The Vagina Monologues by Eve Ensler
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MIAMI UNIVERSITY the Graduate School Certificate for Approving The
MIAMI UNIVERSITY The Graduate School Certificate for Approving the Dissertation We hereby approve the Dissertation of Susan Pelle Candidate for the Degree: Doctor of Philosophy _____________________________________ Director Dr. Stefanie Kyle Dunning _____________________________________ Reader Dr. Madelyn M. Detloff _____________________________________ Reader Dr. Kathleen N. Johnson _____________________________________ Graduate School Representative Dr. Emily A. Zakin ABSTRACT (DIS)ARTICULATING BODIES AND GENDERS: PUSSY POLITICS AND PERFORMING VAGINAS by Susan Pelle The vagina has metaphorically and metonymically been the body part that stands in for the category “woman” and it is this emphatic and fabricated link that imposes itself on bodies, psyches, and lives with often horrifying consequences. My goals in exploring performative and performing vaginas are many. I not only lay out how, why, and in what ways the “normal” and “abled” female body established in both dominant and mainstream discourses is, simply put, one with a specific type of vagina, but I also confront the “truth” that vaginas purport to tell about women and femininity. Ultimately, I maintain that representations of vaginas and the debates and discourses that surround them tell us something about our culture’s fears, anxieties, and hopes. Living life as abject can be painful, even unbearable, yet as individuals negotiate this life they can experience pleasure, assert agency, and express ethical and just visions of the world. The artists, writers, and performers explored in this dissertation strategically perform vaginas in multiple and disparate ways. As they trouble, resist, and negotiate “normative” understandings of vaginas, they simultaneously declare that the “problem” is not about bodies at all. The problem is not the vagina. -
M-Ad Shines in Toronto
Volume 44, Issue 3 SUMMER 2013 A BULLETIN FOR EVERY BARBERSHOPPER IN THE MID-ATLANTIC DISTRICT M-AD SHINES IN TORONTO ALEXANDRIA MEDALS! DA CAPO maKES THE TOP 10 GImmE FOUR & THE GOOD OLD DAYS EARN TOP 10 COLLEGIATE BROTHERS IN HARMONY, VOICES OF GOTHam amONG TOP 10 IN THE WORLD WESTCHESTER WOWS CROWD WITH MIC-TEST ROUTINE ‘ROUND MIDNIGHT, FRANK THE DOG HIT TOP 20 UP ALL NIGHT KEEPS CROWD IN STITCHES CHORUS OF THE CHESAPEAKE, BLACK TIE AFFAIR GIVE STRONG PERFORmaNCES INSIDE: 2-6 OUR INTERNATIONAL COMPETITORS 7 YOU BE THE JUDGE 8-9 HARMONY COLLEGE EAST 10 YOUTH CamP ROCKS! 11 MONEY MATTERS 12-15 LOOKING BACK 16-19 DIVISION NEWS 20 CONTEST & JUDGING YOUTH IN HARMONY 21 TRUE NORTH GUIDING PRINCIPLES 23 CHORUS DIRECTOR DEVELOPMENT 24-26 YOUTH IN HARMONY 27-29 AROUND THE DISTRICT . AND MUCH, MUCH MORE! PHOTO CREDIT: Lorin May ANYTHING GOES! 3RD PLACE BRONZE MEDALIST ALEXANDRIA HARMONIZERS PULL OUT ALL THE STOPS ON STAGE IN TORONTO. INTERNATIONAL CONVENTION 2013: QUARTET CONTEST ‘ROUND MIDNIGHT, T.J. Carollo, Jeff Glemboski, Larry Bomback and Wayne Grimmer placed 12th. All photos courtesy of Dan Wright. To view more photos, go to www. flickr.com/photosbydanwright UP ALL NIGHT, John Ward, Cecil Brown, Dan Rowland and Joe Hunter placed 28th. DA CAPO, Ryan Griffith, Anthony Colosimo, Wayne FRANK THE Adams and Joe DOG, Tim Sawyer placed Knapp, Steve 10th. Kirsch, Tom Halley and Ross Trube placed 20th. MID’L ANTICS SUMMER 2013 pa g e 2 INTERNATIONAL CONVENTION 2013: COLLEGIATE QUARTETS THE GOOD OLD DAYS, Fernando Collado, Doug Carnes, Anthony Arpino, Edd Duran placed 10th. -
THEATRICAL PERFORMANCE, MORMON WOMEN's SEXUALITY, and the VAGINA MONOLOGUES Jill Marie Peterfeso A
