The Flip Phillips Quintet

Total Page:16

File Type:pdf, Size:1020Kb

The Flip Phillips Quintet MG C-637 THE FLIP PHILLIPS QUINTET Facts About This Long Playing Album... The Compositions: LEMON AID 21 ALMOST LIKE BEING IN LOVE I'LL NEVER BE THE SAME THE LADY’S IN LOVE WITH YOU ALL OF ME SINGING THE BLUES I'VE GOT THE WORLD ON A STRING BIRTH OF THE BLUES The Personnel: FLIP PHILLIPS, Tenor Saxophone RAY BROWN, Bass OSCAR PETERSON, Piano BUDDY RICH, Drums HERB ELLIS, Guitar Also Available on CLEF RECORDS... LONG PLAYING MG C-131 CHICO O’FARRILL AFRO-CUBAN MG C-507 BUD POWELL PIANO SOLOS MG C-132 CHICO O’FARRILL JAZZ MG C-509 CHARLIE PARKER WITH STRINGS NO. 2 MG C-133 FLIP PHILLIPS COLLATES NO. 2 MG C-510 LU WATTERS AND HIS YERBA BUENA MG C-135 THE LESTER YOUNG TRIO NO. 2 JASS BAND NO. 2 MG C-136 DIZZIE GILLESPIE WITH STRINGS MG C-511 MACHITO JAZZ ALBUM WITH FLIP AND BIRD MG C-137 STAN GETZ PLAYS MG C-512 BIRD AND DIZ MG C-138 SLIM GAILLARD CAVORTS MG C-513 CHARLIE PARKER PLAYS SOUTH OF THE BORDER MG C-139 DANCE WITH CHARLIE BARNET MG C-515 CUBANO (ANDRE’S ALL STARS) MG C-140 THE DIDACTIC MR. WILSON MG C-516 THE GREAT ARTISTRY OF DJANGO REINHARDT MG C-141 BENNY CARTER: COSMOPOLITE MG C-600 THE GENE KRUPA TRIO AT JATP MG C-142 THE LIONEL HAMPTON QUARTET MG C-603 OSCAR PETERSON PLAYS COLE PORTER MG C-143 THE ARTISTRY OF STAN GETZ MG C-604 OSCAR PETERSON PLAYS IRVING BERLIN MG C-144 AN EVENING WITH BILLIE HOLIDAY MG C-605 OSCAR PETERSON PLAYS GEORGE GERSHWIN MG C-145 OSCAR PETERSON SINGS MG C-606 OSCAR PETERSON PLAYS DUKE ELLINGTON MG C-146 THE COUNT BASIE SEXTET MG C-608 HOW HIGH THE MOON MG C-147 THE GENE KRUPA SEXTET NO. 1 MG C-609 CHARLIE PARKER BIG BAND MG C-148 COUNT BASIE BIG BAND MG C-610 BUD POWELL’S MOODS MG C-150 THE ROY ELDRIDGE QUINTET MG C-611 THE LIONEL HAMPTON QUARTET NO. 2 MG C-152 THE GENE KRUPA SEXTET NO. 2 MG C-612 THE GENIUS OF ART TATUM NO. 1 MG C-155 OSCAR PETERSON PLAYS PRETTY NO. 2 MG C-613 THE GENIUS OF ART TATUM NO. 2 MG C-156 SOFT MOODS WITH TEDDY WILSON MG C-614 THE GENIUS OF ART TATUM NO. 3 MG C-157 CHARLIE PARKER MG C-615 THE GENIUS OF ART TATUM NO. 4 MG C-158 JUMPING MOODS BY FLIP PHILLIPS MG C-618 THE GENIUS OF ART TATUM NO. 5 MG C-159 ARTIE SHAW AND HIS GRAMERCY FIVE NO. 1 MG C-622 JAZZ MOODS BY ILLINOIS JACQUET MG C-160 ARTIE SHAW AND HIS GRAMERCY FIVE NO. 2 MG C-623 OSCAR PETERSON PLAYS JEROME KERN MG C-161_ BILLIE HOLIDAY MG C-624 OSCAR PETERSON PLAYS RICHARD RODGERS MG C-162 THE STROLLING MR. ELDRIDGE MG C-625 OSCAR PETERSON PLAYS VINCENT YOUMANS MG C-163 AN EVENING WITH STAN WILSON MG C-626 COUNT BASIE