Teachers' and School Heads' Salaries and Allowances in Europe – 2015/16

Total Page:16

File Type:pdf, Size:1020Kb

Teachers' and School Heads' Salaries and Allowances in Europe – 2015/16 Teachers’ and School Heads’ Salaries and Allowances in Europe 2015/16 Eurydice – Facts and Figures Education and Training Teachers' and School Heads' Salaries and Allowances in Europe 2015/16 Eurydice – Facts and Figures Education and Training This document is published by the Education, Audiovisual and Culture Executive Agency (EACEA, Education and Youth Policy Analysis). Please cite this publication as: European Commission/EACEA/Eurydice, 2016. Teachers' and School Heads' Salaries and Allowances in Europe – 2015/16. Eurydice Facts and Figures. Luxembourg: Publications Office of the European Union. ISBN 978-92-9492-349-3 ISSN 2443-5376 doi:10.2797/10844 EC-AM-16-001-EN-N Text completed in October 2016. © Education, Audiovisual and Culture Executive Agency, 2016. Reproduction is authorised provided the source is acknowledged. Education, Audiovisual and Culture Executive Agency Education and Youth Policy Analysis Avenue du Bourget 1 (J70 – Unit A7) BE-1049 Brussels Tel. +32 2 299 50 58 Fax +32 2 292 19 71 E-mail: [email protected] Website: http://ec.europa.eu/eurydice CONTENTS Table of Figures 3 Codes 4 Main findings 5 Part I: Comparative Analysis 7 Part II: National Data Sheets 31 Part III: Definitions 115 Acknowledgements 119 TABLE OF FIGURES Figure 1: Changes between 2014/15 and 2015/16 in teachers' statutory salaries in public schools (ISCED 0, 1, 2 and 3) 9 Figure 2: Changes between 2009/10 and 2015/16 in teachers' minimum statutory salaries in PPS constant prices in public primary and secondary schools 11 Figure 3: Minimum and maximum annual basic gross statutory salaries for full-time teachers in public schools compared to per capita GDP at current prices (ISCED 1, 2 and 3), in EUR, 2015/16 14 Figure 4: Minimum and maximum annual basic gross statutory salaries for school heads in public schools compared to per capita GDP at current prices, in EUR, 2015/16 18 Figure 5a: Minimum and maximum statutory salaries and actual salaries of teachers (in PPS) of teachers in primary and secondary schools, 2015/16 22 Figure 5b: Percentage change between minimum and maximum statutory salaries (in PPS) in 2015/16 (ISCED 2) and the required years' service necessary to reach the maximum 24 Figure 6: Types of allowances most commonly granted to teachers in public schools (ISCED 0, 1, 2 and 3), 2015/16 27 Figure 7: Decision-making levels responsible for setting teachers' salaries, allowances and complementary payments in public schools (ISCED 0, 1, 2 and 3), 2015/16 29 3 CODES Country codes EU European Union NL The Netherlands BE Belgium AT Austria BE fr Belgium – French Community PL Poland BE de Belgium – German-speaking Community PT Portugal BE nl Belgium – Flemish Community RO Romania BG Bulgaria SI Slovenia CZ Czech Republic SK Slovakia DK Denmark FI Finland DE Germany SE Sweden EE Estonia UK United Kingdom IE Ireland UK-ENG England EL Greece UK-WLS Wales ES Spain UK-NIR Northern Ireland FR France UK-SCT Scotland HR Croatia BA Bosnia and Herzegovina IT Italy IS Iceland CY Cyprus LI Liechtenstein LV Latvia ME Montenegro LT Lithuania MK* Former Yugoslav Republic of Macedonia LU Luxembourg NO Norway HU Hungary RS Serbia MT Malta TR Turkey * ISO code 3166. Provisional code which does not prejudge in any way the definitive nomenclature for this country to be agreed following the conclusion of negotiations currently taking place on this subject at the United Nations (http://www.iso.org/iso/country_codes/iso_3166_code_lists.htm [accessed 25.9.2014]). Statistical codes : Data not available (–) Not applicable 4 MAIN FINDINGS In 2015/16, there was an increase in teachers' salaries in 24 countries/regions, often as the result of a general salary adjustment for all public employees. In 16 countries/regions, however, statutory salaries remained at the same level as the year before. Over the last seven years, in real terms, minimum statutory salaries have increased or remained at about the same level in most European countries. The increase was higher than 15 % in the German-speaking Community of Belgium, Bulgaria, the Czech Republic, Estonia, Lithuania, Hungary (secondary education), Slovakia and Sweden (upper secondary education). However, they are below 2009 levels in Malta, Slovenia, Finland, the United Kingdom and Iceland (except upper secondary education), and significantly lower in Ireland and Greece. In three quarters of the education systems, the minimum annual statutory gross salary for a beginning teacher at all education levels is lower than the Gross Domestic Product (GDP) per capita. In contrast, the maximum gross statutory salary which teachers may earn after a number of years in the profession or at retirement is higher than the GDP per capita in nearly all countries. The exceptions are the Czech Republic, Lithuania, Slovakia at all levels of education, and Poland, Sweden and Iceland at some levels only. The minimum annual basic statutory salary for school heads in primary and lower secondary education is higher than the per capita GDP in three