DOCSLIB.ORG

BOOK &MUSIC by Joe Kinosian BOOK

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
BOOK &MUSIC by Joe Kinosian BOOK BOOK & MUSIC by Joe Kinosian BOOK & LYRICS by Kellen Blair DIRECTED by Scott Schwartz Printer’s Ad Printer’s Ad LEARNING & EDUCATION USING THEATRE AS A CATALYST TO INSPIRE CREATIVITY “ATC’S EDUCATION DEPARTMENT HAS BEEN NOTHING SHORT OF A MIRACLE.” -Cheryl Falvo, Crossroads English Chair / Service Learning Coordinator Theatre skills help support critical thinking, decision-making, teamwork and improvisation. It can bridge the gap from imagination to reality. We inspire students to feel that anything is possible. LAST SEASON WE REACHED OVER 11,000 STUDENTS IN 80 SCHOOLS ACROSS 8 AZ COUNTIES For more information about our Learning & Education programs, visit EDUCATION.ARIZONATHEATRE.ORG IN THIS ISSUE November-December 2014 Title Page ............................................................................5 The Cast ............................................................................. 6 About the Play .......................................................................12 About Arizona Theatre Company .......................................................15 ATC Leadership .....................................................................20 The Creative Team ................................................................... 28 Staff forMurder for Two ..............................................................36 Board of Trustees ...................................................................40 Theatre Information ................................................................. 47 Corporate and Foundation Donors ....................................................49 Individual Donors ...................................................................50 ATC Staff ...........................................................................59 Ian Lowe and Joe Kinosian in Arizona Theatre Company’s production of Murder for Two. Photo by Joan Marcus. FROM THE INTERIM MANAGING DIRECTOR EVERY MOMENT COUNTS There are no unimportant moments in a theatre production. Every word, every cue and every gesture is written, designed and executed with the goal to keep your attention on the unfold- ing story rather than the mechanics by which it is being told. What’s true about performing a play is also true about running a theatre company. Our intention is to keep your focus on the performance itself, which means that we recognize that your every interaction with Arizona Theatre Company – such as receiving an e-mail message, calling with a question, purchasing tickets, visiting our website, making a contribution and more – presents moments for us to be flawless in the execution of our work. We want ABSOLUTELY NOTHING to stand in the way of your having an extraordinary experience with ATC. This season, we are critically evaluating every effort, system and process that comes into contact with you, our audience. Where possible (i.e. affordable) we’ll make improvements immediately. Where unaffordable, we’ll immediately start looking for resources. As passionate as we are about creating perfect moments on stage – so, too are we passionate about providing them to you, as well. Is there a “moment” that you’d like to see us improve? We’d love to hear from you – especially when you can tell us some specific way in which to improve. We are open to ideas big & small! Please send us your comments to [email protected]. Thank you as always, for your support of Arizona Theatre Company. Matt Lehrman Interim Managing Director SEND YOUR COMMENTS AND SUGGESTIONS TO: [email protected] 4 David Ira Goldstein Matt Lehrman Jessica L. Andrews Artistic Director Interim Managing Director Managing Director Emeritus JAYSON RAITT BARBARA WHITMAN STEVEN