native American elements as compositional material did not die out with the end of the “Indianist” movement around 1920, but has enjoyed a new creative activity in the area called “Classical Native” by current day Native American composers. -
Jacob Avshalomov, Conductor Music by Avshalomov, Harris, and Ward
NWCR664 Portland Youth Philharmonic Jacob Avshalomov, conductor Music by Avshalomov, Harris, and Ward Avshalomov: Phases of The Great Land (1958) .............................. (15:33) 1. I. The Long Night; Klondike Fever .......... (8:26) 2. II. The Summer Days; Anchorage Aloft ... (7:03) Harris: 3. Elegy and Dance (1958) ...................................... (9:46) Ward: Divertimento for Orchestra (1961) ............................ (18:01) 4. I. Fanfare and Allegro .............................. (4:45) 5. II. Intermezzo ........................................... (5:37) 6. III. Finale: Vivace .................................... (7:31) Portland Youth Philharmonic; Jacob Avshalomov, conductor Avshalomov: 7. Cantata: How Long Oh Lord .............................. (14:45) Neil Wilson, baritone; Portland Symphonic Choir, Frank Holman, director Total playing time: 58:30 Ê & © 1994 Composers Recordings Inc. © 2007 Anthology of Recorded Music, Inc. Notes Oregon’s Portland Youth Philharmonic is America’s first accomplishments: Music Is Where You Make It and The youth orchestra, founded in 1924 and celebrating its Concerts Reviewed. seventieth anniversary in the 1993–94 season. A decade ago, An important and ongoing aspect of the Orchestra’s activities a highlight of its sixtieth anniversary was the joint concert has been the commissioning, premiering, and recording of given with the New York Philharmonic and Leonard new works. The Orchestra had a special relationship with the Bernstein en route to a European tour. In 1992, the orchestra late Ernest Bloch, a long-time Oregon resident, and it toured in Japan and Korea. In June 1994, it will make its sixth continues to perform works by David Diamond, Roy Harris, international tour to Germany to play at major venues in Benjamin Lees, William Bergsma, and Robert Ward. The Frankfurt, Stuttgart, Augsburg, Munich, and Berlin. -
The Metropolitan Opera Presents Aida in HD
Visions and Voices and the USC Libraries have collaborated to create a series of resource guides that allow you to build on your experiences at many Visions and Voices events. Explore the resources listed below and continue your journey of inquiry and discovery! USC LIBRARIES RESOURCE GUIDE VISIONS AND VOICES and the USC SCHOOL OF CINEMATIC ARTS, in conjunction with the METROPOLITAN OPERA in New York, present the HD telecast of Giuseppe Verdi’s Aida. To help you learn more about Verdi’s masterpiece, ROSS SCIMECA of the USC LIBRARIES has selected the following resources. Introduction Giuseppe Verdi composed 28 operas during his lifetime. Aida is the 26th, followed by his late masterpieces, Otello and Falstaff. What is unique about Aida is that it is a grand opera, meaning it features extended choruses, ballets and marches composed in a theatrically spectacular style. Like Don Carlos, which preceded Aida by five years and premiered at the Paris Opera, Verdi brilliantly integrated these spectacular elements with the vocal elements of traditional opera. Camille du Locle took the plot for his French-language libretto for Aida from the work of Egyptologist Mariette Bey. The libretto was later translated into Italian verse by Antonio Ghislanzoni. Commissioned by the Khedive of Egypt, Aida premiered at the Italian Theatre in Cairo on December 24, 1871. It was a sensational success, as it was two months later at Milan’s La Scala. The opera reached New York’s Academy of Music on November 26, 1873. You can find the Italian-language libretto of Aida and an English translation in the Opera Classics Library by clicking on the Databases tab at: www.usc.edu/libraries/eresources. -
Aaron & Jacob Avshalomov
NWCR667 Aaron & Jacob Avshalomov Aaron Avshalomov Piano Concerto in G on Chinese Themes and Rhythms (1935) ............................................ (27:23) 1. II. Allegro non troppo ............................... (12:38) 2. II Adagio .................................................. (7:08) 3. III Finale: Allegro moderato ..................... (7:35) Margaret Moore, piano 4. Peking Hutungs: Symphonic Poem on Chinese Street Sounds and Cries (1931) ........................... (9:44) Portland Youth Philharmonic; Jacob Avshalomov, conductor Jacob Avshalomov 5. The Taking of T’ung Kuan (1943, rev. 1947) ...... (7:35) Oslo Philharmonic; Igor Buketoff, conductor 6. Prophecy, for mixed Chorus, Cantor and Organ (1948) ..................................... (6:01) Charles Matheson, tenor; Mid-America Chorale; Larry Smith, organ; John Dexter, conductor Total playing time: 51:09 Ê & © 1994 Composers Recordings, Inc. © 2007 Anthology of Recorded Music, Inc. Notes Aaron Avshalomov (b Nikolayevsk, Siberia, 1894; d New following the outbreak of the civil war that led to the York City, 1965) was a name to conjure with among establishment of the communist Chinese People’s Republic. collectors of exotic concert music during the late 1930s, for Largely self-taught as a composer, Aaron Avshalomov made among the many unusual albums that Columbia Records his main livelihood in books during the China years, first in released during that period as part of the exchange agreement Peking and Tientsin, and finally in Shanghai where for fifteen with the Pathé-Marconi