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A Hundred Years of Tagore in Finland
Cracow Indological Studies vol. XVII (2015) 10.12797/CIS.17.2015.17.08 Klaus Karttunen [email protected] (University of Helsinki) A Hundred Years of Tagore in Finland Summary: The reception of Rabindranath Tagore in Finland, starting from newspa- per articles in 1913. Finnish translations of his works (19 volumes in 1913–2013, some in several editions) listed and commented upon. Tagore’s plays in theatre, radio and TV, music composed on Tagore’s poems. Tagore’s poem (Apaghat 1929) commenting upon the Finnish Winter War. KEYWORDS: Rabindranath Tagore, Bengali Literature, Indian English Literature, Fin nish Literature. In Finland as well as elsewhere in the West, the knowledge of Indian literature was restricted to a few Sanskrit classics until the second decade of the 20th century. The Nobel Prize in Literature given to Rabindranath Tagore (1861–1941) in 1913 changed this at once. To some extent, the importance of Tagore had been noted even before—the Swedish Nobel Committee did not get his name out of nowhere.1 Tagore belonged to a renowned Bengali family and some echoes of this family had even been heard in Finland. As early as the 1840s, 1 The first version of this paper was read at the International Tagore Conference in Halle (Saale), Germany, August 2–3, 2012. My sincere thanks are due to Hannele Pohjanmies, the translator of Tagore’s poetry, who has also traced many details about the history of the poet in Finland. With her kind permission, I have used this material, supplementing it from newspaper archives and from my own knowledge. -
A Hermeneutic Study of Bengali Modernism
Modern Intellectual History http://journals.cambridge.org/MIH Additional services for Modern Intellectual History: Email alerts: Click here Subscriptions: Click here Commercial reprints: Click here Terms of use : Click here FROM IMPERIAL TO INTERNATIONAL HORIZONS: A HERMENEUTIC STUDY OF BENGALI MODERNISM KRIS MANJAPRA Modern Intellectual History / Volume 8 / Issue 02 / August 2011, pp 327 359 DOI: 10.1017/S1479244311000217, Published online: 28 July 2011 Link to this article: http://journals.cambridge.org/abstract_S1479244311000217 How to cite this article: KRIS MANJAPRA (2011). FROM IMPERIAL TO INTERNATIONAL HORIZONS: A HERMENEUTIC STUDY OF BENGALI MODERNISM. Modern Intellectual History, 8, pp 327359 doi:10.1017/S1479244311000217 Request Permissions : Click here Downloaded from http://journals.cambridge.org/MIH, IP address: 130.64.2.235 on 25 Oct 2012 Modern Intellectual History, 8, 2 (2011), pp. 327–359 C Cambridge University Press 2011 doi:10.1017/S1479244311000217 from imperial to international horizons: a hermeneutic study of bengali modernism∗ kris manjapra Department of History, Tufts University Email: [email protected] This essay provides a close study of the international horizons of Kallol, a Bengali literary journal, published in post-World War I Calcutta. It uncovers a historical pattern of Bengali intellectual life that marked the period from the 1870stothe1920s, whereby an imperial imagination was transformed into an international one, as a generation of intellectuals born between 1885 and 1905 reinvented the political category of “youth”. Hermeneutics, as a philosophically informed study of how meaning is created through conversation, and grounded in this essay in the thought of Hans Georg Gadamer, helps to reveal this pattern. -
Jayadeva.Pdf
9 788126 001828 9 788126 001828 JAYADEVA As cover-design of this book on Jayadeva’s is reproduced a picture giving the faces of Kṛṣṇa and Rādhā, carved on a black marble slab from a drawing by Sri Dhirendra Krishna Deva Varma of Tripura. This is a work executed in 1935 by a modern Indian Artist, who is a pupil of Abanindranath Tagore and Nandalal Bose, and who was Director of the Kalā-Bhavana at Rabindranath Tagore’s Santiniketan School and Visva-Bharati University. The sculpture reproduced on the endpaper depicts a scene where three soothsayers are interpreting to King Śuddhodhana the dream of Queen Māyā, mother of Lord Buddha. Below them is seated a scribe recording the interpretation. This is perhaps the earliest available