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TOUCHING the VOID Based on the Book by Joe Simpson Adapted by David Greig
Press Release –Monday 15th July 2019 Fiery Angel and Ambassador Theatre Group Productions present the Bristol Old Vic, Royal Lyceum Theatre Edinburgh, Royal & Derngate, Northampton, and Fuel production of TOUCHING THE VOID Based on the book by Joe Simpson Adapted by David Greig IMAGES CAN BE DOWNLOADED HERE TRAILER CAN BE DOWNLOADED HERE • PRODUCERS ANNOUNCE CASTING FOR THE WEST END TRANSFER OF TOM MORRIS’ PRODUCTION OF TOUCHING THE VOID • THE PRODUCTION WILL OPEN IN PREVIEWS AT THE DUKE OF YORK’S THEATRE ON NOVEMBER 9TH WITH AN OPENING NIGHT OF NOVEMBER 14TH • TICKETS ARE ON SALE NOW Casting has today been announced for Touching The Void. Following critically acclaimed runs at the Bristol Old Vic, Royal & Derngate, Northampton, Royal Lyceum Theatre Edinburgh, Hong Kong Festival and on Tour in the UK Tom Morris’ production of Touching the Void will see original cast members Fiona Hampton, Patrick McNamee and Josh Williams return to the show, joined by Angus Yellowlees. The show will open in the West End at the Duke of York’s Theatre previewing from November 9th for a strictly limited season with an opening night of November 14th. Fiona Hampton will play Sarah. Her theatre credits include: Much Ado About Nothing (Shakespeare’s Globe); Tamburlaine (Yellow Earth/Arcola Theatre and UK tour); A Midsummer Night’s Dream (New Wolsey Theatre); Private Lives (Octagon Theatre/New Victoria Theatre); Winter Hill, The Glass Menagerie, Tull, Of Mice and Men, Lighthearted Intercourse (all Octagon Theatre); Don’t Laugh (Cockpit Theatre); Playhouse Creatures (Chichester Festival Theatre); The Changeling (The Production Works/Southwark Playhouse); Roar, Clockheart Boy (Rose Theatre Kingston); The Merchant of Venice (Derby LIVE). -
The Pantages Playhouse Theatre Is the Last Window to Winnipeg's Vaudeville Past
FREE.WEEKLY. VOLUME VOLUME 73 // ISSUE 22 // MAR. 21 ThE PanTagEs PLaYhousE ThEatre is ThE LasT WindoW To Winnipeg’s vaudEville PasT security theatre at communities rally after waiting for a millennium library p4 police violence p11 little sugar p13 The official newspaper of The UniversiTy of winnipeg on the cover grant simpson, a longtime vaudevillian, discusses the form and its historical home on page 7. MAKE/ BREAK THE RULES Many of the pieces you would usually find in The Uniter are, by most definitions, on the short side. Our average story aims to land around the 500-word mark. it’s a tough assignment, and oftentimes, a word count of 500 feels like it’s not possibly enough. Most of the time, though, we stay in that range. The Uniter is a learning paper, and creating a 500-word piece is a distinct skill set. it requires practice, as well as cultivating precision and discernment. not everything can make it in – and that’s part of the joy of writing. The outtakes are like loose threads to be followed up another day. They can spring into new stories. Few pieces, once finished, give a writer the sense that they are, just as they are, enough. and often it’s this not-enoughness that spurs us forward, to tell more stories, to build a body of work that can incorpo- rate more angles, different perspectives, or simply the same story, revisited at a different time. This week, we have some notable excep- tions. One of the key elements of having a rule is knowing when to break it. -
A Midsummer Night's Dream
Thursday 26 November, 7.30pm Friday 27 November, 2pm & 7.30pm Saturday 28 November, 7.30pm A Midsummer Night’s Dream By William Shakespeare Suba Das director Guildhall School of Music & Drama Milton Court Founded in 1880 by the Situated across the road from Guildhall City of London Corporation School’s Silk Street building, Milton Court offers the School state-of-the-art Chairman of the Board of Governors performance and teaching spaces. Milton Vivienne Littlechild Court houses a 608-seat Concert Hall, a 223-seat theatre, a Studio theatre, three Principal major rehearsal rooms and a TV studio suite. Lynne Williams Students, staff and visitors to the School experience outstanding training spaces as Vice-Principal & Director of Drama well as world-class performance venues. Orla