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Sunday Morning Grid 12/28/14 Latimes.Com/Tv Times
SUNDAY MORNING GRID 12/28/14 LATIMES.COM/TV TIMES 7 am 7:30 8 am 8:30 9 am 9:30 10 am 10:30 11 am 11:30 12 pm 12:30 2 CBS CBS News Sunday Face the Nation (N) The NFL Today (N) Å Football Chargers at Kansas City Chiefs. (N) Å 4 NBC News (N) Å Meet the Press (N) Å News 1st Look Paid Premier League Goal Zone (N) (TVG) World/Adventure Sports 5 CW News (N) Å In Touch Paid Program 7 ABC News (N) Å This Week News (N) News (N) Outback Explore St. Jude Hospital College 9 KCAL News (N) Joel Osteen Mike Webb Paid Woodlands Paid Program 11 FOX Paid Joel Osteen Fox News Sunday FOX NFL Sunday (N) Football Philadelphia Eagles at New York Giants. (N) Å 13 MyNet Paid Program Black Knight ›› (2001) 18 KSCI Paid Program Church Faith Paid Program 22 KWHY Como Local Jesucristo Local Local Gebel Local Local Local Local Transfor. Transfor. 24 KVCR Painting Dewberry Joy of Paint Wyland’s Paint This Painting Kitchen Mexico Cooking Chefs Life Simply Ming Ciao Italia 28 KCET Raggs Play. Space Travel-Kids Biz Kid$ News Asia Biz Ed Slott’s Retirement Rescue for 2014! (TVG) Å BrainChange-Perlmutter 30 ION Jeremiah Youssef In Touch Hour Of Power Paid Program 34 KMEX Paid Program Al Punto (N) República Deportiva (TVG) 40 KTBN Walk in the Win Walk Prince Redemption Liberate In Touch PowerPoint It Is Written B. Conley Super Christ Jesse 46 KFTR Tu Dia Tu Dia Happy Feet ››› (2006) Elijah Wood. -
Modelling of Particulate Matter and Ammonia Emissions from German Agriculture
Institute of Farm Management University of Hohenheim Department of Farm Management Prof. Dr. Drs. h.c. Jürgen Zeddies MODELLING OF PARTICULATE MATTER AND AMMONIA EMISSIONS FROM GERMAN AGRICULTURE Dissertation Submitted in fulfilment of the requirements for the degree “Doktor der Agrarwissenschaften” (Dr.sc.agr. / Ph.D. in Agricultural Sciences) to the Faculty of Agricultural Sciences presented by Olga Beletskaya Stavropol, Russian Federation 2016 This thesis was accepted as a doctoral dissertation in fulfilment of the requirements for the degree “Doktor der Agrarwissenschaften” (Dr. sc. agr. / Ph.D. Agricultural Sciences) by the faculty Agricultural Sciences of the university of Hohenheim on 10.11.2014. Date of oral examination: 14.01.2015 Examination Committee Supervisor and Reviewer Prof. Dr.Dr.h.c. Jürgen Zeddies Co-Reviewer PD Dr. Eva Gallmann Additional Examiner Prof. Dr. Reiner Doluschitz Head of the Committee Prof. Dr. Stefan Böttinger Dedicated to the dearest and beloved friend Juan Guillermo Cobo ACKNOWLEDGEMENT With all my heart and mind I am grateful to all those, who directly or indirectly has contri- buted to this study. At first place I would like to thank my colleague and direct advisor Dr. Elisabeth Angenendt and my doctoral thesis supervisor Prof. Dr. Jürgen Zeddies for support, and sharp but reasonable critic and useful advice. Many thanks go to my colleague and co- worker in the project framework, Dipl. Ing. Susanne Wagner (IER, University of Stuttgart) for the best teamwork, informational support and encouragement. From the representatives of the same institute, I would like to express my gratefulness to Jochen Teloke for helpful infor- mative support and for the organization of efficient project meetings; and to Balendra Thiru- chittampalam for a good collaboration. -
We Will Rock You”
“We Will Rock You” By Queen and Ben Elton At the Hippodrome Theatre through October 20 By Princess Appau WE ARE THE CHAMPIONS When one walks into the Hippodrome Theatre to view “We Will Rock You,” the common expectation is a compilation of classic rock and roll music held together by a simple plot. This jukebox musical, however, surpasses those expectations by entwining a powerful plot with clever updating of the original 2002 musical by Queen and Ben Elton. The playwright Elton has surrounded Queen’s songs with a plot that highlights the familiar conflict of our era: youths being sycophants to technology. This comic method is not only the key to the show’s success but also the antidote to any fear that the future could become this. The futuristic storyline is connected to many of Queen’s lyrics that foreshadow