GIVING FAITHFUL TESTIMONY: THEATRICAL PERFORMANCE, MORMON WOMEN’S SEXUALITY, AND THE VAGINA MONOLOGUES Jill Marie Peterfeso A thesis submitted to the faculty of the University of North Carolina at Chapel Hill in partial fulfillment for the requirements for the degree of Master in the Department of Religious Studies. Chapel Hill 2008 Approved by: Laurie Maffly-Kipp Randall Styers Thomas Tweed ABSTRACT JILL PETERFESO: Giving Faithful Testimony: Theatrical Performance, Mormon Women’s Sexuality, and The Vagina Monologues (Under the direction of Thomas A. Tweed) This thesis rests at the intersection of women’s studies, performance studies, and Mormon studies. Using two case studies—a performance of Eve Ensler’s The Vagina Monologues at Utah Valley State College and a Sunstone magazine conference session known as The Mormon Vagina Monologues—this thesis explores how Mormon women have used the theatrical medium to explore their sexuality. By staging or scripting their sexual lives within a community of actors or playwrights, and for a public audience, these women give faithful testimony—not about their religious faith, but about their sexual selves. This public testimony has generated, but it also has enabled the women to find healing, foster empowerment, and reconstitute community. ii TABLE OF CONTENTS Chapter I. INTRODUCTION:SETTINGTHESTAGE........................1 Staging and Scripting: Different Uses of the Theatrical Medium . 6 A Need for Healing and Empowered Community: The Vagina Monologues and the V-Day Movement ......................12 Mormon Patriarchy: Restricting Women’s Voices .....................14 A Need for Healing and Empowered Community: Mormons and Sexual Abuse ...................................... 20 II. “THE VAGINA DIALOGUES”: STAGING MORMON WOMEN’S SEXUALITYATUVSC................................... -
We Will Rock You”
“We Will Rock You” By Queen and Ben Elton At the Hippodrome Theatre through October 20 By Princess Appau WE ARE THE CHAMPIONS When one walks into the Hippodrome Theatre to view “We Will Rock You,” the common expectation is a compilation of classic rock and roll music held together by a simple plot. This jukebox musical, however, surpasses those expectations by entwining a powerful plot with clever updating of the original 2002 musical by Queen and Ben Elton. The playwright Elton has surrounded Queen’s songs with a plot that highlights the familiar conflict of our era: youths being sycophants to technology. This comic method is not only the key to the show’s success but also the antidote to any fear that the future could become this. The futuristic storyline is connected to many of Queen’s lyrics that foreshadow the youthful infatuation with technology and the monotonous lifestyle that results. This approach is emphasized by the use of a projector displaying programmed visuals of a futuristic setting throughout the show. The opening scene transitions into the Queen song “Radio Gaga,” which further affirms this theme. The scene includes a large projection of hundreds of youth, clones to the cast performing on stage. The human cast and virtual cast are clothed alike in identical white tops and shorts or skirts; they sing and dance in sublime unison, defining the setting of the show and foreshadowing the plot. Unlike most jukebox musicals the plot is not a biographical story of the performers whose music is featured. “We Will Rock You” is set 300 years in the future on the iPlanet when individuality and creativity are shunned and conformity reigns. -
NEW Media Document.Indd
MEDIA RELEASE WICKED is coming to Australia. The hottest musical in the world will open in Melbourne’s Regent Theatre in July 2008. With combined box office sales of $US 1/2 billion, WICKED is already one of the most successful shows in theatre history. WICKED opened on Broadway in October 2003. Since then over two and a half million people have seen WICKED in New York and just over another two million have seen the North American touring production. The smash-hit musical with music and lyrics by Stephen Schwartz (Godspell, Pippin, Academy Award-winner for Pocahontas and The Prince of Egypt) and book by Winnie Holzman (My So Called Life, Once And Again and thirtysomething) is based on the best-selling novel by Gregory Maguire. WICKED is produced by Marc Platt, Universal Pictures, The Araca Group, Jon B. Platt and David Stone. ‘We’re delighted that Melbourne is now set to follow WICKED productions in New York, Chicago, Los Angeles, the North American tour and London’s West End,’ Marc Platt and David Stone said in a joint statement from New York. ‘Melbourne will join new productions springing up around the world over the next 16 months, and we’re absolutely sure that Aussies – and international visitors to Melbourne – will be just as enchanted by WICKED as the audiences are in America and England.’ WICKED will premiere in Tokyo in June; Stuttgart in November; Melbourne in July 2008; and Amsterdam in 2008. Winner of 15 major awards including the Grammy Award and three Tony Awards, WICKED is the untold story of the witches of Oz. -
