Appreciation Survey Summary Report 2003
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Sasha Mackay Thesis
STORYTELLING AND NEW MEDIA TECHNOLOGIES: INVESTIGATING THE POTENTIAL OF THE ABC’S HEYWIRE FOR REGIONAL YOUTH Sasha Mackay Bachelor of Fine Arts (Hons), Creative Writing Production Submitted in fulfilment of the requirements for the degree of Doctor of Philosophy Creative Industries Faculty Queensland University of Technology 2015 Keywords Australian Broadcasting Corporation Heywire new media narrative identity public service media regional Australia storytelling voice youth Storytelling and new media technologies: investigating the potential of the ABC’s Heywire for regional youth i Abstract This thesis takes a case study approach to examine the complexity of audience participation within the Australian public service media institution, the Australian Broadcasting Corporation (ABC). New media technologies have both enabled and necessitated an increased focus on user created content and audience participation within the context of public service media (PSM) worldwide and such practices are now embedded within the remit of these institutions. Projects that engage audiences as content creators and as participants in the creation of their own stories are now prevalent within PSM; however, these projects represent spaces of struggle: a variety of institutional and personal agendas intersect in ways that can be fruitful though at other times produce profound challenges. This thesis contributes to the wider conversation on audience participation in the PSM context by examining the tensions that emerge at this intersection of agendas, and the challenges and potentials these produce for the institution as well as the individuals whose participation it invites. The case study for this research – Heywire – represents one of the first instances of content-related participation within the ABC. -
ANNUAL REPORT 2019 Revellers at New Year’S Eve 2018 – the Night Is Yours
AUSTRALIAN BROADCASTING CORPORATION ANNUAL REPORT 2019 Revellers at New Year’s Eve 2018 – The Night is Yours. Image: Jared Leibowtiz Cover: Dianne Appleby, Yawuru Cultural Leader, and her grandson Zeke 11 September 2019 The Hon Paul Fletcher MP Minister for Communications, Cyber Safety and the Arts Parliament House Canberra ACT 2600 Dear Minister The Board of the Australian Broadcasting Corporation is pleased to present its Annual Report for the year ended 30 June 2019. The report was prepared for section 46 of the Public Governance, Performance and Accountability Act 2013, in accordance with the requirements of that Act and the Australian Broadcasting Corporation Act 1983. It was approved by the Board on 11 September 2019 and provides a comprehensive review of the ABC’s performance and delivery in line with its Charter remit. The ABC continues to be the home and source of Australian stories, told across the nation and to the world. The Corporation’s commitment to innovation in both storytelling and broadcast delivery is stronger than ever, as the needs of its audiences rapidly evolve in line with technological change. Australians expect an independent, accessible public broadcasting service which produces quality drama, comedy and specialist content, entertaining and educational children’s programming, stories of local lives and issues, and news and current affairs coverage that holds power to account and contributes to a healthy democratic process. The ABC is proud to provide such a service. The ABC is truly Yours. Sincerely, Ita Buttrose AC OBE Chair Letter to the Minister iii ABC Radio Melbourne Drive presenter Raf Epstein. -
DIVERSITY ANNUAL REPORT 2016–17 Contents
EQUITY AND DIVERSITY ANNUAL REPORT 2017 Black Comedy, Photo: ABC TV AUSTRALIAN BROADCASTING CORPORATION EQUITY AND DIVERSITY ANNUAL REPORT 2016–17 Contents PLANNING AND REPORTING 2 INDIGENOUS 15 PERFORMANCE MONITORING 3 NON-ENGLISH SPEAKING BACKGROUND 17 PERFORMANCE 4 DISABILITY 18 DIVERSITY AND INCLUSION HIGHLIGHTS 8 CONTENT HIGHLIGHTS 21 GENDER 13 Contents 1 Planning and reporting The Australian Broadcasting Corporation (ABC) About the Equity and is Australia’s national broadcaster and was established as a statutory corporation under Diversity Program the Australian Broadcasting Corporation Act This program has been designed to eliminate 1983 (the ABC Act). The ABC Act, which includes discrimination and promote equal opportunity the ABC Charter, sets out the functions and for women, Aboriginal and Torres Strait Islander duties of the Corporation. people, people from a non-English speaking As a Commonwealth authority employer, background and people with disabilities. the ABC is bound by the provisions of the: The ABC is a member of a number of key national • Equal Employment Opportunity diversity organisations, including the Diversity (Commonwealth Authorities) Act 1987 Council of Australia. • Racial Discrimination Act 1975 ABC Managing Director, Michelle Guthrie, • Sex Discrimination Act 1984 is a member of the Leadership Council on • Australian Human Rights Commission Cultural Diversity which is chaired by the Act 1986 Race Discrimination Commissioner, Tim Soutphommasane. The Council is committed to • Disability Discrimination Act -
