Professional Cast.Pdf | 108K

Total Page:16

File Type:pdf, Size:1020Kb

Professional Cast.Pdf | 108K The Adventures of Pinocchio (Stage) Sent by: D Walter Summary Cornerstone and Goblin are looking for a team of 5 talented actor musicians for our new musical: The Adventures of Pinocchio. Join us at the Spinning Yarn Storytelling Bar, with musical storytelling extraordinaire The Blues Fairy. Together with her band, ‘the Crickets’, she tells the story of Pinocchio. We meet Gepetto as he creates Pinocchio, and follow the naughty puppet as he learns what it is to be human in a confusing world. From finding fame and fortune to finding himself in the belly of a whale, will he side with the good Blues Fairy, or fall foul of the tricky Fox? Live music will be integral to the show, and part of the action. The lively, colourful, imaginative and inventive show will also feature a team of local young people. We are also looking for one actor to be the Musical Director for the production during rehearsal and performance. This person will be a highly accomplished musician who can confidently lead the team musically. The composers/musical supervisors will work closely with the Musical Director during rehearsals. Additional fee will reflect added role/responsibilities. Creative The show is a Cornerstone production, in association with Goblin. Director Kate McGregor Kate is Artistic Director of award-winning Theatre6 and winner of the Noel Coward Trainee Director Award at The Salisbury Playhouse. She trained on the Chicago Director's Lab, National Theatre Studio and the Postgraduate Director's Course at Drama Studio London. She has a First Class BA Hons from The Royal Central School of Speech and Drama. In 2017, Kate directed the nationally critically acclaimed production of Moira Buffini's ‘Gabriel’, staring Paul McGann and Belinda Lang, touring to Richmond Theatre, Windsor Theatre Royal, Liverpool Playhouse, Theatre Clywd and Yvonne Arnaud in Guildford. Her other credits include: (Persuasion, UK Tour), The Lost Boy (Theatre in the Quarter), Moments (Chichester Festival Theatre), The Water Engine & Mr Happiness (Old Vic Tunnels, Time Out Award nominated), Kinetics (UK tour), Honest (UK tour), Richard III & Henry V (Sam Wanamaker Playhouse/Shakespeare’s Globe Education), Grace: A Youth Musical (New Wimbledon Theatre), The Ripple Effect (Richmond Theatre), Never Any Fruit (Pleasance Theatre Studio), The Double & The Devil Is An Ass (White Bear Theatre) Writer Matt Borgatti Matt writes, directs and produces family theatre shows. Matt is Artistic Director of theatre company Goblin. Matt has been a venue programmer for children’s theatre and worked as a producer independently as well as in venues. Matt has a M(Phil) in Playwriting from University of Birmingham. Composers Will Dollard & Mary Erskine Mary & Will are songwriters and freelance musicians. Their songs have appeared on Radio 1, BBC6music, Radio 3 Amazing Radio and BBC Scotland as well as being featured on TV and film. Initially joining forces in the band Me for Queen (www.meforqueen.com), together they have written for Goblin Theatre for the past 7 years. Cornerstone Cornerstone is a purpose-built, professional arts, culture and entertainment venue in the heart of Didcot managed and run by South Oxfordshire District Council. Opened in 2008, we present a high quality programme of live performance, participatory activities, artist development programmes, exhibitions and outreach work. Cornerstone comprises a 230 seat auditorium, café bar, gallery and four studios. Goblin Goblin is a children’s theatre company dedicated to imagination, diversity and quality. Goblin has performed in lots of brilliant venues across the UK, including runs at Southbank Centre and the Royal Exchange, Manchester. We’re interesting in telling stories with positive, contemporary themes that children of all backgrounds can relate to. Goblin’s shows are characterised by innovative use of original music, wild creativity and a dose of anarchy. Production details Closing date: 19/07/2019 : 12:00 Pay category: Non-Equity Production location: Didcot, United Kingdom Production dates: Mon 11 Nov - Tues 26 Nov (Mon-Sat each week) - Rehearsals Weds 27 Nov - Thurs 5 Dec - Tech Sessions & Dress Rehearsals Opens: Fri 6 Dec Press & VIP Night: Fri 13 Dec Closes: Sun 29 Dec. Actors may also be required for a music day call prior to the main rehearsal period and will also be required to attend a minimum of one PR/Press call