DOCSLIB.ORG

Mú Sica Teatre Dan Sa

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Mú Sica Teatre Dan Sa emotivitat). dia (amb moments per riure) i el drama (amb escenes de profunda profunda de escenes (amb drama el i riure) per moments (amb dia sector més purità. més sector - comè la alterna escena a l’acció de desenvolupament El obra. aquesta gon nivell. Va ser considerada com a film eròtic i va ser perseguida pel pel perseguida ser va i eròtic film a com considerada ser Va nivell. gon Aquest és el missatge que es pretén fer arribar al públic mitjançant mitjançant públic al arribar fer pretén es que missatge el és Aquest - se de titllada aleshores i 1964 l’any estrenada Wilder, Billy de stupid Organitza: marcables, com en tot ésser humà. ésser tot en com marcables, Fes-me un petó, tonto és una adaptació lliure de la pel·lícula Kiss me, me, Kiss pel·lícula la de lliure adaptació una és tonto petó, un Fes-me - re qualitats unes amb persona una ha hi discapacitat d’una Darrere potser canviaran el seu futur. seu el canviaran potser senta el dia a dia. a dia el senta veniments posaran a prova el matrimoni i l’amistat d’ambdós homes, i i homes, d’ambdós l’amistat i matrimoni el prova a posaran veniments - pre que barreres les superar i endavant tirar possible és vida, la amb - esde els d’aquí, partir A poble. al inesperadament arriba que Latino, demostren amb la seva interpretació que quan hi ha un compromís compromís un ha hi quan que interpretació seva la amb demostren ran vendre alguna cançó a un idolatrat crooner vividor, de nom Dino Dino nom de vividor, crooner idolatrat un a cançó alguna vendre ran Els actors i actrius, tots amb alguna discapacitat o malaltia mental, mental, malaltia o discapacitat alguna amb tots actrius, i actors Els - intenta dos Tots benzinera. d’una amo és Barney i casa, de mestressa tes. Oville és un home gelós, casat amb la dona més bonica del poble, poble, del bonica més dona la amb casat gelós, home un és Oville tes. d’un programa de ràdio que no pot ser presentat per la seva directora. seva la per presentat ser pot no que ràdio de programa d’un - protagonis a com èxit, sense compositors amics, dos amb Units, Estats Una comèdia de teatre on els personatges escenifiquen la realització realització la escenifiquen personatges els on teatre de comèdia Una Comèdia de situació que transcorre al poble de Climax, a Nevada, els els Nevada, a Climax, de poble al transcorre que situació de Comèdia € € ) 10 anticipada, (compra 12 Preu: Direcció: Jaume Baucis Jaume Direcció: 17/09/2011 – 21.30 h 21.30 – 17/09/2011 SA ) 8 anticipada, (compra 10 Preu: € € Fundació ONCE Fundació 08/10/2011 – 21.30 h 21.30 – 08/10/2011 Catalunya sense barreres en col·laboració amb la la amb col·laboració en barreres sense Catalunya teatre Sogtulakk, dins el projecte Granollers a Escena) a Granollers projecte el dins Sogtulakk, teatre DAN barreres. L’obra barreres. Companyia Tirant del Carro (convidada pel grup de de grup pel (convidada Carro del Tirant Companyia Catalunya sense sense Catalunya Fes-me un petó, tonto petó, un Fes-me TEATRE TEATRE SICA SICA MÚ PROPOSTES PROPOSTES Setembre- octubre 2011 C/ Joan Camps, 1 Setembre - octubre 2011 08401 Granollers · Tel. 938 702 153 [email protected] www.centreculturaldegranollers.cat MÚSICA EXPOSICIONS ALTRES Horari d’atenció al públic Venda d’entrades anticipades: Teatre CINECLUB SALA CIUTAT ACTIVITATS Dimecres, dijous i divendres Dimecres, dijous i divendres de 17.30 h a 20.30 h DANSA de 17.30 h a 20.30 h Venda d’entrades: Catalunya sense Happy thank you Jordi Aligué. Cicle: El Repte de Ser Horari Sala Ciutat Una hora i mitja abans de cada espectacle, i barreres. L’obra more please Referències Persona, Avui. Gran De dimecres a dissabte de 17.30 h a 20.30 h ara