THE EVER FONKY LOWDOWN: Libretto
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Sunday Morning Grid 12/28/14 Latimes.Com/Tv Times
SUNDAY MORNING GRID 12/28/14 LATIMES.COM/TV TIMES 7 am 7:30 8 am 8:30 9 am 9:30 10 am 10:30 11 am 11:30 12 pm 12:30 2 CBS CBS News Sunday Face the Nation (N) The NFL Today (N) Å Football Chargers at Kansas City Chiefs. (N) Å 4 NBC News (N) Å Meet the Press (N) Å News 1st Look Paid Premier League Goal Zone (N) (TVG) World/Adventure Sports 5 CW News (N) Å In Touch Paid Program 7 ABC News (N) Å This Week News (N) News (N) Outback Explore St. Jude Hospital College 9 KCAL News (N) Joel Osteen Mike Webb Paid Woodlands Paid Program 11 FOX Paid Joel Osteen Fox News Sunday FOX NFL Sunday (N) Football Philadelphia Eagles at New York Giants. (N) Å 13 MyNet Paid Program Black Knight ›› (2001) 18 KSCI Paid Program Church Faith Paid Program 22 KWHY Como Local Jesucristo Local Local Gebel Local Local Local Local Transfor. Transfor. 24 KVCR Painting Dewberry Joy of Paint Wyland’s Paint This Painting Kitchen Mexico Cooking Chefs Life Simply Ming Ciao Italia 28 KCET Raggs Play. Space Travel-Kids Biz Kid$ News Asia Biz Ed Slott’s Retirement Rescue for 2014! (TVG) Å BrainChange-Perlmutter 30 ION Jeremiah Youssef In Touch Hour Of Power Paid Program 34 KMEX Paid Program Al Punto (N) República Deportiva (TVG) 40 KTBN Walk in the Win Walk Prince Redemption Liberate In Touch PowerPoint It Is Written B. Conley Super Christ Jesse 46 KFTR Tu Dia Tu Dia Happy Feet ››› (2006) Elijah Wood. -
M-Ad Shines in Toronto
Volume 44, Issue 3 SUMMER 2013 A BULLETIN FOR EVERY BARBERSHOPPER IN THE MID-ATLANTIC DISTRICT M-AD SHINES IN TORONTO ALEXANDRIA MEDALS! DA CAPO maKES THE TOP 10 GImmE FOUR & THE GOOD OLD DAYS EARN TOP 10 COLLEGIATE BROTHERS IN HARMONY, VOICES OF GOTHam amONG TOP 10 IN THE WORLD WESTCHESTER WOWS CROWD WITH MIC-TEST ROUTINE ‘ROUND MIDNIGHT, FRANK THE DOG HIT TOP 20 UP ALL NIGHT KEEPS CROWD IN STITCHES CHORUS OF THE CHESAPEAKE, BLACK TIE AFFAIR GIVE STRONG PERFORmaNCES INSIDE: 2-6 OUR INTERNATIONAL COMPETITORS 7 YOU BE THE JUDGE 8-9 HARMONY COLLEGE EAST 10 YOUTH CamP ROCKS! 11 MONEY MATTERS 12-15 LOOKING BACK 16-19 DIVISION NEWS 20 CONTEST & JUDGING YOUTH IN HARMONY 21 TRUE NORTH GUIDING PRINCIPLES 23 CHORUS DIRECTOR DEVELOPMENT 24-26 YOUTH IN HARMONY 27-29 AROUND THE DISTRICT . AND MUCH, MUCH MORE! PHOTO CREDIT: Lorin May ANYTHING GOES! 3RD PLACE BRONZE MEDALIST ALEXANDRIA HARMONIZERS PULL OUT ALL THE STOPS ON STAGE IN TORONTO. INTERNATIONAL CONVENTION 2013: QUARTET CONTEST ‘ROUND MIDNIGHT, T.J. Carollo, Jeff Glemboski, Larry Bomback and Wayne Grimmer placed 12th. All photos courtesy of Dan Wright. To view more photos, go to www. flickr.com/photosbydanwright UP ALL NIGHT, John Ward, Cecil Brown, Dan Rowland and Joe Hunter placed 28th. DA CAPO, Ryan Griffith, Anthony Colosimo, Wayne FRANK THE Adams and Joe DOG, Tim Sawyer placed Knapp, Steve 10th. Kirsch, Tom Halley and Ross Trube placed 20th. MID’L ANTICS SUMMER 2013 pa g e 2 INTERNATIONAL CONVENTION 2013: COLLEGIATE QUARTETS THE GOOD OLD DAYS, Fernando Collado, Doug Carnes, Anthony Arpino, Edd Duran placed 10th. -
We Will Rock You”
“We Will Rock You” By Queen and Ben Elton At the Hippodrome Theatre through October 20 By Princess Appau WE ARE THE CHAMPIONS When one walks into the Hippodrome Theatre to view “We Will Rock You,” the common expectation is a compilation of classic rock and roll music held together by a simple plot. This jukebox musical, however, surpasses those expectations by entwining a powerful plot with clever updating of the original 2002 musical by Queen and Ben Elton. The playwright Elton has surrounded Queen’s songs with a plot that highlights the familiar conflict of our era: youths being sycophants to technology. This comic method is not only the key to the show’s success but also the antidote to any fear that the future could become this. The futuristic storyline is connected to many of Queen’s lyrics that foreshadow the youthful infatuation with technology and the monotonous lifestyle that