Chronological Chart 1900 - 1980
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Appellate Jurisdiction
Appellate Jurisdiction Daily Supplementary List Of Cases For Hearing On Monday, 26th of April, 2021 CONTENT SL COURT PAGE BENCHES TIME NO. ROOM NO. NO. HONBLE CHIEF JUSTICE THOTTATHIL B. 1 On 26-04-2021 1 RADHAKRISHNAN 1 DB -I At 11:15 AM HON'BLE JUSTICE ARIJIT BANERJEE HON'BLE JUSTICE RAJESH BINDAL 16 On 26-04-2021 2 3 HON'BLE JUSTICE ANIRUDDHA ROY DB - II At 11:15 AM HON'BLE JUSTICE I. P. MUKERJI 37 On 26-04-2021 3 6 HON'BLE JUSTICE MD. NIZAMUDDIN DB - III At 11:15 AM HON'BLE JUSTICE I. P. MUKERJI 3 On 26-04-2021 4 7 HON'BLE JUSTICE MD. NIZAMUDDIN DB - III At 11:15 AM HON'BLE JUSTICE HARISH TANDON 2 On 26-04-2021 5 9 HON'BLE JUSTICE KAUSIK CHANDA DB- IV At 11:15 AM HON'BLE JUSTICE SOUMEN SEN 17 On 26-04-2021 6 26 HON'BLE JUSTICE SAUGATA BHATTACHARYYA DB-V At 11:15 AM HON'BLE JUSTICE SUBRATA TALUKDAR 11 On 26-04-2021 7 33 HON'BLE JUSTICE ABHIJIT GANGOPADHYAY DB At 11:15 AM HON'BLE JUSTICE SUBRATA TALUKDAR 11 2 -04-2021 8 For 7 37 HON'BLE JUSTICE SUBHASIS DASGUPTA DB At 12:55 PM HON'BLE JUSTICE TAPABRATA CHAKRABORTY 28 On 26-04-2021 9 38 HON'BLE JUSTICE TIRTHANKAR GHOSH DB - VII At 11:15 AM HON'BLE JUSTICE SHIVAKANT PRASAD 9 On 26-04-2021 10 58 HON'BLE JUSTICE SUBHASIS DASGUPTA DB At 02:00 PM 9 On 26-04-2021 11 HON'BLE JUSTICE SHIVAKANT PRASAD 59 SB - II At 11:15 AM 13 On 26-04-2021 12 HON'BLE JUSTICE RAJASEKHAR MANTHA 64 SB - III At 11:15 AM 8 On 26-04-2021 13 HON'BLE JUSTICE SABYASACHI BHATTACHARYYA 84 SB - IV At 11:15 AM 26 On 26-04-2021 14 HON'BLE JUSTICE SHEKHAR B. -
Role of Translation in Comparative Literature
Role of Translation in Comparative Literature Surjeet Singh Warwal Abstract In today’s world Translation is getting more and more popularity. There are many reasons behind it. The first and the foremost reason is that it contributes to the unity of nations. It also encourages mutual understanding, broad-mindedness, cultural dialogues and intertextuality. But one can hardly think of comparative literature without immediate thinking of translation. For instance most readers in India know the works of Goethe, Tolstoy, Balzac, Shakespeare and Gorky only through translation. It is through the intermediary of translator that we get access to other literatures. Thus Comparative Literature and translation humanize relationship between people and nations. As an intermediary between languages, thoughts and cultures, they contribute to the respect of difference and alterability. Moreover, they unite the self and the other in their truths, myths, force and weakness. From a historical perspective, comparative literature and translation have always been complementary. Without the help of translation a normal person, who usually knows two to three languages would never have known the universal masterpieces of Dante, Shakespeare, Borges, Kalidas, and Cervantes etc. A normal person usually may not know more than two-three languages. But if s/he wanted to study and compare the literature of two or more languages s/he must be familiar with those languages and cultures. If s/he does not know any of these languages s/he can take help of translation. Those texts might be translated by someone else who knows that language and the comparativist can use that translated text to solve his/her purpose. -
Teen Deener Durga Pujo Bangla Class Gaaner Class Sonkirton Saraswati