CHAIKELSON LATITUDE OMNEITY PAULA BLACK PAULA PITTSBURGH INK ENTERTAINMENT/ KAMINSKY CLO RICHARD G. DAVIS WEINBERG SECOND STAGE THEATRE Carole Rothman, Artistic Director Casey Reitz, Executive Director Christopher Burney, Curator and Associate Artistic Director present MURDER for TWO book & music by Joe Kinosian book & lyrics by Kellen Blair Starring JOE KINOSIAN IAN LOWE Scenic Design Costume Design Lighting Designer Sound Designer BEOWULF BORITT ANDREA LAUER JASON LYONS JILL BC DU BOFF Music Director Choreographer DAVID CALDWELL WENDY SEYB Casting Production Stage Manager Production Supervisor Associate Producer CALLERI CASTING KAT WEST PRODUCTION CORE TOM CASSERLY National Press Representative General Management Exclusive Tour Direction MATT ROSS PRODUCTIONS SNUG HARBOR PRODUCTIONS AWA PARTNERS directed by Scott Schwartz The World Premiere of Murder for Two was presented on May 12, 2011 at Chicago Shakespeare Theater, Chicago, IL. Barbara Gaines, Artistic Director, Criss Henderson, Executive Director. Murder for Two was developed for Chicago Shakespeare Theater by Rick Boynton, Creative Producer. New York Premiere Produced by the Second Stage Theatre, New York, 2013 2014-2015 SEASON SPONSORS: I. MICHAEL AND BETH KASSER 5 CAST Joe Kinosian .............................................................THE SUSPECTS Ian Lowe .......................................................................MARCUS The Actors and Stage Managers employed in this production are members of Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States. UNDERSTUDIES Kyle Branzel. .THE SUSPECTS Noel Carey .....................................................................MARCUS TIME: The present. PLACE: An isolated mansion in rural New England. Murder for Two is performed without an intermission. ADDITIONAL STAFF Emma DeVore ..............................................Assistant to the Stage Manager Arizona Theatre Company operates under agreements between the League of Resident Theatres (LORT) and Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States; Stage Directors and Choreographers, an independent national labor union; and United Scenic Artists Local USA-829, IATSE. Cell phones and other devices that make a noise can greatly disturb your fellow audience members and the performers. PLEASE TURN THEM OFF before the performance. The video and/or audio recording of this performance by any means whatsoever is strictly prohibited. 6 Printer’s Ad THE CAST Joe Kinosian (The Suspects, Book and Music) Joe is the co-recipient of Chicago’s Joseph Jefferson Award recognizingMurder for Two as Best New Musical following its record-breaking run at Chicago Shakespeare Theater; Joe was also nominated for Best Actor as The Suspects. Murder for Two had its Off-Broadway premiere at Second Stage Uptown, going on to a year-long run at New World Stages. Joe’s work with Kellen Blair has been showcased at The Kennedy Center, The York Theater, and on Broadway at the Theatre World Awards. Joe received the ASCAP Foundation Mary Rodgers/Lorenz Hart Award and the Harrington Award from the BMI Workshop. He also appeared in Dirty Blonde with Emily Skinner (Hangar Theater) and the NYC premiere of Dear Edwina Off- Broadway. wwwkinosianandblair.com Ian Lowe (Marcus) Off-Broadway:Murder for Two (New World Stages); Nikolai & the Others (Lincoln Center Theatre); Bayonets of Angst (NYMF); and 12th Night (Sonnet Repertory Theatre). Regional theatre credits include Fingers in Fingers & Toes (Merry-Go-Round Playhouse, Regional Premiere), Heartbreaker starring Christine Andreas (Adirondack Theatre Festival, Regional Premiere); plays and musicals at Capital Repertory Theatre, Riverside Theater, Charleston Stage, Dorset Theater Festival, Arts Center of Coastal Carolina, Ivoryton Playhouse and others. 