pictorial record of the art of writing in India. From: Nagarjunakonda, 2nd century A.D. Courtesy: National Museum, New Delhi MAKERS OF INDIAN LITERATURE JAYADEVA SUNITI KUMAR CHATTERJI Sahitya Akademi Jayadeva: A monograph in English on Jayadeva, an eminent Indian philosopher and poet by Suniti Kumar Chatterji, Sahitya Akademi, New Delhi: 2017, ` 50. Sahitya Akademi Head Office Rabindra Bhavan, 35, Ferozeshah Road, New Delhi 110 001 Website: http://www.sahitya-akademi.gov.in Sales Office ‘Swati’, Mandir Marg, New Delhi 110 001 E-mail: [email protected] Regional Offices 172, Mumbai Marathi Grantha Sangrahalaya Marg, Dadar Mumbai 400 014 Central College Campus, Dr. B.R. Ambedkar Veedhi Bengaluru 560 001 4, D.L. Khan Road, Kolkata 700 025 Chennai Office Main Guna Building Complex (second floor), 443, (304) Anna Salai, Teynampet, Chennai 600 018 © Sahitya Akademi First Published: 1973 Reprint: 1990, 1996, 2017 ISBN: 978-81-260-0182-8 Rs. -
Literary Cultures in History Reconstructions from South Asia
Literary Cultures in History Reconstructions from South Asia EDITED BY Sheldon Pollock UNIVERSITY OF CALIFORNIA PRESS Berkeley Los Angeles London 8 The Two Histories of Literary Culture in Bengal Sudipta Kaviraj INTRODUCTION A general reading of the history of a particular literature requires, first of all, a principle of organization. Histories of Bangla literature usually offer a narrative of continuity: they seek to show, quite legitimately, how the liter- ary culture develops through successive stages—how literary works of one period become the stock on which later stages carry out their productive op- erations. These studies are less interested in asking how literary mentalities come to be transformed or how a continuing tradition can be interrupted, or in speculating on possible reasons behind these significant literary turns. In an attempt to move away from these conventional histories, which record unproblematically the sequential narrative of the production of texts and their authors, this essay gives attention primarily to two questions. The first is: What were the major historical “literary cultures,” that is, the sensibilities or mentalities constructed around a common core of tastes, methods of tex- tual production, paratextual activities (like performance, recitation, or other use in religious, nonliterary contexts), reception, and the social composition of audiences? The second question, closely related to the first, is: How do literary cultures, especially deeply entrenched literary cultures, change? The treatment of Bangla literary history in this essay, therefore, focuses more on textualities or text types than on individual texts, and it offers hardly any literary-critical analysis of major canonical works. A figure like Rabin- dranath Tagore is treated with relative neglect, since he does not represent a phase of serious interpretative contention or rupture in literary production I thank Sheldon Pollock for detailed comments on this paper at different stages of its prepa- ration. -
Nirad C. Chaudhuri's the Autobiography of an Unknown Indian
© 2020 JETIR April 2020, Volume 7, Issue 4 www.jetir.org (ISSN-2349-5162) Nirad C. Chaudhuri’s The Autobiography of an Unknown Indian : An Abiding Sense of Dislocation Dr H K Jha Amity School of Liberal Arts, Amity University Guru gram. Abstract One of the finest memoirs written in the 20th Century, Nirad C Chaudhuri’s The Autobiography of an Unknown Indian (1951) is considered to be a 20th century classic. The memoir is the story of a sensitive man’s struggle to attain maturity in the early decades of the 20th century. This study aims to understand the idiosyncrasies of an anglophile Brown Sahib, who created a huge controversy by dedicating his memoir, The Autobiography of an Unknown Indian, to the memory of the British Empire in India. The paper intends to explore Chaudhuri’s abiding sense of dislocation, which eventually became a hallmark of his psyche and persona. Key Terms : memoirs, anglophile, idiosyncrasies, abiding, dislocation. Introduction Counted as one of the great books published in the 20th century, Nirad C Chaudhuri’s The Autobiography of an Unknown Indian is a recollection of his own childhood and adolescence days spent in the rural environs of Kishorganj, Banagram and Kalikutch of East Bengal, and later in the cosmopolitan Calcutta, the high seat of the mighty British Empire. The Autobiography, which covers a period ranging from 1897 to 1921, is the lyrical reminiscence of Chaudhuri’s homeland in the East Bengal he left at an early age. It was during his childhood and adolescence, Chaudhuri cultivated a fondness for the aristocracy, and the vanishing charm of the empire. -