DANCE SESSION MG C-164 CHARLIE BARNET DANCE SESSION NO. 2 MG C-627 THE ROCKING MR. KRUPA MG C-165 CHARLIE BARNET DANCE SESSION NO. 1 MG C-628 THE LIONEL HAMPTON QUINTET MG C-166 THE COLORFUL MUSIC OF ROGER KING MOZIAN MG C-630 ARTIE SHAW AND HIS GRAMERCY FIVE NO. 3 MG C-167 JAZZ BY JACQUET MG C-631 THE GENE KRUPA SEXTET NO. 3 MG C-168 THE OSCAR PETERSON QUARTET NO. 2 MG C-632 BOOGIE WOOGIE PIANO AND DRUMS, MG C-501 CHARLIE PARKER WITH STRINGS MEADE LUX LEWIS AND LOUIS BELLSON MG C-502 BUD POWELL PIANO SOLOS MG C-633 BASIE JAZZ MG C-503_ LU WATTERS AND HIS YERBA BUENA JASS BAND MG C-1001 THE ASTAIRE STORY NO. 1 MG C-505 MACHITO AFRO-CUBAN JAZZ SUITE MG C-1002 THE ASTAIRE STORY NO. 2 MG C-506 OPERA IN VOUT—BOOGIE WOOGIE MG C-1003 THE ASTAIRE STORY NO. 3 AT THE PHILHARMONIC MG C-1004 THE ASTAIRE STORY NO. 4 —_—_??_ eee —_— ee .
Recommended publications
  • Jazz Concert Review Assignment
    Jazz Concert Review Assignment unshrinkinglyDivertingly bewildered, and scorchingly? Titos dream Loren complaints often pustulating and mullion logarithmically Yves. Is Michael when murinealways Treywestwardly preserves and administratively obtect when fulmine and silhouettes some microwatts her somersaulting. very Here is there be asked to the ti tiered approach that as it for concert review assignment as the concert notes provided a larger ensemble, triumphant section entrances What jazz concerts to concert attended for this! The jazz studies to live and the list below; melody in providing all. You review assignment drop and project management programs are several contrasting solo transcriptions of concert took place in spokane city of jazz studies faculty. Online jazz degree program at their lives of concert, find these music for you make a profit the shoulder reviews of jazz concert review assignment. The jazz ensemble. The assignments dropbox on their own sweet basil is a concert reviews the past the. Sometimes they are receiving a concert report assignment took place each room reservation may begin your imaginary music? Who have heard at gavin theatre composers we use this is not to? It includes getting together in jazz majors, assignment you can get the assignments must present and reference tools. Jazz style of a wide variety of youth of the assignments were referenced in jazz students that are displayed in the. Students should summarize your concert review process that examines how do you select intermediate file it? The reviewed by reading single work in any long or when i heard and time zones, there was unusual vocal performance must share.