2014 Lotte Lenya Competition Semi-Finalist. B.A., Yale University. Next Up: More Murder for Two across the country! www.theianlowe.com Kyle Branzel (u/s The Suspects) is just dying to murder every last one of you. Did I say murder? I meant thrilled to be in the production. National Tour: Henry and Mudge. Regional: Footloose (Willard), Guys and Dolls (Benny) and ...Charlie Brown (Schroeder). As Music Director/Pianist: See What I Wanna See (Steppenwolf Garage Rep), Passing Strange (Bailiwick Chicago), The Fabulous Lipitones (Penguin Rep); A Chorus Line (Timber Lake Playhouse), Sam Carner and Derek Gregor’s Barely Legal Showtune Extravaganza (Le Poisson Rouge). B.F.A. Musical Theatre from Chicago College of Performing Arts and proud AEA member. Native of Elyria, Ohio. Much love to Mom and Dad, my family, and The Guys! www.kylebranzel.com Noel Carey (u/s Marcus) Noel is a New York based actor, composer and lyricist. Regional: Into the Woods (TheatreWorks, Palo Alto), Hair (City Lights, San Jose), Tale of the Nutcracker (Opera San Jose). Original musicals include Seven Minutes in Heaven (Barrington Stage Company’s 10-Minute Musicals) The Showmen (Musical Theatre Factory 4x15), Zazou (Emerson College), and Ruby Manger Live! (54 Below). His music is also featured in the annual Broadway Charity Songs concert (Le Poisson Rouge) and the upcoming series “Life Sucks” (Dinner for One Productions). BMI Musical Theatre Workshop (Harrington Award). B.F.A., Emerson College. Much love to Mom, Dad and the entire Murder for Two family! www.noelcarey.com 8 Printer’s Ad Printer’s Ad Printer’s Ad ABOUT THE PLAY FROM PAGE TO STAGE: MURDER FOR TWO By Katherine Monberg, ATC’s Literary Associate Murder for Two, the hit new musical comedy whodunit by composer Joe Kinosian and lyricist Kellen Blair, delighted audiences last season with a sold-out, much-extended off-Broadway run at New York’s McGinn/Cazale Theatre and New World Stages, bringing to light one of the most exciting musical theatre
Load more

Recommended publications
  • TOUCHING the VOID Based on the Book by Joe Simpson Adapted by David Greig
    Press Release –Monday 15th July 2019 Fiery Angel and Ambassador Theatre Group Productions present the Bristol Old Vic, Royal Lyceum Theatre Edinburgh, Royal & Derngate, Northampton, and Fuel production of TOUCHING THE VOID Based on the book by Joe Simpson Adapted by David Greig IMAGES CAN BE DOWNLOADED HERE TRAILER CAN BE DOWNLOADED HERE • PRODUCERS ANNOUNCE CASTING FOR THE WEST END TRANSFER OF TOM MORRIS’ PRODUCTION OF TOUCHING THE VOID • THE PRODUCTION WILL OPEN IN PREVIEWS AT THE DUKE OF YORK’S THEATRE ON NOVEMBER 9TH WITH AN OPENING NIGHT OF NOVEMBER 14TH • TICKETS ARE ON SALE NOW Casting has today been announced for Touching The Void. Following critically acclaimed runs at the Bristol Old Vic, Royal & Derngate, Northampton, Royal Lyceum Theatre Edinburgh, Hong Kong Festival and on Tour in the UK Tom Morris’ production of Touching the Void will see original cast members Fiona Hampton, Patrick McNamee and Josh Williams return to the show, joined by Angus Yellowlees. The show will open in the West End at the Duke of York’s Theatre previewing from November 9th for a strictly limited season with an opening night of November 14th. Fiona Hampton will play Sarah. Her theatre credits include: Much Ado About Nothing (Shakespeare’s Globe); Tamburlaine (Yellow Earth/Arcola Theatre and UK tour); A Midsummer Night’s Dream (New Wolsey Theatre); Private Lives (Octagon Theatre/New Victoria Theatre); Winter Hill, The Glass Menagerie, Tull, Of Mice and Men, Lighthearted Intercourse (all Octagon Theatre); Don’t Laugh (Cockpit Theatre); Playhouse Creatures (Chichester Festival Theatre); The Changeling (The Production Works/Southwark Playhouse); Roar, Clockheart Boy (Rose Theatre Kingston); The Merchant of Venice (Derby LIVE).