Volume 40 Issue 2 May 2015 teen deener Durga Pujo bangla class gaaner class robibarer aroti natoker rehearsal Children’s Day committee odhibeshon sonkirton Saraswati Pujo Mohaloya Seminar Kali Pujo carom tournament shree ponchomee Bangasanskriti Dibos poush parbon Boi paath Seminar Dolkhela gaaner jolsa Setar o tobla Saraswati Pujo Shri ramkrishna jonmotsob Natoker rehearsal Picnic Committee odhibeshon Seminar Picnic Chhayachhobi teen deener Durga Pujo Smart club Pi day Math team Children’s Day Kali Pujo natokchorcha table tennis tournaments anandamela bangabhavan repair Picnic Wreenmukto Bangabhavan noboborsho cultural program bangla class Bangasanskriti Dibos Robibarer aroti Natoker rehearsal Kali Pujo Committee odhibeshon Shree ponchomee sonkirton teen deener Durga Pujo Mohaloya Gaaner class Seminar Jonmashtomee Children’s Day Carom tournament Poush parbon Saraswati Pujo Boi paath Shri ramkrishna jonmotsob Dolkhela Gaaner jolsa Setar o tobla teen deener Durga Pujo Seminar Dolkhela gaaner jolsa Setar o tobla Kali Pujo Shri ramkrishna jonmotsob Seminar bijoyadoshomee bangabhavan repair Wreenmukto Bangabhavan 2 Banga Sanskriti Dibas Schedule From Editor’s Desk Saturday, May 23rd, 2015 With winter behind us and spring upon Streamwood High School us it is time to enjoy sunny days, nature Registration 3:30 p.m to 6:30 p.m walks, and other outdoor activities. Greeting and Best wishes for the Bengali New Year GBM - Reorg Committee Presentatoin 3:30 p.m to 4:30 p.m 1422. Please join us to celebrate Banga San- Snacks 4:30 p.m to 5:30 p.m skriti Dibas and enjoy a nostalgic evening of Bengali culture. You can find more details of Cultural Programs 5:30 p.m to 8:30 p.m the schedule, program highlights, venue and Dinner 8:30 p.m to 10:00 p.m food in the next few pages of the newsletter. -
Uhm Phd 9519439 R.Pdf
INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality or the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely. event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6" x 9" black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. UMI A Bell & Howell Information Company 300 North Zeeb Road. Ann Arbor. MI48106·1346 USA 313!761-47oo 800:521-0600 Order Number 9519439 Discourses ofcultural identity in divided Bengal Dhar, Subrata Shankar, Ph.D. University of Hawaii, 1994 U·M·I 300N. ZeebRd. AnnArbor,MI48106 DISCOURSES OF CULTURAL IDENTITY IN DIVIDED BENGAL A DISSERTATION SUBMITTED TO THE GRADUATE DIVISION OF THE UNIVERSITY OF HAWAII IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY IN POLITICAL SCIENCE DECEMBER 1994 By Subrata S. -
NATIONAL AWARDS JNANPITH AWARD Year Name Language
NATIONAL AWARDS JNANPITH AWARD he Jnanpith Award, instituted on May 22, 1961, is given for the best creative literary T writing by any Indian citizen in any of the languages included in the VIII schedule of the Constitution of India. From 1982 the award is being given for overall contribution to literature. The award carries a cash price of Rs 2.5 lakh, a citation and a bronze replica of Vagdevi. The first award was given in 1965 . Year Name Language Name of the Work 1965 Shankara Kurup Malayalam Odakkuzhal 1966 Tara Shankar Bandopadhyaya Bengali Ganadevta 1967 Dr. K.V. Puttappa Kannada Sri Ramayana Darshan 1967 Uma Shankar Joshi Gujarati Nishitha 1968 Sumitra Nandan Pant Hindi Chidambara 1969 Firaq Garakpuri Urdu Gul-e-Naghma 1970 Viswanadha Satyanarayana Telugu Ramayana Kalpavrikshamu 1971 Bishnu Dey Bengali Smriti Satta Bhavishyat 1972 Ramdhari Singh Dinakar Hindi Uravasi 1973 Dattatreya Ramachandran Kannada Nakutanti Bendre 1973 Gopinath Mohanty Oriya Mattimatal 1974 Vishnu Sankaram Khanldekar Marathi Yayati 1975 P.V. Akhilandam Tamil Chittrappavai 1976 Asha Purna Devi Bengali Pratham Pratisruti 1977 Kota Shivarama Karanth Kannada Mukajjiya Kanasugalu 1978 S.H. Ajneya Hindi Kitni Navon mein Kitni Bar 1979 Birendra Kumar Bhattacharya Assamese Mrityunjay 1980 S.K. Pottekkat Malayalam Oru Desattinte Katha 1981 Mrs. Amrita Pritam Punjabi Kagaz te Canvas 1982 Mahadevi Varma Hindi Yama 1983 Masti Venkatesa Iyengar Kannada Chikka Veera Rajendra 1984 Takazhi Siva Shankar Pillai Malayalam 1985 Pannalal Patel Gujarati 1986 Sachidanand Rout Roy Oriya 1987 Vishnu Vaman Shirwadkar Kusumagraj 1988 Dr. C. Narayana Reddy Telugu Vishwambhara 1989 Qurratulain Hyder Urdu 1990 Prof. Vinayak Kishan Gokak Kannada Bharatha Sindhu Rashmi Year Name Language Name of the Work 1991 Subhas Mukhopadhyay Bengali 1992 Naresh Mehta Hindi 1993 Sitakant Mohapatra Oriya 1994 Prof. -