també per internet a: Centre Granollers Diumenge i festius d’11.30 h a 13.30 h www.centreculturaldegranollers.cat (Nou!) Fes-me un petó, Potiche, mujeres Dilluns i dimarts tancat tonto al poder Activitats per a les Preus escoles a càrrec Música, teatre i dansa: segons espectacle El mundo según de l’Ajuntament Cinema: 6 € (3 € per als socis de l’Associació Barney de Granollers i de Cultural) l’Associació Cultural Sala Ciutat: entrada lliure El árbol de Granollers En un mundo mejor Midnight in Paris Win win, ganamos todos Organitza: CI EXPO NE SICIONS CLUB SALA CIUTAT Happy thank Potiche, mujeres El mundo según La Sala Ciutat del Centre Cultural de Granollers és un espai obert a les propostes artístiques més you more please al poder Barney properes. Un espai per a la presentació d’obres, artistes i col·lectius vinculats al territori. (2010) de Josh Radnor (VOSE) (Potiche, 2010) de François Ozon (VOSE) (Barney’s version, 2010) de Richard J. Lewis (VOSE) JORDI ALIGUÉ 16/09/2011 – 19 h i 22 h 23/09/2011 – 19 h i 22 h 30/09/2011 – 19 h i 22 h 18/09/2011 – 19 h 25/09/2011 – 19 h 2/10/2011 – 19 h REFERÈNCIES Producció nord-americana escrita i interpretada Producció francesa escrita pel mateix director a Producció canadenca escrita per Michael Konyves pel mateix director, música de Jaymay i inter- partir de l’obra de Barillet i Grédy, fotografia de a partir de la novel·la de Mordecai Richler, música pretada, a més, per Kate Mara, Malin Ackerman, Yorick Le Saux i interpretada per Catherine De- de Pasquale Catalano i interpretada per Paul Gia- Zoe Kazan, Pablo Schreiber i Tony Hale. Premi neuve, Gérard Depardieu, Fabrice Luchini, Karin matti, Dustin Hoffman, Rosamund Pike, Minnie del Públic del Festival de Sundance 2010. Viard i Sergi López. Sessió en col·laboració amb Driver i Rachelle Lefevre. l’Alliance Française. “...Sam Wexler és un jove escriptor a qui sempre “...Barney Panofsky s’ha casat tres cops. La prime- falta la inspiració a l’últim moment. Un dia, men- “...Suzanne és una dona consagrada a la seva fa- ra dona, Clara, era lliure i infidel. La segona dona tre viatja al metro, veu amb horror com un petit mília. Robert, el seu marit, dirigeix amb mà de era una princesa jueva que no parava de parlar. En noi de raça negra es veu separat de la seva famí- ferro una fàbrica i té un comportament desagra- aquest casament, Barney va conèixer Miriam, el dable tant amb els obrers com amb els seus fills i lia de forma accidental. En Sam li té llàstima i se seu gran amor. Mentre conviuen, circula el rumor Organitza: la seva dona. Després d’una vaga i del segrest de que Barney va matar Boogie, el seu millor amic, l’emporta amb ell, pensant a tenir-lo només uns Robert, ella ha d’assumir la direcció de l’empresa que va desaparèixer en circusmtàncies misterio- dies, però les setmanes passen i no es decideix a i, per a sorpresa de tots, es revela com una dona ses. De vegades, Barney també creu que l’ha ma- tornar-lo...” (de la sinopsi) intel·ligent, capacitada i decidida...” (de la sinopsi) tat...” (de la sinopsi) Del 29 de setembre al 27 de novembre de 2011 Inauguració: dijous 29 de setembre, a les 8 del vespre Una exposició que ens mostra les obres fotogràfiques de Jordi Aligué, en una nova etapa creativa en què la fotografia esdevé l’ull ideal per fixar la seva manera particular de mirar per veure. I ho fa acom- panyat dels seus amics, establint referències artístiques de primer ordre amb Benet Rossell, Joaquim El árbol En un mundo mejor Midnight in Paris Win win, ganamos Chancho, Pep Fajardo, Toni Cumella, Vicenç Viaplana... , que presentaran obra pròpia acompanyant la (The tree, 2010) de Julie Bertuccelli (VOSE) (Haevnen, 2010) de Susanne Bier (VOSE) (2010) de Woddy Allen (VOS en català) de l’artista de Cardedeu. 