results. This approach is emphasized by the use of a projector displaying programmed visuals of a futuristic setting throughout the show. The opening scene transitions into the Queen song “Radio Gaga,” which further affirms this theme. The scene includes a large projection of hundreds of youth, clones to the cast performing on stage. The human cast and virtual cast are clothed alike in identical white tops and shorts or skirts; they sing and dance in sublime unison, defining the setting of the show and foreshadowing the plot. Unlike most jukebox musicals the plot is not a biographical story of the performers whose music is featured. “We Will Rock You” is set 300 years in the future on the iPlanet when individuality and creativity are shunned and conformity reigns. -
IACLEA Hurricane AAR BOOK.Book
CAMPUS PUBLIC SAFETY PREPAREDNESS FOR CATASTROPHIC EVENTS: LESSONS LEARNED FROM HURRICANES AND EXPLOSIVES This report was sponsored by The U. S. Department of Homeland Security, The Federal Bureau of Investigation, and The International Association of Campus Law Enforcement Administrators CAMPUS PUBLIC SAFETY PREPAREDNESS FOR CATASTROPHIC EVENTS: LESSONS LEARNED FROM HURRICANES AND EXPLOSIVES This report was sponsored by The U. S. Department of Homeland Security, The Federal Bureau of Investigation, and The International Association of Campus Law Enforcement Administrators The views and opinions of authors expressed herein do not necessarily reflect those of the United States Government. Reference herein to any specific commercial products, processes, or services by trade name, trademark, manufacturer, or otherwise does not necessarily constitute or imply its endorsement, recommendation, or favoring by the United States Government. The information and statements contained in this document shall not be used for the purposes of advertising, nor to imply the endorsement or recommendation of the United States Government. Neither the United States Government nor any of its employees make any warranty, express or implied, including but not limited to the warranties of merchantability and fitness for a particular purpose. Further, neither the United States Government nor any of its employees assume any legal liability or responsibility for the accuracy, completeness, or usefulness of any information, apparatus, product or process disclosed; nor do they represent that its use would not infringe privately owned rights. © 2006 by the International Association of Campus Law Enforcement Administrators (IACLEA) All Rights Reserved. This Printing: June 2006 Printed in the United States of America TABLE OF CONTENTS Lessons Learned Preface ................................................................................................................ -
The Image of Streetwalkers in Itzik Manger's and Debora Vogel's
The Image of Streetwalkers in Itzik Manger’s and Debora Vogel’s Ballads by Ekaterina Kuznetsova and Anastasiya Lyubas In geveb: A Journal of Yiddish Studies (December 2020) For the online version of this article: http://ingeveb.org/articles/the-image-of-streetwalkers In geveb: A Journal of Yiddish Studies (December 2020) THE IMAGE OF STREETWALKERS IN ITZIK MANGER’S AND DEBORA VOGEL’S BALLADS Ekaterina Kuznetsova and Anastasiya Lyubas Abstract: This article focuses on three ballads by Itzik Manger ( Di balade fun der zind, Di balade fun gasn-meydl, Di balade fun der zoyne un dem shlankn husar ) and two ballads by Debora Vogel ( Balade fun a gasn-meydl I un II ). We argue that Manger and Vogel subvert the ballad genre and gender hierarchies by depicting promiscuous female embodiment, theatricality, and the valuation of “lowbrow” culture of shund in their sophisticated poetic practices. These polyphonous texts integrate theatrical and folkloric song elements into “highbrow” Modernist aesthetics. Furthermore, these works by Manger and Vogel draw from both European influences and Jewish cultural traditions; they contend with urban modernity, as well as the resultant changes in the structures of Jewish life. By considering the image of the streetwalker in Manger’s and Vogel’s work, we deepen the understanding of Yiddish creativity as ultimately multimodal and interconnected. 1. Itzik Manger’s and Debora Vogel’s Ballads: Points of Contact Our study aims to bring two Yiddish authors—Itzik Manger and Debora Vogel—into dialogue. Manger and Vogel wrote numerous ballads where they integrated Eastern European folklore and interwar popular Jewish culture into this European literary genre. -