New and Bestselling Titles Sociology 2016-2017
New and Bestselling titles Sociology 2016-2017 www.sagepub.in Sociology | 2016-17 Seconds with Alice W Clark How is this book helpful for young women of Any memorable experience that you hadhadw whilehile rural areas with career aspirations? writing this book? Many rural families are now keeping their girls Becoming part of the Women’s Studies program in school longer, and this book encourages at Allahabad University; sharing in the colourful page 27A these families to see real benefit for themselves student and faculty life of SNDT University in supporting career development for their in Mumbai; living in Vadodara again after daughters. It contributes in this way by many years, enjoying friends and colleagues; identifying the individual roles that can be played reconnecting with friendships made in by supportive fathers and mothers, even those Bangalore. Being given entrée to lively students with very little education themselves. by professors who cared greatly about them. Being treated wonderfully by my interviewees. What facets of this book bring-in international Any particular advice that you would like to readership? share with young women aiming for a successful Views of women’s striving for self-identity career? through professionalism; the factors motivating For women not yet in college: Find supporters and encouraging them or setting barriers to their in your family to help argue your case to those accomplishments. who aren’t so supportive. Often it’s submissive Upward trends in women’s education, the and dutiful mothers who need a prompt from narrowing of the gender gap, and the effects a relative with a broader viewpoint. -
List of Empanelled Artist
INDIAN COUNCIL FOR CULTURAL RELATIONS EMPANELMENT ARTISTS S.No. Name of Artist/Group State Date of Genre Contact Details Year of Current Last Cooling off Social Media Presence Birth Empanelment Category/ Sponsorsred Over Level by ICCR Yes/No 1 Ananda Shankar Jayant Telangana 27-09-1961 Bharatanatyam Tel: +91-40-23548384 2007 Outstanding Yes https://www.youtube.com/watch?v=vwH8YJH4iVY Cell: +91-9848016039 September 2004- https://www.youtube.com/watch?v=Vrts4yX0NOQ [email protected] San Jose, Panama, https://www.youtube.com/watch?v=YDwKHb4F4tk [email protected] Tegucigalpa, https://www.youtube.com/watch?v=SIh4lOqFa7o Guatemala City, https://www.youtube.com/watch?v=MiOhl5brqYc Quito & Argentina https://www.youtube.com/watch?v=COv7medCkW8 2 Bali Vyjayantimala Tamilnadu 13-08-1936 Bharatanatyam Tel: +91-44-24993433 Outstanding No Yes https://www.youtube.com/watch?v=wbT7vkbpkx4 +91-44-24992667 https://www.youtube.com/watch?v=zKvILzX5mX4 [email protected] https://www.youtube.com/watch?v=kyQAisJKlVs https://www.youtube.com/watch?v=q6S7GLiZtYQ https://www.youtube.com/watch?v=WBPKiWdEtHI 3 Sucheta Bhide Maharashtra 06-12-1948 Bharatanatyam Cell: +91-8605953615 Outstanding 24 June – 18 July, Yes https://www.youtube.com/watch?v=WTj_D-q-oGM suchetachapekar@hotmail 2015 Brazil (TG) https://www.youtube.com/watch?v=UOhzx_npilY .com https://www.youtube.com/watch?v=SgXsRIOFIQ0 https://www.youtube.com/watch?v=lSepFLNVelI 4 C.V.Chandershekar Tamilnadu 12-05-1935 Bharatanatyam Tel: +91-44- 24522797 1998 Outstanding 13 – 17 July 2017- No https://www.youtube.com/watch?v=Ec4OrzIwnWQ -
BPL LIST-KOLKATA MUNICIPAL CORPORATION 004 ULB Name :KOLKATA MC ULB CODE: 79 Ward