    [Show full text]
  • Kert, Larry (1930-1991) Larry Kert and Carol Lawrence Performing on by Craig Kaczorowski the Ed Sullivan Show in 1958
    Kert, Larry (1930-1991) Larry Kert and Carol Lawrence performing on by Craig Kaczorowski the Ed Sullivan Show in 1958. Encyclopedia Copyright © 2015, glbtq, Inc. Film still from a YouTube video. Entry Copyright © 2010 glbtq, Inc. Reprinted from http://www.glbtq.com The gay actor and singer Larry Kert originated the lead romantic role of Tony in the landmark 1957 Broadway musical West Side Story. With his expressive, vibrant tenor, he introduced some of the most memorable songs in the Leonard Bernstein-Stephen Sondheim score, including "Maria," "Tonight," and "Something's Coming." In 1970, Kert triumphed again on Broadway in another Sondheim musical, Company, as Robert, a New York bachelor observing the strains and tensions in the marriages of his best friends, as well as struggling to commit emotionally to each of his three girlfriends. Other Broadway shows involving Kert were unfortunately short-lived, and his later career was devoted mainly to cabaret, television, and regional theater. He was born Frederick Lawrence Kert in Los Angeles, California on December 5, 1930 into a comfortably middle-class family. His father was a jeweler and his mother an actress. He had a brother, Morton, and two sisters, Evelyn and the singer later known as Anita Ellis. He initially attended Hollywood High School but transferred to the Hollywood Professional School in Los Angeles. While still in school, Kert performed as an extra and stunt double in several movies, including Lassie Come Home (1943), where he was a stand-in for the film's star Roddy McDowell. After graduation, Kert took some classes at Los Angeles City College but soon dropped out and moved to New York City where he studied with the celebrated acting teacher Sanford Meisner.
    [Show full text]
  • Introducing New Surflight Theatre
    FOR IMMEDIATE RELEASE: Surflight Theatre Press Director Charlie Siedenburg, 551-655-0968 BROADWAY PRODUCER ROY MILLER NAMED SURFLIGHT THEATRE PRODUCER Broadway producer (and Surflight alum) joins notable New Jersey summer destination – Surflight Theatre during exciting transitional period. BEACH HAVEN, NJ, Tuesday, September 21, 2010 — Surflight Theatre Board President Gene Hammond announced today that Broadway producer (and Surflight alum) Roy Miller has been appointed to the leadership position of Producer at Surflight Theatre. A New Jersey native, Miller’s Broadway producing credits include the current revival of West Side Story (Tony nomination for Best Musical Revival and Grammy Award Winner for Best Musical Show Album), The Drowsy Chaperone (winner of five 2006 Tony Awards; Drama Desk and NY Drama Critics’ Circle Awards for Best Musical), and The Pee-wee Herman Show (opening October 26). Before crossing the river to New York, Miller was Associate Producer of the acclaimed Paper Mill Playhouse in Millburn, NJ, from 1991 to 2004 where he produced over eighty musicals and plays including Animal Crackers starring Kristin Chenoweth, Follies starring Ann Miller, Gypsy starring Betty Buckley and Deborah Gibson, and Stephen Schwartz’s new musical Children of Eden . Miller may be new to the leadership of Surflight, but he is no stranger to the Beach Haven theatre's 450- seat venue. While performing in a high school production of Funny Girl in his hometown of Irvington, NJ, Miller was offered an apprenticeship at Surflight by the show’s director and Surflight founder Joseph P. Hayes. That first introduction to summer theatre at the Jersey Shore in 1975 was followed by two subsequent seasons as an apprentice and, eventually, as a member of the acting company in 1978.
    [Show full text]
  • Brianne Moore AEA
    Brianne Moore AEA 760-889-2657 Height: 5’5’’ [email protected] Hair: Brown www.BrianneMoore.com Eyes: Green Range Legit Soprano/Mezzo with Belt Regional The Sound of Music Maria Rainer Theatre By The Sea dir. Amiee Turner The Visit Ensemble u/s Ottilie Signature Theatre dir. Frank Galati Starring Chita Rivera and George Hearn Helen Hayes Nomination-Best Ensemble Jekyll and Hyde Emma Carew The Glove Theatre dir. Christine O’Grady Carousel Julie Jordan The Highfield Theatre dir. Tony Howarth Into the Woods Baker’s Wife The Highfield Theatre dir. Corin Hollifield Big River Mary Jane Wilkes Moonlight Stage Productions dir. Kirby Ward Songs For a New World Woman 1 Mechanicals Theatre Group Ragtime Chorine/Ensemble Musical Theatre West dir. Paul David Bryant West Side Story Maria Schoenberg Hall dir. John Hall A Day in Space Faith Danny Feldman Presents dir. Brian-Paul Mendoza Fiddler on the Roof Ensemble/Daughter The Highfield Theatre Once Upon a Mattress Lady Larken Carlsbad Cultural Arts Center New York The Visit Ensemble The Actor’s Fund Benefit Concert Starring Chita Rivera and John Cullum Choreographed by Ann Reinking Ambassador Theater My Man Godfrey- Reading Glenda East of Doheny Productions dir. Matthew August Mrs. Sharp- Reading Kimberly Sharp NYU Tisch GMTWP by: Ryan Scott Oliver Einstein’s Dreams-Concert Reading Ensemble La Vie Productions dir. Jen Bender The Debbies- Reading Debbie NYU Tisch GMTWP by: Ryan Scott Oliver New York City Master Chorale Soloist Lincoln Center- Alice Tully Hall Recordings Vocalist, Alive at Ten music and lyrics by Ryan Scott Oliver and book by Kirsten Guenther Principle Vocalist, Mercy, Those American Boys music and lyrics by Ryan Scott Oliver Daughter, New Cast Recording: Songs From the Tall Grass music and lyrics by Randy Hale Training and Education B.A.