the youthful infatuation with technology and the monotonous lifestyle that results. This approach is emphasized by the use of a projector displaying programmed visuals of a futuristic setting throughout the show. The opening scene transitions into the Queen song “Radio Gaga,” which further affirms this theme. The scene includes a large projection of hundreds of youth, clones to the cast performing on stage. The human cast and virtual cast are clothed alike in identical white tops and shorts or skirts; they sing and dance in sublime unison, defining the setting of the show and foreshadowing the plot. Unlike most jukebox musicals the plot is not a biographical story of the performers whose music is featured. “We Will Rock You” is set 300 years in the future on the iPlanet when individuality and creativity are shunned and conformity reigns. -
Glam Rock and Funk Alter-Egos, Fantasy, and the Performativity of Identities
REVISTA DE LENGUAS MODERNAS, N.° 26, 2017 / 387-401 / ISSN: 1659-1933 Glam Rock and Funk Alter-Egos, Fantasy, and the Performativity of Identities MONICA BRADLEY Escuela de Lenguas Modernas Universidad de Costa Rica The emergence of desire, and hence our biological response, is thus bound up in our ability to fantasize, to inhabit an imagined scenario that, in turn, ‘produces what we understand as sexuality’ (Whitely 251). Is this the real life? Is this just fantasy? Caught in a landslide, no escape from reality” (Queen, “Bohemian Rhapsody”). Abstract The following article explores different conceptions of fantasy and science fiction that characterized many popular music performances in the 1970’s predominantly in the genres of glam rock and funk. By focusing on a few artists that were at the peak of their music careers at this time, such as David Bowie, P-Funk, Queen, Labelle and others, it attempts to un-earth some historical conditions for women, queers, and people of color and reveal how these artists have attempted to escape and transform certain realities by transgressing the boundaries of real/fiction, masculinity/ femininity, race, sexuality, and the “alien”. Key words: Glam rock, Funk, music, science fiction, queer, gender, race Resumen El siguiente artículo explora las diferentes concepciones de fantasía y ciencia ficción que caracterizan muchas formas de actuación en la música popular de los años setentas, predominantemente en los géneros de glam rock y funk. Pondré especial atención en algunos artistas que estuvieron en el ápice de su carrera musical en este tiempo como David Bowie, Recepción: 29-03-16 Aceptación: 12-12-16 388 REVISTA DE LENGUAS MODERNAS, N.° 26, 2017 / 387-401 / ISSN: 1659-1933 P-Funk, Queen, Labelle, y otros quienes intentaron traer a la realidad temas sobre condiciones históricas en mujeres, queers y personas de color . -
The Image of Streetwalkers in Itzik Manger's and Debora Vogel's
The Image of Streetwalkers in Itzik Manger’s and Debora Vogel’s Ballads by Ekaterina Kuznetsova and Anastasiya Lyubas In geveb: A Journal of Yiddish Studies (December 2020) For the online version of this article: http://ingeveb.org/articles/the-image-of-streetwalkers In geveb: A Journal of Yiddish Studies (December 2020) THE IMAGE OF STREETWALKERS IN ITZIK MANGER’S AND DEBORA VOGEL’S BALLADS Ekaterina Kuznetsova and Anastasiya Lyubas Abstract: This article focuses on three ballads by Itzik Manger ( Di balade fun der zind, Di balade fun gasn-meydl, Di balade fun der zoyne un dem shlankn husar ) and two ballads by Debora Vogel ( Balade fun a gasn-meydl I un II ). We argue that Manger and Vogel subvert the ballad genre and gender hierarchies by depicting promiscuous female embodiment, theatricality, and the valuation of “lowbrow” culture of shund in their sophisticated poetic practices. These polyphonous texts integrate theatrical and folkloric song elements into “highbrow” Modernist aesthetics. Furthermore, these works by Manger and Vogel draw from both European influences and Jewish cultural traditions; they contend with urban modernity, as well as the resultant changes in the structures of Jewish life. By considering the image of the streetwalker in Manger’s and Vogel’s work, we deepen the understanding of Yiddish creativity as ultimately multimodal and interconnected. 1. Itzik Manger’s and Debora Vogel’s Ballads: Points of Contact Our study aims to bring two Yiddish authors—Itzik Manger and Debora Vogel—into dialogue. Manger and Vogel wrote numerous ballads where they integrated Eastern European folklore and interwar popular Jewish culture into this European literary genre. -