Http//:Daathvoyagejournal.Com Editor: Saikat Banerjee Department Of
http//:daathvoyagejournal.com Editor: Saikat Banerjee Department of English Dr. K.N. Modi University, Newai, Rajasthan, India. : An International Journal of Interdisciplinary Studies in English ISSN 2455-7544 www.daathvoyagejournal.com Vol.2, No2, June, 2017 The Short Stories of Rabindranath Tagore: A Historiographical Overview Dr. Arpita Ghatak Ex-Fulbright Scholar, 2015-16 New York University, New York Abstract: Literary magazines played a critical role in the development of Bengali literature throughout the nineteenth and the first few decades of the twentieth century. As the father of Bengali short-stories, Rabindranath Tagore was the first Bengali writer to take short-story as a serious art form and dealt with real and contemporary life. He established a new artistic and intellectual standard to Bengali literature with this genre. The present paper in genre studies tries to explicate the mobilization of short story from the Western conjecture to an Indian aka Bengali perspective through a critical ramification of Tagore’s short-stories. Also, it consist a historiographical analysis of the genre and a paradigmatic study of Tagore’s stories with their thematic exploration. Keywords: Rabindranath Tagore, Genre studies, short story, nineteenth-century Bengal. If Bankim Chandra Chatterji (1838-94) is considered as the founder-figure of modern Bengali prose, then Rabindranath Tagore can be well-credited as the father of Bengali short stories. Bankim Chandra Chatterji had established a distinctively artistic and intellectual standard for Bengali literature. With his efficient styling he had re-appropriated the language of Bengal from the stern edifices of the Sanskritized forms initiated by Iswar Chandra Vidyasagar (1820–91), till this form again found delineation among his later successors namely, Rabindranath Tagore. -
The Transformation of Domesticity As an Ideology: Calcutta, 1880-1947
The Transformation of Domesticity as an Ideology: Calcutta, 1880-1947. by Sudeshna Baneijee Thesis Submitted to the Faculty of Arts of the University of London for the Degree of Doctor of Philosophy School of Oriental and African Studies, London Department of History 1997 /BIBL \ {uDNm) \tmiV ProQuest Number: 10672991 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a com plete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest ProQuest 10672991 Published by ProQuest LLC(2017). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States C ode Microform Edition © ProQuest LLC. ProQuest LLC. 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106- 1346 Abstract This study of the ideology of domesticity among the Bengali Hindu middle-class of Calcutta between 1880 and 1947 problematises the relation between anti-colonial nationalism and domesticity by contextualising it in a social history perspective. The thesis argues that the nationalist domestic ideology of the class was not a mere counter-discursive derivative of colonial power/knowledge. Its development was a dialectical process; in it the agency of the lived experience of domesticity, as the primary level of this group’s reproduction of its class identity, material anxieties, status, and gender ideology, interacted with nationalist counter- discursive abstractions. This dialectic, the thesis argues, made the domestic ideology of the colonial middle class a transforming entity. -
Remembering Rabindranath Tagore Volume