    [Show full text]
  • News Release for Immediate
    NEWS RELEASE FOR IMMEDIATE RELEASE: April 30, 2020 OFF-BROADWAY CAST OF “THE WHITE CHIP”, SEAN DANIELS’ CRITICALLY ACCLAIMED PLAY ABOUT HIS UNUSUAL PATH TO SOBRIETY, WILL DO A LIVE ONLINE READING AS A BENEFIT Performance Will Benefit The Voices Project and Arizona Theatre Company and is dedicated to Terrence McNally. In line with Arizona Theatre Company’s (ATC) ongoing commitment to bringing diverse creative content to audiences online, the original Off-Broadway cast of The White Chip will perform a live reading of Artistic Director Sean Daniels’ play about his unusual path to sobriety as a fundraiser for The Voices Project, a grassroots recovery advocacy organization, and Arizona Theatre Company. The benefit performance will be broadcast live at 5 p.m. (Pacific Time) / 8 p.m. (Eastern Time), Monday, May 11 simultaneously on Arizona Theatre Company’s Facebook page (@ArizonaTheatreCompany) and YouTube channel. The performance is free, but viewers are welcome to donate what they can. The performance will then be available for four days afterwards through ATC’s website and YouTube channel. All donations will be divided equally between the two organizations. A New York Times Critics’ Pick, The White Chip was last staged Off-Broadway at 59E59 Theaters in New York City, from Oct. 4 - 26, 2019. Tony Award-nominated director Sheryl Kaller, Tony Award-winning sound designer Leon Rothenberg and the original Off- Broadway cast (Joe Tapper, Genesis Oliver, Finnerty Steeves) will return for the reading. The Off-Broadway production was co-produced with Tony Award-winning producers Tom Kirdahy (Little Shop of Horrors, Hadestown) and Hunter Arnold (Little Shop of Horrors, Hadestown).
    [Show full text]
  • Performance Measurement Report
    THEATER SUBDISTRICT COUNCIL, LDC Performance Measurement Report I. How efficiently or effectively has TSC been in making grants which serve to enhance the long- term viability of Broadway through the production of plays and small musicals? The TSC awards grants, among other purposes, to facilitate the production of plays and musicals. The current round, awarding over $2.16 million in grants for programs, which have or are expected to result in the production of plays or musicals, have been awarded to the following organizations: • Classical Theatre of Harlem $100,000 (2009) Evaluation: A TSC grant enabled the Classical Theatre of Harlem to produce Archbishop Supreme Tartuffe at the Harold Clurman Theatre on Theatre Row in Summer 2009. This critically acclaimed reworking of Moliere’s Tartuffe directed by Alfred Preisser and featuring Andre DeShields was an audience success. The play was part of the theater’s Project Classics initiative, designed to bring theater to an underserved and under-represented segment of the community. Marketing efforts successfully targeted audiences from north of 116th Street through deep discounts and other ticket offers. • Fractured Atlas $200,000 (2010) Evaluation: Fractured Atlas used TSC support for a three-part program to improve the efficiency of rehearsal and performance space options, gather useful workspace data, and increase the availability of affordable workspace for performing arts groups in the five boroughs. Software designers created a space reservation calendar and rental engine; software for an enhanced data-reporting template was written, and strategies to increase the use of nontraditional spaces for rehearsal and performance were developed. • Lark Play Development Center $160,000 (2010) Evaluation: Lark selected four New York playwrights from diverse backgrounds to participate in a new fellowship program: Joshua Allen, Thomas Bradshaw, Bekah Brunstetter, and Andrea Thome.