7/10/2011 – 19 h i 22 h 14/10/2011 – 19 h i 22 h 21/10/2011 – 19 h i 22 h todos Una producció del Museu de Granollers (Win win, 2011) de Thomas McCarthy (VOSE) 9/10/2011 – 19 h 16/10/2011 – 19 h 23/10/2011 – 19 h 28/10/2011 – 19 h i 22 h En col·laboració amb: Producció australiana escrita per la mateixa Producció danesa escrita per Anders Thomas Producció nord-americana escrita pel mateix 30/10/2011 – 19 h directora, música de Grégoire Hetzel i interpre- Jensen, música de Johan Soderqvist i interpreta- director, producció de Jaume Roures i interpre- tada per Charlotte Gainsbourg, Marton Csokas, da per Mikael Persbrandt, Trine Dyrholm, Ulrich tada per Rachel McAdams, Michael Sheen, Ma- Producció nord-americana escrita pel mateix Morgana Davies i Aden Young. Thomsen i Markus Rygaard. Globus d’Or i Oscar rion Cotillard, Owen Wilson, Adrien Brody, Kathy director, música de Lyle Workman i interpretada 2011 a la Millor Pel·lícula de parla no anglesa. Bates, Carla Bruni i Gad Elmaleh. per Paul Giamatti, Amy Ryan, Bobby Cannavale, “...Després de la inesperada mort del seu home, Jeffrey Tambor i Burt Young. ALTRES ACTIVITATS Dawn ha de fer front al dolor i tenir cura dels “...Anton és metge i divideix el temps entre una “...La pel·lícula presenta una família que viatja seus quatre fills. Simone, l’única nena, té vuit petita ciutat a Dinamarca i la feina en un camp a la capital francesa per negocis. El grup inclou “El desencantat advocat Mike Flaherty, que en el anys i és la que sembla enyorar més el pare. Ella de refugiats a l’Àfrica. En aquests dos mons tan una jove parella compromesa que veuran com seu temps lliure és entrenador d’un equip escolar comparteix un secret amb la seva mare: el pare li diferents, ell i la seva família s’enfronten a con- canvien les seves vides durant la seva estada a de lluita lliure, descobreix una promesa d’aquest Cicle: El Repte de Ser Persona, Avui.
Load more

Recommended publications
  • Ben Toth, Vocal Coach to the Stars
    Vocal coach Ben Toth is also a player The performer-composer helps prepare Beau Bridges for his Broadway singing debut while his own career flourishes. December 26, 2011 | By Diane Haithman, Special to the Los Angeles Times As the old joke goes: "How do you get to Carnegie Hall?" "Practice, practice." That punch line would have to be rewritten for vocal coach, performer and composer Ben Toth. Toth, 34, got to Carnegie Hall — and the Hollywood Bowl and Broadway — by helping other people practice, practice and practice some more. During a late November interview at a Los Feliz cafe, Toth — whose clients include Lea Michele, Taye Diggs, Josh Radnor, Wayne Brady, Christina Hendricks and Mandy Patinkin — was on a high from serving as musical director, arranger and backup singer for "Cheyenne Jackson's Cocktail Hour: Music From the 'Mad Men' Era" at Carnegie Hall" on Nov. 18. But there wasn't much time to relax and enjoy: Toth was also coaching Beau Bridges for his Broadway singing debut in "How to Succeed in Business Without Really Trying." Bridges is stepping in for John Larroquette as corporate tycoon J.B. Biggley in January, and Toth had been working with him for about six weeks, including bicoastal Skype sessions when Toth's career took him to New York. Bridges, whose latest film, "The Descendants," is getting Oscar buzz, joins the cast Jan. 3, at the same time that Darren Criss replaces Daniel Radcliffe. Toth met the actor in 2009 on a production of "Guys and Dolls" at the Hollywood Bowl. Bridges' success in "Guys and Dolls" led to his being cast in "How to Succeed in Business." Bridges, 70, has acted on Broadway before ("Where's Daddy?," "Who's Who in Hell"), but this will be his first time singing on the Great White Way, and he wasn't going to do it without Toth.