Sports Pg 11 1-22.Indd
star-news sports The Goodland Star-News /Tuesday, January 22, 2008 11 Cowgirls win one of three in Colby By Tom Betz had some bad passes and had trouble other times have trouble,” Smith Junior Courtney Sheldon had 2 on [email protected] getting the ball to fall through the said. “It would be nice to get a win 1 field goal. The Cowgirls won one of three hoop, but were down just 47-37 at to build some momentum.” The Cowgirls hit 25 percent of games at the 23rd Paul Wintz Or- the end of the period. In the fourth Cowgirls vs Lady Eagles their three-point shots (2 of 8) and ange and Black Basketball Classic quarter, the Cowgirls continued to Senior Sammie Raymer led the 43 percent from the floor (15 of over the weekend in Colby, but have trouble getting baskets and scoring against the Colby Lady 37). The Beavers hit 10 percent lost to the McCook Lady Bison were down 53-39 with five minutes Eagles with 10 on 4 field goals and of their three-point shots (1 of 10) 63-43 in the fourth-place game on left, and 59-39 with less than three 2 of 3 free throws. Freshman Ash- and 36 percent from the floor (13 of Saturday. minutes to go. ley Archer had 7 on 2 field goals 36). The Cowgirls hit 81 percent of Thursday. the Cowgirls faced the Junior Whitney Schields hit a and 3 of 4 free throws. Schields their free throws (17 of 21) and the undefeated Colby Lady Eagles, los- basket to make it 61-41 with two had 3 on 1 field goal and 1 of 2 Beavers hit 67 percent (10 of 15). -
8123 Songs, 21 Days, 63.83 GB
Page 1 of 247 Music 8123 songs, 21 days, 63.83 GB Name Artist The A Team Ed Sheeran A-List (Radio Edit) XMIXR Sisqo feat. Waka Flocka Flame A.D.I.D.A.S. (Clean Edit) Killer Mike ft Big Boi Aaroma (Bonus Version) Pru About A Girl The Academy Is... About The Money (Radio Edit) XMIXR T.I. feat. Young Thug About The Money (Remix) (Radio Edit) XMIXR T.I. feat. Young Thug, Lil Wayne & Jeezy About Us [Pop Edit] Brooke Hogan ft. Paul Wall Absolute Zero (Radio Edit) XMIXR Stone Sour Absolutely (Story Of A Girl) Ninedays Absolution Calling (Radio Edit) XMIXR Incubus Acapella Karmin Acapella Kelis Acapella (Radio Edit) XMIXR Karmin Accidentally in Love Counting Crows According To You (Top 40 Edit) Orianthi Act Right (Promo Only Clean Edit) Yo Gotti Feat. Young Jeezy & YG Act Right (Radio Edit) XMIXR Yo Gotti ft Jeezy & YG Actin Crazy (Radio Edit) XMIXR Action Bronson Actin' Up (Clean) Wale & Meek Mill f./French Montana Actin' Up (Radio Edit) XMIXR Wale & Meek Mill ft French Montana Action Man Hafdís Huld Addicted Ace Young Addicted Enrique Iglsias Addicted Saving abel Addicted Simple Plan Addicted To Bass Puretone Addicted To Pain (Radio Edit) XMIXR Alter Bridge Addicted To You (Radio Edit) XMIXR Avicii Addiction Ryan Leslie Feat. Cassie & Fabolous Music Page 2 of 247 Name Artist Addresses (Radio Edit) XMIXR T.I. Adore You (Radio Edit) XMIXR Miley Cyrus Adorn Miguel Adorn Miguel Adorn (Radio Edit) XMIXR Miguel Adorn (Remix) Miguel f./Wiz Khalifa Adorn (Remix) (Radio Edit) XMIXR Miguel ft Wiz Khalifa Adrenaline (Radio Edit) XMIXR Shinedown Adrienne Calling, The Adult Swim (Radio Edit) XMIXR DJ Spinking feat. -
Ballad of the Buried Life