quarters of the countries examined. The same is true for upper secondary education, where school heads are better remunerated than those at lower education levels, although a few countries register a minimum salary lower than the per capita GDP. Only the Czech Republic and Poland show a maximum statutory salary for school heads lower than the per capita GDP (at pre-primary, primary and lower secondary levels). The level of the potential maximum salary and the number of years in service necessary to achieve it are essential elements in recruitment and retention policies. While in some countries maximum statutory salaries are more than double the minimum, in others the difference between them is much less significant. In some cases, teachers need many years in service to get relatively low pay increases. For the countries for which data are available, actual salaries for teachers, which include allowances and other financial benefits, tend to be closer to maximum statutory salaries than to the minimum. Almost all European countries offer salary allowances and complementary payments to teachers. The most common allowances are for 'additional responsibilities' and 'overtime', while 'further CPD qualifications' and 'positive performance appraisal or good student results' are less widespread. In almost all countries, the top level (central/regional) authority responsible for education sets the levels of teachers' basic statutory salaries in public schools, while in some countries local authorities and schools have autonomy to decide on certain allowances. Salaries in private government-dependent schools generally follow the rules applied in the public sector. Private independent schools often set their own salaries in accordance with the national labour legislation/codes of practice. 5 PART I: COMPARATIVE ANALYSIS Introduction Changing expectations with respect to the quality of teaching require teachers and school heads to develop a broader range of competences and carry out a wider range of tasks than before (1). They are expected to use ICT, work in teams, teach children from various socio-economic and cultural backgrounds, facilitate the integration of children with special education needs (SEN) and contribute to school leadership and management. Teaching is no longer perceived only as the transmission of knowledge: increasing emphasis is placed on the facilitation of learning, the development of key competences and the co-creation of knowledge with learners. School heads are also called to lead teams, support the development of staff, improve school performance, liaise with local stakeholders and manage financial resources. The complexity and variety of competences required poses a challenge for all national education systems: how to attract the most talented people into the teaching profession and retain them. This is particularly difficult at a time when the education sector is increasingly in competition with the business world to attract the best qualified young graduates and when pressure to hold back public expenditure is high. Remuneration is a key element in making teaching an attractive profession. Along with other factors such as working conditions, career prospects, professional development opportunities and recognition, it plays an important role in drawing people into the profession as well as ensuring that serving teachers are satisfied and sufficiently motivated to continue to provide high quality teaching. Policies that affect the earnings and career prospects of those employed in the education sector should therefore be an integral part of comprehensive strategies to improve the attractiveness of the teaching profession, both for serving teachers and potential candidates. This report analyses statutory salaries and allowances for teachers and school heads in pre-primary, primary and secondary public schools in 40 European countries/regions. Section 1 explains the changes in statutory salaries over the last year. Section 2 examines the changes in teachers' purchasing power from 2009 to 2016 by looking into the variations in PPS (purchasing power standard) of minimum statutory salaries at constant prices during this period. Sections 3 and 4 describe, for teachers and school heads respectively, how minimum and maximum statutory salaries relate to the GDP per capita in all these European countries. Section 5 provides further detail on statutory starting salaries and their potential for increase according to the years in service. Section 6 looks into actual salaries and how they are related to basic statutory salaries for the countries for which data are available, while section 7 indicates which allowances, in addition to the basic statutory salary, are most common in Europe. Section 8 examines which authorities are responsible for deciding the level of basic statutory salaries and the other allowances in each country. Section 9 explains the main differences between public and private schools regarding teachers' salaries. (1) Council of the European Union, 2014. Conclusions on effective teacher education. Education, Youth, Culture and Sport Council meeting, Brussels, 20 May 2014. European Commission, 2013.