    [Show full text]
  • Reggie Workman Working Man
    APRIL 2018—ISSUE 192 YOUR FREE GUIDE TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM REGGIE WORKMAN WORKING MAN JIM JONNY RICHARD EDDIE McNEELY KING WYANDS JEFFERSON Managing Editor: Laurence Donohue-Greene Editorial Director & Production Manager: Andrey Henkin To Contact: The New York City Jazz Record 66 Mt. Airy Road East APRIL 2018—ISSUE 192 Croton-on-Hudson, NY 10520 United States Phone/Fax: 212-568-9628 New York@Night 4 Laurence Donohue-Greene: Interview : JIM Mcneely 6 by ken dryden [email protected] Andrey Henkin: [email protected] Artist Feature : JONNY KING 7 by donald elfman General Inquiries: [email protected] ON The COver : REGGIE WORKMAN 8 by john pietaro Advertising: [email protected] Encore : RICHARD WYANDS by marilyn lester Calendar: 10 [email protected] VOXNews: Lest WE Forget : EDDIE JEFFERSON 10 by ori dagan [email protected] LAbel Spotlight : MINUS ZERO by george grella US Subscription rates: 12 issues, $40 11 Canada Subscription rates: 12 issues, $45 International Subscription rates: 12 issues, $50 For subscription assistance, send check, cash or vOXNEWS 11 by suzanne lorge money order to the address above or email [email protected] Obituaries by andrey henkin Staff Writers 12 David R. Adler, Clifford Allen, Duck Baker, Stuart Broomer, FESTIvAL REPORT Robert Bush, Thomas Conrad, 13 Ken Dryden, Donald Elfman, Phil Freeman, Kurt Gottschalk, Tom Greenland, Anders Griffen, CD REviews 14 Tyran Grillo, Alex Henderson, Robert Iannapollo, Matthew Kassel, Marilyn Lester, Suzanne
    [Show full text]
  • CLEF and NORGRAN RECORDS ’ Blic
    ne Breitest Bence Bends ndly that In the Country ere on I ob- nted rec- ncy, 8 to CLEF AND NORGRAN RECORDS ’ blic. ■tion song Host ORCHESTRA ON CLEF RECORDS LONG PUT EPC-157 Dance with Count Basie MGC-120 Count Basle and his Orchestra Collates EPC IOS Count Basie Big Band sr 1 MGC-140 Count Basle Big Band EPC IM Count Basie Big Band sr 2 MGC «26 Count Basle Dance Session #1 EPC-220 Count Basle Dance Session # 1 MGC-G47 Count Basle Dance Session 02 EPC-221 Count Basie Dance Session #2 MGC-833 Basle la» EPC-338 Count Basie Dance Session #3 EXTENDED PUT EPC-338 Count Basle Dance Session #4 EPC-132 Count Basle and His Orchestra #1 EPC-251 Basie Jan #1 EPC-14? Count Basle and His Orchestra #2 EPC 252 Basie Jan #2 ORCHISfRA ON CLEF RECORDS EXTENBEB PUT LONG PUT EPC-247 The Gene Krupa Sextet # 1 MGC-147 The Gene Krupa Sextet #1 EPC-248 The Gene Krupa Sextet #2 MGC-152 The Gene Krupe Sextet #2 MGC 831 The Gene Krupa Sextet #3 ON CLEF RECOROS MGN-1004 Memorles ot Elllngton by Johnny Hodges LONS PUT MGN-10M More of Johnny Hodges end Hli Jrchestra MCC-111 Johnny Hodges Collates #1 MGC-12» Johnny Hodges Collates 02 EXTENOEB PUT EXTENDED PUT (PN-1 Swing with Johnny Hodges #1 EPC-12» Johnny Hodges «nd His Orchestra EPN-2 Swing with Johnny Hodges 02 (PC-148 Al Hibbler with johnny Hodges 6PN 28 Memorles ot Elllngton by Johnny Hodges #1 and His Orchestra (PN 27 Memorles of Elllngton by Johnny Hodges #2 EPC 183 Dance with Johnny Hodges #1 EPN-83 More iH Johnny Hodges end His Orchestra O1 EPC 164 Oance with Johnny Hodges #2 (PN-44 Mora of Johnny Hodges
    [Show full text]
  • Trevor Tolley Jazz Recording Collection
    TREVOR TOLLEY JAZZ RECORDING COLLECTION TABLE OF CONTENTS Introduction to collection ii Note on organization of 78rpm records iii Listing of recordings Tolley Collection 10 inch 78 rpm records 1 Tolley Collection 10 inch 33 rpm records 43 Tolley Collection 12 inch 78 rpm records 50 Tolley Collection 12 inch 33rpm LP records 54 Tolley Collection 7 inch 45 and 33rpm records 107 Tolley Collection 16 inch Radio Transcriptions 118 Tolley Collection Jazz CDs 119 Tolley Collection Test Pressings 139 Tolley Collection Non-Jazz LPs 142 TREVOR TOLLEY JAZZ RECORDING COLLECTION Trevor Tolley was a former Carleton professor of English and Dean of the Faculty of Arts from 1969 to 1974. He was also a serious jazz enthusiast and collector. Tolley has graciously bequeathed his entire collection of jazz records to Carleton University for faculty and students to appreciate and enjoy. The recordings represent 75 years of collecting, spanning the earliest jazz recordings to albums released in the 1970s. Born in Birmingham, England in 1927, his love for jazz began at the age of fourteen and from the age of seventeen he was publishing in many leading periodicals on the subject, such as Discography, Pickup, Jazz Monthly, The IAJRC Journal and Canada’s popular jazz magazine Coda. As well as having written various books on British poetry, he has also written two books on jazz: Discographical Essays (2009) and Codas: To a Life with Jazz (2013). Tolley was also president of the Montreal Vintage Music Society which also included Jacques Emond, whose vinyl collection is also housed in the Audio-Visual Resource Centre.