Annual Report 2006-2007: Part 2 – Overview
24 international broadcasting then... The opening transmission of Radio Australia in December 1939, known then as “Australia Calling”. “Australia Calling… Australia Calling”, diminishing series of transmission “hops” announced the clipped voice of John Royal around the globe. For decades to come, through the crackle of shortwave radio. It was listeners would tune their receivers in the a few days before Christmas 1939. Overseas early morning and dusk and again at night broadcasting station VLQ 2—V-for-victory, to receive the clearest signals. Even then, L-for-liberty, Q-for-quality—had come alive signal strength lifted and fell repeatedly, to the impending terror of World War II. amid the atmospheric hash. The forerunner of Radio Australia broadcast Australia Calling/Radio Australia based itself in those European languages that were still in Melbourne well south of the wartime widely used throughout South-East Asia at “Brisbane Line” and safe from possible the end of in the colonial age—German, Dutch, Japanese invasion. Even today, one of Radio French, Spanish and English. Australia’s principal transmitter stations is located in the Victorian city of Shepparton. Transmission signals leapt to the ionosphere —a layer of electro-magnetic particles By 1955, ABC Chairman Sir Richard Boyer surrounding the planet—before reflecting summed up the Radio Australia achievement: down to earth and bouncing up again in a “We have sought to tell the story of this section 2 25 country with due pride in our achievements international broadcasting with Australia and way of life, but without ignoring the Television. Neither the ABC nor, later, differences and divisions which are inevitable commercial owners of the service could in and indeed the proof of a free country”. -
Alpha ELT Listing
Lienholder Name Lienholder Address City State Zip ELT ID 1ST ADVANTAGE FCU PO BX 2116 NEWPORT NEWS VA 23609 CFW 1ST COMMAND BK PO BX 901041 FORT WORTH TX 76101 FXQ 1ST FNCL BK USA 47 SHERMAN HILL RD WOODBURY CT 06798 GVY 1ST LIBERTY FCU PO BX 5002 GREAT FALLS MT 59403 ESY 1ST NORTHERN CA CU 1111 PINE ST MARTINEZ CA 94553 EUZ 1ST NORTHERN CR U 230 W MONROE ST STE 2850 CHICAGO IL 60606 GVK 1ST RESOURCE CU 47 W OXMOOR RD BIRMINGHAM AL 35209 DYW 1ST SECURITY BK WA PO BX 97000 LYNNWOOD WA 98046 FTK 1ST UNITED SVCS CU 5901 GIBRALTAR DR PLEASANTON CA 94588 W95 1ST VALLEY CU 401 W SECOND ST SN BERNRDNO CA 92401 K31 360 EQUIP FIN LLC 300 BEARDSLEY LN STE D201 AUSTIN TX 78746 DJH 360 FCU PO BX 273 WINDSOR LOCKS CT 06096 DBG 4FRONT CU PO BX 795 TRAVERSE CITY MI 49685 FBU 777 EQUIPMENT FIN LLC 600 BRICKELL AVE FL 19 MIAMI FL 33131 FYD A C AUTOPAY PO BX 40409 DENVER CO 80204 CWX A L FNCL CORP PO BX 11907 SANTA ANA CA 92711 J68 A L FNCL CORP PO BX 51466 ONTARIO CA 91761 J90 A L FNCL CORP PO BX 255128 SACRAMENTO CA 95865 J93 A L FNCL CORP PO BX 28248 FRESNO CA 93729 J95 A PLUS FCU PO BX 14867 AUSTIN TX 78761 AYV A PLUS LOANS 500 3RD ST W SACRAMENTO CA 95605 GCC A/M FNCL PO BX 1474 CLOVIS CA 93613 A94 AAA FCU PO BX 3788 SOUTH BEND IN 46619 CSM AAC CU 177 WILSON AVE NW GRAND RAPIDS MI 49534 GET AAFCU PO BX 619001 MD2100 DFW AIRPORT TX 75261 A90 ABLE INC 503 COLORADO ST AUSTIN TX 78701 CVD ABNB FCU 830 GREENBRIER CIR CHESAPEAKE VA 23320 CXE ABOUND FCU PO BX 900 RADCLIFF KY 40159 GKB ACADEMY BANK NA PO BX 26458 KANSAS CITY MO 64196 ATF ACCENTRA CU 400 4TH -
Abc Television Network Commercial Integration
ABC TELEVISION NETWORK COMMERCIAL INTEGRATION & SALES SCHEDULING GUIDELINES DECEMBER 2017 T A B L E O F C O N T E N T S Commercial Requirements and Information ………………… 1 HD and SD Tech Specs...................................................... 1 Commercial Vendors for Delivery………………………………. 2 Commercial Clearance/Broadcast Standards…………………… 3 Broadcast Standards Advertising Guidelines…………………… 3 Commercial Integration Rates………………………………………… 3 ABC Scheduling Instructions…………................................. 4 Commercial Hold/Delete Requirements.......................... 4 ABC Sales Scheduling Contacts………………………………….. 5 ABC Sales Scheduling General Assignments……………….. 5 DADTV Requirements………………………………………………. 5 ABC Sectional Activity Requirements.................................... 5 Sample Scheduling Instructions……………………………… 6 Billboard Requirements…………………………………………….. 7-8 COMMERCIAL REQUIREMENTS & INFORMATION AD-ID SYSTEM Agencies are encouraged to utilize the Ad-ID numbering system for all commercials. This is the industry standard Ad-ID coded system adopted by the 4 A’s. Please contact Ad-ID, LLC as follows: Ad-ID, LLC 11020 David Taylor Drive Suite 305 Charlotte, NC 28262 (704) 501-4410 [email protected] Standard Definition Ad-ID codes cannot end with the letter “H”. This is reserved for High Definition commercials ONLY. Example: IJKJ007H ~ This is not acceptable in Standard Definition. For those clients not currently using the AD-ID system, please be mindful of ABC commercial code character limits. SD maximum of 12 and HD maximum of 13. COMMERCIALS FOR BROADCAST The following requirements apply to all ABC programs. Please submit all commercials via electronic delivery to our New York location only. Commercials are due no later than the 5th business day prior to air date. All commercials must be slated with an Ad-ID, length, client & product name. It is required that all HD (16x9) commercial material be delivered in “4x3 safe”. -