Vagina Monologues in Belgrade
5Djordjevic37.5.qxd 02/11/2006 16:09 Page 127 Vagina Sisters, Crying Men, Soap Opera Stars and Sushi: The Story of the Vagina Monologues in Belgrade Jelena Djordjevic* 1 Introduction of the possibility for bringing performance one day before the V-Day is a global movement to peace and coexistence of different Orthodox Easter. In a country stop violence against women and cultures and religions. It was where the church is gaining girls. Through the promotion of aimed at strengthening women’s power each day, it was interesting creative events that celebrate solidarity and support and sending to see how only a few days before women’s sexuality, like the Vagina a strong political message Easter the whole town talked Monologues,1 V-Day increases demanding an end to violence about vaginas and women’s awareness, raises money and against women. The performance orgasms. This was stirred by two ‘revitalises’ the energy of existing of Vagina Monologues in different television clips with which we organisations working to stop Slavic languages enabled women introduced the whole idea of violence against women. The across regional borders to Vagina Monologues to Serbian V-Day movement has spread understand each other through society one week before the play. widely around the world. Last the universal language of their Both clips were taken from Abby year there were 2,300 events and bodies. Each of these Epstein’s documentary Until the celebrations, in over 1,100 cities, performances empowered Violence Stops, which captures the villages and towns. Since 2000, participation of women in public, impact of V-Day in five different several V-Day events have been strengthened solidarity among international communities. -
The Vagina Monologues by Eve Ensler
The Vagina Monologues by Eve Ensler Official guidelines and script for the V-Day 2004 College Campaign Available by special arrangement with Dramatists Play Service, Inc. To order copies of the beautiful, bound acting edition of the script of “The Vagina Monologues” (the original – slightly different from the V-Day version of the script) for memento purposes, to sell at your event, or for use in theatre or other classes or workshops, please contact: Customer Service DRAMATISTS PLAY SERVICE, INC. 440 Park Avenue South, New York, NY 10016 Telephone: 212-683-8960, Fax: 212-213-1539 You may also order the acting edition online at www.dramatists.com. Ask for: Book title: The Vagina Monologues ISBN: 0-8222-1772-4 Price: $5.95 Be sure to mention that you represent the V-Day College Campaign. DRAMATISTS PLAY SERVICE, INC. Representing the American theatre by publishing and licensing the works of new and established playwrights. For more than 65 years Dramatists Play Service, Inc. has provided the finest plays by both established writers and new playwrights of exceptional promise. Formed in 1936 by a number of prominent playwrights and theatre agents, Dramatists Play Service, Inc. was created to foster opportunity and provide support for playwrights by publishing acting editions of their plays and handling the nonprofessional and professional leasing rights to these works. Dramatists Play Service, Inc. has grown steadily to become one of the premier play-licensing agencies in the English speaking theatre. Offering an extensive list of titles, including a preponderance of the most significant American plays of the past half-century, Dramatists Play Service, Inc. -
New Online Effort Launched to Stop Violence Against Women Abroad