Ballad of the Buried Life From 1949 to 2004, UNC Press and the UNC Department of Germanic & Slavic Languages and Literatures published the UNC Studies in the Germanic Languages and Literatures series. Monographs, anthologies, and critical editions in the series covered an array of topics including medieval and modern literature, theater, linguistics, philology, onomastics, and the history of ideas. Through the generous support of the National Endowment for the Humanities and the Andrew W. Mellon Foundation, books in the series have been reissued in new paperback and open access digital editions. For a complete list of books visit www.uncpress.org. Ballad of the Buried Life rudolf hagelstange translated by herman salinger with an introduction by charles w. hoffman UNC Studies in the Germanic Languages and Literatures Number 38 Copyright © 1962 This work is licensed under a Creative Commons cc by-nc-nd license. To view a copy of the license, visit http://creativecommons. org/licenses. Suggested citation: Hagelstange, Rudolf. Ballad of the Buried Life. Translated by Herman Salinger. Chapel Hill: University of North Car- olina Press, 1962. doi: https://doi.org/10.5149/9781469658285_Hagel- stange Library of Congress Cataloging-in-Publication Data Names: Salinger, Herman. Title: Ballad of the buried life / by Herman Salinger. Other titles: University of North Carolina Studies in the Germanic Languages and Literatures ; no. 38. Description: Chapel Hill : University of North Carolina Press, [1962] Series: University of North Carolina Studies in the Germanic Languages and Literatures. Identifiers: lccn unk81010792 | isbn 978-0-8078-8038-8 (pbk: alk. paper) | isbn 978-1-4696-5828-5 (ebook) Classification: lcc pd25 .n6 no. -
Great Game to 9/11
Air Force Engaging the World Great Game to 9/11 A Concise History of Afghanistan’s International Relations Michael R. Rouland COVER Aerial view of a village in Farah Province, Afghanistan. Photo (2009) by MSst. Tracy L. DeMarco, USAF. Department of Defense. Great Game to 9/11 A Concise History of Afghanistan’s International Relations Michael R. Rouland Washington, D.C. 2014 ENGAGING THE WORLD The ENGAGING THE WORLD series focuses on U.S. involvement around the globe, primarily in the post-Cold War period. It includes peacekeeping and humanitarian missions as well as Operation Enduring Freedom and Operation Iraqi Freedom—all missions in which the U.S. Air Force has been integrally involved. It will also document developments within the Air Force and the Department of Defense. GREAT GAME TO 9/11 GREAT GAME TO 9/11 was initially begun as an introduction for a larger work on U.S./coalition involvement in Afghanistan. It provides essential information for an understanding of how this isolated country has, over centuries, become a battleground for world powers. Although an overview, this study draws on primary- source material to present a detailed examination of U.S.-Afghan relations prior to Operation Enduring Freedom. Opinions, conclusions, and recommendations expressed or implied within are solely those of the author and do not necessarily represent the views of the U.S. Air Force, the Department of Defense, or the U.S. government. Cleared for public release. Contents INTRODUCTION The Razor’s Edge 1 ONE Origins of the Afghan State, the Great Game, and Afghan Nationalism 5 TWO Stasis and Modernization 15 THREE Early Relations with the United States 27 FOUR Afghanistan’s Soviet Shift and the U.S. -
Kahlil Gibran a Tear and a Smile (1950)
“perplexity is the beginning of knowledge…” Kahlil Gibran A Tear and A Smile (1950) STYLIN’! SAMBA JOY VERSUS STRUCTURAL PRECISION THE SOCCER CASE STUDIES OF BRAZIL AND GERMANY Dissertation Presented in Partial Fulfillment of the Requirements for The Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Susan P. Milby, M.A. * * * * * The Ohio State University 2006 Dissertation Committee: Approved by Professor Melvin Adelman, Adviser Professor William J. Morgan Professor Sarah Fields _______________________________ Adviser College of Education Graduate Program Copyright by Susan P. Milby 2006 ABSTRACT Soccer playing style has not been addressed in detail in the academic literature, as playing style has often been dismissed as the aesthetic element of the game. Brief mention of playing style is considered when discussing national identity and gender. Through a literature research methodology and