O’Loughlin Please visit our website at gsmd.ac.uk Photographs of the final year acting company are by: David Buttle (Charlie Beck, Lily Hardy, Hope Kenna, Isla Lee, Noah Marullo, Umi Myers, Felix Newman, Jidé Guildhall School is part of Culture Mile: Okunola, Sonny Pilgrem, Alyth Ross), Samuel Black (Dan culturemile.london Wolff), Harry Livingstone (Nia Towle), Wolf Marloh (Zachary Nachbar-Seckel), Clare Park (Grace Cooper Milton), Phil Sharp (Kitty Hawthorne, Sam Thorpe-Spinks), Michael Shelford (Levi Brown, Sheyi Cole, Aoife Gaston, Guildhall School is provided by the City of London Brandon Grace, Conor McLeod, Hassan Najib, Millie Smith, Corporation as part of its Tara Tijani, Dolly LeVack), David Stone (Justice Ritchie), contribution to the cultural life Faye Thomas (Caitlin Ffion Griffiths, Genevieve Lewis) of London and the nation A Midsummer Night’s Dream by William Shakespeare Suba Das director Grace Smart designer Ed Lewis composer Lucy Cullingford movement director Jack Stevens lighting designer Thomas Dixon sound designer Thursday 26, Friday 27, Saturday 28 November 2020 Live performances broadcast from Milton Court Theatre Recording of this performance by any means whatsoever is strictly prohibited. -
BOOK &MUSIC by Joe Kinosian BOOK
BOOK & MUSIC by Joe Kinosian BOOK & LYRICS by Kellen Blair DIRECTED by Scott Schwartz Printer’s Ad Printer’s Ad LEARNING & EDUCATION USING THEATRE AS A CATALYST TO INSPIRE CREATIVITY “ATC’S EDUCATION DEPARTMENT HAS BEEN NOTHING SHORT OF A MIRACLE.” -Cheryl Falvo, Crossroads English Chair / Service Learning Coordinator Theatre skills help support critical thinking, decision-making, teamwork and improvisation. It can bridge the gap from imagination to reality. We inspire students to feel that anything is possible. LAST SEASON WE REACHED OVER 11,000 STUDENTS IN 80 SCHOOLS ACROSS 8 AZ COUNTIES For more information about our Learning & Education programs, visit EDUCATION.ARIZONATHEATRE.ORG IN THIS ISSUE November-December 2014 Title Page ............................................................................5 The Cast ............................................................................. 6 About the Play .......................................................................12 About Arizona Theatre Company .......................................................15 ATC Leadership .....................................................................20 The Creative Team ................................................................... 28 Staff forMurder for Two ..............................................................36 Board of Trustees ...................................................................40 Theatre Information ................................................................. 47 Corporate and Foundation Donors ....................................................49 -
Women in Theatre 2006 Survey
WOMEN IN THEATRE 2006 SURVEY Sphinx Theatre Company 2006 copyright. No part of this survey may be reproduced without permission WOMEN IN THEATRE 2006 SURVEY Sphinx Theatre Company copyright 2006. No part of this survey may be reproduced without permission The comparative employment of men and women as actors, directors and writers in the UK theatre industry, and how new writing features in venues’ programming Period 1: 16 – 29 January 2006 (inclusive) Section A: Actors, Writers, Directors and New Writing. For the two weeks covered in Period 1, there were 140 productions staged at 112 venues. Writers Of the 140 productions there were: 98 written by men 70% 13 written by women 9% 22 mixed collaboration 16% (7 unknown) 5% New Writing 48 of the 140 plays were new writing (34%). Of the 48 new plays: 30 written by men 62% 8 written by women 17% 10 mixed collaboration 21% The greatest volume of new writing was shown at Fringe venues, with 31% of its programme for the specified time period featuring new writing. New Adaptations/ New Translations 9 of the 140 plays were new adaptations/ new translations (6%). Of the 9 new adaptations/ new translations: 5 written by men 0 written by women 4 mixed collaboration 2 WOMEN IN THEATRE 2006 SURVEY Sphinx Theatre Company copyright 2006. No part of this survey may be reproduced without permission Directors 97 male directors 69% 32 female directors 23% 6 mixed collaborations 4% (5 unknown) 4% Fringe theatres employed the most female directors (9 or 32% of Fringe directors were female), while subsidised west end venues employed the highest proportion of female directors (8 or 36% were female). -
