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Mú Sica Teatre Dan Sa
emotivitat). dia (amb moments per riure) i el drama (amb escenes de profunda profunda de escenes (amb drama el i riure) per moments (amb dia sector més purità. més sector - comè la alterna escena a l’acció de desenvolupament El obra. aquesta gon nivell. Va ser considerada com a film eròtic i va ser perseguida pel pel perseguida ser va i eròtic film a com considerada ser Va nivell. gon Aquest és el missatge que es pretén fer arribar al públic mitjançant mitjançant públic al arribar fer pretén es que missatge el és Aquest - se de titllada aleshores i 1964 l’any estrenada Wilder, Billy de stupid Organitza: marcables, com en tot ésser humà. ésser tot en com marcables, Fes-me un petó, tonto és una adaptació lliure de la pel·lícula Kiss me, me, Kiss pel·lícula la de lliure adaptació una és tonto petó, un Fes-me - re qualitats unes amb persona una ha hi discapacitat d’una Darrere potser canviaran el seu futur. seu el canviaran potser senta el dia a dia. a dia el senta veniments posaran a prova el matrimoni i l’amistat d’ambdós homes, i i homes, d’ambdós l’amistat i matrimoni el prova a posaran veniments - pre que barreres les superar i endavant tirar possible és vida, la amb - esde els d’aquí, partir A poble. al inesperadament arriba que Latino, demostren amb la seva interpretació que quan hi ha un compromís compromís un ha hi quan que interpretació seva la amb demostren ran vendre alguna cançó a un idolatrat crooner vividor, de nom Dino Dino nom de vividor, crooner idolatrat un a cançó alguna vendre ran Els actors i actrius, tots amb alguna discapacitat o malaltia mental, mental, malaltia o discapacitat alguna amb tots actrius, i actors Els - intenta dos Tots benzinera. -
Against Expression?: Avant-Garde Aesthetics in Satie's" Parade"
Against Expression?: Avant-garde Aesthetics in Satie’s Parade A thesis submitted to the Division of Graduate Studies and Research of the University of Cincinnati In partial fulfillment of the requirements for the degree of MASTER OF MUSIC In the division of Composition, Musicology, and Theory of the College-Conservatory of Music 2020 By Carissa Pitkin Cox 1705 Manchester Street Richland, WA 99352 [email protected] B.A. Whitman College, 2005 M.M. The Boston Conservatory, 2007 Committee Chair: Dr. Jonathan Kregor, Ph.D. Abstract The 1918 ballet, Parade, and its music by Erik Satie is a fascinating, and historically significant example of the avant-garde, yet it has not received full attention in the field of musicology. This thesis will provide a study of Parade and the avant-garde, and specifically discuss the ways in which the avant-garde creates a dialectic between the expressiveness of the artwork and the listener’s emotional response. Because it explores the traditional boundaries of art, the avant-garde often resides outside the normal vein of aesthetic theoretical inquiry. However, expression theories can be effectively used to elucidate the aesthetics at play in Parade as well as the implications for expressability present in this avant-garde work. The expression theory of Jenefer Robinson allows for the distinction between expression and evocation (emotions evoked in the listener), and between the composer’s aesthetical goal and the listener’s reaction to an artwork. This has an ideal application in avant-garde works, because it is here that these two categories manifest themselves as so grossly disparate. -
Ben Toth, Vocal Coach to the Stars
Vocal coach Ben Toth is also a player The performer-composer helps prepare Beau Bridges for his Broadway singing debut while his own career flourishes. December 26, 2011 | By Diane Haithman, Special to the Los Angeles Times As the old joke goes: "How do you get to Carnegie Hall?" "Practice, practice." That punch line would have to be rewritten for vocal coach, performer and composer Ben Toth. Toth, 34, got to Carnegie Hall — and the Hollywood Bowl and Broadway — by helping other people practice, practice and practice some more. During a late November interview at a Los Feliz cafe, Toth — whose clients include Lea Michele, Taye Diggs, Josh Radnor, Wayne Brady, Christina