ABC TV 2015 Program Guide
2014 has been another fantastic year for ABC sci-fi drama WASTELANDER PANDA, and iview herself in a women’s refuge to shine a light TV on screen and we will continue to build on events such as the JONAH FROM TONGA on the otherwise hidden world of domestic this success in 2015. 48-hour binge, we’re planning a range of new violence in NO EXCUSES! digital-first commissions, iview exclusives and We want to cement the ABC as the home of iview events for 2015. We’ll welcome in 2015 with a four-hour Australian stories and national conversations. entertainment extravaganza to celebrate NEW That’s what sets us apart. And in an exciting next step for ABC iview YEAR’S EVE when we again join with the in 2015, for the first time users will have the City of Sydney to bring the world-renowned In 2015 our line-up of innovative and bold ability to buy and download current and past fireworks to audiences around the country. content showcasing the depth, diversity and series, as well programs from the vast ABC TV quality of programming will continue to deliver archive, without leaving the iview application. And throughout January, as the official what audiences have come to expect from us. free-to-air broadcaster for the AFC ASIAN We want to make the ABC the home of major CUP AUSTRALIA 2015 – Asia’s biggest The digital media revolution steps up a gear in TV events and national conversations. This year football competition, and the biggest football from the 2015 but ABC TV’s commitment to entertain, ABC’s MENTAL AS.. -
Community Radio National Listener Survey 2018
Community Radio National Listener Survey 2018 Summary Report of Findings Community Broadcasting Association of Australia May 2018 Table of Contents 1. Background .................................................................................................................. 4 1.1 McNair Community Radio National Listener Survey .................................................................5 1.2 McNair yellowSquares ..........................................................................................................................5 2. Executive Summary ..................................................................................................... 6 2.1 Awareness of Community Radio ......................................................................................................6 2.2 How Many People Listen to Community Radio .........................................................................6 2.3 How Much They Listen and When ...................................................................................................7 2.4 Why They Listen ....................................................................................................................................8 2.5 Who Listens .............................................................................................................................................9 3. Method ....................................................................................................................... 10 3.1 Telephone Survey .............................................................................................................................. -
First Name Last Name Title Company Country Anouk Florencia Aaron Warner Bros
First Name Last Name Title Company Country Anouk Florencia Aaron Warner Bros. International Television United States Carlos Abascal Director, Ole Communications Ole Communications United States Kelly Abcarian SVP, Product Leadership Nielsen United States Mike Abend Director, Business Development New Form Digital United States Friday Abernethy SVP, Content Distribution Univision Communications Inc United States Jack Abernethy Twentieth Television United States Salua Abisambra Manager Salabi Colombia Rafael Aboy Account Executive Newsline Report Argentina Cori Abraham SVP of Development and International Oxygen Network United States Mo Abraham Camera Man VIP Television United States Cris Abrego Endemol Shine Group Netherlands Cris Abrego Chairman, Endemol Shine Americas and CEO, Endemol Shine North EndemolAmerica Shine North America United States Steve Abrego Endemol Shine North America United States Patrícia Abreu Dirctor Upstar Comunicações SA Portugal Manuel Abud TV Azteca SAB de CV Mexico Rafael Abudo VIP 2000 TV United States Abraham Aburman LIVE IT PRODUCTIONS Francine Acevedo NATPE United States Hulda Acevedo Programming Acquisitions Executive A+E Networks Latin America United States Kristine Acevedo All3Media International Ric Acevedo Executive Producer North Atlantic Media LLC United States Ronald Acha Univision United States David Acosta Senior Vice President City National Bank United States Jorge Acosta General Manager NTC TV Colombia Juan Acosta EVP, COO Viacom International Media Networks United States Mauricio Acosta President and CEO MAZDOC Colombia Raul Acosta CEO Global Media Federation United States Viviana Acosta-Rubio Telemundo Internacional United States Camilo Acuña Caracol Internacional Colombia Andrea Adams Director of Sales FilmTrack United States Barbara Adams Founder Broken To Reign TV United States Robin C. Adams Executive In Charge of Content and Production Endavo Media and Communications, Inc. -
