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News Release for Immediate
NEWS RELEASE FOR IMMEDIATE RELEASE: April 30, 2020 OFF-BROADWAY CAST OF “THE WHITE CHIP”, SEAN DANIELS’ CRITICALLY ACCLAIMED PLAY ABOUT HIS UNUSUAL PATH TO SOBRIETY, WILL DO A LIVE ONLINE READING AS A BENEFIT Performance Will Benefit The Voices Project and Arizona Theatre Company and is dedicated to Terrence McNally. In line with Arizona Theatre Company’s (ATC) ongoing commitment to bringing diverse creative content to audiences online, the original Off-Broadway cast of The White Chip will perform a live reading of Artistic Director Sean Daniels’ play about his unusual path to sobriety as a fundraiser for The Voices Project, a grassroots recovery advocacy organization, and Arizona Theatre Company. The benefit performance will be broadcast live at 5 p.m. (Pacific Time) / 8 p.m. (Eastern Time), Monday, May 11 simultaneously on Arizona Theatre Company’s Facebook page (@ArizonaTheatreCompany) and YouTube channel. The performance is free, but viewers are welcome to donate what they can. The performance will then be available for four days afterwards through ATC’s website and YouTube channel. All donations will be divided equally between the two organizations. A New York Times Critics’ Pick, The White Chip was last staged Off-Broadway at 59E59 Theaters in New York City, from Oct. 4 - 26, 2019. Tony Award-nominated director Sheryl Kaller, Tony Award-winning sound designer Leon Rothenberg and the original Off- Broadway cast (Joe Tapper, Genesis Oliver, Finnerty Steeves) will return for the reading. The Off-Broadway production was co-produced with Tony Award-winning producers Tom Kirdahy (Little Shop of Horrors, Hadestown) and Hunter Arnold (Little Shop of Horrors, Hadestown). -
Scenic Design for the Musical Godspell
Scenic design for the musical Godspell Thesis Presented in Partial Fulfillment of the Requirements for the Degree of Master of Fine Arts in the Graduate School of The Ohio State University By Sarah Sugarbaker Graduate Program in Theatre The Ohio State University 2009 Master’s Examination Committee: Professor Dan Gray, M.F.A. Advisor Professor Mandy Fox, M.F.A. Professor Kristine Kearney, M.F.A. Copyright by Sarah Sugarbaker 2009 Abstract In April of 2009 the Ohio State University Theatre Department produced Godspell, a musical originally conceived by John‐Michael Tebelak with music by Stephen Schwartz. This production was built and technically rehearsed in the Thurber Theatre, and then moved to the Southern Theatre in downtown Columbus, OH. As the scenic designer of this production I developed an environment in which the actors and director created their presentation of the text. Briefly, the director’s concept (Appendix A) for this production was to find a way to make the production relevant to the local population. Godspell centers around the creation and support of a community, so by choosing to reference the City Center Mall, an empty shopping center in downtown Columbus, the need for making a change as a community was emphasized. This environment consisted of three large walls that resembled an obscured version of the Columbus skyline, inspired by advertisements within the shopping center. Each wall had enlarged newspapers that could be seen under a paint treatment of vibrant colors. The headlines on these papers referenced articles that the local paper has written about the situation at the shopping center, therefore making the connection more clear. -
Beautiful Family! Broadway/ First National Tour: Beautiful; Betty/ Ensemble