Hendricks and Mandy Patinkin — was on a high from serving as musical director, arranger and backup singer for "Cheyenne Jackson's Cocktail Hour: Music From the 'Mad Men' Era" at Carnegie Hall" on Nov. 18. But there wasn't much time to relax and enjoy: Toth was also coaching Beau Bridges for his Broadway singing debut in "How to Succeed in Business Without Really Trying." Bridges is stepping in for John Larroquette as corporate tycoon J.B. Biggley in January, and Toth had been working with him for about six weeks, including bicoastal Skype sessions when Toth's career took him to New York. Bridges, whose latest film, "The Descendants," is getting Oscar buzz, joins the cast Jan. 3, at the same time that Darren Criss replaces Daniel Radcliffe. Toth met the actor in 2009 on a production of "Guys and Dolls" at the Hollywood Bowl. Bridges' success in "Guys and Dolls" led to his being cast in "How to Succeed in Business." Bridges, 70, has acted on Broadway before ("Where's Daddy?," "Who's Who in Hell"), but this will be his first time singing on the Great White Way, and he wasn't going to do it without Toth. -
INTO the WOODSIN CONCERT Book by James Lapine Music and Lyrics by Stephen Sondheim
PRESENTS INTO THE WOODSIN CONCERT Book by James Lapine Music and Lyrics by Stephen Sondheim Directed by Michael Torontow NOVEMBER 14 -16, 2019 Georgian Theatre, Barrie | 705-792-1949 www.tift.ca Presented by | Season Partner Artistic Producer Arkady Spivak INTO THE WOODS Book by James Lapine Music and Lyrics by Stephen Sondheim Director Michael Torontow Music Director Wayne Gwillim Choreographer Lori Watson Set and Lighting Designer Joe Pagnan Costume Designer Laura Delchiaro Production Manager Jeff Braunstein Stage Manager Dustyn Wales Assistant Stage Manager Sam Hale Sound Designer Joshua Doerksen Props Master Vera Oleynikova CAST OF CHARACTERS Cast Baker-------------------------------------------------------------------------------------------------------------------------------Aidan deSalaiz Cinderella’s Prince, Wolf, Lucinda------------------------------------------------------------------------------------Griffin Hewitt Witch---------------------------------------------------------------------------------------------------------------------------------Alana Hibbert Rapunzel’s Prince, Florinda, Milky White-------------------------------------------------------------------------Richard Lam Baker’s Wife---------------------------------------------------------------------------------------------------------------Jamie McRoberts Jack’s Mother, Stepmother, Granny, Giant------------------------------------------------------------------Charlotte Moore Jack, Steward------------------------------------------------------------------------------------------------------------------Justin -
The Dinner Theatre of Columbia
The Dinner TheaTre of Columbia Presents SepTember 11 - november 15, 2015 The Dinner TheaTre of Columbia Presents Ragtime, the Musical Book by Terrence McNally Music by Lyrics by Stephen Flaherty Lynn Ahrens Based on “Ragtime” by E.L. Doctorow Directed & Staged by Toby Orenstein & Lawrence B. Munsey Musical Direction by Ross Scott Rawlings Choreography by Ilona Kesell Set Design by Light Design by Sound Design by David A. Hopkins Lynn Joslin Mark Smedley Costumes by Lawrence B. Munsey Ragtime, the Musical is presented through special arrangement with Music Theatre International, 421 West 54th Street, New York, NY 10019. 212-541-4684 www.MtiShows.com Video and/or audio recording of this performance by any means whatsoever is strictly prohibited. Fog & Strobe effects may be used in this performance. Toby’s Dinner Theatre of Columbia • 5900 Symphony Woods Road • Columbia, MD 21044 Box Office (410) 730-8311 • (301) 596-6161 • (410) 995-1969 www.tobysdinnertheatre.com PRODUCTION STAFF Directors .................................................................. Toby Orenstein & Lawrence B. Munsey Music Director/ Orchestrations............................................................ Ross Scott Rawlings Production Manager ................................................................................. Vickie S. Johnson Choreographer .................................................................................................. Ilona Kessell Scenic Designer ........................................................................................ -