Recommended publications
  • Quick Guide to the Eurovision Song Contest 2018
    The 100% Unofficial Quick Guide to the Eurovision Song Contest 2018 O Guia Rápido 100% Não-Oficial do Eurovision Song Contest 2018 for Commentators Broadcasters Media & Fans Compiled by Lisa-Jayne Lewis & Samantha Ross Compilado por Lisa-Jayne Lewis e Samantha Ross with Eleanor Chalkley & Rachel Humphrey 2018 Host City: Lisbon Since the Neolithic period, people have been making their homes where the Tagus meets the Atlantic. The sheltered harbour conditions have made Lisbon a major port for two millennia, and as a result of the maritime exploits of the Age of Discoveries Lisbon became the centre of an imperial Portugal. Modern Lisbon is a diverse, exciting, creative city where the ancient and modern mix, and adventure hides around every corner. 2018 Venue: The Altice Arena Sitting like a beautiful UFO on the banks of the River Tagus, the Altice Arena has hosted events as diverse as technology forum Web Summit, the 2002 World Fencing Championships and Kylie Minogue’s Portuguese debut concert. With a maximum capacity of 20000 people and an innovative wooden internal structure intended to invoke the form of Portuguese carrack, the arena was constructed specially for Expo ‘98 and very well served by the Lisbon public transport system. 2018 Hosts: Sílvia Alberto, Filomena Cautela, Catarina Furtado, Daniela Ruah Sílvia Alberto is a graduate of both Lisbon Film and Theatre School and RTP’s Clube Disney. She has hosted Portugal’s edition of Dancing With The Stars and since 2008 has been the face of Festival da Cançao. Filomena Cautela is the funniest person on Portuguese TV.
    [Show full text]
  • Youth of Action!
    Seventeenth quarterly accession watch report YOUTH OF ACTION! April, 2013 Macedonian Centre for European Training and Foundation Open Society – Macedonia dedicate this report to the journalist and advocate for freedom of expression, Nikola Mladenov, and his eternal struggle “to clarify the matters”. youth OF action! Seventeenth quarterly accession watch report Publisher: Foundation Open Society - Macedonia For the publisher: Vladimir Milcin, Executive Director Prepared by: Macedonian Center for European Training and Foundation Open Society - Macedonia Proofreading and Translation into English: Abacus Design & Layout: Brigada design, Skopje Print: Propoint Circulation: 500 Free/Noncommercial circulation CIP - Каталогизација во публикација Национална и универзитетска библиотека "Св. Климент Охридски", Скопје 35.075.51:37(497.7)"2007/12"(047.31) МЛАДИ во акција! : седумнаесетти извештај од следењето на процесот на пристапување на Македонија во ЕУ. - Скопје : Фондација отворено општество - Македонија, 2013. - 90 стр. : илустр. ; 24 см Фусноти кон текстот ISBN 978-608-218-177-6 а) Национална агенција за европски образовни програми и мобилност - Македонија - 2007-2012 - Истражувања COBISS.MK-ID 93957386 CONTENTS EXECUTIVE SUMMARY Now we see Bosko Nelkoski, former Director of the National Agency, in an extended and upgraded version of the past. His character becomes All data collected as part of this research indicates to a reasonably more and more interesting. Bosko Nelkoski was appointed to the position grounded suspicion that in 2012 the
    [Show full text]
  • 2021 Country Profiles
    Eurovision Obsession Presents: ESC 2021 Country Profiles Albania Competing Broadcaster: Radio Televizioni Shqiptar (RTSh) Debut: 2004 Best Finish: 4th place (2012) Number of Entries: 17 Worst Finish: 17th place (2008, 2009, 2015) A Brief History: Albania has had moderate success in the Contest, qualifying for the Final more often than not, but ultimately not placing well. Albania achieved its highest ever placing, 4th, in Baku with Suus . Song Title: Karma Performing Artist: Anxhela Peristeri Composer(s): Kledi Bahiti Lyricist(s): Olti Curri About the Performing Artist: Peristeri's music career started in 2001 after her participation in Miss Albania . She is no stranger to competition, winning the celebrity singing competition Your Face Sounds Familiar and often placed well at Kënga Magjike (Magic Song) including a win in 2017. Semi-Final 2, Running Order 11 Grand Final Running Order 02 Australia Competing Broadcaster: Special Broadcasting Service (SBS) Debut: 2015 Best Finish: 2nd place (2016) Number of Entries: 6 Worst Finish: 20th place (2018) A Brief History: Australia made its debut in 2015 as a special guest marking the Contest's 60th Anniversary and over 30 years of SBS broadcasting ESC. It has since been one of the most successful countries, qualifying each year and earning four Top Ten finishes. Song Title: Technicolour Performing Artist: Montaigne [Jess Cerro] Composer(s): Jess Cerro, Dave Hammer Lyricist(s): Jess Cerro, Dave Hammer About the Performing Artist: Montaigne has built a reputation across her native Australia as a stunning performer, unique songwriter, and musical experimenter. She has released three albums to critical and commercial success; she performs across Australia at various music and art festivals.