BPL LIST-KOLKATA MUNICIPAL CORPORATION Ward No: 004 ULB Name :KOLKATA MC ULB CODE: 79 Member Sl Address Name of Family Head Son/Daughter/Wife of BPL ID Year No Male Female Total 1 11/H/5 PAIK PARA ROW KOL 37 ABHIJEET RUDRA BANAMALI RUDRA 3 1 4 1 2 61/3 B T ROAD ABHIJIT THAKUR T THAKUR 3 2 5 2 3 1/H/29 SARBAKHAN ROAD ABHIRAM MAITI LT NAGENDRA NATH MAITI 2 3 5 3 4 B/1/H/5 R.M.RD,KOL-37 ADALAT RAI LATE BABULAL RAI 3 1 4 4 5 18 DUMDUM ROAD ADHIR BARUI LATE ABINAS BARUI 1 2 3 5 6 SABAKHAN ROAD KOL-37 1/H/11 SABAKHAN ROAD KOL-37 ADHIR CHANDRA KARMAKAR LT PALAN CH KARMAKAR 4 2 6 6 7 1/B/H/1 UMAKANTA SEN LANE,KOL-30 ADHIR HALDER LATE SITA NATH HALDER 5 1 6 7 8 21/39 DUM DUM ROAD ADHIR SARKAR LT.ABHYA SARKAR 3 2 5 8 9 DEWAN BAGAN 11/H/5 PAIK PARA RD. AJAY DAS LT BISWANATH DAS 2 2 4 9 10 RANI HARSHAMUKHEE ROAD 49/H/1B RANI HARSHAMUKHEE ROAD AJAY YADAV LT SANKAR PRASAD YADAV 1 3 4 10 11 R.M. ROAD KOL-37 13/3 R.M. ROAD KOL-37 AJIM AKHTAR LT NABIR RASUL 2 4 6 11 12 GOSHALA 26/59 DUMDUM ROAD,KOL-2 AJIT BALMIKI LATE DHARMA BALMIKI 3 2 5 12 13 9/4 RANI BRUNCH ROAD KOL 2 AJIT DEY LT ANANTA DEY 1 3 4 13 14 1/B UMAKANTA SEN LANE AJIT KR. -
Raja Ravi Varma 145
viii PREFACE Preface i When Was Modernism ii PREFACE Preface iii When Was Modernism Essays on Contemporary Cultural Practice in India Geeta Kapur iv PREFACE Published by Tulika 35 A/1 (third floor), Shahpur Jat, New Delhi 110 049, India © Geeta Kapur First published in India (hardback) 2000 First reprint (paperback) 2001 Second reprint 2007 ISBN: 81-89487-24-8 Designed by Alpana Khare, typeset in Sabon and Univers Condensed at Tulika Print Communication Services, processed at Cirrus Repro, and printed at Pauls Press Preface v For Vivan vi PREFACE Preface vii Contents Preface ix Artists and ArtWork 1 Body as Gesture: Women Artists at Work 3 Elegy for an Unclaimed Beloved: Nasreen Mohamedi 1937–1990 61 Mid-Century Ironies: K.G. Subramanyan 87 Representational Dilemmas of a Nineteenth-Century Painter: Raja Ravi Varma 145 Film/Narratives 179 Articulating the Self in History: Ghatak’s Jukti Takko ar Gappo 181 Sovereign Subject: Ray’s Apu 201 Revelation and Doubt in Sant Tukaram and Devi 233 Frames of Reference 265 Detours from the Contemporary 267 National/Modern: Preliminaries 283 When Was Modernism in Indian Art? 297 New Internationalism 325 Globalization: Navigating the Void 339 Dismantled Norms: Apropos an Indian/Asian Avantgarde 365 List of Illustrations 415 Index 430 viii PREFACE Preface ix Preface The core of this book of essays was formed while I held a fellowship at the Nehru Memorial Museum and Library at Teen Murti, New Delhi. The project for the fellowship began with a set of essays on Indian cinema that marked a depar- ture in my own interpretative work on contemporary art. -
DANGER to DEMOCRACY in INDIA Dilip Bose
59 DANGER TO DEMOCRACY IN INDIA Dilip Bose LEGALLY constituted, constitutionally valid and elected on A a majority basis government has been thrown out of office in an authoritarian manner by a fiat from the Governor of the state (called province under the old British raj) of West Bengal, for the simple crime that this government, called the United Front (UF) government, dared bring about a certain measure of relief and radical measures to ameliorate, at least partially, the almost intoler- able conditions under sky-rocketing prices of foodstuff and other essential commodities, consequent on widespread blackmarketing and corruption. But there is a method by which the ruling Congress party at the Centre is trying to oust not only the Left government in West Bengal but also other non-Congress governments in other states. A government run by the Indian monopolists in collaboration with foreign imperialist interests is resorting to the good old method of purchasing votes of weak and vacillating members of the State Assembly (i.e. the provincial legislature responsible for the govern- ance of the state in general, except of course foreign, defence and such other Central matters) and other Tammany Hall tactics of nepotism, jobbery and corruption. The broadest democratic opinion and all the parties of the Left, inside and outside the Assembly, are fighting back to assert the basic tenets and rules of parliamentary democracy and on its outcome depends the future of democracy and democratic institutions in India. Three state governments have been toppled—Manipur, Haryana and West Bengal—and the difference in approach demonstrates the very quandary of the ruling Congress party at the Centre (i.e. -