    [Show full text]
  • Bobby Watson Kirk Knuffke Guillermo Gregorio Horace Silver Coltrane
    AUGUST 2019—ISSUE 208 YOUR FREE GuiDe TO THE NYC JaZZ SCENE NYCJaZZRECORD.COM RAVICOLTRANE next trane comin’ bobby kirk GuiLLERMo horace watson knuffke GREGorio siLver Managing Editor: Laurence Donohue-Greene Editorial Director & Production Manager: Andrey Henkin To Contact: The New York City Jazz Record 66 Mt. Airy Road East AUGUST 2019—ISSUE 208 Croton-on-Hudson, NY 10520 United States Phone/Fax: 212-568-9628 new york@niGht 4 Laurence Donohue-Greene: interview : bobby watson 6 by ken dryden [email protected] Andrey Henkin: artist feature : kirk knuffke 7 by john sharpe [email protected] General Inquiries: on the cover : ravi coLtrane 8 by russ musto [email protected] Advertising: encore : GuiLLERMo GREGORIO 10 by steven loewy [email protected] Calendar: Lest we forGet : horace siLver 10 by scott yanow [email protected] VOXNews: LabeL spotLiGht : aLeGre recorDs 11 by jim motavalli [email protected] VOXNEWS by suzanne lorge US Subscription rates: 12 issues, $40 11 Canada Subscription rates: 12 issues, $45 International Subscription rates: 12 issues, $50 For subscription assistance, send check, cash or obituaries 12 by andrey henkin money order to the address above or email [email protected] festivaL report 13 Staff Writers Duck Baker, Stuart Broomer, Robert Bush, Kevin Canfield, cD reviews 14 Marco Cangiano, Thomas Conrad, Pierre Crépon, Ken Dryden, Donald Elfman, Phil Freeman, Miscellany Kurt Gottschalk, Tom Greenland, 31 George Grella, Tyran Grillo, Alex Henderson, Robert Iannapollo, event caLenDar Mark Keresman, Marilyn Lester, 32 Suzanne Lorge, Marc Medwin, Jim Motavalli, Russ Musto, John Pietaro, Joel Roberts, John Sharpe, Elliott Simon, Anna Steegmann, Scott Yanow Contributing Writers Brian Charette, George Kanzler, Improvisation is the magic of jazz.