SARAH BOCKEL (Carole King) is thrilled to be back on the road with her Beautiful family! Broadway/ First National Tour: Beautiful; Betty/ Ensemble. Regional: Million Dollar Quartet (Chicago); u/s Dyanne. Rocky Mountain Repertory Theatre- Les Mis; Madame Thenardier. Shrek; Dragon. Select Chicago credits: Bohemian Theatre Ensemble; Parade, Lucille (Non-eq Jeff nomination) The Hypocrites; Into the Woods, Cinderella/ Rapunzel. Haven Theatre; The Wedding Singer, Holly. Paramount Theatre; Fiddler on the Roof, ensemble. Illinois Wesleyan University SoTA Alum. Proudly represented by Stewart Talent Chicago. Many thanks to the Beautiful creative team and her superhero agents Jim and Sam. As always, for Mom and Dad. ANDREW BREWER (Gerry Goffin) Broadway/Tour: Beautiful (Swing/Ensemble u/s Gerry/Don) Off-Broadway: Sex Tips for Straight Women from a Gay Man, Cougar the Musical, Nymph Errant. Love to my amazing family, The Mine, the entire Beautiful team! SARAH GOEKE (Cynthia Weil) is elated to be joining the touring cast of Beautiful - The Carole King Musical. Originally from Cape Girardeau, Missouri, she has a BM in vocal performance from the UMKC Conservatory and an MFA in Acting from Michigan State University. Favorite roles include, Sally in Cabaret, Judy/Ginger in Ruthless! the Musical, and Svetlana in Chess. Special thanks to her vital and inspiring family, friends, and soon-to-be husband who make her life Beautiful. www.sarahgoeke.com JACOB HEIMER (Barry Mann) Theater: Soul Doctor (Off Broadway), Milk and Honey (York/MUFTI), Twelfth Night (Elm Shakespeare), Seminar (W.H.A.T.), Paloma (Kitchen Theatre), Next to Normal (Music Theatre CT), and a reading of THE VISITOR (Daniel Sullivan/The Public). -
BOOK &MUSIC by Joe Kinosian BOOK
BOOK & MUSIC by Joe Kinosian BOOK & LYRICS by Kellen Blair DIRECTED by Scott Schwartz Printer’s Ad Printer’s Ad LEARNING & EDUCATION USING THEATRE AS A CATALYST TO INSPIRE CREATIVITY “ATC’S EDUCATION DEPARTMENT HAS BEEN NOTHING SHORT OF A MIRACLE.” -Cheryl Falvo, Crossroads English Chair / Service Learning Coordinator Theatre skills help support critical thinking, decision-making, teamwork and improvisation. It can bridge the gap from imagination to reality. We inspire students to feel that anything is possible. LAST SEASON WE REACHED OVER 11,000 STUDENTS IN 80 SCHOOLS ACROSS 8 AZ COUNTIES For more information about our Learning & Education programs, visit EDUCATION.ARIZONATHEATRE.ORG IN THIS ISSUE November-December 2014 Title Page ............................................................................5 The Cast ............................................................................. 6 About the Play .......................................................................12 About Arizona Theatre Company .......................................................15 ATC Leadership .....................................................................20 The Creative Team ................................................................... 28 Staff forMurder for Two ..............................................................36 Board of Trustees ...................................................................40 Theatre Information ................................................................. 47 Corporate and Foundation Donors ....................................................49 -
The Sixth Act: an Event History
The Sixth Act: An Event History 2004-2005 Academic Workshop: The Sixth Act: A New Drama Initiative This workshop will officially launch The Sixth Act, MCC's new Drama Initiative, so in addition to mocking a rehearsal for Sophocles' Oedipus Rex, we also will talk about the initiative and its goals. Everyone interested in drama--for personal, political, artistic, and/or pedagogical reasons-- is invited! Academic Workshop: Mamet, Harassment, and the Stage The workshop will focus on interdisciplinary approaches to a dramatic text, using David Mamet’s provocative, challenging play Oleanna as a case study. Oleanna, which is widely taught and performed, tells the story of a college student who issues a formal sexual harassment complaint against her college professor. The play is difficult in part because it’s difficult to tell which character is the real victim—raising real questions about different forms of power. More than one version of a key scene will be shown and then a group of MCC colleagues from different academic perspectives will offer insight into the text based on their individual backgrounds. The idea is that a single dramatic text can yield multiple readings, and that we all are better equipped to approach a dramatic text when we have a wider understanding of some of these readings. Academic Workshop: "Unpack My Heart With Words": Using Dramatic Techniques to Understand Shakespeare's Language This interactive workshop will help students, teachers, and drama enthusiasts use performance to interpret the multiple dimensions of Shakespeare's words. Academic Workshop: Stagecraft 101: Understanding the Fundamentals of Design This hands-on workshop will familiarize participants with the language of scenic, sound, lighting, costume, and property design-providing important insight into practical as well as metaphoric applications of the stage. -