    [Show full text]
  • News Release for Immediate
    NEWS RELEASE FOR IMMEDIATE RELEASE: April 30, 2020 OFF-BROADWAY CAST OF “THE WHITE CHIP”, SEAN DANIELS’ CRITICALLY ACCLAIMED PLAY ABOUT HIS UNUSUAL PATH TO SOBRIETY, WILL DO A LIVE ONLINE READING AS A BENEFIT Performance Will Benefit The Voices Project and Arizona Theatre Company and is dedicated to Terrence McNally. In line with Arizona Theatre Company’s (ATC) ongoing commitment to bringing diverse creative content to audiences online, the original Off-Broadway cast of The White Chip will perform a live reading of Artistic Director Sean Daniels’ play about his unusual path to sobriety as a fundraiser for The Voices Project, a grassroots recovery advocacy organization, and Arizona Theatre Company. The benefit performance will be broadcast live at 5 p.m. (Pacific Time) / 8 p.m. (Eastern Time), Monday, May 11 simultaneously on Arizona Theatre Company’s Facebook page (@ArizonaTheatreCompany) and YouTube channel. The performance is free, but viewers are welcome to donate what they can. The performance will then be available for four days afterwards through ATC’s website and YouTube channel. All donations will be divided equally between the two organizations. A New York Times Critics’ Pick, The White Chip was last staged Off-Broadway at 59E59 Theaters in New York City, from Oct. 4 - 26, 2019. Tony Award-nominated director Sheryl Kaller, Tony Award-winning sound designer Leon Rothenberg and the original Off- Broadway cast (Joe Tapper, Genesis Oliver, Finnerty Steeves) will return for the reading. The Off-Broadway production was co-produced with Tony Award-winning producers Tom Kirdahy (Little Shop of Horrors, Hadestown) and Hunter Arnold (Little Shop of Horrors, Hadestown).
    [Show full text]
  • SI FAMILIA 12.Qxp:Maquetación 1
    Decálogo para municipios familiares Política de Vivienda PUBLICACION • JUNIO 2011 y familias numerosas nº12 Familia Trigo Rosón: “Las familias numerosas estamos permanentemente en crisis...” Propuestas para los niños en verano Ultracongelados Dona Dona VI Congreso Galego de Familias Numerosas No vindeiro mes de Outubro terá lugar o VI Congreso Galego de Familias Numerosas. Como en anos anteriores será unha vez mais a ocasión perfecta para reunirnos todas as familias numerosas galegas. Contaremos con actividades infantís, conferencias sobre temáticas familiares e mesas redondas. O evento estará aberto a todas as familias, previa inscrición. Manterémosvos informados. Sumario 4 AGAFAN día a día 6 IV Concurso Nacional Fotografía Familiar 7 Resultado Encuesta Web. Decálogo 8 ABC de la Familia 9 Estancias Temporales en Residencias 10 Ultracongelados Dona Dona 12 Ojo al ojo vago 13 ¿Qué hacemos con los niños en verano? Diseño 14 Micosis en el verano Diferente Imagen y Producción 16 Entrevista Familia Numerosa e-mail: [email protected] 18 Política de la Vivienda y Familias Numerosas 20 Cine Colaboraciones 21 Recomendación libros Ana Romero Caser Residencial 22 Receta AGAFAN Claudio Sánchez 23 Pasatiempos Eloy González 24 Buzón del Socio Emilio Clavo 25 Consejos José M. Perala 26 Descuentos Exclusivos Socios AGAFAN José M. Sande José A. Santiago Julia Martínez Montserrat Mouro Pilar Martínez Silvia González Editorial Edición CAPITAL HUMANO, UN VALOR A LA BAJA Asociación Galega de Familias Numerosas AGAFAN www.agafan.org [email protected] os últimos datos publicados por el Instituto Nacional de Estadística (INE), donde queda en evidencia la grave crisis demográfica que estamos su- Presidente friendo, hace que la familia numerosa se convierta en un colectivo espe- Luis Sánchez González cialmente importante en nuestra comunidad.