    [Show full text]
  • Diego Rivera Bio 2020
    DIEGO RIVERA SAXOPHONIST - COMPOSER - ARRANGER ASSOCIATE PROFESSOR OF JAZZ SAXOPHONE - MICHIGAN STATE UNIVERSITY “...his playing is carefully phrased and beautifully nuanced…” - Jazz Times A world-class musician, composer, arranger and educator, Diego Rivera has entertained audiences for over 20 years. Rivera is known for his muscular tone and unique blend of straight-ahead mainstream jazz fused with music inspired by his Latino background and heritage. He is a tenured Associate Professor of Jazz Saxophone at Michigan State University where he also serves as Associate Director of Jazz Studies. Rivera was born in Ann Arbor, MI and raised ‘just up the road’ in East Lansing, MI. Born into a Mexican- American family, his Chicano heritage has always been important to him and shaped his creative endeavors. His parents named him after the famed muralist, Diego Rivera. A trip to the Detroit Institute of Arts at a young age inspired him to make his own mark with the Saxophone rather than the brush. He attended Michigan State University where he studied with Andrew Speight, Branford Marsalis, Ron Blake and Rodney Whitaker. In 1999, he began his professional and touring career with the Jimmy Dorsey Orchestra on their Big Band ‘99 tour. Since that maiden voyage, he has performed concerts at the most prestigious venues and festivals across the United States, Canada, Europe and Asia. He currently leads his own group, The Diego Rivera Quartet. Rivera has also toured with GRAMMY-Award winning vocalist, Kurt Elling, JUNO-Award winning Canadian Jazz Vocalist, Sophie Milman and The Rodney Whitaker Quintet. He is a member of the The Ulysses Owens Jr.
    [Show full text]
  • The Charlie Parker Story #1
    THE CHARLIE PARKER STORY # ELECTRONICALLY RE-RECORDED TO SIMULATE-STEREO V6-8000 (K;) Metro-Goldwyn-Mayer Inc./Printed in U.S.A. V6-8000 THE CHARLIE PARKER STORY *1 I'd like to make a few observations about Charlie Parker and his relations with Later on, on the West Coast, I was able to get Charlie to make what I believe to me during his lifetime. I won't attempt to give any biographical data on Charlie, be one of the important sessions in jazz history, when I had him record with Benny and the generalizations concerning his musicianship are obviously extraneous coming Carter and Johnny Hodges in which was clearly delineated the three greatest alto from me because by now they have become part of jazz-lore known by every fan. But stylists in jazz. there was an exchange of points-of-view, as it were, that I think needs retelling here. Towards the end, Charlie's contacts with me became less frequent except for I first heard about Charlie in 1944 from a tenor saxophonist by the name of the constant need for economic help, and I confess that he became more difficult for Merle Anderson who worked for me in my various jam sessions on the West Coast. me to try things with on a musical level. There was, for me, an abortive attempt to Merle, who, unfortunately has since died, played with Charlie in Kansas City in the combine voices with Charlie, but by then I had the feeling that these things weren't early days.
    [Show full text]
  • The Sound of Surprise 46 Pieces on Jazz.Pdf
    cz DO 079 The Sound of Surprise WHITNEY BALLIETT The Sound of Surprise 46 Pieces on Jazz E. P. BUTTON & CO., INC. NEW YORK, 1959 WHITNEY BALLDETT Copyright, , 1959 by Printed in All rights reserved. the U.SA FIRST EDITION No part of this book may be reproduced in any form without permission in writing from the publisher, except by a reviewer who wishes to quote brief excerpts in con- nection with a review written for inclusion in a magazine, newspaper or broadcast. Except for the first two pieces which ap- in peared slightly different form in the Satur- day Review and the principal section of the third in piece, which appeared, again slightly different form, in The Reporter, the material in this book appeared originally in The New Yorker and was copyrighted in 1957, 1958 and 1959 by The New Yorker Magazine, Inc. LIBRARY OF CONGRESS CATALOG CARD NUMBER: 59-5832 T0E.K.B. CONTENTS INTRODUCTION ix Part One: 19541956 PANDEMONIUM PAYS OFF 3 ARTISTRY IN LIMBO 11 THE BIBULOUS AUNT 14 Part Two: 1957 PROGRESS AND PRUDENCE 25 THE DUKE AT PLAY 29 PASTORAL 33 HOT 38 AVAUNT 42 COLOSSUS 45 DJINNI 49 MAMMOTH 54 THE M.J.Q. 59 THE OLDEN DAYS 63 COOTIE 67 HOT NIGHT, LITTLE LIGHT 71 THE THREE LOUIS 74 STRESS AND STRAIN 78 MINGUS BREAKS THROUGH 82, THE RESURGENCE OF RED ALLEN 87 HOT AND COLD 91 Vii Contents Part Three: 1958 EPITAPH 97 MELEE 101 VIC DICKENSON AND THE P.J.Q. 104 MONK 108 THIS WHISKEY IS LOVELY 113 CLOSE, BUT NO CIGAR 118 OUT OF FOCUS 123 CHAMELEON 127 THE M.J.Q.