Hamlet West End Announcement
FOLLOWING A CRITICALLY ACCLAIMED & SELL-OUT RUN AT THE ALMEIDA THEATRE HAMLET STARRING THE BAFTA & OLIVIER AWARD-WINNING ANDREW SCOTT AND DIRECTED BY THE MULTI AWARD-WINNING DIRECTOR ROBERT ICKE WILL TRANSFER TO THE HAROLD PINTER THEATRE FOR A STRICTLY LIMITED SEASON FROM 9 JUNE – 2 SEPTEMBER 2017 ‘ANDREW SCOTT DELIVERS A CAREER-DEFINING PERFORMANCE… HE MAKES THE MOST FAMOUS SPEECHES FEEL FRESH AND UNPREDICTABLE’ EVENING STANDARD ‘IT IS LIVEWIRE, EDGE-OF-THE-SEAT STUFF’ TIME OUT Olivier Award-winning director, Robert Icke’s (Mary Stuart, The Red Barn, Uncle Vanya, Oresteia, Mr Burns and 1984), ground-breaking and electrifying production of William Shakespeare’s Hamlet, starring BAFTA award-winner Andrew Scott (Moriarty in BBC’s Sherlock, Denial, Spectre, Design For Living and Cock) in the title role, will transfer to the Harold Pinter Theatre, following a critically acclaimed and sell out run at the Almeida Theatre. Hamlet will run for a limited season only from 9 June to 2 September 2017 with press night on Thursday 15 June. Hamlet is produced by Ambassador Theatre Group (Sunday In The Park With George, Buried Child, Oresteia), Sonia Friedman Productions and the Almeida Theatre (Chimerica, Ghosts, King Charles III, 1984, Oresteia), who are renowned for introducing groundbreaking, critically acclaimed transfers to the West End. Rupert Goold, Artistic Director, Almeida Theatre said "We’re delighted that with this transfer more people will be able to experience our production of Hamlet. Robert, Andrew, and the entire Hamlet company have created an unforgettable Shakespeare which we’re looking forward to sharing even more widely over the summer in partnership with Sonia Friedman Productions and ATG.” Robert Icke, Director (and Almeida Theatre Associate Director) said “It has been such a thrill to work with Andrew and the extraordinary company of Hamlet on this play so far, and I'm delighted we're going to continue our work on this play in the West End this summer. -
Introduction to Ecovenue Ecovenue Is a Signifi Cant Theatre-Specifi C Environmental Project Being Run by the Theatres Trust
Introduction to Ecovenue Ecovenue is a signifi cant theatre-specifi c environmental project being run by The Theatres Trust. It aims to improve the environmental performance of forty-eight London theatres and raise awareness of how to make theatres greener. Ecovenue is promoting the sustainability of theatres and the reduction of carbon emissions through the provision of free theatre-specifi c, environmental advice. The project started in 2009 and runs until 2012. Forty-eight venues each undergo an Environmental Audit, and receive a Display Energy Certifi cate (DEC) and Advisory Report. They track their energy use through SMEasure. Each venue receives a second DEC a year after their fi rst to measure progress. Ecovenue includes a ‘DEC Pool’ of performing arts venues across the UK that have obtained DECs. The DEC Pool helps us to evaluate the project and share best practice and information, establish meaningful benchmarks, and provide a better understanding of energy use of theatres. Any theatre can join the DEC Pool. The Trust’s Theatres Magazine provides quarterly reports on the participants and the work of the Ecovenue project. The Theatres Trust Ecovenue project receives fi nancial support from the European Regional Development Fund. Participating Theatres Albany Theatre Etcetera Theatre Old Vic Arcola Finborough Theatre Orange Tree Theatre Arts Theatre Gate Theatre Pleasance Islington artsdepot Greenwich & Lewisham Young Polka Theatre Brockley Jack People’s Theatre Putney Arts Theatre Bush Theatre Greenwich Playhouse Questors Camden People’s -
Latest News and Opera Glass Top 5 Autumn 2014