    [Show full text]
  • THE RESISTANCE - EPISODE 36 Josh Radnor - Interview Transcript
    THE RESISTANCE - EPISODE 36 Josh Radnor - Interview Transcript Matt: Hello, and welcome to another episode of The Resistance. My name is Matt Conner, and I’m your host. Today I’m thrilled to sit down with actor, director, writer, songwriter, Josh Radnor. Why don’t you introduce yourself and how you normally, how do you say what you do? Josh: Oh I just say actor, writer, director, songwriter, no I don’t. You know what, you’ve hit on something that I have difficulty with, which is saying what I do. The easiest thing for me to say I do is that I’m an actor, in that I went to grad school for acting at NYU, I’ve been a professional actor for over 20 years. Most people know me as an actor. But I’ve also written and directed two films, I’ve directed music videos, I’ve written plays and prose and now I’m a songwriter and I put out albums of original music. So I guess, and I try to avoid any sort of pretentious-sounding labels, but I think I’m a storyteller, and I just tell stories in whatever form suits the story I want to tell. Sometimes it’s a 90-minute movie, and sometimes it’s a three-minute song. Matt: I love it. I love it. All within the arts in many ways. I want to get to so many things; however, we begin each of our episodes with this quote from Steven Pressfield’s book, The War of Art.
    [Show full text]
  • 12Th & Delaware
    12th & Delaware DIRECTORS: Rachel Grady, Heidi Ewing U.S.A., 2009, 90 min., color On an unassuming corner in Fort Pierce, Florida, it’s easy to miss the insidious war that’s raging. But on each side of 12th and Delaware, soldiers stand locked in a passionate battle. On one side of the street sits an abortion clinic. On the other, a pro-life outfit often mistaken for the clinic it seeks to shut down. Using skillful cinema-vérité observation that allows us to draw our own conclusions, Rachel Grady and Heidi Ewing, the directors of Jesus Camp, expose the molten core of America’s most intractable conflict. As the pro-life volunteers paint a terrifying portrait of abortion to their clients, across the street, the staff members at the clinic fear for their doctors’ lives and fiercely protect the right of their clients to choose. Shot in the year when abortion provider Dr. George Tiller was murdered in his church, the film makes these FromFrom human rights to popular fears palpable. Meanwhile, women in need cuculture,lt these 16 films become pawns in a vicious ideological war coconfrontnf the subjects that with no end in sight.—CAROLINE LIBRESCO fi dedefine our time. Stylistic ExP: Sheila Nevins AsP: Christina Gonzalez, didiversityv and rigorous Craig Atkinson Ci: Katherine Patterson fifilmmakingl distinguish these Ed: Enat Sidi Mu: David Darling SuP: Sara Bernstein newnew American documentaries. Sunday, January 24, noon - 12DEL24TD Temple Theatre, Park City Wednesday, January 27, noon - 12DEL27YD Yarrow Hotel Theatre, Park City Wednesday, January 27, 9:00 p.m. - 12DEL27BN Broadway Centre Cinemas VI, SLC Thursday, January 28, 9:00 p.m.