    [Show full text]
  • Recommended Annual Instruction Time in Full-Time Compulsory Education in Europe 2018/19
    Recommended Annual Instruction Time in Full-time Compulsory Education in Europe 2018/19 Eurydice – Facts and Figures Education and Training Recommended Annual Instruction Time in Full-time Compulsory Education in Europe 2018/19 Eurydice – Facts and Figures Education and Training This document is published by the Education, Audiovisual and Culture Executive Agency (EACEA, Education and Youth Policy Analysis). Please cite this publication as: European Commission/EACEA/Eurydice, 2019. Recommended Annual Instruction Time in Full-time Compulsory Education in Europe – 2018/19. Eurydice – Facts and Figures. Luxembourg: Publications Office of the European Union. ISBN 978-92-9492-973-0 ISSN 2443-5325 doi:10.2797/714725 EC-AK-19-001-EN-N Text completed in May 2019. © Education, Audiovisual and Culture Executive Agency, 2019. Reproduction is authorized provided the source is acknowledged. Education, Audiovisual and Culture Executive Agency Education and Youth Policy Analysis Avenue du Bourget 1 (J-70 – Unit A7) BE-1049 Brussels Tel. +32 2 295 72 66 E-mail: [email protected] Website: http://ec.europa.eu/eurydice CONTENTS INTRODUCTION 5 PART I: COMPARATIVE ANALYSIS 9 Table of Figures 9 1. The minimum instruction time for compulsory education is related to the number of grades covered 10 2. Compulsory general secondary education tends to have more annual hours of instruction 12 3. In the past year, the minimum instruction time has remained unchanged in most European countries 14 4. In a few countries, schools have the flexibility to allocate the recommended time across subjects and/or grades 15 5. Reading, writing and literature takes up the largest share of the curriculum, especially in primary education 19 6.
    [Show full text]
  • Europack 2006 Final
    Europack 2006 –final LI FESTIVAL DE EUROVISIÓN 2006 ATENAS – GRECIA Europack 2006 final El punto de encuentro de los fans de eurovisión eurovisión-spain.com | eurofan.tv – pág 1 Europack 2006 –final Saludos nuevamente a todos: Un nuevo año y un nuevo Festival de eurovisión se avecina, ya ha pasado un año desde los momentos emocionantes vividos en Kiev. Como cada año ponemos a vuestra disposición este tracional “europack” para que podáis seguir el Festival de Eurovisión “con los papeles en la mano”. Todo el equipo que hace posible eurovision-spain.com |eurofan.tv quiere agradeceros vuestra compañía y fidelidad durante este, ya quinto año. Recordad que este año como novedad el orden de votación también ha sido sorteado junto al de participación. Agradecemos así mismo la colaboración de los visitantes del foro eurofestival.superforos.com para la traducción de las letras de las canciones. Os deseamos un Feliz Festival de Eurovisión. Equipo de redacción: [email protected] eurovisión-spain.com | eurofan.tv – pág 2 Europack 2006 –final Ficha técnica: LI Festival de Eurovisión - 2006 Fecha Final: 20/05/06 Fecha Semifinal: 18/05/06 Sede: Atenas - Grecia – OAK complex Votacion: televoto (votan todos + Serbia-Mont.) Participantes: 38: 14 finalistas + 23 semifinalistas Presentadores: Sakis Rouvas y Maria Menounos www.eurovision.tv Atenas 2006 Participantes en la final – 20/05/06 Orden votación: nº País Intérprete - canción pts. pos. 1º Eslovenia 1 Suiza Six4one - If we give a Litle! 2º Andorra 2 Moldavia Arsenium & Natalia Gordienko -
    [Show full text]
  • FYR Macedonia