Latest News and Opera Glass Top 5 Autumn 2014 Chocolicious Delivery Our Quarter 3 TOP 5…. Last quarters top 5 with their hampers Word has got around, the competition is heating up, theatre’s are going that extra mile to make it in to the London Opera Glass Top 5. So without further ado, Apollo Victoria Theatre it gives me great pleasure to announce quarter three’s TOP 5. “Loving the chocolate hamper, great result! Playhouse Theatre, London But do I really have to share it?”. Edinburgh Playhouse Theatre - Pippa Campbell Adelphi Theatre Aldwych Theatre Her Majesty’s Theatre Adelphi Theatre Winning theatres are based on Front of House teams who regularly replaced lost “Thank you London or missing glasses in between our frequent service visits. Each winning theatre Opera Glass will be receiving a goodie hamper in the next few weeks. Company for this delicious hamper, next time we WILL be number 1!”. From Red to Yellow - Conia Martin-Slijkhuis For one night only, the opera glasses at the Cambridge Theatre London, are turning from red to yellow in aid of the BBC’s Children in Need Appeal. Cambridge Theatre “Extremely happy On the 4th of November, BBC Radio 2’s Sir Terry to receive this on behalf of our Theatre Wogan, will be hosting a gala performance of Manager Chris Matilda. This one off charity show aims to raise as Green”. much money as possible for disadvantaged children - Russell White and young people across the UK. To show our support we will be donating limited edition yellow opera glasses Her Majesty’s Theatre to the theatre. -
Completed Acquisition by the Ambassador Theatre
Completed acquisition by The Ambassador Theatre Group Limited (ultimately controlled by Exponent Private Equity LLP) of the theatres formerly owned by Live Nation (Venues) UK Ltd The OFT’s decision on reference under section 22(1) given on 10 February 2010. Full text of decision published 24 February 2010. Please note that the square brackets indicate figures or text which have been deleted or replaced in ranges at the request of the parties or third parties for reasons of commercial confidentiality. PARTIES 1. The Ambassador Theatre Group Limited (ATG) (ultimately controlled by funds managed by Exponent Private Equity LLP) (Exponent)1 operates a nationwide portfolio of theatres in the UK.2 It is also a theatre producer and supplies ticketing services to itself and to third parties. 2. The target is the entire issued share capital of Live Nation (Venues) UK Limited (LNT) which owned and operated the UK's largest national portfolio of theatres.3 1 Exponent's activities do not create any substantive horizontal overlap or vertical link with ATG or LNT and, hence its acquisition of a controlling interest over ATG is not considered any further. 2 ATG West End theatres: (i) the Comedy Theatre; (ii) Donmar Warehouse; (iii) Duke of York's Theatre; (iv) Fortune Theatre; (v) Phoenix Theatre; (vi) Piccadilly Theatre; (vii) Playhouse Theatre (50 per cent); (viii) Savoy Theatre (50 per cent); and (ix) Trafalgar Studio 1 and Trafalgar Studio 2; ATG regional theatres: (i) the Ambassadors, Woking (encompassing the New Victoria and Rhoda McGaw theatres); (ii) Theatre Royal Brighton; (iii) the Regent Theatre, Stoke-on-Trent (iv) the Victoria Hall, Stoke-on-Trent; (v) Milton Keynes Theatre; (vi) Churchill Theatre, Bromley; (vii) Richmond Theatre, Surrey; (viii) the King's Theatre, Glasgow; (ix) the Theatre Royal, Glasgow; and (x) New Wimbledon Theatre (and the New Wimbledon Studio). -
180 Market Avenue Playhouse Theatre (Formerly Pantages Theatre)
180 MARKET AVENUE PLAYHOUSE THEATRE (FORMERLY PANTAGES THEATRE) HISTORICAL BUILDINGS COMMITTEE September 30, 1980 180 MARKET AVENUE PLAYHOUSE THEATRE (FORMERLY PANTAGES THEATRE) From its early days, live theatre has had a solid tradition in Winnipeg. In the years before movies, television and radio, performance on some sort of public stage was a treasured form of entertainment, common to all leisured societies. The long winter evenings in Red River were particularly suitable for such social activity and by 1866, an amateur theatre group had been spawned. Other groups followed in succession, each providing bright moments of drama, comedy, music and variety. "Theatres" pressed into use included army huts, the upper floor of City Hall, a store and a church hall that creaked ominously when it held an enthusiastic crowd of 200 people.1 In the 1870s, the Theatre Royal and the