    [Show full text]
  • OLENKA DENYSENKO 917-459-0310 – [email protected]
    OLENKA DENYSENKO 917-459-0310 – [email protected] SHORT FILMS ROLE CAST/AWARDS The Mole Writer/Director/Producer Larry Pine, Johnny Wu, Chester Jones III Chain NYC FF, Williamsburg Ind. FF Goodbye, Sweetheart Writer/Director/Producer Mascha Mareen, Paul Hickert, Erik Parillo Nom. Best Short Film The Female Eye FF Fort Lauderdale FF, Naperville Ind FF, LIIFE Alternate Sides Writer/Director/Producer Gerry Bamman, Jessica Pohly, Andrew Langton Winner Best Short Film, Best Supporting Actor Golden Egg FF San Diego FF, Coney Island FF, Broad Humor FF, LIIFE, Brownfish Short FF The Summons Writer/Director/Producer Paul Pricer, Elizabeth Irene Grand Prize Winner, Best Drama Director NexTv Entertainment Acting & Directing Talent Competition, Small Town FF, LA Shorts Fest Jim vs. Gym, Ripfest Competition Director The Rude Pundit’s Almanack by Lee Papa Writer/Director/Producer Book Trailer – O/R Books Inferno by Eileen Myles Writer/Director/Producer Book Trailer – O/R Books Collected Fictions by Gordon Lish Writer/Director/Producer Top 10 Book Trailer of the Year – Daily Beast HumiliKey Director/Producer Elizabeth Murray How To Treat A Jellyfish Sting, Howcast.com Director Jessica Pohly, Jim Ford Paris Hilton Perfume Spec Comm. Writer/Director/Producer Top Ten Finalist Vogue/Fragrance Foundation Crumbs Writer/Director/Producer Laryssa Lauret, Jeannie Andresakes I.A.T.S.E Script Supervisor on: TELEVISION (not limited to) DIRECTORS PRODUCERS Gotham S3-5, Fox Various Danny Cannon, Bruno Heller The Punisher S2, Netflix Various Steve Lightfoot DareDevil
    [Show full text]
  • Theater: Father Comes Home Hits It out of the Park(S); Disgraced Disappoints | Evernote Web
    12/16/2015 Theater: Father Comes Home Hits It Out Of The Park(s); Disgraced Disappoints | Evernote Web Theater: Father Comes Home Hits It Out Of The Park(s); Disgraced Disappoints Theater: Father Comes Home Hits It Out Of The Park(s); Disgraced Disappoints FATHER COMES HOME FROM THE WARS PARTS 1, 2 & 3 *** 1/2 out of **** DISGRACED ** out of **** FATHER COMES HOME FROM THE WARS PARTS 1, 2 & 3 *** 1/2 out of **** PUBLIC THEATER The Public is the place to be for theater-lovers in New York right now. Last week they premiered The Fortress Of Solitude, the best new musical of the year. And now they're debuting Father Comes Home From The Wars, Parts 1, 2 & 3, which ranks with An Octoroon as the best new play of the year. It is bold, hugely entertaining, moving and thrillingly ambitious. Playwright Suzan-Lori Parks bids fair to create a sprawling multi-part epic to plant alongside August Wilson's monumental Century Cycle, one of the great achievements in theater history. Parts 4 through 9 (? or more?) can't come fast enough for me. Some of these sections and others have been workshopped before and seen by friends and the entire work here is presented by the Public and the American Repertory Theater. But this is my first experience seeing any portion. Tipping its hat to The Odyssey, what we have here are three parts set during and after the Civil War. In Part 1: A Measure Of A Man, the slave Hero (Sterling K. Brown) is debating whether to follow his master into battle.
    [Show full text]
  • Broadway Theatre
    Broadway theatre This article is about the type of theatre called “Broad- The Broadway Theater District is a popular tourist at- way”. For the street for which it is named, see Broadway traction in New York City. According to The Broadway (Manhattan). League, Broadway shows sold a record US$1.36 billion For the individual theatre of this name, see Broadway worth of tickets in 2014, an increase of 14% over the pre- Theatre (53rd Street). vious year. Attendance in 2014 stood at 13.13 million, a 13% increase over 2013.[2] Coordinates: 40°45′21″N 73°59′11″W / 40.75583°N The great majority of Broadway shows are musicals. His- 73.98639°W torian Martin Shefter argues, "'Broadway musicals,' cul- minating in the productions of Richard Rodgers and Os- car Hammerstein, became enormously influential forms of American popular culture” and helped make New York City the cultural capital of the nation.[3] 1 History 1.1 Early theatre in New York Interior of the Park Theatre, built in 1798 New York did not have a significant theatre presence un- til about 1750, when actor-managers Walter Murray and Thomas Kean established a resident theatre company at the Theatre on Nassau Street, which held about 280 peo- ple. They presented Shakespeare plays and ballad op- eras such as The Beggar’s Opera.[4] In 1752, William The Lion King at the New Amsterdam Theatre in 2003, in the Hallam sent a company of twelve actors from Britain background is Madame Tussauds New York to the colonies with his brother Lewis as their manager.