Press Release – For Immediate Release August 12, 2005 For More Information Contact: Cathy Renna, Fenton Communications, 212-584-5000, [email protected] New Online Effort Launched to Stop Violence Against Women Abroad Eve Ensler, Kathryn Wolford, Zainab Salbi, Christine Grumm and Others Write for www.uswomenwithoutborders.org to Influence U.S. Foreign Policy and the Media SAN FRANCISCO – Motivated by the fight of women and girls across the world to secure their rights, and hoping to build a voice of American women equipped to influence U.S. foreign policy and media, the Women’s Funding Network launched US Women Without Borders (www.uswomenwithoutborders.org) this month. U.S. Women Without Borders, is designed to help stop violence against women by shining a spotlight on the media and Washington to make sure that the impact of war, legal rights, immigration and other major social forces on violence against women’s and girls’ issues are not overlooked. “Our research confirms what we’ve known all along, women in the US have a tremendous desire to support the courageous fights by women around the world to end violence. But, until now, we’ve had little access to opportunities to make a difference. US women want to connect with women internationally and now we have a powerful tool to exercise our voices in support of their struggles,” said Chris Grumm, President of the Women’s Funding Network. Today on the website, Eve Ensler, creator of the Vagina Monologues and founder of V-Day, writes from Cairo about the opening of Bayat Hawa; the first shelter in Egypt for battered women. -
Swearing a Cross-Cultural Study in Asian and European Languages
Swearing A cross-cultural study in Asian and European Languages Thesis Submitted to Radboud University Nijmegen For the degree of Master of Arts (M.A) Name: Syahrul Rahman / s4703944 Email: [email protected] Supervisor 1: Dr. Ad Foolen Supervisor 2: Professor Helen de Hoop Master Linguistics Radboud University Nijmegen 2016/2017 0 Acknowledgment In the name of Allah, the beneficent and merciful. All praises be to Allah for His mercy and blessing. He has given me health and strength to complete this master thesis as particular instance of this research. Then, may His peace and blessing be upon to His final prophet and messenger, Muhammad SAW, His family and His best friends. In writing and finishing this thesis, there are many people who have provided their suggestion, motivation, advice and remark that all have helped me to finish this paper. Therefore, I would like to express my big appreciation to all of them. For the first, the greatest thanks to my beloved parents Abd. Rahman and Nuriati and my family who have patiently given their love, moral values, motivation, and even pray for me, in every single prayer just to wish me to be happy, safe and successful, I cannot thank you enough for that. Secondly, I would like to dedicate my special gratitude to my supervisor, Dr. Ad Foolen, thanking him for his guidance, assistance, support, friendly talks, and brilliant ideas that all aided in finishing my master thesis. I also wish to dedicate my big thanks to Helen de Hoop, for her kind willingness to be the second reviewer of my thesis. -
(Re)Constituting Power and Audience in the Vagina Monologues Ashley
Putting Women Back on Top?: (Re)constituting Power and Audience in The Vagina Monologues Ashley Elizabeth Gellert Thesis submitted to the faculty of the Virginia Polytechnic Institute and State University in partial fulfillment of the requirements for the degree of Master of Arts In Communication Beth M. Waggenspack, Chair Rachel L. Holloway Jim A. Kuypers April 29, 2011 Blacksburg, Virginia Keywords: constitutive rhetoric, second persona, third persona, bell hooks, The Vagina Monologues ABSTRACT Eve Ensler’s goal in writing The Vagina Monologues was to generate a dialogue regarding women’s sexuality to counter the silence that pervades the patriarchal culture that they inhabit. To achieve this goal, Ensler constructs two ideologies—one grounded in patriarchy and another supposedly grounded in female agency and dialogue—to reveal the problems within the current ideology in hopes that her audience will adopt her new ideology and resolve the detrimental silence women endure. To evaluate its