Edition 2 | 2018-2019
WHAT’S INSIDE Anastasia | 13 Cast | 14 Musical Numbers | 16 Who’s Who | 17 Staff | 23 At A Glance | 26 ADVERTISING Onstage Publications 937-424-0529 | 866-503-1966 e-mail: [email protected] www.onstagepublications.com This program is published in association with Onstage Publications, 1612 Prosser Avenue, Kettering, OH 45409. This program may not be reproduced in whole or in part without written permission from the publisher. JBI Publishing is a division of Onstage Publications, Inc. Contents © 2018. All rights reserved. Printed in the U.S.A. peace center 3 peace center 11 STAGE ENTERTAINMENT BILL TAYLOR TOM KIRDAHY HUNTER ARNOLD 50 CHURCH STREET PRODUCTIONS THE SHUBERT ORGANIZATION ELIZABETH DEWBERRY & ALI AHMET KOCABIYIK CARL DAIKELER WARNER/CHAPPELL MUSIC 42ND.CLUB/PHIL KENNY JUDITH ANN ABRAMS PRODUCTIONS BROADWAY ASIA/UMEDA ARTS THEATER PETER MAY DAVID MIRVISH SANDI MORAN SEOUL BROADCASTING SYSTEM LD ENTERTAINMENT/SALLY CADE HOLMES SERIFF PRODUCTIONS VAN DEAN TAMAR CLIMAN in association with HARTFORD STAGE present Book By Music By Lyrics By TERRENCE McNALLY STEPHEN FLAHERTY LYNN AHRENS Inspired by the TWENTIETH CENTURY FOX MOTION PICTURES LILA COOGAN STEPHEN BROWER JASON MICHAEL EVANS JOY FRANZ TARI KELLY EDWARD STAUDENMAYER BRIANNA ABRUZZO VICTORIA BINGHAM RONNIE S. BOWMAN, JR. ALISON EWING PETER GARZA JEREMIAH GINN BRETT-MARCO GLAUSER LUCY HORTON MARY ILLES FRED INKLEY KOURTNEY KEITT BETH STAFFORD LAIRD MARK MacKILLOP KENNETH MICHAEL MURRAY TAYLOR QUICK CLAIRE RATHBUN MICHAEL McCORRY ROSE MATT ROSELL SAREEN TCHEKMEDYIAN ADDISON MACKYNZIE VALENTINO Scenic Design Costume Design Lighting Design Sound Design ALEXANDER DODGE LINDA CHO DONALD HOLDER PETER HYLENSKI Projection Design Hair/Wig Design Makeup Design Casting by AARON RHYNE CHARLES G. -
Every Act of Life
EVERY ACT OF LIFE Featuring: Terrence McNally, F. Murray Abraham, Lynn Ahrens, Jon Robin Baitz, Christine Baranski, Dominic Cuskern, Tyne Daly, Edie Falco, Stephen Flaherty, John Glover, Anthony Heald, John Benjamin Hickey, Sheryl Kaller, John Kander, Roberta Kaplan, Tom Kirdahy, Larry Kramer, Nathan Lane, Angela Lansbury, Paul Libin, Joe Mantello, Marin Mazzie, Audra McDonald, Peter McNally, Lynne Meadow, Rita Moreno, Jack O’Brien, Billy Porter, Chita Rivera, Doris Roberts, Don Roos, John Slattery, Micah Stock, Richard Thomas, John Tillinger, & Patrick Wilson, the plus the voices of Dan Bucatinsky, Bryan Cranston, & Meryl Streep. “Wonderful . I wasn’t prepared for the emotional release of Every Act Of Life.” – The Paper “Poignant, incredibly inspiring . indispensable.” – The Village Voice “Really entertaining and illuminating . Bravo. – Edge Media “Riveting and revealing.” – Entertainment Weekly “Staggering, heart-warming, and inspiring beyond words.” – Joyce DiDonato “I just loved it. One of the best films I have seen at the festival.” – Rex Reed Short Synopsis: Four-time Tony-winning playwright Terrence McNally’s six ground-breaking decades in the theatre, the fight for LGBTQ rights, triumph over addiction, the pursuit of love and inspiration at every age, and the power of the arts to transform society. Synopsis: The son of an alcoholic beer distributor in southern Texas, Terrence traveled the world as tutor to John Steinbeck's children (Steinbeck’s only advice was, "Don't write for the theater, it will break your heart”); suffered an infamous Broadway flop in 1965 at age 24; and went on to write dozens of groundbreaking plays and musicals about sexuality, homophobia, faith, the power of art, the need to connect, and finding meaning in every moment of life. -
Sarah EC Maines Marqui Maresca Michael Maresca Dianne Marks