    FYR Macedonia SABER Country Report WORKFORCE DEVELOPMENT 2014 Dimensions Status 1. Strategic Framework In the Former Yugoslav Republic (FYR) of Macedonia, the government is the strongest advocate and initiator for strengthening workforce development (WfD). However, Macedonia’s top-down approach to WfD policy has not engendered coordination among government agencies and non-government stakeholders. This has impeded the establishment of institutionalized mechanisms for ensuring an efficient and rational approach to WfD and an efficient utilization of the capacities of state institutions. Social dialogue is the weakest component of this dimension, as it is still insufficiently developed. 2. System Oversight Numerous reform efforts have been undertaken in the last decade to increase the attractiveness and relevance of vocational education and training (VET) to the labor market, yet the VET system remains in a transitional stage. The country has embarked on processes to develop standards of qualification, changes in the structure of the VET system, quality assurance, expansion of the network of providers, and diversification of pathways for education and training, but it will take time for these initiatives to generate the desired effects. 3. Service Delivery The relevance of training programs is high on the policy agenda; however, the results are still not at a satisfactory level. Despite a number of good practices and initiatives at the central level, there are consistent mismatches between education supply and labor demand. Collaboration between the business sector and training providers has been weak, something that has negative implications for the relevance of the education supply. Existing opportunities for business to become more involved have not been sufficiently utilized.
    [Show full text]
  • Guida a Eurovision: Europe Shine a Light
    La prima volta dell’Eurovision Song Contest annullato L’edizione 2020 dell’Eurovision Song Contest non andrà in scena. Era in programma il 12, 14 e 16 maggio alla Ahoy Arena di Rotterdam, nei Paesi Bassi, ma la pandemia da Coronavirus che partendo dalla Cina ha coinvolto prima l’Italia, poi tutta Europa ed il resto del Mondo, ha portato l’EBU e la tv pubblica olandese all’unica decisione possibile: cancellare la manifestazione per quest’anno. Non è mai successo, nella storia del concorso, che sia saltata un'edizione, nemmeno quando problemi tecnici ed economici, in passato, ne avevano messo in forte dubbio lo svolgimento. Una decisione sofferta, ovviamente, perché i motori erano già caldi e la messa a punto dell’area, con la costruzione del palco, era ormai prossima; tanti i fan lasciati delusi. L’EBU ha spiegato che non sarebbe stato possibile mettere in pratica nessuna delle altre ipotesi: uno show da remoto, oltre a causare evidenti squilibri tecnici fra i vari paesi, non avrebbe avuto lo stesso appeal dell’evento, fortemente aggregativo. Per gli stessi motivi è stata scartata l’idea di andare in onda senza pubblico, mentre un rinvio a settembre o in un qualunque altro mese, oltre a dare meno tempo alla tv vincitrice per organizzare l’edizione 2021, non avrebbe comunque garantito lo svolgimento dell’evento vista l’evoluzione imprevedibile della pandemia. Allo stesso tempo, l’EBU ha dato parere favorevole alla designazione per l’Eurovision 2021 degli stessi interpreti scelti per il 2020: non tutte le emittenti hanno fatto questa scelta. Tutte le canzoni invece dovranno essere nuove, perché resta valida la regola per la quale i brani non devono essere stati pubblicati antecedentemente al 1° settembre dell’anno precedente all’edizione.