Marygold Manor DJ List
Page 1 of 143 Marygold Manor 4974 songs, 12.9 days, 31.82 GB Name Artist Time Genre Take On Me A-ah 3:52 Pop (fast) Take On Me a-Ha 3:51 Rock Twenty Years Later Aaron Lines 4:46 Country Dancing Queen Abba 3:52 Disco Dancing Queen Abba 3:51 Disco Fernando ABBA 4:15 Rock/Pop Mamma Mia ABBA 3:29 Rock/Pop You Shook Me All Night Long AC/DC 3:30 Rock You Shook Me All Night Long AC/DC 3:30 Rock You Shook Me All Night Long AC/DC 3:31 Rock AC/DC Mix AC/DC 5:35 Dirty Deeds Done Dirt Cheap ACDC 3:51 Rock/Pop Thunderstruck ACDC 4:52 Rock Jailbreak ACDC 4:42 Rock/Pop New York Groove Ace Frehley 3:04 Rock/Pop All That She Wants (start @ :08) Ace Of Base 3:27 Dance (fast) Beautiful Life Ace Of Base 3:41 Dance (fast) The Sign Ace Of Base 3:09 Pop (fast) Wonderful Adam Ant 4:23 Rock Theme from Mission Impossible Adam Clayton/Larry Mull… 3:27 Soundtrack Ghost Town Adam Lambert 3:28 Pop (slow) Mad World Adam Lambert 3:04 Pop For Your Entertainment Adam Lambert 3:35 Dance (fast) Nirvana Adam Lambert 4:23 I Wanna Grow Old With You (edit) Adam Sandler 2:05 Pop (slow) I Wanna Grow Old With You (start @ 0:28) Adam Sandler 2:44 Pop (slow) Hello Adele 4:56 Pop Make You Feel My Love Adele 3:32 Pop (slow) Chasing Pavements Adele 3:34 Make You Feel My Love Adele 3:32 Pop Make You Feel My Love Adele 3:32 Pop Rolling in the Deep Adele 3:48 Blue-eyed soul Marygold Manor Page 2 of 143 Name Artist Time Genre Someone Like You Adele 4:45 Blue-eyed soul Rumour Has It Adele 3:44 Pop (fast) Sweet Emotion Aerosmith 5:09 Rock (slow) I Don't Want To Miss A Thing (Cold Start) -
The Vagina Monologues by Eve Ensler
The Vagina Monologues by Eve Ensler The official script for the 2008 V-Day Campaigns Available by special arrangement with Dramatists Play Service, Inc. To order copies of the acting edition of the script of “The Vagina Monologues” (the original – different from the V-Day version of the script) for memento purposes, to sell at your event, or for use in theatre or other classes or workshops, please contact: Customer Service DRAMATISTS PLAY SERVICE, INC. 440 Park Avenue South, New York, NY 10016 Telephone: 212-683-8960, Fax: 212-213-1539 You may also order the acting edition online at www.dramatists.com. Ask for: Book title: The Vagina Monologues ISBN: 0-8222-1772-4 Price: $5.95 Be sure to mention that you represent the V-Day College or Worldwide Campaign. DRAMATISTS PLAY SERVICE, INC. Representing the American theatre by publishing and licensing the works of new and established playwrights. For more than 65 years Dramatists Play Service, Inc. has provided the finest plays by both established writers and new playwrights of exceptional promise. Formed in 1936 by a number of prominent playwrights and theatre agents, Dramatists Play Service, Inc. was created to foster opportunity and provide support for playwrights by publishing acting editions of their plays and handling the nonprofessional and professional leasing rights to these works. Dramatists Play Service, Inc. has grown steadily to become one of the premier play-licensing agencies in the English speaking theatre. Offering an extensive list of titles, including a preponderance of the most significant American plays of the past half-century, Dramatists Play Service, Inc. -
Fum FURT TO-NIGHT