    [Show full text]
  • Pathetic Pathetic
    JUNE 5–23, 2019 MINOR THEATER PATHETIC PATHETIC WRITTEN AND DIRECTED Teen girls experiment with sex, magic and murder Julia Jarcho while mom sinks deep into lust and self-loathing. PRODUCTION DESIGN Ásta Bennie Hostetter A teen-drama riff on Racine’s Phèdre, Minor Theater’s PATHETIC invites you to get off on the LIGHTING DESIGN Christina Watanabe sick horrors of becoming a woman. SOUND DESIGN Ben Williams Minor Theater makes plays in a minor key. With dark VIDEO DESIGN humor and goofball precision, we lure you into the tunnels Jennifer Seastone where we feed off pop culture’s sticky undergut. Our plays ASSISTANT DIRECTOR are written and directed by Julia Jarcho in collaboration Kedian Keohan with award-winning theater artists Ásta Bennie Hostetter, Jennifer Seastone, and Ben Williams. Shows include PRODUCTION STAGE MANAGER Kendall Allen* GRIMLY HANDSOME (2013 OBIE, Best New American Play), THE TERRIFYING (Abrons 2017); NOMADS (dir. by Alice ASSISTANT STAGE MANAGER Taryn Uhe Reagan, Incubator 2014); DREAMLESS LAND (New York City Players/ Abrons, 2011); and American Treasure (13P, PRODUCTION MANAGER Michelle Lane 2009). We are champions of weird desire. PRODUCER Ann Marie Dorr MINOR THEATER MANAGEMENT ASSOCIATE Jordan Baum GRAPHIC DESIGNER Cody Carvel FEATURING Jordan Baum, Kim Gainer*, Kristine Haruna Lee*, Linda Mancini, Jennifer Seastone*, Ben Jalosa Williams* VIDEO APPEARANCE Hubert Point-Du Jour CREW Melissa Erickson, Cody Henson, Evan Herman-Chin, James Kogen, Claire Kostova, Nicholas Santagie, Lily bo Shapiro, Latyana Smith, Diane VanDenberghe, Carl Whipple *Appearing courtesy of Actors’ Equity Association. Equity Approved Showcase. MINOR THEATER PATHETIC ABOUT PATHETIC CAST & CREW Kendall Allen (Production Stage Manager ) is a Stage Manager, Director, and Intimacy Choreographer.
    [Show full text]
  • 2018 BAM Next Wave Festival #Bamnextwave
    2018 BAM Next Wave Festival #BAMNextWave Brooklyn Academy of Music Adam E. Max, Katy Clark, Chairman of the Board President William I. Campbell, Joseph V. Melillo, Vice Chairman of the Board Executive Producer Place BAM Harvey Theater Oct 11—13 at 7:30pm; Oct 13 at 2pm Running time: approx. one hour 15 minutes, no intermission Created by Ted Hearne, Patricia McGregor, and Saul Williams Music by Ted Hearne Libretto by Saul Williams and Ted Hearne Directed by Patricia McGregor Conducted by Ted Hearne Scenic design by Tim Brown and Sanford Biggers Video design by Tim Brown Lighting design by Pablo Santiago Costume design by Rachel Myers and E.B. Brooks Sound design by Jody Elff Assistant director Jennifer Newman Co-produced by Beth Morrison Projects and LA Phil Season Sponsor: Leadership support for music programs at BAM provided by the Baisley Powell Elebash Fund Major support for Place provided by Agnes Gund Place FEATURING Steven Bradshaw Sophia Byrd Josephine Lee Isaiah Robinson Sol Ruiz Ayanna Woods INSTRUMENTAL ENSEMBLE Rachel Drehmann French Horn Diana Wade Viola Jacob Garchik Trombone Nathan Schram Viola Matt Wright Trombone Erin Wight Viola Clara Warnaar Percussion Ashley Bathgate Cello Ron Wiltrout Drum Set Melody Giron Cello Taylor Levine Electric Guitar John Popham Cello Braylon Lacy Electric Bass Eileen Mack Bass Clarinet/Clarinet RC Williams Keyboard Christa Van Alstine Bass Clarinet/Contrabass Philip White Electronics Clarinet James Johnston Rehearsal pianist Gareth Flowers Trumpet ADDITIONAL PRODUCTION CREDITS Carolina Ortiz Herrera Lighting Associate Lindsey Turteltaub Stage Manager Shayna Penn Assistant Stage Manager Co-commissioned by the Los Angeles Phil, Beth Morrison Projects, Barbican Centre, Lynn Loacker and Elizabeth & Justus Schlichting with additional commissioning support from Sue Bienkowski, Nancy & Barry Sanders, and the Francis Goelet Charitable Lead Trusts.