detailed study of game situations, this dissertation addresses a definitive definition of playing style and details the cultural elements that influence it. A case study analysis of German and Brazilian soccer exemplifies how cultural elements shape, influence, and intersect with playing style. Eight signature elements of playing style are determined: tactics, technique, body image, concept of soccer, values, tradition, ecological and a miscellaneous category. Each of these elements is then extrapolated for Germany and Brazil, setting up a comparative binary. Literature analysis further reinforces this contrasting comparison. Both history of the country and the sport history of the country are necessary determinants when considering style, as style must be historically situated when being discussed in order to avoid stereotypification. Historic time lines of significant German and Brazilian style changes are determined and interpretated. -
Adidas Originals Unite All Originals Press
Very few DJs can jump from club sets to high-profile festival performances, to Kanye West’s larger- than-life stadium shows with ease. In today’s DJ culture, A-Trak holds a truly unique place. He and partner Nick Catchdubs founded America’s most trendsetting new label, Fool’s Gold, launching the careers of artists such as Kid Sister and Kid Cudi. Fool’s Gold’s mission to merge all aspects of club music was already outlined in Trizzy’s original mixtape manifesto, Dirty South Dance, which set the tone for his own production. He is now one of the most sought-after remixers in electronic music, and his remixes for the likes of the Yeah Yeah Yeahs and Boys Noize have become undeniable mainstays in DJ sets the world over. 2009 saw the release of two critically acclaimed DJ mixes, Infinity +1 and Fabriclive 45, as well as the birth of Duck Sauce, his collaboration with Armand Van Helden. The duo’s radio smash “aNYway” cemented itself as the dance anthem of the year, A-Trak’s first true chart- topper with two videos in international rotation and across-the-board support from Pete Tong to Busy P, David Guetta to 2manydjs. Duck Sauce’s 2010 follow up “Barbra Streisand” was even bigger, a whistling pop sensation that accumulated over 60 million YouTube views of its star-studded video while hitting platinum heights around the globe. They even covered it on X-Factor and Glee! Not bad for a kid whom many viewed as a 90’s turntablism prodigy. -
A WORD-LIST from SOUTH CAROLINA University of South Carolina Dialect Is Generally Understood to Be at Variance with Standard
A WORD-LIST FROM SOUTH CAROLINA F. W. BRADLEY University of South Carolina A. THE NEWSPAPER AS A MEDIUM FOR DIALECT COLLECTING IN SOUTH CAROLINA Dialect is generally understood to be at variance with standard English, and therefore to be avoided. This natural attitude on the part of the public needs to be tempered with some understand ing of the fact that standard usage today is not what it was fifty years ago, nor what it will be fifty years hence, and that what was and what will be íb represented in large part by dialect. Public interest can therefore be evoked by an explanation of some of the changes that language has undergone. The excellent article of Professor George P. Wilson, “The Value of Dialect,” PADS, No. 11, pp. 38-59, carries the message which should be made known as widely as possible to the public. There is our raison d’étre, the justification of our labors, well suited to overcome any prejudice against dialect on the part of the public. However, as we cannot assume that the general public is familiar with this article, we must in a newspaper campaign bring that message and disarm a very real prejudice against words and ex pressions that are not standard. Shakespeare is a name to conjure with in this connection. Many South Carolinians pronounce the word character with the accent on the second syllable. Learned people smile at that. But the smile is at least more tolerant and less scornful when one remembers that the Bard of Avon did so too.