AMUSEMENTS BROADWAY & 11TH ST, fuM FURT TO-NIGHT. 1Y SHOE GO. 1 : and S I'D K. UNION SQUARE, ACADEMY OF DESIGN Paintings Basement Salesroom. ACADEMY OF MUSIC.Last of the Rolians and Place West Four kUteentn Street Between Broadway University AMERIOAN Die Meistersinger 'ill BIJOU In Paradise BKOADWAY The Ghetto ."] CASINO The Rounders of iii The Great Department Store ex( I CRITERION The Girl from Maxim's 9,000 yards Silk, Shoes. i DALY'S The King's Musketeer of 2 to 16 clusively for We are New york's La rgest and Sellers DEWEY Vaudeville lengths yards c Buyers Ef)EN MUSEE World in Wax EMPIRE The Tyranny,of Tears consisting of Fancy TafFe FIFTH AVENUE BecRy Sharp The Korker of 14TH STREET A Young Wife tas,.in plaid, check, stripe GARRICK My Innocent Boy GARDEN Rupert of Hentzau ' Shoe, GRAND OPERA HOUSE.A Grip of Steel corded, floral, warp print HARLEM OPERA HOUSE Phroso I and a of novo HOUSEKEE PING HERALD SQUARE The Only Way ed, variety GOODS.I IIUBER'S MUSEUM Vaudeville I iC°r ^en> HURT1G A SEAMON'S Vaudeville designs. Light, medianj KEITH'S UNION SQUARE.... Vaudeville Pillow Tic! KNICKERBOCKER. ..Cyrano tie Bergerac and dark shades. Sheets, Cases, Muslins. <ings, Bnn;ets, Comfortables, Quilts, KOSTER <fc BIAL'S Vaudeville Table Linens, Fia " bread and butter '* LYCEUM Miss Hobbs Peai1 2,50 Towels, Towellings, nnels,.the among MAD. SQ. THEA. Why Smith Left Home Black, Ducliesse, Housekeepers' requirements.Of ea ch and all of these we show extraordinary MANHATTAN, de Brocades A Stranger in a Strange Land Soie, Taffetas, assortments of all qualities, and throiugh our great purchases for cash can and METROPOLIS The Sporting Duchess MURRAY HILL The Highest Bidder Gros grain, Faille and Ar do sell so low that frequently our seiiUngprices are belcw .hose competitors pay NEW YORK. -
Metal Oxides Applied to Thermochemical Water-Splitting for Hydrogen Production Using Concentrated Solar Energy
chemengineering Review Metal Oxides Applied to Thermochemical Water-Splitting for Hydrogen Production Using Concentrated Solar Energy Stéphane Abanades Processes, Materials, and Solar Energy Laboratory, PROMES-CNRS, 7 Rue du Four Solaire, 66120 Font Romeu, France; [email protected]; Tel.: +33-0468307730 Received: 17 May 2019; Accepted: 2 July 2019; Published: 4 July 2019 Abstract: Solar thermochemical processes have the potential to efficiently convert high-temperature solar heat into storable and transportable chemical fuels such as hydrogen. In such processes, the thermal energy required for the endothermic reaction is supplied by concentrated solar energy and the hydrogen production routes differ as a function of the feedstock resource. While hydrogen production should still rely on carbonaceous feedstocks in a transition period, thermochemical water-splitting using metal oxide redox reactions is considered to date as one of the most attractive methods in the long-term to produce renewable H2 for direct use in fuel cells or further conversion to synthetic liquid hydrocarbon fuels. The two-step redox cycles generally consist of the endothermic solar thermal reduction of a metal oxide releasing oxygen with concentrated solar energy used as the high-temperature heat source for providing reaction enthalpy; and the exothermic oxidation of the reduced oxide with H2O to generate H2. This approach requires the development of redox-active and thermally-stable oxide materials able to split water with both high fuel productivities and chemical conversion rates. The main relevant two-step metal oxide systems are commonly based on volatile (ZnO/Zn, SnO2/SnO) and non-volatile redox pairs (Fe3O4/FeO, ferrites, CeO2/CeO2 δ, perovskites). -
Cata Resume Sept 2015
Cat Rendic SAGAFTRA TELEVISION/FILM LIP SYNC BATTLE season 1 Dancer Danielle Flora NBA Allstar Game 2015 Christina Aguilera Dancer Jeri Slaughter, Paul Morente Miss Universe Nick Jonas Dancer Casper Smart, Kevin Maher A Step Away Docu Series. Entire Season. Main Character NUVO TV. Jennifer Lopez Nicki Minaj iHeartRadio, Emas, Fashion Rocks Dancer Casper Smart Pitbull Chris Brown Wisin Latin Grammys Dancer/Assistant Choreo Anibal Marrero Jessie J Halo Awards, NNNAwards Dancer Casper Smart The Voice, Gwen Stefani and Pharrell Dancer Jeri Slaughter/Fatima Robinson Ellen Degeneres Show with Julianne and Derek Hough Dancer Nappytabs XFactor season 3 Dancer Jamie King, Galen Hooks American Idol “Carly Rae Jepsen” Dancer Nick Demoura/Kevin Maher Super Bowl Half Time Show Beyonce/Destiny’s Child Dancer F. Gatson/Jaquel Knight/Chris Grant American Idol Jennifer Lopez Dancer Nappytabs NBA Allstar Pitbull, Neyo, Chris Brown Dancer Anibal Marrero/Jamaica Craft Dancing with the Stars with Pitbull Dancer/asst Anibal Marrero Britney Spears Jimmy Kimmel, GMA, MTV PROMO Dancer Jamie King/Brian Friedman Sing Your Face Off Season 1 Dancer Nappytabs Academy Awards with Ann Hathaway and James Franco Dancer Jamal Sims/Draico Johnson Home For The Holidays w. Ricky Martin Dancer Stephanie Roos Fresh Beat Band “Halloween, Graduation, Victorious” Dancer Chuck Maldonado/Nickelodeon Glee “Britney/Brittany” “Hairography” Dancer Zach Woodle/Brooke Lipton/FOX America’s Got Talent Eps 527 Dancer B.Friedman,C. Dupre, Oprah w/ Christina Aguilera Dancer Jeri Slaughter -