during the main rehearsal period. Director: Kate McGregor Producer: Darren Walter Company: Cornerstone Arts Centre Casting details Casting director: Kate McGregor Casting location: London (venue TBC), United Kingdom Casting details First round auditions will be held between 10am-6pm on Monday 29 June and Tuesday 30 July in London. Auditionees will be required to work with the director and composers for the show. Full details will be sent in advance of the audition but auditionees should be prepared to sing as well as bring any Highly Skilled instruments having prepared two pieces - one that shows technical skill on the instrument, the other offering something more spirited. Roles PINOCCHIO (Gender not specified, Age not specified) Description: We are looking to create a diverse and representative production, and encourage performers from all backgrounds to apply. Strong singing voice required. Instruments: Guitar (or at least one accompanying or melodic instrument) Puppetry experience desirable. Pinocchio is the titular naughty puppet of the show. At times innocent, kind and brave, but at times arrogant, rude and selfish – Pinocchio shows both the best and worst children can be. He is an emotionally honest character experiencing the confusing world for the first time, both with joy and sorrow. Throughout his journey he learns what it is to be human, as he tries to be reunited with his dad. He breaks conventions and engages with the audience. Height: Any Appearance: Any Pay category: Non-Equity Agreements: £500 per week for seven weeks plus £100 per week for accommodation THE BLUES FAIRY (Female, Age not specified) Description: We are looking to create a diverse and representative production, and encourage performers from all backgrounds to apply. Strong singing voice required. Instruments: At least one accompanying or melodic instrument preferred but not essential. The Blues Fairy is the magical narrator of the show. She is a charismatic Blues singer who can tell the most amazing stories, and handle mood shifts expertly. Audiences flock to her storytelling bar. Height: Any Appearance: Any Pay category: Non-Equity Agreements: £500 per week for seven weeks plus £100 per week for accommodation GEPETTO (Gender not specified, Age not specified) Description: We are looking to create a diverse and representative production, and encourage performers from all backgrounds to apply. Strong singing voice required. Instruments: At least one accompanying or melodic instrument is essential. Puppetry experience desirable. Gepetto is Pinocchio’s Creator. He is a local carpenter but always makes something that is missing. Looking after Pinocchio forces him into the world that has passed him by. He is comic character that can easily tip into sadness. He is full of love for Pinocchio and wants to do what’s best. Height: Any Appearance: Any Pay category: Non-Equity Agreements: £500 per week for seven weeks plus £100 per week for accommodation THE FOX (Gender not specified, Age not specified) Description: We are looking to create a diverse and representative production, and encourage performers from all backgrounds to apply. Strong singing voice required. Instruments: At least one accompanying or melodic instrument is essential. Puppetry experience desirable. The Fox is a character that only cares about one thing: the fox. The fox comes into the story in various disguises, trying to trick and spin the story so it comes out in her favour. A business person, a bully, an agent, the fox wants to take full advantage of Pinocchio and Gepetto. Height: Any Appearance: Any Pay category: Non-Equity Agreements: £500 per week for seven weeks plus £100 per week for accommodation LEAD CRICKET/VARIOUS ROLES (Gender not specified, Age not specified) Description: We are looking to create a diverse and representative production, and encourage performers from all backgrounds to apply. Strong singing voice required. Instruments: Keys (MD role) At least one accompanying or melodic instrument in addition is preferred but not essential. Puppetry experience desirable. This is a multi-role part which encompasses the leader of the house band in the Blues Bar (The Crickets) as well as various comic and dramatic people and creatures that make up the colourful world of the show: including magical egg, police officer and talking Pigeon. Height: Any Appearance: Any Pay category: Non-Equity Agreements: £500 per week for seven weeks plus £100 per week for accommodation .