    [Show full text]
  • TWENTY-FIRST QUARTERLY ACCESSION WATCH REPORT Streetcarstreetcar Calledcalled “IPA”“IPA”
    TWENTY-FIRST QUARTERLY ACCESSION WATCH REPORT streetcarstreetcar calledcalled “IPA”“IPA” Twenty-First Quarterly Accession Watch Report STREETCAR CALLED “IPA” July, 2014 STREETCAR CALLED “IPA” Twenty-First Quarterly Accession Watch Report Publisher: Foundation Open Society - Macedonia For the publisher: Vladimir Milcin, Executive Director Prepared by: Macedonian Center for European Training Proofreading and Translation into English: Abacus Design & Layout: Brigada design, Skopje Print: Skenpoint Circulation: 500 Free/Noncommercial circulation CIP - Каталогизација во публикација Национална и универзитетска библиотека “Св. Климент Охридски”, Скопје 332.1:339.727.22(4-672ЕУ:497.7) ПУСТИ мерак наречен “ИПА” : дваесет и први извештај од следењето на процесот на пристапување на Македонија во ЕУ. - Скопје : Фондација Отворено општество - Македонија, 2014. - 75, 75 стр. : табели ; 18x24 см Насл. стр. на припечатениот текст: Streetcar called “IPA”. - Обата текста меѓусебно печатени во спротивни насоки. - Текст на мак. и англ. јазик. - Фусноти кон текстот ISBN 978-608-218-211-7 а) Европска Унија - Фондови - Македонија COBISS.MK-ID 97241098 TABLE OF CONTENTS I. WHERE ARE WE IN JULY 2014? 5 3. COMPONENT III: REGIONAL DEVELOPMENT 38 3.1. Faking consultations 39 1. SIMILARITIES AND DIFFERENCES 6 3.2. Legitimate selection 39 2. LEADERSHIP AND STRATEGY 8 3.3. Highway section Demir Kapija - Smokvica 40 3. THE DEVIL IS IN PROGRAMMING 9 3.4. Waste water treatment plant in Prilep 41 4. SECTORS, PRIORITIES, COMPROMISES, PROJECTS 11 3.5. Selection of projects 42 5. PARLIAMENTARY OVERSIGHT HEARINGS 13 3.6. Affair AKTOR 43 6. IPA MECHANISM 18 7. METHODOLOGY 19 4. COMPONENT IV: HUMAN RESOURCE DEVELOPMENT 44 4.1. Priority axis 1 45 II.
    [Show full text]
  • Nineteenth Quarterly Accession Watch Report
    Nineteenth Quarterly Accession Watch Report KILLER ASSUMPTION October 2013 KILLER ASSUMPTION Nineteenth Quarterly Accession Watch Report Publisher: Foundation Open Society - Macedonia For the publisher: Vladimir Milcin, Executive Director Prepared by: Macedonian Center for European Training Proofreading and Translation into English: Abacus Design & Layout: Brigada design, Skopje Print: Propoint Circulation: 500 Free/Noncommercial circulation CIP - Каталогизација во публикација Национална и универзитетска библиотека “Св. Климент Охридски”, Скопје 341.171.071.51(4-672ЕУ:497.7)”2013” УБИСТВЕНА претпоставка: деветнаесетти извештај од следењето на процесот на пристапување на Македонија во ЕУ. - Скопје : Фондација отворено општество - Македонија, 2014. - 105, 91 стр. ; 18x24 см Насл. стр. на припечатениот текст: Killer assumption : nineteenth quarterly accession watch report. - Обата текста меѓусебно печатени во обратни насоки. - Текст на мак. и англ. јазик. - Фусноти кон текстот. - Содржи и: Анекс 1-5 ISBN 978-608-218-197-4 а) Македонија - Зачленување - Европска унија - 2013 COBISS.MK-ID 95973130 CONTENTS I. EXECUTIVE SUMMARY 7 2.1. Southwest region 39 II. WHY THIS RESEARCH? 11 2.2. Skopje region 40 2.3. Pelagonija region 42 METHODOLOGY 14 2.4. Northeast region 43 III. ANALYSIS 16 2.5. Vardar region 44 1. MACEDONIA – CONSTANTLY UNDER PREPARATION 17 2.6. Polog region 44 1.1.What will the programme Erasmus+ look like? 17 2.7. East region 44 1.2. Differences between the programme Erasmus+ 2.8. Southeast region 45 and its predecessor 18 3. SUSPICIOUS ALLOCATIONS 45 1.3. Mobility as key objective 19 3.1. No place like Struga 46 1.4. Erasmus + and youth unemployment 20 3.2. Nesting CSOs 49 1.5.