Cultural Solidarity Coalition Opens Microgrant Applications for NYC Artists and Cultural Workers
PRESS RELEASE for Immediate Release February 16, 2021, New York City Contact: Hanna Stubblefield-Tave, [email protected] Cultural Solidarity Coalition Opens Microgrant Applications for NYC Artists and Cultural Workers Right now, 62% of arts and cultural workers are entirely unemployed, including more than 69% of Black and Indigenous artists and artists of color. Creative workers faced an average individual loss of $22,000 each in 2020. In response, NYC arts and cultural organizations created the new Cultural Solidarity Coalition to take care of their own communities. Now, the CULTURAL SOLIDARITY FUND will award $500 relief microgrants to individual artists and cultural workers to ensure that they make it through this critical time. Applications will open for one week from February 26, 2021, at 9:00 am, to March 5, 2021, at 5:00 pm. The short application is estimated to take no more than 10 minutes to complete and will be available online in both English and Spanish at culturalsolidarityfund.org/get-a-grant. The Cultural Solidarity Fund will initially open applications with $100,000 raised to support 200 artists and cultural workers. Organizations and individuals are invited to join the Coalition and increase the Fund’s capacity by sponsoring one or more artists/cultural workers with a donation: culturalsolidarityfund.org/sponsor. If additional funds are received, a new round of grants and/or lottery will be announced weekly. Cultural Solidarity Fund grants are open for artists and cultural workers who resided in the five boroughs of New York City as of April 1, 2020: Actors, Administrators, Choreographers, Custodians, Curators, Dancers, Designers, Directors, Drivers, Dramaturgs, Front of House, Guards, Janitors, Installers, Musicians, Playwrights, Production Managers, Receptionists, Technical Crew and Art Handlers, Stage Managers, Teaching Artists, Technicians, Ushers, Visual Artists, and anyone working in any capacity in the arts/cultural non-profit or community-based sector. -
Careerwphotos #4
BIOGRAPHY CAREER Frank Gagliano was part of the 1960’s group of Off-Broadway playwrights that revitalized American drama. Gagliano's Off-Broadway plays include: “Conerico Was Here To Stay” (at NY’s Cherry Lane Theatre, Melvin Bernhardt, director — Barr/Wilder/Albee, producers; “Night Of The Dunce,” produced in New York at The Cherry Lane Theatre, Joseph Hardy, director — Barr/Wilder/Albee, producers (first produced as The Library Raid, at Houston's Alley Theatre, directed by Nina Vance); “Father Uxbridge Wants To Marry” (first developed at the O'Neill Theatre Center, directed by Melvin Bernhardt), produced at New York's American Place Theatre (Melvin Bernhardt, director), starring Olympia Dukakis, and later televised on New York's WNET-TV, starring Roy Scheider; “The City Scene” (“Conerico Was Here To Stay” and “Paradise Gardens East”), first developed at the Barr/Edward Albee/ Wilder Workshop, the double bill (with Paradise, now a one-act musical one-act musical—lyrics by Gagliano, music by Mildred Kayden— was later produced Off- Broadway, at The Fortune Theatre (Neil Israel, director; Simon Saltzman, producer). “In The Voodoo Parlour Of Marie Laveau” was first developed at The O'Neill Theatre Center, showcased in New York's Phoenix Theatre Sideshow Series (directed by Michael Montel) and at The Neighborhood Group Theatre (also in New York), directed by Frank Gagliano. “In The Voodoo Parlour of Marie Laveau” had its West Coast premiere at L.A.'s Ensemble Studio Theatre on 11 June 1986, produced by Christine Beato and Brent Hedgecock, in -
The Resistible Rise of Arturo Ui