Recommended publications
  • TOUCHING the VOID Based on the Book by Joe Simpson Adapted by David Greig
    Press Release –Monday 15th July 2019 Fiery Angel and Ambassador Theatre Group Productions present the Bristol Old Vic, Royal Lyceum Theatre Edinburgh, Royal & Derngate, Northampton, and Fuel production of TOUCHING THE VOID Based on the book by Joe Simpson Adapted by David Greig IMAGES CAN BE DOWNLOADED HERE TRAILER CAN BE DOWNLOADED HERE • PRODUCERS ANNOUNCE CASTING FOR THE WEST END TRANSFER OF TOM MORRIS’ PRODUCTION OF TOUCHING THE VOID • THE PRODUCTION WILL OPEN IN PREVIEWS AT THE DUKE OF YORK’S THEATRE ON NOVEMBER 9TH WITH AN OPENING NIGHT OF NOVEMBER 14TH • TICKETS ARE ON SALE NOW Casting has today been announced for Touching The Void. Following critically acclaimed runs at the Bristol Old Vic, Royal & Derngate, Northampton, Royal Lyceum Theatre Edinburgh, Hong Kong Festival and on Tour in the UK Tom Morris’ production of Touching the Void will see original cast members Fiona Hampton, Patrick McNamee and Josh Williams return to the show, joined by Angus Yellowlees. The show will open in the West End at the Duke of York’s Theatre previewing from November 9th for a strictly limited season with an opening night of November 14th. Fiona Hampton will play Sarah. Her theatre credits include: Much Ado About Nothing (Shakespeare’s Globe); Tamburlaine (Yellow Earth/Arcola Theatre and UK tour); A Midsummer Night’s Dream (New Wolsey Theatre); Private Lives (Octagon Theatre/New Victoria Theatre); Winter Hill, The Glass Menagerie, Tull, Of Mice and Men, Lighthearted Intercourse (all Octagon Theatre); Don’t Laugh (Cockpit Theatre); Playhouse Creatures (Chichester Festival Theatre); The Changeling (The Production Works/Southwark Playhouse); Roar, Clockheart Boy (Rose Theatre Kingston); The Merchant of Venice (Derby LIVE).
    [Show full text]
  • THE TRACKERS of OXYRHYNCHUS by Tony Harrison
    Press Information ! ! VIBRANT NEW WRITING | UNIQUE REDISCOVERIES Winter Season 2016-17 | October 2016 – January 2017 at the Finborough Theatre The first London production in nearly 30 years THE TRACKERS OF OXYRHYNCHUS by Tony Harrison. Directed by Jimmy Walters. Designed by Philip Lindley. Lighting by Rob Mills. Music by Piers Sherwood Roberts. Choreography by Amy Lawrence. Presented by Proud Haddock in association with Neil McPherson for the Finborough Theatre. Cast: Peta Cornish. Nik Drake. Richard Glaves. Sacha Mandel. Dylan Mason. Tom Purbeck. Dannie Pye. James Rigby. Adam Small. “I'm a God, Apollo, but I was tipped On a rubbish tip inside this manuscript. I’ve spent two thousand years asleep On an Oxyrhynchus rubbish heap." In a new production commissioned by the Finborough Theatre, the rediscovery of Tony Harrison’s The Trackers of Oxyrhynchus in its first London production for nearly 30 years opens at the Finborough Theatre for a four week limited season on Tuesday, 3 January 2017 (Press Nights: Thursday, 5 January and Friday, 6 January 2017 at 7.30pm). Egypt, 1907. Two archaeologists, Bernard Grenfell and Arthur Hunt, are searching for ancient fragments of poetry and plays, next to an old rubbish heap. Until the Greek God, Apollo, descends from the skies... Apollo is furious that they have failed to unearth the fragmentary text of a lost Satyr play by Sophocles. As he forces the two papyrologists to find the lost play, Grenfell and Hunt become part of the story they have discovered. Multi-award-winning poet and playwright Tony Harrison remakes the ancient Greek original into a play for our times – and rediscovers the satyr play.