Remembering Rabindranath Tagore 150th Birth Anniversary Commemorative Volume Compiled and edited by Sandagomi Coperahewa University of Colombo High Commission of India, Colombo Indian Cultural Centre, Colombo India-Sri Lanka Foundation, Colombo University of Colombo Cover Portrait of Tagore taken while he was in Sri Lanka in 1934. Courtesy : Rabindra Bhavana, Santiniketan. Views expressed in the articles are those of the contributors and not necessarily of the High Commission of India, the Indian Cultural Centre and the University of Colombo. Published by University of Colombo 2011 Printer Softwave Printing & Packaging (Pvt) Ltd. 107 D, Havelock Road, Colombo 05. Contents Message from His Excellency the President of the Democratic Socialist Republic of Sri Lanka Message from His Excellency the High Commissioner of India Message from the Vice Chancellor, University of Colombo Introduction Page 1. Tagore and Sri Lanka: The Highlights of an Abiding Relationship 01 K.N.O. Dharmadasa 2. “ The Inside Story” : Gender and Modernity in Chokher Bali 08 Radha Chakaravarty 3. A South Asian Alter-realism: Tagore's Art of Short Story (in Sinhala) 15 Liyanage Amarakeerti 4. The Musical Journey of Rabindranath Tagore 32 Reba Som 5. An Insight into the Impact of Rabindranath Tagore on Sinhala Art 39 and Music Sunil Ariyaratne 6. Bengali Renaissance, Tagore and Sri Lanka (in Sinhala) 48 Chintaka Ranasinghe 7. Nationalism and National Freedom: Tagore’s Perspective 71 Nirosha Paranavitana 8. Modern Sinhala Literary Arts Discourse and 81 Rabindranath Tagore (in Sinhala) Sarath Wijesooriya 9. Philosophy of Humanistic Universalism of Rabindranath Tagore 91 (in Tamil) Mallika Rajaratnam 10. Educational Thoughts of Tagore (in Sinhala) 97 Piyal Somaratne 11. -
Bengali Language Handbook
R E- F 0 R T RESUMES ED 012 911 48 AL 000 604 BENGALI LANGUAGE HANDBOOK. BY- RAY, FUNYA SLOKA AND. OTHERS CENTER FOR APPLIED LINGUISTICS, WASHINGTON, D.C. REPORT NUMBER BR-5 -1242 PUB DATE 66' CONTRACT OEC -2 -14 -042 EDRS PRICE MF$0.75 HC-$6.04 15IF. DESCRIPTORS-*BENGALI, *REFERENCE BOOKS, LITERATURE GUIDES, CONTRASTIVE LINGUISTICS, GRAMMAR, PHONETICS, CULTURAL BACKGROUND, SOCIOLINGUISTICS, WRITING, ALPHABETS, DIALECT STUDIES, CHALIT, SADHU, INDIA, WEST BENGAL, EAST PAKISTAN, THIS VOLUME OF THE LANGUAGE HANDBOOK SERIES IS INTENDED TO SERVE AS AN OUTLINE OF THE SALIENT FEATURES OF THE BENGALI LANGUAGE SPOKEN BY OVER 80 MILLION PEOPLE IN EAST PAKISTAN AND INDIA. IT WAS WRITTEN WITH SEVERAL READERS IN MIND-.-(1) A -LINGUIST INTERESTED IN BENGALI BUT NOT HIMSELF A SPECIALIST INTHE LANGUAGE,(2) AN INTERMEDIATE OR ADVANCED STUDENT WHO WANTS A CONCISE'GENERAL PICTURE OF THELANGUAGE AND ITS SETTING, AND (3) AN AREA SPECIALIST WHO NEEDS BASIC LINGUISTIC OR SOCIOLINGUISTIC FACTS ABOUT THE AREA. CHAPTERS ON THE LANGUAGE SITUATION, PHONOLOGY, AND ORTHOGRAPHY. PRECEDE THE LINGUISTIC ANALYSIS OF MORPHOLOGY AND SYNTAX. ALTHOUGH THE LINGUISTIC DESCRIPTION IS NOT INTENDED TO BE DEFINITIVE, IT USES TECHNICAL TERMINOLOGY AND ASSUMES THE READER HAS PREVIOUS KNOWLEDGE OF LINGUISTICS. STRUCTURAL DIFFERENCES 'BETWEEN BENGALI AND AMERICAN ENGLISH ARE DISCUSSED AS ARE THE DIFFERENCES BETWEEN SADHU STANDARD AND CHALIT STANDARD BENGALI. THE DACCA DIALECT AND THE CHITTAGONG DIALECT ARE BRIEFLY TREATED AND THEIR GEOGRAPHICAL DISTRIBUTION IS SHOWN ON A MAP OF BENGALI DIALECTS. FINAL CHAPTERS SURVEY THE . HISTORY OF BENGALI LITERATURE, SCIENCE, AND LITERARY CRITICISM. THIS HANDBOOK IS ALSO AVAILABLE FOR $3.00 FROM THE CENTER FOR APPLIED LINGUISTICS, 1717 MASSACHUSETTS AVENUE, WW., WASHINGTON, D.C., 20036. -
The Great War the Great War
The Great War The Great War Indian Writings on the First World War Edited and introduced by Rakhshanda Jalil BLOOMSBURY INDIA Bloomsbury Publishing India Pvt. Ltd Second Floor, LSC Building No. 4, DDA Complex, Pocket C – 6 & 7, Vasant Kunj New Delhi 110070 BLOOMSBURY, BLOOMSBURY INDIA and the Diana logo are trademarks of Bloomsbury Publishing Plc First published in India 2019 This edition published 2019 Copyright © Rakhshanda Jalil, 2019 Illustration © Malini Saigal Rakhshanda Jalil has asserted her right under the Indian Copyright Act to be identified as Author of this work All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or any information storage or retrieval system, without prior permission in writing from the publishers Bloomsbury Publishing Plc does not have any control over, or