Senate Standing Committee on Environment and Communications
Senate Standing Committee on Environment and Communications Answers to Senate Estimates Questions on Notice Supplementary Budget Estimates Hearings October 2012 Broadband, Communications and the Digital Economy Portfolio Australian Broadcasting Corporation Question No: 139 Program No. ABC Hansard Ref: Page 73 Topic: Mr Loewenstein Senator Abetz asked: Mr Scott: … I should point out that Mr Loewenstein is not an employee of the ABC. As you pointed out, he has appeared as a guest on our programs, but he is not an employee. Senator ABETZ: But he gets paid a fee from time to time for those appearances? Mr Scott: I would have to check on that. I do not know… Senator ABETZ: It was within the week of that column that the ABC took that decision. Compare Mr Milne's column to Mr Lowenstein's offensive comment, which remained in the ether for five weeks before an apology was finally dragged out of him. Is the ABC willing to continue to have Mr Loewenstein appear as a credible panellist on its programs? Mr Scott: That decision was made, I think, at the editorial level of Insiders. The first I have become aware of this incident was this afternoon. I can take that question on notice, but I understand this was a very offensive statement made— Answer: Antony Loewenstein is a freelance journalist, blogger and author and has appeared as a guest and commentator from time to time on various ABC Radio networks. In 2012 he has appeared on triple j’s Hack and Sunday Night Safran, on Radio National on Common Knowledge, on 702 ABC Sydney Afternoons and on 105.7 ABC Darwin Afternoons. -
Community Radio National Listener Survey 2019
Community Radio National Listener Survey 2019 Summary Report of Findings Community Broadcasting Association of Australia February 2020 Table of Contents 1. Background ............................................................................................................................... 4 1.1 McNair Community Radio National Listener Survey .................................................................. 5 1.2 McNair yellowSquares ............................................................................................................................ 5 2. Executive Summary ................................................................................................................. 6 2.1 Awareness of Community Radio ........................................................................................................ 6 2.2 How Many People Listen to Community Radio ........................................................................... 6 2.3 How Much They Listen and When ..................................................................................................... 7 2.4 Why They Listen ...................................................................................................................................... 8 2.5 Who Listens ................................................................................................................................................ 9 3. Method .................................................................................................................................... -
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Deakin Research Online This is the published version: Cinque, Toija 2007, ABC online : a vortal for new opportunities?, Australian journal of communication, vol. 34, no. 3, pp. 85-100. Available from Deakin Research Online: ttp://hdl.handle.net/10536/DRO/DU:30023042 Reproduced with the kind permissions of the copyright owner. Copyright : 2007, University of Queensland, School of English 1111200802825III mlllll A vorll:a~ for new opportlLDU1Ioll:oes? ABSTRACT: This article undertakes an analysis of the ABCs website, ABC Online www.abc.net.au-to explore how the public broadcaster uses the Internet to offer new services. While recognising that the ABC aims to enhance its traditional radio and television services using the Internet, the article establishes the extent to which ABC Online also provides innovative, original, and interactive new services, including those with no connection to traditional radio and television programs, as is often demanded by audiences. This article examines the capacity for ABC Online to develop a unique and distinctive role via the Internet through the potential to offer novel and interactive content and services. he contemporary broadcasting industry is Tcharacterised by technological and social change, it is increasingly competitive, and the media industry is fragmenting. Such changes are giving Australians an increased choice of media in different formats and on different platforms. As content-be it text, sound, or vision-is made available from multiple sources, it is apparent that audiences will continue to splinter (Cooke, 2006, p. 210; Given, 2003, p. 201). Changes to employment patterns and Toija Cinque, School lifestyles are dramatically affecting when and of Humanities, to what audiences choose to watch and listen.