    [Show full text]
  • Deborah Newhall Costume Designer
    Deborah Newhall Costume Designer Selected Film SLENDER MAN (Post Production) Producers | Brad Fischer, Robyn Meisinger, William Sherak, Sarah Snow, James Vanderbilt Screen Gens Productions, Inc. Director | Sylvain White Cast | Joey King, Javier Botet, Jaz Sinclair, Julia Goldani Telles, Kevin Chapman, Michael Reilly Burke PROUD MARY (Post Production) Producers | Tai Duncan, Paul Schiff Screen Gems Productions, Inc. Director | Babak Najafi Cast | Taraji P. Henson, Billy Brown CADAVER Producers | Todd Garner, Sean Robin Screen Gems Productions, Inc. Director | Diederik Van Rooijen Cast | Shay Mitchell, Kirby Johnson, Lisa Roberts, Andrew Kurtz, Nick Thune, Max McNamara, Louis Herthum James Watson BACKMASK (Post-Production) Producers | Brandt Andersen, Michael Corrente Michael Corso Director | Marcus Nispel Cast | Gage Golightly, Kevin Chapman, Stephen Lang SEEDS (Post-Production) Producers | Anthony Ambrosino, Own Long, Younny Long Barnofo Directors | Owen Long, Younny Long Cast | Adrian Enscoe, Bob Dio, Andrea Chen, Chris McGarry AMERICAN HUSTLE (Costumer) Producers | Megan Ellsion, Jonathan Gordon, Charles Roven, Richard Suckle Columbia Pictures Director | David O. Russell Cast | Christian Bale, Bradley Cooper, Amy Adams, Jennifer Lawrence, Lous C.K., Jeremy Renner CENTRAL INTELLIGENCE (Key Costumer) Producers | Peter Principato, Scott Stuber, Paul Young New Line Cinema Director | Rawson Marshall Thurber Cast | Dwayne Johnson, Kevin Hart, Amy Ryan, Jason Bateman, Danielle Nicolet, Tim Griffin Deborah Newhall Costume Designer | Cont’d LIBERAL ARTS Producers | Bryan Thomas, Brice Dal Farra, Claude Dal Farra, Jesse, Hara, Lauren Munsch Director | Josh Radnor Cast | Josh Radnor, Elizabeth Olsen, Elizabeth Reaser, Richard Jenkins, Allison Janney, Zac Efron ABOUT SUNNY Producers | Blythe Robertson, Mike S. Ryan Director | Bryan Wizemann Cast | Lauren Ambrose, Penelope Ann Miller, David Conrad, Dylan Baker, Audrey P.