    [Show full text]
  • HERRICK GOLDMAN LIGHTING DESIGNER Website: HG Lighting Design Inc
    IGHTING ESIGNER HERRICK GOLDMAN L D Website: HG Lighting Design inc. Phone: 917-797-3624 www.HGLightingDesign.com 1460 Broadway 16th floor E-mail: [email protected] New York, NY 10036 Honors & Awards: •2009 LDI Redden Award for Excellence in Theatrical Design •2009 Henry Hewes (formerly American Theatre Wing) Nominee for “Rooms a Rock Romance” •2009 ISES Big Apple award for Best Event Lighting •2010 Live Design Excellence award for Best Theatrical Lighting Design •2011 Henry Hewes Nominee for Joe DiPietro’s “Falling for Eve” Upcoming: Alice in Wonderland Pittsburgh Ballet, Winter ‘17 Selected Experience: •New York Theater (partial). Jason Bishop The New Victory Theater, Fall ‘16 Jasper in Deadland Ryan Scott Oliver/ Brandon Ivie dir. Prospect Theater Company Off-Broadway, NYC March ‘14 50 Shades! the Musical (Parody) Elektra Theatre Off-Broadway, NYC Jan ‘14 Two Point Oh 59 e 59 theatres Off-Broadway, NYC Oct. ‘13 Amigo Duende (Joshua Henry & Luis Salgado) Museo Del Barrio, NYC Oct. ‘12 Myths & Hymns Adam Guettel Prospect Theater co. Off-Broadway, NYC Jan. ‘12 Falling For Eve by Joe Dipietro The York Theater, Off-Broadway NYC July. ‘10 I’ll Be Damned The Vineyard Theater, Off-Broadway NYC June. ‘10 666 The Minetta Lane Theater Off-Broadway, NYC March. ‘10 Loaded Theater Row Off-Broadway, NYC Nov. ‘09 Flamingo Court New World Stages Off-Broadway, NYC June ‘09 Rooms a Rock Romance Directed by Scott Schwartz, New World Stages, NYC March. ‘09 The Who’s Tommy 15th anniversary concert August Wilson Theater, Broadway, NYC Dec. ‘08 Flamingo Court New World Stages Off-Broadway, NYC July ‘08 The Last Starfighter (The musical) Theater @ St.
    [Show full text]
  • NEW Media Document.Indd
    MEDIA RELEASE WICKED is coming to Australia. The hottest musical in the world will open in Melbourne’s Regent Theatre in July 2008. With combined box office sales of $US 1/2 billion, WICKED is already one of the most successful shows in theatre history. WICKED opened on Broadway in October 2003. Since then over two and a half million people have seen WICKED in New York and just over another two million have seen the North American touring production. The smash-hit musical with music and lyrics by Stephen Schwartz (Godspell, Pippin, Academy Award-winner for Pocahontas and The Prince of Egypt) and book by Winnie Holzman (My So Called Life, Once And Again and thirtysomething) is based on the best-selling novel by Gregory Maguire. WICKED is produced by Marc Platt, Universal Pictures, The Araca Group, Jon B. Platt and David Stone. ‘We’re delighted that Melbourne is now set to follow WICKED productions in New York, Chicago, Los Angeles, the North American tour and London’s West End,’ Marc Platt and David Stone said in a joint statement from New York. ‘Melbourne will join new productions springing up around the world over the next 16 months, and we’re absolutely sure that Aussies – and international visitors to Melbourne – will be just as enchanted by WICKED as the audiences are in America and England.’ WICKED will premiere in Tokyo in June; Stuttgart in November; Melbourne in July 2008; and Amsterdam in 2008. Winner of 15 major awards including the Grammy Award and three Tony Awards, WICKED is the untold story of the witches of Oz.