success, this study utilizes an eclectic approach— comprised of constitutive rhetoric, second persona, third persona, and bell hooks’ rhetorical options—to determine if the play’s content encourages the dialogue Ensler desires. iii ACKNOWLEDGMENTS This project would not have been the wonderful experience that it was without several faculty members from the Communication Department, my family, and friends. Dr. Waggenspack, thank you for guiding me through this project with meetings during most of your on-campus days, good discussions, and tough questions that challenged me to think in new ways. Your availability, support, and enthusiasm have been invaluable since I started here last fall but especially so with this thesis. -
FOR IMMEDIATE RELEASE May 18, 2006 No. 161
THE CITY OF NEW YORK OFFICE OF THE M AYOR NEW YORK, NY 10007 FOR IMMEDIATE RELEASE May 18, 2006 No. 161 www.nyc.gov MAYOR BLOOMBERG LAUNCHES PUBLIC AWARENESS CAMPAIGN TO CURB DOMESTIC VIOLENCE AND JOINS V-DAY TO LAUNCH TWO-WEEK FESTIVAL UNTIL THE VIOLENCE STOPS: NYC Mayor Michael R. Bloomberg today unveiled a public awareness campaign to encourage New Yorkers to seek assistance if they or someone they know is a victim of domestic violence and announced that New York City will host Until The Violence Stops: NYC, a two week festival of artistic performances and community events designed to bring the issue of violence against women and girls to the forefront. Developed pro bono by McCann Erickson, the public awareness advertising campaign will be featured in subways, buses and telephone kiosks. The nearly half a million dollar print advertising campaign is scheduled to run initially for three months citywide. Until The Violence Stops: NYC will be presented by V- Day – a global grassroots movement founded by award-winning playwright Eve Ensler to end violence against women and girls. Mayor Bloomberg was joined by City Council Speaker Christine C. Quinn, Deputy Mayor Carol Robles-Roman, Mayor’s Office to Combat Domestic Violence Commissioner Yolanda Jimenez, Commission on Women’s Issues Chair Anne Sutherland Fuchs, McCann Erickson Senior Vice President Susan Irwin, Playwright and V-Day Founder Eve Ensler and Executive Director of the Commission on Women’s Issues Elizabeth LoNigro. “Domestic violence is a crime that damages innocent lives in the place where they should be the safest – in their own homes,” said Mayor Bloomberg. -
The Trouble with White Feminism: Whiteness, Digital Feminism and the Intersectional Internet
City University of New York (CUNY) CUNY Academic Works Publications and Research CUNY Graduate Center 2016 The Trouble with White Feminism: Whiteness, Digital Feminism and the Intersectional Internet Jessie Daniels Hunter College How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_pubs/194 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] “The Trouble with White Feminism: Whiteness, Digital Feminism and the Intersectional Internet” by Jessie Daniels, PhD Professor, Sociology Hunter College and The Graduate Center, CUNY 2180 Third Avenue, New York, NY, 10035 email: [email protected] or [email protected] Submitted for consideration to the volume The Intersectional Internet, Section Two: Cultural Values in the Machine (2016) PRE-PRINT VERSION, 16 FEBRUARY 2015 ABSTRACT (210): In August, 2013 Mikki Kendall, writer and pop culture analyst, started the hashtag #SolidarityisforWhiteWomen as a form of cyberfeminist activism directed at the predominantly white feminist activists and bloggers at sites like Feministing, Jezebel and Pandagon who failed to acknowledge the racist, sexist behavior of one their frequent contributors. Kendall’s hashtag activism quickly began trending and reignited a discussion about the trouble with white feminism. A number of journalists have excoriated Kendall specifically, and women of color more generally, for contributing to a “toxic” form of feminism. Yet what remains unquestioned in these journalistic accounts and in the scholarship to date, is the dominance of white women as architects and defenders of a framework of white feminism – not just in the second wave but today, in the digital era.