Classic Stage Company JOHN DOYLE, Artistic Director TONI MARIE DAVIS, Chief Operating Officer/GM presents THE RESISTIBLE RISE OF ARTURO UI BY BERTOLT BRECHT TRANSLATED BY GEORGE TABORI with GEORGE ABUD, EDDIE COOPER, ELIZABETH A. DAVIS, RAÚL ESPARZA, CHRISTOPHER GURR, OMOZÉ IDEHENRE, MAHIRA KAKKAR, THOM SESMA Costume Design Lighting Design Sound Design ANN HOULD-WARD JANE COX MATT STINE TESS JAMES Associate Scenic Design Associate Costume Design Associate Sound Design DAVID L. ARSENAULT AMY PRICE AJ SURASKY-YSASI Casting Press Representative Production Stage Manager TELSEY + COMPANY BLAKE ZIDELL AND ASSOCIATES BERNITA ROBINSON ADAM CALDWELL, CSA WILLIAM CANTLER, CSA Assistant Stage Manager KARYN CASL, CSA JESSICA FLEISCHMAN DIRECTED AND DESIGNED BY JOHN DOYLE Cast in alphabetical order Clark / Ragg.............................................................................GEORGE ABUD Roma..........................................................................................EDDIE COOPER Giri......................................................................................ELIZABETH A. DAVIS Arturo Ui....................................................................................RAÚL ESPARZA Dogsborough / Dullfeet..........................................CHRISTOPHER GURR O’Casey / Betty Dullfeet.............................................OMOZÉ IDEHENRE Flake / Dockdaisy...............................................................MAHIRA KAKKAR Givola............................................................................................THOM -
Musicals Go Undiscovered and Never Get the Productions They Deserve
SPRING 2020 PITCH BOOK At The Producer’s Perspective, we are on a mission to help 5000 shows get produced by 2025 and have curated this book of new work for your consideration. All too often, exciting new plays and musicals go undiscovered and never get the productions they deserve. So we wanted to provide an opportunity for theaters, producers, and organizations like yours to access information on new material just waiting to be discovered. The Pitch Book features over 100 new plays and musicals from creators across the country and provides you with a tagline and succinct pitch, as well as essential show and collaborator information for each project. We encourage you to peruse the pitches in this book and if you find a project that appeals to you, please feel free to reach out to the show directly or let us know by emailing [email protected]! To view the online version of our Pitch Book with clickable links and zooming capabilities, please visit www.theproducersperspective.com/producer-pitch-book now! 1 TABLE OF CONTENTS MUSICALS A CHRISTMAS CAROL (CUSTOMIZED FOR YOUR REGION) 5 A GREEN UNBRELLA 6 A SYMPHONY FOR PORTLAND 7 ACROSS THE AMAZONS 8 AFTER HAPPILY EVER AFTER 9 BAGELS! (THE MUSICAL) 10 BEGGARS & CHOOSERS, THE MUSICAL 12 BENDING TOWARDS THE LIGHT… A JAZZ NATIVITY 13 BETWIXT AND BETWEEN 14 BEYOND PERFECTION 15 BILLIONAIRE 16 BLANK SPACE THE MUSICAL (JUKEBOX MUSICAL WITH MUSIC & LYRICS BY TAYLOR SWIFT) 17 BRICKTOP: LEGEND OF THE JAZZ AGE 18 BROOKLYN BRIDGE EMILY’S STORY 20 BRUSH ARBOR REVIVAL 20 COME AND SEE 22 COMPANY MATTERS 23 DAISY AND THE WONDER WEEDS 24 DESERT ROSE 25 DOGS 26 EARTHBOUND (AN ELECTRONICA MUSICAL) 27 EMERALD MAN 28 EMERGENCY 29 EVANGELINE, A CURIOUS JOURNEY 30 GEORGINE 31 SUITE MOMS 32 GLINDA/MRS. -
[email protected] SEASON VIDEO
Press Contact: Tim Etheridge, Director of Public Relations 510 647-2917; [email protected] SEASON VIDEO https://bit.ly/3vxhdDQ FOR IMMEDIATE RELEASE BERKELEY REPERTORY THEATRE WILL REOPEN FOR LIVE PERFORMANCES ON OCTOBER 1 Mike Birbiglia and Fran Lebowitz added as limited-run engagements 2021-22 subscription season to return with world premiere of the ripple, the wave that carried me home June 16, 2021 - Berkeley Rep’s leadership announced today that after being closed for a year and a half, the Tony Award-winning theatre will reopen for live performances on Friday, October 1. The 2021-22 subscription season kicks off with a Berkeley Rep commission, Christina Anderson’s the ripple, the wave that carried me home, directed by Miranda Haymon. This world premiere was