THEATRE AND DANCE FACULTY Cassie Abate Sarah EC Maines Deb Alley Marqui Maresca Ana Carrillo Baer Michael Maresca Natalie Blackman Dianne Marks Greg Bolin Ana Martinez Linda Nenno-Breining Johnny McAllister Kaysie Seitz Brown Amanda McCorkle Elizabeth Buckley Anne McMeeking Trad Burns Brandon R. McWilliams Susan Busa Toby Minor Claire Canavan Jordan Morille Michael Costello Nadine Mozon Michelle Dahlenburg Michelle Nance Tom Delbello Charles Ney Cheri Prough DeVol Michelle Ney Tammy Fife Christa Oliver John Fleming Phillip Owen Misti Galvan William R. Peeler Kevin Gates Bryan Poyser Babs George Aimee Radics Kate Glasheen-Dentino Shannon Richey Brandon Gonzalez Melissa Rodriguez Shelby Hadden Jerry Ruiz Shay Hartung Ishii Sideny Rushing Cathy Hawes Colin Shay Yesenia Herrington Vlasta Silhavy Kaitlin Hopkins LeAnne Smith Randy Huke Shane K. Smith Marcie Jewell Alexander Sterns Erin Kehr Colin D. Swanson Lynzy Lab Caitlin Turnage Laura Lane Neil Patrick Stewart Nick Lawson Scott Vandenberg Eugene Lee Nicole Wesley Clay Liford Yong Suk Yoo STAFF Carl Booker Kim Dunbar Jessica Graham Tina Hyatt Dwight Markus Monica Pasut Jennifer Richards Lori Smith FRONT OF HOUSE STAFF Robert Styers Virtual Theatre Spring 2021 CAST MELCHIOR...............................................................Jeremiah Porter WENDLA.............................................................Kyra Belle Johnson MORITZ............................................................................Riley Clark Department of Theatre and Dance presents ILSE...........................................................................Micaela -
Scenic Design for the Musical Godspell
Scenic design for the musical Godspell Thesis Presented in Partial Fulfillment of the Requirements for the Degree of Master of Fine Arts in the Graduate School of The Ohio State University By Sarah Sugarbaker Graduate Program in Theatre The Ohio State University 2009 Master’s Examination Committee: Professor Dan Gray, M.F.A. Advisor Professor Mandy Fox, M.F.A. Professor Kristine Kearney, M.F.A. Copyright by Sarah Sugarbaker 2009 Abstract In April of 2009 the Ohio State University Theatre Department produced Godspell, a musical originally conceived by John‐Michael Tebelak with music by Stephen Schwartz. This production was built and technically rehearsed in the Thurber Theatre, and then moved to the Southern Theatre in downtown Columbus, OH. As the scenic designer of this production I developed an environment in which the actors and director created their presentation of the text. Briefly, the director’s concept (Appendix A) for this production was to find a way to make the production relevant to the local population. Godspell centers around the creation and support of a community, so by choosing to reference the City Center Mall, an empty shopping center in downtown Columbus, the need for making a change as a community was emphasized. This environment consisted of three large walls that resembled an obscured version of the Columbus skyline, inspired by advertisements within the shopping center. Each wall had enlarged newspapers that could be seen under a paint treatment of vibrant colors. The headlines on these papers referenced articles that the local paper has written about the situation at the shopping center, therefore making the connection more clear. -
SI FAMILIA 12.Qxp:Maquetación 1
Decálogo para municipios familiares Política de Vivienda PUBLICACION • JUNIO 2011 y familias numerosas nº12 Familia Trigo Rosón: “Las familias numerosas estamos permanentemente en crisis...” Propuestas para los niños en verano Ultracongelados Dona Dona VI Congreso Galego de Familias Numerosas No vindeiro mes de Outubro terá lugar o VI Congreso Galego de Familias Numerosas. Como en anos anteriores será unha vez mais a ocasión perfecta para reunirnos todas as familias numerosas galegas. Contaremos con actividades infantís, conferencias sobre temáticas familiares e mesas redondas. O evento estará aberto a todas as familias, previa inscrición. Manterémosvos informados. Sumario 4 AGAFAN día a día 6 IV Concurso Nacional Fotografía Familiar 7 Resultado Encuesta Web. Decálogo 8 ABC de la Familia 9 Estancias Temporales en Residencias 10 Ultracongelados Dona Dona 12 Ojo al ojo vago 13 ¿Qué hacemos con los niños en verano? Diseño 14 Micosis en el verano Diferente Imagen y Producción 16 Entrevista Familia Numerosa e-mail: [email protected] 18 Política de la Vivienda y Familias Numerosas 20 Cine