Ballad of the Buried Life
Ballad of the Buried Life From 1949 to 2004, UNC Press and the UNC Department of Germanic & Slavic Languages and Literatures published the UNC Studies in the Germanic Languages and Literatures series. Monographs, anthologies, and critical editions in the series covered an array of topics including medieval and modern literature, theater, linguistics, philology, onomastics, and the history of ideas. Through the generous support of the National Endowment for the Humanities and the Andrew W. Mellon Foundation, books in the series have been reissued in new paperback and open access digital editions. For a complete list of books visit www.uncpress.org. Ballad of the Buried Life rudolf hagelstange translated by herman salinger with an introduction by charles w. hoffman UNC Studies in the Germanic Languages and Literatures Number 38 Copyright © 1962 This work is licensed under a Creative Commons cc by-nc-nd license. To view a copy of the license, visit http://creativecommons. org/licenses. Suggested citation: Hagelstange, Rudolf. Ballad of the Buried Life. Translated by Herman Salinger. Chapel Hill: University of North Car- olina Press, 1962. doi: https://doi.org/10.5149/9781469658285_Hagel- stange Library of Congress Cataloging-in-Publication Data Names: Salinger, Herman. Title: Ballad of the buried life / by Herman Salinger. Other titles: University of North Carolina Studies in the Germanic Languages and Literatures ; no. 38. Description: Chapel Hill : University of North Carolina Press, [1962] Series: University of North Carolina Studies in the Germanic Languages and Literatures. Identifiers: lccn unk81010792 | isbn 978-0-8078-8038-8 (pbk: alk. paper) | isbn 978-1-4696-5828-5 (ebook) Classification: lcc pd25 .n6 no. -
Revolutionary Theatricality: Dramatized American Protest, 1967-1968
Revolutionary Theatricality: Dramatized American Protest, 1967-1968 Angela Rothman University of Oregon Rothman 1 American protest against the political and social establishment grew between the years 1967 and 1968 because dramatic aspects of rebellion manifested in theatrical methods. Prominent examples of these protests include the San Francisco Mime Troupe, the production of Paradise Now by the Living Theatre, the Broadway cast production of the musical Hair, and the Festival of Life by the Yippie Movement1 at the Chicago Democratic National Convention. During this intense period of domestic conflict, these activists embraced the revolutions of radical theater as visible forms of protest. Theatrical performance is a major presentation performed by actors and interpreted by audiences, both politically and socially. In an America embroiled in war and cultural conflict, the actors in social groups used revolutionary strategies to express the need for changes in society. Naomi Feigelson’s The Underground Revolution: Hippies, Yippies, and Others argues that politics meshed with theater in “the insistence on involvement, the need for each person to feel part of life.” 2 Doing so made “the spectator part of the action, [in] a drive for liberation and personal expression.” 3 Both Broadway and off-Broadway theater companies, as well as activists like the Yippies, created a platform for their messages and invited spectators to join the drama. While political theater was not a new art form, experimental theater methods decisively influenced performative protests in the late 1960s. They demonstrated their theatrical protest in the call to, and act of, revolution. Stephan Mark Halpern writes that as “the war in Vietnam dragged on and on it seemed to expose the unresponsiveness of government and the weaknesses in American society;” this instability coupled with social repression made a volatile mixture.