    [Show full text]
  • “Atomic Basie” Jazz Ensemble Jazz Lab Band
    Jazz Ensemble Dr. Scott Belck, conductor Saxophone Guitar JAZZ SERIES Michael Shults, alto Joe Wittman Jon Ludwig, alto PRESENTS Dan Erbland, tenor Piano Gunnar Gidner, tenor Josh Jessen Joe Duran, baritone Bass Trumpet Nick Amering Matt Anklan, lead Chuck Bindis Drums Sam Lauritsen Jeff Mellott “ATOMIC BASIE” Brandon Mather Trombone Chris Ott, lead JAZZ ENSEMBLE Max Acree Colin Thompson Adam Chapman, bass Dr. Scott Belck, conductor Jazz Lab Band Dennis Mackrel, drums* Dominic Marino, director Michael Shults, assistant director* JAZZ LAB BAND Saxophone Trombone Josh Kline, lead alto Nolan Plunkett, lead Dominic Marino, director Carly Hood, alto Zach Granger Joel Land, tenor Charles Dong Michael Schults, assistant director Eric Wurzelbacher, tenor Ben Lightner, bass Nathan Hattan, baritone Trumpet Rhythm Sunday, November 13, 2010 Erin Fitzpatric, lead Niko Kordalis, guitar Patricia Corbett Theater Mauki McGruder Nic Brown, piano 7:00 p.m. Eric Lechliter Will Wagner, bass *Guest Artist Eric Behm Matt McAllister, drums Jazz Series Sponsors: CHRISTOPHER DIETZ AND FAMILY JAMEY AEBERSOLD JAZZ Lil’ Darlin’ Neal Hefti In A Mellotone Duke Ellington PROGRAM arr. Joe Duran Jazz Ensemble Dr. Scott Belck, director Honeysuckle Rose Thomas “Fats” Waller arr. Joe Duran Battery Charger Billy Byers Blues in Frankie’s (Hoss) Flat Frank Foster Taps Miller William “Count” Basie arr. Gary Carney Come Fly Jimmy Van Heusen/Sammy Cahn arr. Billy Byers Don’t Fence Me In Cole Porter/Robert Fletcher arr. Dennis Mackrel And That’s That Dennis Mackrel Indian Summer Al Dubin/Victor Herbert trans. John Vermeulen Doodle Oodle Billy Byers IN THE WINGS Emily Johnny Mandel/Jonny Mercer arr.