responsibility for, any third-party websites referred to or in this book. All internet addresses given in this book were correct at the time of going to press. The author and publisher regret any inconvenience caused if addresses have changed or sites have ceased to exist, but can accept no responsibility for any such changes ISBN: HB: 978-9-3882-7126-4; eBook: 978-9-3882-7128-8 2 4 6 8 10 9 7 5 3 1 Created by Manipal Digital Systems Printed and bound in India Bloomsbury Publishing Plc makes every effort to ensure that the papers used in the manufacture of our books are natural, recyclable products made from wood grown in well-managed forests. -
Introduction C.B
The Slaying of Meghanada Introduction C.B. Seely, 1/25/03 Introduction Michael Madhusudan Datta (1824-73 C.E.), exceptional as poet and playwright in both English and Bangla (also known as Bengali), in many ways typified educated Bengalis of his day when East and West met constantly in the administrative capital of Britain's East Indian colony. His name itself, one part Christian-European (Michael) and two parts Hindu-Indian (Madhusudan Datta),1 calls attention to the clash as well as the accommodation of cultures that took place in South Asia at the height of the two hundred years of her colonial period, a period that would end upon the stroke of midnight dividing the 14th from the 15th of August, 1947, with the concomitant partitioning of British India into the independent nation states of India and Pakistan. Datta's magnum opus, The Slaying of Meghanada (Meghanadavadha kavya) (1861), needs be seen, very much like its author, as simultaneously both extraordinary and representative. It is an extraordinary piece of literature, a sophisticated verse narrative in nine cantos; it is utterly representative of the cosmopolitan culture of mid-nineteenth-century India. Bengali literary historians yet today mark with his text and its year of publication the divide between the so-called pre-modern and modern eras in Bangla literature. From the vantage point of the 21st century, it may seem strange to refer to a time in the 19th century as modern. It remains, however, the way that moment is viewed from within Bangla cultural history, and justifiably so, particularly today, when "modern" can imply passé in a here-and-now world self-characterized as postmodern. -
1 Rabindra Miscellany Narasingha P. Sil Professor Emeritus of History
1 Rabindra Miscellany Narasingha P. Sil Professor Emeritus of History Western Oregon University 2015 2 For my wife Sati, Presiding Guardian of my Life (in Rabindranath’s expression, “āmār jībaner adhiṣṭhātrī debī”) 3 Contents Page Rabindranath Tagore: A Brief Biographical Note 4 Prolegomena 5 Acknowledgments 6 Chapter One: Rabindranath the Aesthetic Ascetic 7 Chapter two: Rabindranath Tagore’s Aesthetics Revisited 31 Chapter Three: Rabindranath and World Life 49 Chapter Four: Rabindranath’s Anti-National Patriotism 79 Chapter Five: The Radiant Summer Sun and the Serene Autumn Moon: Rabindranath and Sharatchandra 96 Addendum: Nirjharer Svapnabhaṅga [Awakening of the Waterfall] 133 4 Rabindranath Tagore [Thakur] A Brief biographical Note Born in 1861 into one of the foremost aristocratic families of Calcutta, Rabindranath was the fourteenth child of Debendranath Tagore (1817-1905), who headed the Brahmo Samaj (a Hindu reform movement begun by Raja Rammohan Ray, 1772-1833). He was educated by private tutors, and he first visited Europe in 1878. He started writing at an early age. In the 1890s, Tagore lived mainly in rural eastern Bengal, managing family estates. In the early 1900s he was involved in nationalist campaign (swadeshi) against the British, but withdrew when the campaign turned violent. In 1912 he came to England with his collection of poems, Gitanjali that was translated by him as Song Offering. This work was acclaimed by the famous Irish poet and dramatist William Butler Yeats (1965-1939), and later received the Nobel Prize for Literature in 1913—Tagore being the first Asian to be honored thus. In 1919 he protested against the massacre of unarmed Indians in the district of Punjab by the British military and gave up his knighthood that he had received in 1915.