A Hundred Years of Tagore in Finland
Cracow Indological Studies vol. XVII (2015) 10.12797/CIS.17.2015.17.08 Klaus Karttunen [email protected] (University of Helsinki) A Hundred Years of Tagore in Finland Summary: The reception of Rabindranath Tagore in Finland, starting from newspa- per articles in 1913. Finnish translations of his works (19 volumes in 1913–2013, some in several editions) listed and commented upon. Tagore’s plays in theatre, radio and TV, music composed on Tagore’s poems. Tagore’s poem (Apaghat 1929) commenting upon the Finnish Winter War. KEYWORDS: Rabindranath Tagore, Bengali Literature, Indian English Literature, Fin nish Literature. In Finland as well as elsewhere in the West, the knowledge of Indian literature was restricted to a few Sanskrit classics until the second decade of the 20th century. The Nobel Prize in Literature given to Rabindranath Tagore (1861–1941) in 1913 changed this at once. To some extent, the importance of Tagore had been noted even before—the Swedish Nobel Committee did not get his name out of nowhere.1 Tagore belonged to a renowned Bengali family and some echoes of this family had even been heard in Finland. As early as the 1840s, 1 The first version of this paper was read at the International Tagore Conference in Halle (Saale), Germany, August 2–3, 2012. My sincere thanks are due to Hannele Pohjanmies, the translator of Tagore’s poetry, who has also traced many details about the history of the poet in Finland. With her kind permission, I have used this material, supplementing it from newspaper archives and from my own knowledge. -
Subject : VISUAL ARTS Code 79
www.wineasy.in – The One-Stop Free Online Coaching Portal UNIVERSITY GRANTS COMMISSION NATIONAL ELIGIBILITY TEST UGC ( NET ) Subject : VISUAL ARTS Code 79 SYLLABUS AND SAMPLE QUESTIONS Note: There will be two question papers, Paper-II and Paper-III (Parts-A & I3). Paper—II will cover 50 Objective Type Questions (Multiple Choice, Matching Type, True/False, Assertion- Reasoning Type) carrying 100 marks. Paper—III will have two Parts-A and B; Paper-III (A) will have 10 short essay type questions (300 words) carrying 16 marks each. In it there will be one question with internal choice from each unit (i.e., 10 questions. from 10 units; Total marks will be 160) . Paper-III (B) will be compulsory and there will be one question from each of the Electives. The candidate will attempt only one question (one elective only in 800 words) carrying 40 marks. Total marks of Paper-III will be 200. PAPER-II and PAPER-Ill (A) [ CORE GROUP ] Unit—I General characteristics of Visual art/Fundamentals of visual art : Space, form, size, shape, line, colour, texture, tonal values, perspective, design and aesthetic organization of visual elements in art object (composition). The uses of two and three dimensions in visual art. Tactile quality in art. Environment and art. Perceptual and conceptual aspects in art. Unit—II Interrelationship of various arts : Rhythm, structure, use of space, visual properties. materials, techniques (traditional and modern), ideas, themes (narrative and non-narrative) conceptual, abstract elements between performing, cinematic, literary and plastic art. Unit—III Traditional and Modern mediums and materials in making visual arts : Painting, sculpture, print-making, mural, graphic design and multimedia art.