developed as part of the Theatre’s Ground Floor Summer Residency Lab and explores a family’s response to racial injustice and a daughter’s reckoning with her political inheritance. “We are beyond delighted to finally have a date on which we can all return to our theatres,” says Artistic Director Johanna Pfaelzer. “I know artists and audiences alike have been longing for this moment, when we can once again gather together to share these deeply human stories. We are counting the days ’til October 1!” Berkeley Rep welcomes back playwright Charles L. Mee and director Les Waters for Wintertime, the story of a gloriously eccentric family who arrive at their summer house in the winter woods for supposedly secret rendezvous – and soon bodies collide, doors slam, dishes fly, and everyone’s perfect plans go fantastically awry. -
FEBRUARY 26 Thrumarch 14
JEWEL THEATRE COMPANY PRESENTS A VIDEO STREAM FEBRUARY 26 thru MARCH 14 DIrected BY SUSAN MYER SILTON FeatURING DIANA TORRES KOSS, HANNAH MARY KELLER & JULIE JAMES www.JewelTheatre.net CREDITSWOMEN ON FIRE by Irene O’Garden This production was sponsored by Audrey Stanley Director Susan Myer Silton^ Technical/Media Director Steve Gerlach Stage Manager Lydia Lyons* Properties Master Shaun Carroll Dialect Coach Audrey Rumsby Camera Work Steve DiBartolomeo Graphic Designer r B A U ERdesign CAST (in order of appearance): Trude, Clover, Miriam, Rita, Zatz, Jordy Julie James* Fern, Lydia, Elizabeth Diana Torres Koss* Eileen, Kalisha, Audrey Hannah Mary Keller ^Member, Stage Directors and Choreographers Society *Member, Actors’ Equity Association “Women On Fire” is presented by arrangement with Concord Theatricals on behalf of Samuel French, Inc www concordtheatricals co MUSICCarried Away Train Wreck in G Major Written by Chris Kee Written by Glenn Pomianek Performed by Houston Jones Performed by Houston Jones (Three Crow Town) (Houston Jones) Daley’s Reel Vanna’s Waltz Traditional; Performed by Houston Jones Written by Glenn Pomianek (Three Crow Town) Performed by Houston Jones (Three Crow Town) Jig Etude Written by Glenn Pomianek Tocatta in Swing (Hold the Aria) Performed by Houston Jones Written by Glenn Pomianek (Three Crow Town) Performed by Houston Jones (Three Crow Town) Keeper of the Flame Written by Chris Kee & Peter Tucker Wait on the Rising Sun Performed by Houston Jones Traditional; Performed by Jayme Stone (Three Crow Town) (Jayme -
Press Contact: Tim Etheridge, Director of Public Relations 510 647-2917; [email protected]
Press Contact: Tim Etheridge, Director of Public Relations 510 647-2917; [email protected] FOR IMMEDIATE RELEASE BERKELEY REP DELAYS OCTOBER REOPENING Wintertime will start 2021/22 season on November 12 August 11, 2021 — Berkeley Repertory Theatre today announced that due to the increasing COVID cases spurred by the Delta variant and to ensure the utmost safety, the 2021/22 season will now begin November 12, 2021 with the production of Wintertime, reuniting playwright Charles L. Mee and director Les Waters. “We care about the safety of our audiences, our artists, and our staff,” says Managing Director Susie Medak. “At this moment in time it simply seems as though the most prudent choice is to postpone our opening for a month to allow this current wave of infection to run its course.” Originally, the 2021/22 season was scheduled to begin on October 1, 2021 with the world premiere of the ripple, the wave that carried me home, written by Christina Anderson and directed by Miranda Haymon. That production will now be the final show of the 2021/22 season, beginning performances on September 9, 2022. Berkeley Rep is a fully vaccinated company, including every staff member, artist, and volunteer. All patrons must present a vaccination card, a photo of their card, or a digital vaccine record (e.g., myvaccinerecord.cdph.ca.gov) with matching photo ID. Masks must be worn at all times in all areas of the theatre. Berkeley Rep will allow subscribers to view a show online if they determine they would feel more comfortable staying at home, as a form of “digital insurance.” For the most up-to-date information on our season shows and health and safety, please visit berkeleyrep.org.