    [Show full text]
  • Mercy Street” to Premiere January 17 on Pbs
    “MERCY STREET” TO PREMIERE JANUARY 17 ON PBS – Original Six-Episode Series to Take Viewers Beyond the Battlefield with Intimate, Human Look at Lives on the Civil War Home Front − MERCY STREET to Follow “Downton Abbey, The Final Season” on MASTERPIECE for a Powerful Sunday Night Lineup – – Award-Winning Creative Team Includes Ridley Scott, David Zabel, Lisa Quijano Wolfinger and David W. Zucker – ARLINGTON, VA; Updated December 16, 2015 – MERCY STREET, a new Civil War era drama produced in and around Richmond, Virginia, will debut Sunday, January 17, 2016, at 10:00 p.m. MERCY STREET will follow “Downton Abbey, The Final Season” on MASTERPIECE highlighting PBS as a home for internationally acclaimed television drama. The series is executive produced by Ridley Scott (Gladiator, Thelma and Louise); David W. Zucker (“The Good Wife” and “The Man in the High Castle”) of Scott Free; Lisa Q. Wolfinger (“Desperate Crossing, The untold story of the Mayflower”) and David Zabel (ER). Dean Devlin’s Electric Entertainment secured all foreign rights to the series early in the process, and will continue to sell to international territories. Based on real events, MERCY STREET takes viewers beyond the battlefield and into the lives of Americans on the Civil War home front as they face the unprecedented challenges of one of the most turbulent times in our nation’s history. Set in Virginia in the spring of 1862, MERCY STREET follows the lives of two volunteer nurses on opposite sides of the conflict; Mary Phinney, (Mary Elizabeth Winstead), a staunch New England abolitionist, and Emma Green, (Hannah James), a naive young Confederate belle.
    [Show full text]
  • Program Updates from the VP and Program Director Doron Weber
    MARCH 2016 Program Updates from the VP and Program Director Doron Weber THEATER Two EST/Sloan Productions, Please Continue and Boy, Premiere in New York This spring, the Ensemble Studio Theatre/Sloan Project produced two mainstage productions instead of one—a testament to the growing popularity of science-themed plays generally and the success of the EST/Sloan partnership specifically. Please Continue, a play written by Frank Basloe centering on the Stanley Milgram experiments, ended an extended run on March 6. The play received outstanding reviews and was selected as a New York Times Critics’ Pick. Boy (through April 9), the second play to premiere this season as an EST/Sloan mainstage production, is co- produced with Keen Company, building on the recent success of EST/Sloan plays co-produced with other theaters to reach broader audiences, such as this summer’s Informed Consent co-produced with Primary Stages. Originally commissioned from playwright Anna Ziegler (Photograph 51) through the Manhattan Theatre Club/Sloan Initiative, Boy is based on the true story of a young boy in the 1960s who underwent gender reassignment under the care of psychologist John Money. Boy received a major review in the New York Times, along with critical praise from other outlets. Now in its second decade, the innovative EST/Sloan partnership has commissioned, developed, and produced hundreds of new plays that explore science and technology and challenge existing stereotypes of scientists and engineers. EST is the recipient of a three-year grant to commission, develop, produce, and disseminate new science plays in New York and across the country.
    [Show full text]
  • February 12, 2017| Quadracci Powerhouse
    VISITING THE REP JANUARY 17 - FEBRUARY 12, 2017 | QUADRACCI POWERHOUSE Milwaukee Repertory Theater’s Patty and Jay Baker Theater Complex is located in the Milwaukee Center downtown at the corner of Wells and Water Streets. The building was formerly the home of the Electric Railway and Light Company. The Ticket Office is visible on the left upon entering the Wells Street doors. The Quadracci Powerhouse is located on the second level and can be accessed via the escalator or elevator. THE REP VALUES YOUR SUPPORT Financial support enables The Rep to: ✯ Advance the art of theater with productions that inspire individuals and create community dialogue; ✯ Provide a richer theater experience by hosting Rep In Depth, TalkBacks, and creating PlayGuides to better inform our audiences about our productions; ✯ Educate over 20,000 students at 200+ schools in the greater Milwaukee area with Rep Immersion Day experiences, student matinees, workshops, tours and by making connections with their school curriculum through classroom teaching programs such as Reading Residencies and School Subscriptions; ✯ Maintain our commitment to audiences with special needs through our Access Services that include American Sign Language interpreted productions, captioned theater, infrared listening systems and script synopses to ensure that theater at The Rep is accessible to all; ✯ Educate the next generation of theater professionals with our Emerging Artist Program which gives newly degreed artists a chance to hone their skills at The Rep as they begin to pursue their theatrical careers. We value our supporters and partnerships and hope that you will help us to expand the ways Milwaukee Rep has a positive impact on theater and on our Milwaukee community.
    [Show full text]