    [Show full text]
  • EMC Theatres (PDF)
    Equity Membership Candidate Program Theatre Participant Directory Revised: 09/26/2021 The following Equity Theatres have participated in the Equity Membership Candidate (EMC) Program in the past six months. Before accepting employment, prospective Membership Candidates should inquire at the theatre to confirm the program is in effect. Producing Organization Mailing/ Web Address Equity Agreement(s) 11th Hour Theatre Company 2329 S 3rd St SPT Philadelphia, PA 19148 1812 Productions 2329 S 3rd St SPT Philadelphia, PA 19148 http://www.1812productions.org 42nd Street Moon PO Box 426470 Bay Area Theatre San Francisco, CA 94142 http://www.42ndstmoon.org 4th Wall Theatre Company 1824 Spring Street SPT #101 Houston, TX 77007 5th Avenue Theatre 1308 5th Ave LORT Seattle, WA 98101 https://www.5thavenue.org A Contemporary Theatre Inc 700 Union St LORT Seattle, WA 98101 http://www.acttheatre.org A Noise Within 3352 E Foothill Blvd LOA-LORT Pasadena, CA 91107 http://www.anoisewithin.org A.D. Players 5420 Westheimer Road LOA-LORT Houston, TX 77056 http://adplayers.org Actor's Express Theatre Company 887 W Marietta St NW Ste J107 SPT Atlanta, GA 30318 Actors' Playhouse 280 Miracle Mile LOA-LORT Coral Gables, FL 33134 http://www.actorsplayhouse.org Actors' Shakespeare Project 442 Bunker Hill St NEAT Charlestown, MA 02129 http://www.actorsshakespeareproject. org Actors Theater Series, Inc. 22601 La Palma Ave Ste 105 COST Yorba Linda, CA 92887 http://www.mccoyrigby.com Actors Theatre of Indiana 510 3rd Ave SW Ste D SPT Carmel, IN 46032 http://www.actorstheatreofindiana.org
    [Show full text]
  • The Pantages Playhouse Theatre Is the Last Window to Winnipeg's Vaudeville Past
    FREE.WEEKLY. VOLUME VOLUME 73 // ISSUE 22 // MAR. 21 ThE PanTagEs PLaYhousE ThEatre is ThE LasT WindoW To Winnipeg’s vaudEville PasT security theatre at communities rally after waiting for a millennium library p4 police violence p11 little sugar p13 The official newspaper of The UniversiTy of winnipeg on the cover grant simpson, a longtime vaudevillian, discusses the form and its historical home on page 7. MAKE/ BREAK THE RULES Many of the pieces you would usually find in The Uniter are, by most definitions, on the short side. Our average story aims to land around the 500-word mark. it’s a tough assignment, and oftentimes, a word count of 500 feels like it’s not possibly enough. Most of the time, though, we stay in that range. The Uniter is a learning paper, and creating a 500-word piece is a distinct skill set. it requires practice, as well as cultivating precision and discernment. not everything can make it in – and that’s part of the joy of writing. The outtakes are like loose threads to be followed up another day. They can spring into new stories. Few pieces, once finished, give a writer the sense that they are, just as they are, enough. and often it’s this not-enoughness that spurs us forward, to tell more stories, to build a body of work that can incorpo- rate more angles, different perspectives, or simply the same story, revisited at a different time. This week, we have some notable excep- tions. One of the key elements of having a rule is knowing when to break it.
    [Show full text]
  • A Midsummer Night's Dream
    Thursday 26 November, 7.30pm Friday 27 November, 2pm & 7.30pm Saturday 28 November, 7.30pm A Midsummer Night’s Dream By William Shakespeare Suba Das director Guildhall School of Music & Drama Milton Court Founded in 1880 by the Situated across the road from Guildhall City of London Corporation School’s Silk Street building, Milton Court offers the School state-of-the-art Chairman of the Board of Governors performance and teaching spaces. Milton Vivienne Littlechild Court houses a 608-seat Concert Hall, a 223-seat theatre, a Studio theatre, three Principal major rehearsal rooms and a TV studio suite. Lynne Williams Students, staff and visitors to the School experience outstanding training spaces as Vice-Principal & Director of Drama well as world-class performance venues. Orla O’Loughlin Please visit our website at gsmd.ac.uk Photographs of the final year acting company are by: David Buttle (Charlie Beck, Lily Hardy, Hope Kenna, Isla Lee, Noah Marullo, Umi Myers, Felix Newman, Jidé Guildhall School is part of Culture Mile: Okunola, Sonny Pilgrem, Alyth Ross), Samuel Black (Dan culturemile.london Wolff), Harry Livingstone (Nia Towle), Wolf Marloh (Zachary Nachbar-Seckel), Clare Park (Grace Cooper Milton), Phil Sharp (Kitty Hawthorne, Sam Thorpe-Spinks), Michael Shelford (Levi Brown, Sheyi Cole, Aoife Gaston, Guildhall School is provided by the City of London Brandon Grace, Conor McLeod, Hassan Najib, Millie Smith, Corporation as part of its Tara Tijani, Dolly LeVack), David Stone (Justice Ritchie), contribution to the cultural life Faye Thomas (Caitlin Ffion Griffiths, Genevieve Lewis) of London and the nation A Midsummer Night’s Dream by William Shakespeare Suba Das director Grace Smart designer Ed Lewis composer Lucy Cullingford movement director Jack Stevens lighting designer Thomas Dixon sound designer Thursday 26, Friday 27, Saturday 28 November 2020 Live performances broadcast from Milton Court Theatre Recording of this performance by any means whatsoever is strictly prohibited.