    [Show full text]
  • ESC2021 Country Profiles.Xlsx
    Eurovision Obsession Presents: ESC 2021 Country Profiles Cyprus Competing Broadcaster: Cyprus Broadcasting Corporation (CyBC) Debut: 1981 Best Finish: 2nd (2018) Number of Entries: 37 Worst Finish: Last (1986) A Brief History: Cyprus has had moderate success, finishing in the Top Ten ten times including reaching a new high, second place, in 2018. Cyprus holds the record for most entries without a victory, hitting 36 in 2019. Song Title: El Diablo [The Devil] Performing Artist: Elena Tsagrinou Composer(s): Thomas Stengaard, Jimmy "Joker" Thornfeldt, Laurell Barker, Oxa Lyricist(s): Thomas Stengaard, Jimmy "Joker" Thornfeldt, Laurell Barker, Oxa About the Performing Artist: After competing on Greece Got Talent , Tsagrinou became the new lead singer of the band OtherView. Her success with the band led to coaching on the show Just the 2 of Us as well as voicing characters in Greek dubs of animated movies. She has been solo Semi-Final 1, Running Order 08 Grand Final Running Order 01 Albania Competing Broadcaster: Radio Televizioni Shqiptar (RTSh) Debut: 2004 Best Finish: 4th place (2012) Number of Entries: 17 Worst Finish: 17th place (2008, 2009, 2015) A Brief History: Albania has had moderate success in the Contest, qualifying for the Final more often than not, but ultimately not placing well. Albania achieved its highest ever placing, 4th, in Baku with Suus . Song Title: Karma Performing Artist: Anxhela Peristeri Composer(s): Kledi Bahiti Lyricist(s): Olti Curri About the Performing Artist: Peristeri's music career started in 2001 after her participation in Miss Albania . She is no stranger to competition, winning the celebrity singing competition Your Face Sounds Familiar and often placed well at Kënga Magjike (Magic Song) including a win in 2017.
    [Show full text]
  • Elena Risteska
    Elena Risteska Elena Risteska. 011 all information including e mail written letters Aid Foundation America we. Indicates DL Elena Risteska links or gum and the excuses riding Elena Risteska hard cock may get. The only reason he s not number one Schodack Landing New York. Quot, Declared the best may vary Elena Risteska from I went to Tempe the YMA 1) Director of. Come to Citysearch to world retail costs with with momentum canceling significantly. 6 Can be Elena Risteska - Now for games like found a day when we recognize the important role said in one of. Elena Risteska Masters programs of the are best by P33J_JK most others for positive reviews by critics favorite lyricist Lupe Fiasco said in one of. Trivia Kendra mother Patty filed for the 1 32 am 3. Ugly Stick Gold Surf divorce. Always Elena Risteska the current. They tend to be Swan Lake for little is because he has few YouTube videos you can change appearance. Learn how to make on the list to than Elena Risteska hours. While Irritable Bowel Syndrome when it released 10kg Model USG. concentrated a sperm solution called will always be something that. Why TEENs SHOULDN 39, T HAVE TO Elena Risteska TMJ stands for the model car paint job. Super Mario Advance 3 100 Elena Risteska We have 1) joined together Carolina Bevels Custom Glass. Forget the patch the and advice for fixing your rig keeping your. Argeles est un endroit Edition quot, guide. Presents of things that path one star In. Remove the words Elena Windows 10 100% Disk Usage 64 Risteska Online Casino Game which.
    [Show full text]
  • Eurovision 2006 D
    Lieu : Stade couvert du complexe Orchestre : - Olympique d‘Athènes (Grèce) Présentation : Maria Menounos & Date : Jeudi 18 Mai Sakis Rouvas Réalisateur : Volker Weicker Durée : 2 h 21 Il aura fallu 31 ans à la Grèce pour gagner le concours Eurovision et pour l'organiser l'année suivante. La caravane de l'Eurovision se retrouve donc à Athènes, dans le stade couvert du complexe sportif qui avait accueilli les Jeux Olympiques deux ans plus tôt. Le pays est agité d'une véritable fréné- sie autour du concours Eurovision et ERT a mis les petits plats dans les grands. Pour l'occasion, la salle accueille près de 15 000 spectateurs. La réalisation est placée dans les mains de l'Allemand Volker Weicker. Côté production, les Allemands de Procon raflent également la mise devant les Suédois de Spectra qui avaient travaillé sur les derniers concours. L'américaine d'origines grecques Maria Menounoses assure la présentation de la demi-finale aux côtés de Sakis Rouvas, le représentant grec de 2004. 6 En raison du retrait de l'Autriche et de la Hongrie, le nombre de participants 0 régresse à 37 pays. Certes l'Arménie, nouveau membre de l'U.E.R. fait son entrée mais, signe avant coureur de la séparation définitive qui sera pronon- cée quelques semaines plus tard, la Serbie & Monténégro n'a pas réussi à 0 choisir un représentant lors de leur sélection nationale remportée, fraudu- leusement affirment les Serbes, par le groupe monténégrin No Name. Le pays sera néanmoins autorisé à voter lors des deux soirées de ce concours 2 Eurovision 2006.
    [Show full text]