    [Show full text]
  • EMC Theatres (PDF)
    Equity Membership Candidate Program Theatre Participant Directory Revised: 09/26/2021 The following Equity Theatres have participated in the Equity Membership Candidate (EMC) Program in the past six months. Before accepting employment, prospective Membership Candidates should inquire at the theatre to confirm the program is in effect. Producing Organization Mailing/ Web Address Equity Agreement(s) 11th Hour Theatre Company 2329 S 3rd St SPT Philadelphia, PA 19148 1812 Productions 2329 S 3rd St SPT Philadelphia, PA 19148 http://www.1812productions.org 42nd Street Moon PO Box 426470 Bay Area Theatre San Francisco, CA 94142 http://www.42ndstmoon.org 4th Wall Theatre Company 1824 Spring Street SPT #101 Houston, TX 77007 5th Avenue Theatre 1308 5th Ave LORT Seattle, WA 98101 https://www.5thavenue.org A Contemporary Theatre Inc 700 Union St LORT Seattle, WA 98101 http://www.acttheatre.org A Noise Within 3352 E Foothill Blvd LOA-LORT Pasadena, CA 91107 http://www.anoisewithin.org A.D. Players 5420 Westheimer Road LOA-LORT Houston, TX 77056 http://adplayers.org Actor's Express Theatre Company 887 W Marietta St NW Ste J107 SPT Atlanta, GA 30318 Actors' Playhouse 280 Miracle Mile LOA-LORT Coral Gables, FL 33134 http://www.actorsplayhouse.org Actors' Shakespeare Project 442 Bunker Hill St NEAT Charlestown, MA 02129 http://www.actorsshakespeareproject. org Actors Theater Series, Inc. 22601 La Palma Ave Ste 105 COST Yorba Linda, CA 92887 http://www.mccoyrigby.com Actors Theatre of Indiana 510 3rd Ave SW Ste D SPT Carmel, IN 46032 http://www.actorstheatreofindiana.org
    [Show full text]
  • New Online Effort Launched to Stop Violence Against Women Abroad
    Press Release – For Immediate Release August 12, 2005 For More Information Contact: Cathy Renna, Fenton Communications, 212-584-5000, [email protected] New Online Effort Launched to Stop Violence Against Women Abroad Eve Ensler, Kathryn Wolford, Zainab Salbi, Christine Grumm and Others Write for www.uswomenwithoutborders.org to Influence U.S. Foreign Policy and the Media SAN FRANCISCO – Motivated by the fight of women and girls across the world to secure their rights, and hoping to build a voice of American women equipped to influence U.S. foreign policy and media, the Women’s Funding Network launched US Women Without Borders (www.uswomenwithoutborders.org) this month. U.S. Women Without Borders, is designed to help stop violence against women by shining a spotlight on the media and Washington to make sure that the impact of war, legal rights, immigration and other major social forces on violence against women’s and girls’ issues are not overlooked. “Our research confirms what we’ve known all along, women in the US have a tremendous desire to support the courageous fights by women around the world to end violence. But, until now, we’ve had little access to opportunities to make a difference. US women want to connect with women internationally and now we have a powerful tool to exercise our voices in support of their struggles,” said Chris Grumm, President of the Women’s Funding Network. Today on the website, Eve Ensler, creator of the Vagina Monologues and founder of V-Day, writes from Cairo about the opening of Bayat Hawa; the first shelter in Egypt for battered women.
    [Show full text]