    [Show full text]
  • Theatre6 Present
    THEATRE6 PRESENT ADAPTED BY STEPHANIE DALE DIRECTED BY KATE Mc GREGOR MUSIC BY MARIA HAÏK ESCUDERO ADAPTED BY STEPHANIE DALE WELCOME FROM THEATRE6’S Persuasion debuted at the Playground ARTISTIC DIRECTOR, KATE MCGREGOR Theatre on Tuesday 17 April 2018. Welcome to Theatre6’s production of Jane Austen’s final novel Persuasion. This LATE SUMMER 1814 brand new adaptation by Stephanie Dale celebrates 200 years since the novel’s TO SPRING 1815. publication. Opening at the Playground Theatre in London, this production will tour Anne and Wentworth were young across the country, including two performances at one of the novel’s most famous and in love. Persuaded by her locations – Lyme Regis. prosperous and prominent family to refuse Wentworth’s proposal, Jane Austen loved the sea, music, nature and her family. She wrote during the Anne lost the great love of her life. Napoleonic Wars and saw two of her brothers become Captains in the Navy. Bath Our play, as in Austen’s original was a place she spent a great deal of time. Her own life was not free of tragedy story, takes place eight years after and heartbreak. What is remarkable about Jane’s writing is not only her detailed these events. understanding of her characters, plots, locations and the impact of society and history on people but also her ability to write about the human spirit. In a time where The performance lasts for approximately women had very little agency and power in society, she created female protagonists 2 hours including an interval. with aspirations, who longed for adventure, who were able to decipher their feelings and analyse their place in a changing world.
    [Show full text]
  • FINISHING the PICTURE by Arthur Miller
    Press Information ! ! ! VIBRANT NEW WRITING | UNIQUE REDISCOVERIES June–August Season 2018 The UK premiere of Arthur Miller’s final play FINISHING THE PICTURE by Arthur Miller. Directed by Phil Willmott. Set Design by Isabella Van Braeckel. Costume Design by Penn O’Gara. Lighting Design by Rachel Sampley. Sound Design by Nicola Chang. Presented by Nastazja Somers for The Phil Willmott Company in association with the Finborough Theatre. Cast: Patrick Bailey. Stephen Billington. Jeremy Drakes. Nicky Goldie. Rachel Handshaw. Oliver Le Sueur. Tony Wredden. "She is frightened and resentful and angry – and we’ve got about half an hour to cure all three.” Following his critically acclaimed, up-close reinvention of Arthur Miller’s Incident at Vichy and sell-out revival of The American Clock, multi-award-winning director Phil Willmott brings the intense focus of the intimate Finborough Theatre to bear on Miller’s final work, Finishing The Picture, opening for a four week limited season on Tuesday, 12 June 2018 (Press Nights: Thursday, 14 June 2018 and Friday, 15 June 2018 at 7.30pm.) As the women of today’s Hollywood campaign for dignity and equality, Finishing the Picture is a razor sharp psychological study of an abused, misunderstood female star and the havoc her unpredictability brings to a film set in 1961. Inspired by the filming of The Misfits, the screenplay Miller wrote for his then wife, Marilyn Monroe, and focused on the bemused and exasperated director, screen writer, producer, acting coaches and crew that closely mirror the real life production team of The Misfits – and whilst leading lady Kitty shares many characteristics with Monroe herself, Finishing the Picture – Arthur Miller’s very final play – is a devastating indictment of how a male-dominated movie industry inadvertently destroyed a vulnerable young woman, even as they transformed her into a screen goddess, and how they were unable to deal with the wreckage they caused.