Princess Theatre were both constructed for Winnipeg patrons but were both rather cheaply done. The Royal had a party wall with a stable and the animals would bray and whinny when the audience made noise. The Princess, like so many of its genre, caught fire from its wood stove and burned to the ground. Better facilities and a growing population eventually promoted local theatrical groups and permitted Winnipeg to lure travelling stock shows and the early vaudeville circuits. Still, the theatres were a little too quaint by our standards. In the winter, exits and windows were sealed to prevent drafts which resulted in serious fire hazard. In the summer, the auditoriums became oppressively hot and patrons were wedged in so tightly that those who fainted had no place to fall.2 In 1904, the Dominion Theatre in Winnipeg opened as the first of the well-built, permanent stages. -
Professional Cast.Pdf | 108K
The Adventures of Pinocchio (Stage) Sent by: D Walter Summary Cornerstone and Goblin are looking for a team of 5 talented actor musicians for our new musical: The Adventures of Pinocchio. Join us at the Spinning Yarn Storytelling Bar, with musical storytelling extraordinaire The Blues Fairy. Together with her band, ‘the Crickets’, she tells the story of Pinocchio. We meet Gepetto as he creates Pinocchio, and follow the naughty puppet as he learns what it is to be human in a confusing world. From finding fame and fortune to finding himself in the belly of a whale, will he side with the good Blues Fairy, or fall foul of the tricky Fox? Live music will be integral to the show, and part of the action. The lively, colourful, imaginative and inventive show will also feature a team of local young people. We are also looking for one actor to be the Musical Director for the production during rehearsal and performance. This person will be a highly accomplished musician who can confidently lead the team musically. The composers/musical supervisors will work closely with the Musical Director during rehearsals. Additional fee will reflect added role/responsibilities. Creative The show is a Cornerstone production, in association with Goblin. Director Kate McGregor Kate is Artistic Director of award-winning Theatre6 and winner of the Noel Coward Trainee Director Award at The Salisbury Playhouse. She trained on the Chicago Director's Lab, National Theatre Studio and the Postgraduate Director's Course at Drama Studio London. She has a First Class BA Hons from The Royal Central School of Speech and Drama. -
London Itinerary 19 Draft.Pdf
WESTON PLAYHOUSE THEATRE COMPANY LONDON THEATRE TOUR November 5 - 14, 2019 DRAFT ITINERARY All events subject to change, owing to performance schedules and availability of guest speakers. Throughout the Tour: Giles will provide a brief introduction to each play on the coach to the theatre. Take careful note of varied curtain times if you plan to meet the group at the theatre. Tour members are invited to gather for drinks and optional informal discussion in the conservatory following the evening performances on November 7, 8, 11, and 12. Tuesday 5 November 7:30am We recommend Flight BA238/AA6175, departing Boston Logan for London Heathrow. Members arriving at other times/from other airports must arrange their own transport to the hotel. 7:00pm Arrive at Heathrow Terminal 5 and transfer by private coach to The Montague on the Gardens, a 4-star hotel around the corner from the British Museum in tranquil, park- filled Bloomsbury. With its historic Georgian architecture and handsomely landscaped private gardens, the Montague offers maximum comfort and superior service within easy access of London’s main attractions. Rooms available for check-in upon arrival. 10pm Welcome: We gather in the conservatory with Tour Director Giles Ramsay for drinks and a late bite to eat, as he distributes tickets and welcome packets and provides a briefing on all aspects of the tour. Wednesday 6 November 10:30am Lecture: Giles will speak about “London Theatre 1900 to Now.” Our erudite Tour Director will provide a context for our 10 days together by examining the contrast between pre and post-war British theatre and how we, in the 21st century, can reassess which playwrights stood the test of time.