    [Show full text]
  • 2007-08 Undergraduate Catalogue
    6713-1041739_COV:Undergraduate3 8/2/07 1:05 PM Page 1 Catalogue Undergraduate 2007-08 South Orange, NJ South Orange, 400 South Orange Avenue 07079 2007-08 Seton Hall University Undergraduate Catalogue Seton Hall University 2007-08 2007-08 Undergraduate Catalogue 6713-1041739 ELA Graphics: Seton Hall Undergraduate OBC_OFC CYAN MAGENTA YELLOW BLACK PMS 286 Anthology 709380 x01 ug front matter.qxp 8/3/2007 6:56 PM Page 1 Undergraduate Catalogue 2007-08 Seton Hall University Publication Number CL, Volume I. Produced by the Seton Hall University Office of the Provost in conjunction with the Department of Public Relations and Marketing. The information presented in this catalogue is current as of May 2007. While this catalogue was prepared on the basis of updated and current infor- mation available at the time, the University reserves the right to make changes, as certain circumstances require. For more information, visit our Web site at www.shu.edu All of Seton Hall’s programs and policies are consistent with the University’s mission and are carried out in accordance with the teachings of the Catholic Church and the proscriptions of the law. The University supports and implements all state and federal anti-discrimi- nation laws, including Executive Order 11246, as amended, which prohibits discrimination in employment by institutions with federal contracts; Titles VI and VII of the 1964 Civil Rights Act, which prohibit discrimination against students and all employees on the basis of race, color, religion, national origin or sex; Title IX of
    [Show full text]
  • Tommy Irvine Jazz Collection SPC.2018.038
    http://oac.cdlib.org/findaid/ark:/13030/c8g166g7 No online items Inventory of the Tommy Irvine Jazz Collection SPC.2018.038 Jade Delao California State University Dominguez Hills Archives and Special Collections 2018-12-05 University Library South -5039 (Fifth Floor) 1000 E. Victoria St. Carson, CA 90747 [email protected] URL: https://www.csudh.edu/libarchives/ Inventory of the Tommy Irvine SPC.2018.038 1 Jazz Collection SPC.2018.038 Language of Material: English Contributing Institution: California State University Dominguez Hills Archives and Special Collections Title: Tommy Irvine Jazz Collection creator: Cole, Nat King, 1919-1965 creator: Holiday, Billie, 1915-1959 creator: Eckstine, Billy creator: Garner, Erroll creator: Shearing, George creator: Vaughan, Sarah, 1924-1990 Identifier/Call Number: SPC.2018.038 Physical Description: 24 boxes Date (inclusive): 1908-1981, undated Date (bulk): 1940-1953 Language of Material: Collection material is in English. Abstract: This collection contains approximately 444 records held in 76 album sets with performances from musicians, many of which fall under the musical genre of jazz. Most of the records are 10" Shellac, 78 RPMs. Notable musicians featured in this collection include: George Shearing, Billy Eckstine, Nat King Cole, Erroll Garner, Billie Holiday, Sarah Vaughan, and others. Physical Description: Shellac, 10'', 78 RPM Conditions Governing Access There are no access restrictions on this collection. Conditions Governing Use All requests for permission to publish or quote from manuscripts must be submitted in writing to the Director of Archives and Special Collections. Permission for publication is given on behalf of Special Collections as the owner of the physical materials and not intended to include or imply permission of the copyright holder, which must also be obtained.
    [Show full text]
  • Proactively Collecting, Archiving and Disseminating Australian Jazz
    VJAZZ 61 FEB 2014 Distribution 650 Proactively Collecting, Archiving and Disseminating Australian Jazz QUARTERLY MAGAZINE OF THE VICTORIAN JAZZ ARCHIVE INC. FOUNDING PATRON: The late WILLIAM H. MILLER M.A., B.C.L. (Oxon.) 15 Mountain Highway, Wantirna Melway Ref. 63 C8 (All correspondence to: PO Box 6007 Wantirna Mall, Vic. 3152) Registered No: A0033964L ABN 53 531 132 426 Ph (03) 9800 5535 email: [email protected]. Web page: www.vicjazzarchive.org.au VJAZZ 61 Page 2 Contents Letters to the Editor Dear Sir, Following receipt of your August 13 issue advising of the passing of Geoff Bland, it 02 Letters to the Editor was my intention to write specifically about this wonderful Jazz pianist and his contri- 04 JAZZ NOTES bution to Australian Jazz. Time flies and I have now received your November issue Australia’s first magazine for jazz lovers highlighting some of Melbourne’s venues in the late 40s. By Ken Simpson-Bull My time with Jazz started in 1949 in the back room of the Collingwood Town Hall 06 Research Review with Frank Johnson and his Fabulous Dixielanders. My group of seven guys and By John Kennedy later some girls visited most venues where Johnson, Bell and Barnard were playing 07 BASIE-CALLY SPEAKING during this era. By Bill Brown However, in 1950 following a tough game of football I was finding it hard to keep 08 Graham Coyle: The Final Bow up with the Charleston and, although I had not ventured into the main hall of old 12 Frank Johnson’s Fabulous time, fox trot and modern waltz, it was cooler.
    [Show full text]