    [Show full text]
  • RACHAEL HILTON Representation: Alexandra Mclean-Williams
    RACHAEL HILTON Representation: Alexandra McLean-Williams Playing Age: 28-40 Height: 5’7” Eyes: Blue Location: London/Manchester TELEVISION EMMERDALE – Jenny Cartwright ITV Mike Lacey DOCTORS – Beth Curran BBC Television Terry Iland ANONYMOUS – Harri Low Fat Films Ben Hilton GROWN-UPS – Sarah BBC Television Ben Kellet A DAY IN THE OFFICE – Candice McKeown Devita Productions Paul McKeown THE HALF OUR HALF HOUR – Various McKeown Devita Productions Paul McKeown TITTYBANGBANG – Kathy BBC Bob Mortimer STAGE ASKING FOR A FRIEND - Lynne Southwark Playhouse Chris Davis THE QUEST – Gemma Arcola Theatre Vicky Olusanya WAR OF THE WORLDS – Peggy Dot Dot Dot Jack Pirie DEATH IN TECHNICOLOUR – Waterloo East Theatre Jennifer Tyler Sarah TOKYO LOVE HOTEL Oval House Theatre Louise Orwin NEWSREVUE: CHRISTMAS RUN – The Canal Café Theatre Tamsyn Kelly Ensemble R(EX)CEPTION – Lady Lion & Unicorn Adam Morley Continued Chester House (Unit 2:15), Kennington Park, 1-3 Brixton Road, London SW9 6DE T +44 (0) 203 567 1090 E [email protected] www.mclean-williams.com Registered in England Number: 7432186 Registered Office: C/O William Sturgess & Co, Burwood House, 14 - 16 Caxton Street, London SW1H 0QY RACHEL HILTON continued RETURN – Nana/Yanar/Ensemble National Theatre Studio Poonam Brah NEWSREVUE – Kanye West/ Canal Café Theatre Lucy Grainger The Queen/Ensemble CONCRETE DUVET – Ensemble Leicester Square Theatre Sarah Henley SHINY THINGS MAKE IT ALL Southwark Playhouse Nadia Papachronopoul BETTER – Josie NIRVANA – Paige Leicester Square Theatre Adam Morley
    [Show full text]
  • Jai Morjaria Lighting Designer
    Jai Morjaria Lighting Designer Jai trained at RADA and won the 2016 Association of Lighting Designer’s ETC Award. ★ ★ ★ ★ Jai Morjaria’s lighting cutting neon strobes through the soft glow of the city streets The Guardian on Cruise (Duchess Theatre) ★ ★ ★ ★ Jai Morjaria’s lighting crowns [Ronkẹ Adékoluẹjo] with dazzling rays, giving her a regal magnificence The Times on Lava (Bush Theatre) Agents Dan Usztan Assistant [email protected] Charlotte Edwards 0203 214 0873 [email protected] 0203 214 0924 Credits In Development Production Company Notes WUTHERING HEIGHTS Wise Children/National Theatre Dir. Emma Rice 2021 (Lyttelton)/Bristol Old Vic THE SORCERER'S Northern Stage Dir. Maria APPRENTICE Crocker 2021 THE PRINCE AND THE Trinity Theatre Dir. Sean Turner PAUPER 2021 United Agents | 12-26 Lexington Street London W1F OLE | T +44 (0) 20 3214 0800 | F +44 (0) 20 3214 0801 | E [email protected] Theatre Production Company Notes BIG BIG SKY Hampstead Theatre Downstairs Dir. Tessa Walker 2021 LAVA Bush Theatre Dir. Anthony Simpson-Pike 2021 MY SON'S A QUEER (BUT Turbine Theatre Dir. Luke Sheppard WHAT CAN YOU DO?) 2021 HUSHABYE MOUNTAIN Hope Mill Theatre Dir. Nick Bagnall 2021 CRUISE Duchess Theatre Dir. Bronagh Lagan 2021 PAWN/LIMBO Bush Theatre Dir. Daniel Bailey/Latekid & 2021 Avenhue SIRENS/WHITE LIES Arts Ed Dir. Tom Wright 2020 CINDERELLA Dukes Theatre, Lancaster Dir. Sarah Punshon 2019 OUT OF THE DARK Rose Theatre Kingston Dir. Fay Lomas 2019 AGES OF THE MOON Vaults Dir. Alexander Lass 2019 SHUCK'N'JIVE Soho Theatre Dir. Lakesha Arie-Angelo 2019 ANANSI THE SPIDER Unicorn Theatre Dir.