Colaboraciones 21 Recomendación libros Ana Romero Caser Residencial 22 Receta AGAFAN Claudio Sánchez 23 Pasatiempos Eloy González 24 Buzón del Socio Emilio Clavo 25 Consejos José M. Perala 26 Descuentos Exclusivos Socios AGAFAN José M. Sande José A. Santiago Julia Martínez Montserrat Mouro Pilar Martínez Silvia González Editorial Edición CAPITAL HUMANO, UN VALOR A LA BAJA Asociación Galega de Familias Numerosas AGAFAN www.agafan.org [email protected] os últimos datos publicados por el Instituto Nacional de Estadística (INE), donde queda en evidencia la grave crisis demográfica que estamos su- Presidente friendo, hace que la familia numerosa se convierta en un colectivo espe- Luis Sánchez González cialmente importante en nuestra comunidad. -
Beautiful Family! Broadway/ First National Tour: Beautiful; Betty/ Ensemble
SARAH BOCKEL (Carole King) is thrilled to be back on the road with her Beautiful family! Broadway/ First National Tour: Beautiful; Betty/ Ensemble. Regional: Million Dollar Quartet (Chicago); u/s Dyanne. Rocky Mountain Repertory Theatre- Les Mis; Madame Thenardier. Shrek; Dragon. Select Chicago credits: Bohemian Theatre Ensemble; Parade, Lucille (Non-eq Jeff nomination) The Hypocrites; Into the Woods, Cinderella/ Rapunzel. Haven Theatre; The Wedding Singer, Holly. Paramount Theatre; Fiddler on the Roof, ensemble. Illinois Wesleyan University SoTA Alum. Proudly represented by Stewart Talent Chicago. Many thanks to the Beautiful creative team and her superhero agents Jim and Sam. As always, for Mom and Dad. ANDREW BREWER (Gerry Goffin) Broadway/Tour: Beautiful (Swing/Ensemble u/s Gerry/Don) Off-Broadway: Sex Tips for Straight Women from a Gay Man, Cougar the Musical, Nymph Errant. Love to my amazing family, The Mine, the entire Beautiful team! SARAH GOEKE (Cynthia Weil) is elated to be joining the touring cast of Beautiful - The Carole King Musical. Originally from Cape Girardeau, Missouri, she has a BM in vocal performance from the UMKC Conservatory and an MFA in Acting from Michigan State University. Favorite roles include, Sally in Cabaret, Judy/Ginger in Ruthless! the Musical, and Svetlana in Chess. Special thanks to her vital and inspiring family, friends, and soon-to-be husband who make her life Beautiful. www.sarahgoeke.com JACOB HEIMER (Barry Mann) Theater: Soul Doctor (Off Broadway), Milk and Honey (York/MUFTI), Twelfth Night (Elm Shakespeare), Seminar (W.H.A.T.), Paloma (Kitchen Theatre), Next to Normal (Music Theatre CT), and a reading of THE VISITOR (Daniel Sullivan/The Public). -
BOOK &MUSIC by Joe Kinosian BOOK
BOOK & MUSIC by Joe Kinosian BOOK & LYRICS by Kellen Blair DIRECTED by Scott Schwartz Printer’s Ad Printer’s Ad LEARNING & EDUCATION USING THEATRE AS A CATALYST TO INSPIRE CREATIVITY “ATC’S EDUCATION DEPARTMENT HAS BEEN NOTHING SHORT OF A MIRACLE.” -Cheryl Falvo, Crossroads English Chair / Service Learning Coordinator Theatre skills help support critical thinking, decision-making, teamwork and improvisation. It can bridge the gap from imagination to reality. We inspire students to feel that anything is possible. LAST SEASON WE REACHED OVER 11,000 STUDENTS IN 80 SCHOOLS ACROSS 8 AZ COUNTIES For more information about our Learning & Education programs, visit EDUCATION.ARIZONATHEATRE.ORG IN THIS ISSUE November-December 2014 Title Page ............................................................................5 The Cast ............................................................................. 6 About the Play .......................................................................12 About Arizona Theatre Company .......................................................15 ATC Leadership .....................................................................20 The Creative Team ................................................................... 28 Staff forMurder for Two ..............................................................36 Board of Trustees ...................................................................40 Theatre Information ................................................................. 47 Corporate and Foundation Donors ....................................................49