    [Show full text]
  • BOOK &MUSIC by Joe Kinosian BOOK
    BOOK & MUSIC by Joe Kinosian BOOK & LYRICS by Kellen Blair DIRECTED by Scott Schwartz Printer’s Ad Printer’s Ad LEARNING & EDUCATION USING THEATRE AS A CATALYST TO INSPIRE CREATIVITY “ATC’S EDUCATION DEPARTMENT HAS BEEN NOTHING SHORT OF A MIRACLE.” -Cheryl Falvo, Crossroads English Chair / Service Learning Coordinator Theatre skills help support critical thinking, decision-making, teamwork and improvisation. It can bridge the gap from imagination to reality. We inspire students to feel that anything is possible. LAST SEASON WE REACHED OVER 11,000 STUDENTS IN 80 SCHOOLS ACROSS 8 AZ COUNTIES For more information about our Learning & Education programs, visit EDUCATION.ARIZONATHEATRE.ORG IN THIS ISSUE November-December 2014 Title Page ............................................................................5 The Cast ............................................................................. 6 About the Play .......................................................................12 About Arizona Theatre Company .......................................................15 ATC Leadership .....................................................................20 The Creative Team ................................................................... 28 Staff forMurder for Two ..............................................................36 Board of Trustees ...................................................................40 Theatre Information ................................................................. 47 Corporate and Foundation Donors ....................................................49
    [Show full text]
  • Women in Theatre 2006 Survey
    WOMEN IN THEATRE 2006 SURVEY Sphinx Theatre Company 2006 copyright. No part of this survey may be reproduced without permission WOMEN IN THEATRE 2006 SURVEY Sphinx Theatre Company copyright 2006. No part of this survey may be reproduced without permission The comparative employment of men and women as actors, directors and writers in the UK theatre industry, and how new writing features in venues’ programming Period 1: 16 – 29 January 2006 (inclusive) Section A: Actors, Writers, Directors and New Writing. For the two weeks covered in Period 1, there were 140 productions staged at 112 venues. Writers Of the 140 productions there were: 98 written by men 70% 13 written by women 9% 22 mixed collaboration 16% (7 unknown) 5% New Writing 48 of the 140 plays were new writing (34%). Of the 48 new plays: 30 written by men 62% 8 written by women 17% 10 mixed collaboration 21% The greatest volume of new writing was shown at Fringe venues, with 31% of its programme for the specified time period featuring new writing. New Adaptations/ New Translations 9 of the 140 plays were new adaptations/ new translations (6%). Of the 9 new adaptations/ new translations: 5 written by men 0 written by women 4 mixed collaboration 2 WOMEN IN THEATRE 2006 SURVEY Sphinx Theatre Company copyright 2006. No part of this survey may be reproduced without permission Directors 97 male directors 69% 32 female directors 23% 6 mixed collaborations 4% (5 unknown) 4% Fringe theatres employed the most female directors (9 or 32% of Fringe directors were female), while subsidised west end venues employed the highest proportion of female directors (8 or 36% were female).
    [Show full text]
  • Wimbledon Survey
    Respondent ID Please tick "yes" or "no" for the following proposals for Wimbledon town centre: Please tick "yes" or "no" for the following proposals for the areas surrounding Wimbledon: Please tell us if you have any other comments. Please use the box below to tell us more (optional) Please use the box below to tell us more (optional) Open-Ended Response Workingcollaboratively ona masterplan forWimbledon town centreto ensurethat Wimbledon andits surrounds benefits from thepotential investment of Crossrail2. shops Prioritising at the heart of Wimbledon centre. town Encouraging theprovision ofoffice major development above shopsat the heart of the towncentre. theSupporting provision of community and leisure facilities, especiallyaround theexisting hub at the eastern end of The Broadway. Encouraging developmentthat attracts visitors to thearea yearall includinghigh qualityround, hotels, conference facilities and culturalactivities. Strengthen theposition of Wimbledon asa one of south London’s MajorCentre through the redevelopment of key sites the within centre. Promotea balanced evening economythrough aof mix uses. Improvingthe publicrealm to makethe centre more attractive, legibleand easier to get around both for pedestriansand traffic, promotingconnections between TheBroadway, Victoria Crescent, Queen'sRoad andWimbledon Bridge. improvementsSupporting to thepublichighway users,forall and to thepublictransport interchange, especially at Wimbledon Station. Maintaining theunique character ofWimbledon supporting Village, developmentcomplements
    [Show full text]